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Horace — Odes · Satires · Epistles

36.2k words · more by this author

Works in this volume — 4
  1. Odes 18.8k words
  2. Satires 119 words
  3. Epistles 9.9k words
  4. Ars Poetica 7.3k words

Odes

Contents — 99 sections
  1. Book 1, Poem 1
  2. Book 1, Poem 2
  3. Book 1, Poem 3
  4. Book 1, Poem 4
  5. Book 1, Poem 5
  6. Book 1, Poem 6
  7. Book 1, Poem 7
  8. Book 1, Poem 8
  9. Book 1, Poem 9
  10. Book 1, Poem 10
  11. Book 1, Poem 11
  12. Book 1, Poem 12
  13. Book 1, Poem 13
  14. Book 1, Poem 14
  15. Book 1, Poem 15
  16. Book 1, Poem 16
  17. Book 1, Poem 17
  18. Book 1, Poem 18
  19. Book 1, Poem 19
  20. Book 1, Poem 20
  21. Book 1, Poem 21
  22. Book 1, Poem 22
  23. Book 1, Poem 23
  24. Book 1, Poem 24
  25. Book 1, Poem 26
  26. Book 1, Poem 27
  27. Book 1, Poem 28
  28. Book 1, Poem 29
  29. Book 1, Poem 30
  30. Book 1, Poem 31
  31. Book 1, Poem 32
  32. Book 1, Poem 33
  33. Book 1, Poem 34
  34. Book 1, Poem 35
  35. Book 1, Poem 36
  36. Book 1, Poem 37
  37. Book 1, Poem 38
  38. Book 2, Poem 1
  39. Book 2, Poem 2
  40. Book 2, Poem 3
  41. Book 2, Poem 4
  42. Book 2, Poem 6
  43. Book 2, Poem 7
  44. Book 2, Poem 8
  45. Book 2, Poem 9
  46. Book 2, Poem 10
  47. Book 2, Poem 11
  48. Book 2, Poem 12
  49. Book 2, Poem 13
  50. Book 2, Poem 14
  51. Book 2, Poem 15
  52. Book 2, Poem 16
  53. Book 2, Poem 17
  54. Book 2, Poem 18
  55. Book 2, Poem 19
  56. Book 2, Poem 20
  57. Book 3, Poem 1
  58. Book 3, Poem 2
  59. Book 3, Poem 3
  60. Book 3, Poem 4
  61. Book 3, Poem 5
  62. Book 3, Poem 6
  63. Book 3, Poem 7
  64. Book 3, Poem 8
  65. Book 3, Poem 9
  66. Book 3, Poem 10
  67. Book 3, Poem 11
  68. Book 3, Poem 12
  69. Book 3, Poem 13
  70. Book 3, Poem 14
  71. Book 3, Poem 15
  72. Book 3, Poem 16
  73. Book 3, Poem 17
  74. Book 3, Poem 18
  75. Book 3, Poem 19
  76. Book 3, Poem 21
  77. Book 3, Poem 22
  78. Book 3, Poem 23
  79. Book 3, Poem 24
  80. Book 3, Poem 25
  81. Book 3, Poem 26
  82. Book 3, Poem 27
  83. Book 3, Poem 28
  84. Book 3, Poem 29
  85. Book 3, Poem 30
  86. Book 4, Poem 1
  87. Book 4, Poem 2
  88. Book 4, Poem 3
  89. Book 4, Poem 4
  90. Book 4, Poem 5
  91. Book 4, Poem 6
  92. Book 4, Poem 7
  93. Book 4, Poem 8
  94. Book 4, Poem 9
  95. Book 4, Poem 11
  96. Book 4, Poem 12
  97. Book 4, Poem 13
  98. Book 4, Poem 14
  99. Book 4, Poem 15

Book 1, Poem 1

Maecenas, born of monarch ancestors, The shield at once and glory of my life! There are who joy them in the Olympic strife And love the dust they gather in the course; The goal by hot wheels shunn'd, the famous prize, Exalt them to the gods that rule mankind; This joys, if rabbles fickle as the wind Through triple grade of honours bid him rise, That, if his granary has stored away Of Libya's thousand floors the yield entire; The man who digs his field as did his sire, With honest pride, no Attalus may sway

By proffer'd wealth to tempt Myrtoan seas, The timorous captain of a Cyprian bark. The winds that make Icarian billows dark The merchant fears, and hugs the rural ease Of his own village home; but soon, ashamed Of penury, he refits his batter'd craft. There is, who thinks no scorn of Massic draught, Who robs the daylight of an hour unblamed, Now stretch'd beneath the arbute on the sward, Now by some gentle river's sacred spring; Some love the camp, the clarion's joyous ring, And battle, by the mother's soul abhorr'd.

See, patient waiting in the clear keen air, The hunter, thoughtless of his delicate bride, Whether the trusty hounds a stag have eyed, Or the fierce Marsian boar has burst the snare. To me the artist's meed, the ivy wreath Is very heaven: me the sweet cool of woods, Where Satyrs frolic with the Nymphs, secludes From rabble rout, so but Euterpe's breath Fail not the flute, nor Polyhymnia fly Averse from stringing new the Lesbian lyre. O, write my name among that minstrel choir, And my proud head shall strike upon the sky!

Book 1, Poem 2

Enough of snow and hail at last The sire has sent in vengeance down: His bolts, at his own temple cast, Appall'd the town, Appall'd the lands, lest Pyrrha's time Return, with all its monstrous sights, When Proteus led his flocks to climb The flatten'd heights, When fish were in the elm-tops caught, Where once the stock-dove wont to bide, And does were floating, all distraught, Adown the tide.

Old Tiber, hurl'd in tumult back From mingling with the Etruscan main, Has threaten'd Numa's court with wrack And Vesta's fane. Roused by his Ilia's plaintive woes, He vows revenge for guiltless blood, And, spite of Jove, his banks o'erflows, Uxorious flood. Yes, Fame shall tell of civic steel That better Persian lives had spilt, To youths, whose minish'd numbers feel Their parents' guilt.

What god shall Rome invoke to stay Her fall? Can suppliance overbear The ear of Vesta, turn'd away From chant and prayer? Who comes, commission'd to atone For crime like ours? at length appear, A cloud round thy bright shoulders thrown, Apollo seer! Or Venus, laughter-loving dame, Round whom gay Loves and Pleasures fly; Or thou, if slighted sons may claim A parent's eye,

O weary with thy long, long game, Who lov'st fierce shouts and helmets bright, And Moorish warrior's glance of flame Or e'er he smite! Or Maia's son, if now awhile In youthful guise we see thee here, Caesar's avenger—such the style Thou deign'st to bear; Late be thy journey home, and long Thy sojourn with Rome's family; Nor let thy wrath at our great wrong Lend wings to fly.

Here take our homage, Chief and Sire; Here wreathe with bay thy conquering brow, And bid the prancing Mede retire, Our Caesar thou!

Book 1, Poem 3

Thus may Cyprus' heavenly queen, Thus Helen's brethren, stars of brightest sheen, Guide thee! May the sire of wind Each truant gale, save only Zephyr, bind! So do thou, fair ship, that ow'st Virgil, thy precious freight, to Attic coast, Safe restore thy loan and whole, And save from death the partner of my soul! Oak and brass of triple fold Encompass'd sure that heart, which first made bold To the raging sea to trust A fragile bark, nor fear'd the Afric gust

With its Northern mates at strife, Nor Hyads' frown, nor South-wind fury-rife, Mightiest power that Hadria knows, Wills he the waves to madden or compose. What had Death in store to awe Those eyes, that huge sea-beasts unmelting saw, Saw the swelling of the surge, And high Ceraunian cliffs, the seaman's scourge? Heaven's high providence in vain Has sever'd countries with the estranging main, If our vessels ne'ertheless With reckless plunge that sacred bar transgress.

Daring all, their goal to win, Men tread forbidden ground, and rush on sin: Daring all, Prometheus play'd His wily game, and fire to man convey'd; Soon as fire was stolen away, Pale Fever's stranger host and wan Decay Swept o'er earth's polluted face, And slow Fate quicken'd Death's once halting pace. Daedalus the void air tried On wings, to humankind by Heaven denied; Acheron's bar gave way with ease Before the arm of labouring Hercules.

Nought is there for man too high; Our impious folly e'en would climb the sky, Braves the dweller on the steep, Nor lets the bolts of heavenly vengeance sleep.

Book 1, Poem 4

The touch of Zephyr and of Spring has loosen'd Winter's thrall; The well-dried keels are wheel'd again to sea: The ploughman cares not for his fire, nor cattle for their stall, And frost no more is whitening all the lea. Now Cytherea leads the dance, the bright moon overhead; The Graces and the Nymphs, together knit, With rhythmic feet the meadow beat, while Vulcan, fiery red, Heats the Cyclopian forge in Aetna's pit. 'Tis now the time to wreathe the brow with branch of myrtle green, Or flowers, just opening to the vernal breeze; Now Faunus claims his sacrifice among the shady treen, Lambkin or kidling, which soe'er he please.

Pale Death, impartial, walks his round: he knocks at cottage-gate And palace-portal. Sestius, child of bliss! How should a mortal's hopes be long, when short his being's date? Lo here! the fabulous ghosts, the dark abyss, The void of the Plutonian hall, where soon as e'er you go, No more for you shall leap the auspicious die To seat you on the throne of wine; no more your breast shall glow For Lycidas, the star of every eye.

Book 1, Poem 5

What slender youth, besprinkled with perfume, Courts you on roses in some grotto's shade? Fair Pyrrha, say, for whom Your yellow hair you braid, So trim, so simple! Ah! how oft shall he Lament that faith can fail, that gods can change, Viewing the rough black sea With eyes to tempests strange, Who now is basking in your golden smile, And dreams of you still fancy-free, still kind, Poor fool, nor knows the guile Of the deceitful wind!

Woe to the eyes you dazzle without cloud Untried! For me, they show in yonder fane My dripping garments, vow'd To Him who curbs the main.

Book 1, Poem 6

Not I, but Varius:—he, of Homer's brood A tuneful swan, shall bear you on his wing, Your tale of trophies, won by field or flood, Mighty alike to sing. Not mine such themes, Agrippa; no, nor mine To chant the Wrath that fill'd Pelides' breast, Nor dark Ulysses' wanderings o'er the brine, Nor Pelops' house unblest. Vast were the task, I feeble; inborn shame, And she, who makes the peaceful lyre submit, Forbid me to impair great Caesar's fame And yours by my weak wit.

But who may fitly sing of Mars array'd In adamant mail, or Merion, black with dust Of Troy, or Tydeus' son by Pallas' aid Strong against gods to thrust? Feasts are my theme, my warriors maidens fair, Who with pared nails encounter youths in fight; Be Fancy free or caught in Cupid's snare, Her temper still is light.

Book 1, Poem 7

Let others Rhodes or Mytilene sing, Or Ephesus, or Corinth, set between Two seas, or Thebes, or Delphi, for its king Each famous, or Thessalian Tempe green; There are who make chaste Pallas' virgin tower The daily burden of unending song, And search for wreaths the olive's rifled bower: The praise of Juno sounds from many a tongue, Telling of Argos' steeds, Mycenae's gold. For me stern Sparta forges no such spell, No, nor Larissa's plain of richest mould, As bright Albunea echoing from her cell.

O headlong Anio! O Tiburnian groves, And orchards saturate with shifting streams! Look how the clear fresh south from heaven removes The tempest, nor with rain perpetual teems! You too be wise, my Plancus: life's worst cloud Will melt in air, by mellow wine allay'd, Dwell you in camps, with glittering banners proud, Or 'neath your Tibur's canopy of shade. When Teucer fled before his father's frown From Salamis, they say his temples deep He dipp'd in wine, then wreath'd with poplar crown, And bade his comrades lay their grief to sleep:

“Where Fortune bears us, than my sire more kind, There let us go, my own, my gallant crew. 'Tis Teucer leads, 'tis Teucer breathes the wind; No more despair; Apollo's word is true. Another Salamis in kindlier air Shall yet arise. Hearts, that have borne with me Worse buffets! drown today in wine your care; To-morrow we recross the wide, wide sea!”

Book 1, Poem 8

Lydia, by all above, Why bear so hard on Sybaris, to ruin him with love? What change has made him shun The playing-ground, who once so well could bear the dust and sun? Why does he never sit On horseback in his company, nor with uneven bit His Gallic courser tame? Why dreads he yellow Tiber, as 'twould sully that fair frame? Like poison loathes the oil, His arms no longer black and blue with honourable toil, He who erewhile was known For quoit or javelin oft and oft beyond the limit thrown?

Why skulks he, as they say Did Thetis' son before the dawn of Ilion's fatal day, For fear the manly dress Should fling him into danger's arms, amid the Lycian press?

Book 1, Poem 9

See, how it stands, one pile of snow, Soracte! 'neath the pressure yield Its groaning woods; the torrents' flow With clear sharp ice is all congeal'd. Heap high the logs, and melt the cold, Good Thaliarch; draw the wine we ask, That mellower vintage, four-year-old, From out the cellar'd Sabine cask. The future trust with Jove; when he Has still'd the warring tempests' roar On the vex'd deep, the cypress-tree And aged ash are rock'd no more.

O, ask not what the morn will bring, But count as gain each day that chance May give you; sport in life's young spring, Nor scorn sweet love, nor merry dance, While years are green, while sullen eld Is distant. Now the walk, the game, The whisper'd talk at sunset held, Each in its hour, prefer their claim. Sweet too the laugh, whose feign'd alarm The hiding-place of beauty tells, The token, ravish'd from the arm Or finger, that but ill rebels.

Book 1, Poem 10

Grandson of Atlas, wise of tongue, O Mercury, whose wit could tame Man's savage youth by power of song And plastic game! Thee sing I, herald of the sky, Who gav'st the lyre its music sweet, Hiding whate'er might please thine eye In frolic cheat. See, threatening thee, poor guileless child, Apollo claims, in angry tone, His cattle;—all at once he smiled, His quiver gone.

Strong in thy guidance, Hector's sire Escaped the Atridae, pass'd between Thessalian tents and warders' fire, Of all unseen, Thou lay'st unspotted souls to rest; Thy golden rod pale spectres know; Blest power! by all thy brethren blest, Above, below!

Book 1, Poem 11

Ask not ('tis forbidden knowledge), what our destined term of years, Mine and yours; nor scan the tables of your Babylonish seers. Better far to bear the future, my Leuconoe, like the past, Whether Jove has many winters yet to give, or this our last; This, that makes the Tyrrhene billows spend their strength against the shore. Strain your wine and prove your wisdom; life is short; should hope be more? In the moment of our talking, envious time has ebb'd away. Seize the present; trust tomorrow e'en as little as you may.

Book 1, Poem 12

What man, what hero, Clio sweet, On harp or flute wilt thou proclaim? What god shall echo's voice repeat In mocking game To Helicon's sequester'd shade, Or Pindus, or on Haemus chill, Where once the hurrying woods obey'd The minstrel's will, Who, by his mother's gift of song, Held the fleet stream, the rapid breeze, And led with blandishment along The listening trees?

Whom praise we first? the sire on high, Who gods and men unerring guides, Who rules the sea, the earth, the sky, Their times and tides. No mightier birth may he beget; No like, no second has he known; Yet nearest to her sire's is set Minerva's throne. Nor yet shall Bacchus pass unsaid, Bold warrior, nor the virgin foe Of savage beasts, nor Phoebus, dread With deadly bow.

Alcides too shall be my theme, And Leda's twins, for horses he, He famed for boxing; soon as gleam Their stars at sea, The lash'd spray trickles from the steep, The wind sinks down, the storm-cloud flies, The threatening billow on the deep Obedient lies. Shall now Quirinus take his turn, Or quiet Numa, or the state Proud Tarquin held, or Cato stern, By death made great?

Ay, Regulus and the Scaurian name, And Paullus, who at Cannae gave His glorious soul, fair record claim, For all were brave. Thee, Furius, and Fabricius, thee, Rough Curius too, with untrimm'd beard, Your sires' transmitted poverty To conquest rear'd. Marcellus' fame, its up-growth hid, Springs like a tree; great Julius' light Shines, like the radiant moon amid The lamps of night.

Dread Sire and Guardian of man's race, To thee, O Jove, the Fates assign Our Caesar's charge; his power and place Be next to thine. Whether the Parthian, threatening Rome, His eagles scatter to the wind. Or follow to their eastern home Cathay and Ind, Thy second let him rule below Thy car shall shake the realms above; Thy vengeful bolts shall overthrow Each guilty grove.

Book 1, Poem 13

Telephus—you praise him still, His waxen arms, his rosy-tinted neck; Ah! and all the while I thrill With jealous pangs I cannot, cannot check See, my colour comes and goes, My poor heart flutters, Lydia, and the dew, Down my cheek soft stealing, shows What lingering torments rack me through and through. Oh, 'tis agony te see Those snowwhite shoulders scarr'd in drunken fray, Or those ruby lips, where he Has left strange marks, that show how rough his play!

Never, never look to find A faithful heart in him whose rage can harm Sweetest lips, which Venus kind Has tinctured with her quintessential charm. Happy, happy; happy they Whose living love, untroubled by all strife, Binds them till the last sad day, Nor parts asunder but with parting life!

Book 1, Poem 14

O luckless bark! new waves will force you back To sea. O, haste to make the haven yours! E'en now, a helpless wrack, You drift, despoil'd of oars; The Afric gale has dealt your mast a wound; Your sailyards groan, nor can your keel sustain, Till lash'd with cables round, A more imperious main. Your canvass hangs in ribbons, rent and torn; No gods are left to pray to in fresh need. A pine of Pontus born Of noble forest breed,

You boast your name and lineage—madly blind Can painted timbers quell a seaman's fear? Beware! or else the wind Makes you its mock and jeer. Your trouble late made sick this heart of mine, And still I love you, still am ill at ease. O, shun the sea, where shine The thick-sown Cyclades!

Book 1, Poem 15

When the false swain was hurrying o'er the deep His Spartan hostess in the Idaean bark, Old Nereus laid the unwilling winds asleep, That all to Fate might hark, Speaking through him:—“Home in ill hour you take A prize whom Greece shall claim with troops untold, Leagued by an oath your marriage tie to break And Priam's kingdom old. Alas! what deaths you launch on Dardan realm! What tolls are waiting, man and horse to tire! See! Pallas trims her aegis and her helm, Her chariot and her ire.

Vainly shall you; in Venus' favour strong, Your tresses comb, and for your dames divide On peaceful lyre the several parts of song; Vainly in chamber hide From spears and Gnossian arrows, barb'd with fate, And battle's din, and Ajax in the chase Unconquer'd; those adulterous locks, though late, Shall gory dust deface. Hark! 'tis the death-cry of your race! look back! Ulysses comes, and Pylian Nestor grey; See! Salaminian Teucer on your track, And Sthenelus, in the fray

Versed, or with whip and rein, should need require, No laggard. Merion too your eyes shall know From far. Tydides, fiercer than his sire, Pursues you, all aglow; Him, as the stag forgets to graze for fright, Seeing the wolf at distance in the glade, And flies, high panting, you shall fly, despite Boasts to your leman made. What though Achilles' wrathful fleet postpone The day of doom to Troy and Troy's proud dames, Her towers shall fall, the number'd winters flown, Wrapp'd in Achaenan flames.”

Book 1, Poem 16

O lovelier than the lovely dame That bore you, sentence as you please Those scurril verses, be it flame Your vengeance craves, or Hadrian seas. Not Cybele, nor he that haunts Rich Pytho, worse the brain confounds, Not Bacchus, nor the Corybants Clash their loud gongs with fiercer sounds Than savage wrath; nor sword nor spear Appals it, no, nor ocean's frown, Nor ravening fire, nor Jupiter In hideous ruin crashing down.

Prometheus, forced, they say, to add To his prime clay some favourite part From every kind, took lion mad, And lodged its gall in man's poor heart. 'Twas wrath that laid Thyestes low; 'Tis wrath that oft destruction calls On cities, and invites the foe To drive his plough o'er ruin'd walls. Then calm your spirit; I can tell How once, when youth in all my veins Was glowing, blind with rage, I fell On friend and foe in ribald strains.

Come, let me change my sour for sweet, And smile complacent as before: Hear me my palinode repeat, And give me back your heart once more.

Book 1, Poem 17

The pleasures of Lucretilis Tempt Faunus from his Grecian seat; He keeps my little goats in bliss Apart from wind, and rain, and heat. In safety rambling o'er the sward For arbutes and for thyme they peer, The ladies of the unfragrant lord, Nor vipers, green with venom, fear, Nor savage wolves, of Mars' own breed, My Tyndaris, while Ustica's dell Is vocal with the silvan reed, And music thrills the limestone fell.

Heaven is my guardian; heaven approves A blameless life, by song made sweet; Come hither, and the fields and groves Their horn shall empty at your feet. Here, shelter'd by a friendiy tree, In Teian measures you shall sing Bright Circe and Penelope, Love-smitten both by one sharp sting. Here shall you quaff beneath the shade Sweet Lesbian draughts that injure none, Nor fear lest Mars the realm invade Of Semele's Thyonian son,

Lest Cyrus on a foe too weak Lay the rude hand of wild excess, His passion on your chaplet wreak, Or spoil your undeserving dress.

Book 1, Poem 18

Varus, are your trees in planting? put in none before the vine, In the rich domain of Tibur, by the walls of Catilus; There's a power above that hampers all that sober brains design, And the troubles man is heir to thus are quell'd, and only thus. Who can talk of want or warfare when the wine is in his head, Not of thee, good father Bacchus, and of Venus fair and bright? But should any dream of licence, there's a lesson may be read, How 'twas wine that drove the Centaurs with the Lapithae to fight. And the Thracians too may warn us; truth and falsehood, good and ill, How they mix them, when the wine-god's hand is heavy on them laid! Never, never, gracious Bacchus, may I move thee 'gainst thy will, Or uncover what is hidden in the verdure of thy shade!

Silence thou thy savage cymbals, and the Berecyntine horn; In their train Self-love still follows, dully, desperately blind, And Vain-glory, towering upwards in its emptyheaded scorn, And the Faith that keeps no secrets, with a window in its mind.

Book 1, Poem 19

Cupid's mother, cruel dame, And Semele's Theban boy, and Licence bold, Bid me kindle into flame This heart, by waning passion now left cold. O, the charms of Glycera, That hue, more dazzling than the Parian stone! O, that sweet tormenting play, That too fair face, that blinds when look'd upon! Venus comes in all her might, Quits Cyprus for my heart, nor lets me tell Of the Parthian, bold in flight, Nor Scythian hordes, nor aught that breaks her spell.

Heap the grassy altar up, Bring vervain, boys, and sacred frankincense; Fill the sacrificial cup; A victim's blood will soothe her vehemence.

Book 1, Poem 20

Not large my cups, nor rich my cheer, This Sabine wine, which erst I seal'd, That day the applauding theatre Your welcome peal'd, Dear knight Maecenas! as 'twere fain That your paternal river's banks, And Vatican, in sportive strain, Should echo thanks. For you Calenian grapes are press'd, And Caecuban; these cups of mine Falernum's bounty ne'er has bless'd, Nor Formian vine.

Book 1, Poem 21

Of Dian's praises, tender maidens, tell; Of Cynthus' unshorn god, young striplings, sing; And bright Latona, well Beloved of Heaven's high king. Sing her that streams and silvan foliage loves, Whate'er on Algidus' chill brow is seen, In Erymanthian groves Dark-leaved, or Cragus green. Sing Tempe too, glad youths, in strain as loud, And Phoebus' birthplace, and that shoulder fair, His golden quiver proud And brother's lyre to bear.

His arm shall banish Hunger, Plague, and War To Persia and to Britain's coast, away From Rome and Caesar far, If you have zeal to pray.

Book 1, Poem 22

No need of Moorish archer's craft To guard the pure and stainless liver; He wants not, Fuscus, poison'd shaft To store his quiver, Whether he traverse Libyan shoals, Or Caucasus, forlorn and horrent, Or lands where far Hydaspes rolls His fabled torrent. A wolf, while roaming trouble-free In Sabine wood, as fancy led me, Unarm'd I sang my Lalage, Beheld, and fled me.

Dire monster! in her broad oak woods Fierce Daunia fosters none such other, Nor Juba's land, of lion broods The thirsty mother. Place me where on the ice-bound plain No tree is cheer'd by summer breezes, Where Jove descends in sleety rain Or sullen freezes; Place me where none can live for heat, 'Neath Phoebus' very chariot plant me, That smile so sweet, that voice so sweet, Shall still enchant me.

Book 1, Poem 23

You fly me, Chloe, as o'er trackless hills A young fawn runs her timorous dam to find, Whom empty terror thrills Of woods and whispering wind. Whether 'tis Spring's first shiver, faintly heard Through the light leaves, or lizards in the brake The rustling thorns have stirr'd, Her heart, her knees, they quake. Yet I, who chase you, no grim lion am, No tiger fell, to crush you in my gripe: Come, learn to leave your dam. For lover's kisses ripe.

Book 1, Poem 24

Why blush to let our tears unmeasured fall For one so dear? Begin the mournful stave, Melpomene, to whom the sire of all Sweet voice with music gave. And sleeps he then the heavy sleep of death, Quintilius? Piety, twin sister dear Of Justice! naked Truth! unsullied Faith! When will ye find his peer? By many a good man wept, Quintilius dies; By none than you, my Virgil, trulier wept: Devout in vain, you chide the faithless skies, Asking your loan ill-kept.

No, though more suasive than the bard of Thrace You swept the lyre that trees were fain to hear, Ne'er should the blood revisit his pale face Whom once with wand severe Mercury has folded with the sons of night, Untaught to prayer Fate's prison to unseal. Ah, heavy grief! but patience makes more light What sorrow may not heal.

Book 1, Poem 26

The Muses love me: fear and grief, The winds may blow them to the sea; Who quail before the wintry chief Of Scythia's realm, is nought to me. What cloud o'er Tiridates lowers, I care not, I. O, nymph divine Of virgin springs, with sunniest flowers A chaplet for my Lamia twine, Pimplea sweet! my praise were vain Without thee. String this maiden lyre, Attune for him the Lesbian strain, O goddess, with thy sister quire!

Book 1, Poem 27

What, fight with cups that should give joy? 'Tis barbarous; leave such savage ways To Thracians. Bacchus, shamefaced boy, Is blushing at your bloody frays. The Median sabre! lights and wine! Was stranger contrast ever seen? Cease, cease this brawling, comrades mine, And still upon your elbows lean. Well, shall I take a toper's part Of fierce Falernian? let our guest, Megilla's brother, say what dart Gave the death-wound that makes him blest.

He hesitates? no other hire Shall tempt my sober brains. Whate'er The goddess tames you, no base fire She kindles; 'tis some gentle fair Allures you still. Come, tell me truth, And trust my honour—That the name? That wild Charybdis yours? Poor youth! O, you deserved a better flame! What wizard, what Thessalian spell, What god can save you, hamper'd thus? To cope with this Chimaera fell Would task another Pegasus.

Book 1, Poem 28

The sea, the earth, the innumerable sand, Archytas, thou couldst measure; now, alas! A little dust on Matine shore has spann'd That soaring spirit; vain it was to pass The gates of heaven, and send thy soul in quest O'er air's wide realms; for thou hadst yet to die. Ay, dead is Pelops' father, heaven's own guest, And old Tithonus, rapt from earth to sky, And Minos, made the council-friend of Jove; And Panthus' son has yielded up his breath Once more, though down he pluck'd the shield, to prove His prowess under Troy, and bade grim death

O'er skin and nerves alone exert its power, Not he, you grant, in nature meanly read. Yes, all “await the inevitable hour;” The downward journey all one day must tread. Some bleed, to glut the war-god's savage eyes; Fate meets the sailor from the hungry brine; Youth jostles age in funeral obsequies; Each brow in turn is touch'd by Proserpine. Me, too, Orion's mate, the Southern blast, Whelm'd in deep death beneath the Illyrian wave. But grudge not, sailor, of driven sand to cast A handful on my head, that owns no grave.

So, though the eastern tempests loudly threat Hesperia's main, may green Venusia's crown Be stripp'd, while you lie warm; may blessings yet Stream from Tarentum's guard, great Neptune, down, And gracious Jove, into your open lap! What! shrink you not from crime whose punishment Falls on your innocent children? it may hap Imperious Fate will make yourself repent. My prayers shall reach the avengers of all wrong; No expiations shall the curse unbind. Great though your haste, I would not task you long; Thrice sprinkle dust, then scud before the wind.

Book 1, Poem 29

Your heart on Arab wealth is set, Good Iccius: you would try your steel On Saba's kings, unconquerd yet, And make the Mede your fetters feel. Come, tell me what barbarian fair Will serve you now, her bridegroom slain? What page from court with essenced hair Will tender you the bowl you drain, Well skill'd to bend the Serian bow His father carried? Who shall say That rivers may not uphill flow, And Tiber's self return one day,

If you would change Panaetius' works, That costly purchase, and the clan Of Socrates, for shields and dirks, Whom once we thought a saner man?

Book 1, Poem 30

Come, Cnidian, Paphian Venus, come, Thy well-beloved Cyprus spurn, Haste, where for thee in Glycera's home Sweet odours burn. Bring too thy Cupid, glowing warm, Graces and Nymphs, unzoned and free, And Youth, that lacking thee lacks charm, And Mercury.

Book 1, Poem 31

What blessing shall the bard entreat The god he hallows, as he pours The winecup? Not the mounds of wheat That load Sardinian threshing floors; Not Indian gold or ivory—no, Nor flocks that o'er Calabria stray, Nor fields that Liris, still and slow, Is eating, unperceived, away. Let those whose fate allows them train Calenum's vine; let trader bold From golden cups rich liquor drain For wares of Syria bought and sold,

Heaven's favourite, sooth, for thrice a year He comes and goes across the brine Undamaged. I in plenty here On endives, mallows, succory dine. O grant me, Phoebus, calm content, Strength unimpaird, a mind entire, Old age without dishonour spent, Nor unbefriended by the lyre!

Book 1, Poem 32

They call;—if aught in shady dell We twain have warbled, to remain Long months or years, now breathe, my shell, A Roman strain, Thou, strung by Lesbos' minstrel hand, The bard, who 'mid the clash of steel, Or haply mooring to the strand His batter'd keel, Of Bacchus and the Muses sung, And Cupid, still at Venus' side, And Lycus, beautiful and young, Dark-hair'd, dark-eyed.

O sweetest lyre, to Phoebus dear, Delight of Jove's high festival, Blest balm in trouble, hail and hear Whene'er I call!

Book 1, Poem 33

What, Albius! why this passionate despair For cruel Glycera? why melt your voice In dolorous strains, because the perjured fair Has made a younger choice? See, narrow-brow'd Lycoris, how she glows For Cyrus! Cyrus turns away his head To Pholoe's frown; but sooner gentle roes Apulian wolves shall wed, Than Pholoe to so mean a conqueror strike: So Venus wills it; 'neath her brazen yoke She loves to couple forms and minds unlike, All for a heartless joke.

For me sweet Love had forged a milder spell; But Myrtale still kept me her fond slave, More stormy she than the tempestuous swell That crests Calabria's wave.

Book 1, Poem 34

My prayers were scant, my offerings few, While witless wisdom fool'd my mind; But now I trim my sails anew, And trace the course I left behind. For lo! the sire of heaven on high, By whose fierce bolts the clouds are riven, Today through an unclouded sky His thundering steeds and car has driven. E'en now dull earth and wandering floods, And Atlas' limitary range, And Styx, and Taenarus' dark abodes Are reeling. He can lowliest change

And loftiest; bring the mighty down And lift the weak; with whirring flight Comes Fortune, plucks the monarch's crown, And decks therewith some meaner wight.

Book 1, Poem 35

Lady of Antium, grave and stern! O Goddess, who canst lift the low To high estate, and sudden turn A triumph to a funeral show! Thee the poor hind that tills the soil Implores; their queen they own in thee, Who in Bithynian vessel toil Amid the vex'd Carpathian sea. Thee Dacians fierce, and Scythian hordes, Peoples and towns, and Rome, their head, And mothers of barbarian lords, And tyrants in their purple dread,

Lest, spurn'd by thee in scorn, should fall The state's tall prop, lest crowds on fire To arms, to arms! the loiterers call, And thrones be tumbled in the mire. Necessity precedes thee still With hard fierce eyes and heavy tramp: Her hand the nails and wedges fill, The molten lead and stubborn clamp. Hope, precious Truth in garb of white, Attend thee still, nor quit thy side When with changed robes thou tak'st thy flight In anger from the homes of pride.

Then the false herd, the faithless fair, Start backward; when the wine runs dry. The jocund guests, too light to bear An equal yoke, asunder fly. O shield our Caesar as he goes To furthest Britain, and his band, Rome's harvest! Send on Eastern foes Their fear, and on the Red Sea strand! O wounds that scarce have ceased to run! O brother's blood! O iron time! What horror have we left undone? Has conscience shrunk from aught of crime?

What shrine has rapine held in awe? What altar spared? O haste and beat The blunted steel we yet may draw On Arab and on Massagete!

Book 1, Poem 36

Bid the lyre and cittern play; Enkindle incense, shed the victim's gore; Heaven has watch'd o'er Numida, And brings him safe from far Hispania's shore. Now, returning, he bestows On each dear comrade all the love he can; But to Lamia most he owes, By whose sweet side he grew from boy to man. Note we in our calendar This festal day with whitest mark from Crete: Let it flow, the old wine-jar, And ply to Salian time your restless feet.

Damalis tosses off her wine, But Bassus sure must prove her match tonight. Give us roses all to twine, And parsley green, and lilies deathly white. Every melting eye will rest On Damalis' lovely face; but none may part Damalis from our new-found guest; She clings, and clings, like ivy, round his heart.

Book 1, Poem 37

Now drink we deep, now featly tread A measure; now before each shrine With Salian feasts the table spread; The time invites us, comrades mine. 'Twas shame to broach, before today, The Caecuban, while Egypt's dame Threaten'd our power in dust to lay And wrap the Capitol in flame, Girt with her foul emasculate throng, By Fortune's sweet new wine befool'd, In hope's ungovern'd weakness strong To hope for all; but soon she cool'd,

To see one ship from burning 'scape; Great Caesar taught her dizzy brain, Made mad by Mareotic grape, To feel the sobering truth of pain, And gave her chase from Italy, As after doves fierce falcons speed, As hunters 'neath Haemonia's sky Chase the tired hare, so might he lead The fiend enchain'd; she sought to die More nobly, nor with woman's dread Quail'd at the steel, nor timorously In her fleet ships to covert fled.

Amid her ruin'd halls she stood Unblench'd, and fearless to the end Grasp'd the fell snakes, that all her blood Might with the cold black venom blend, Death's purpose flushing in her face; Nor to our ships the glory gave, That she, no vulgar dame, should grace A triumph, crownless, and a slave.

Book 1, Poem 38

No Persian cumber, boy, for me; I hate your garlands linden-plaited; Leave winter's rose where on the tree It hangs belated. Wreath me plain myrtle; never think Plain myrtle either's wear unfitting, Yours as you wait, mine as I drink In vine-bower sitting.

Book 2, Poem 1

The broils that from Metellus date, The secret springs, the dark intrigues, The freaks of Fortune, and the great Confederate in disastrous leagues, And arms with uncleansed slaughter red, A work of danger and distrust, You treat, as one on fire should tread Scarce hid by treacherous ashen crust. Let Tragedy's stern muse be mute Awhile; and when your order'd page Has told Rome's tale, that buskin'd foot Again shall mount the Attic stage,

Pollio, the pale defendant's shield, In deep debate the senate's stay, The hero of Dalmatic field By Triumph crown'd with deathless bay. E'en now with trumpet's threatening blare You thrill our ears; the clarion brays; The lightnings of the armour scare The steed, and daunt the rider's gaze. Methinks I hear of leaders proud With no uncomely dust distain'd, And all the world by conquest bow'd, And only Cato's soul unchain'd.

Yes, Juno and the powers on high That left their Afric to its doom, Have led the victors' progeny As victims to Jugurtha's tomb. What field, by Latian blood-drops fed, Proclaims not the unnatural deeds It buries, and the earthquake dread Whose distant thunder shook the Medes? What gulf, what river has not seen Those sights of sorrow? nay, what sea Has Daunian carnage yet left green? What coast from Roman blood is free?

But pause, gay Muse, nor leave your play Another Cean dirge to sing; With me to Venus' bower away, And there attune a lighter string.

Book 2, Poem 2

The silver, Sallust, shows not fair While buried in the greedy mine: You love it not till moderate wear Have given it shine. Honour to Proculeius! he To brethren play'd a father's part; Fame shall embalm through years to be That noble heart. Who curbs a greedy soul may boast More power than if his broad-based throne Bridged Libya's sea, and either coast Were all his own.

Indulgence bids the dropsy grow; Who fain would quench the palate's flame Must rescue from the watery foe The pale weak frame. Phraates, throned where Cyrus sate, May count for blest with vulgar herds, But not with Virtue; soon or late From lying words She weans men's lips; for him she keeps The crown, the purple, and the bays, Who dares to look on treasure-heaps With unblench'd gaze.

Book 2, Poem 3

An equal mind, when storms o'ercloud, Maintain, nor 'neath a brighter sky Let pleasure make your heart too proud, O Dellius, Dellius! sure te die, Whether in gloom you spend each year, Or through long holydays at ease In grassy nook your spirit cheer With old Falernian vintages, Where poplar pale, and pine-tree high Their hospitable shadows spread Entwined, and panting waters try To hurry down their zigzag bed.

Bring wine and scents, and roses' bloom, Too brief, alas! to that sweet place; While life, and fortune, and the loom Of the Three Sisters yield you grace. Soon must you leave the woods you buy, Your villa, wash'd by Tiber's flow, Leave,—and your treasures, heap'd so high, Your reckless heir will level low. Whether from Argos' founder born In wealth you lived beneath the sun, Or nursed in beggary and scorn, You fall to Death, who pities none.

One way all travel; the dark urn Shakes each man's lot, that soon or late Will force him, hopeless of return, On board the exile-ship of Fate.

Book 2, Poem 4

Why, Xanthias, blush to own you love Your slave? Briseis, long ago, A captive, could Achilles move With breast of snow. Tecmessa's charms enslaved her lord, Stout Ajax, heir of Telamon; Atrides, in his pride, adored The maid he won, When Troy to Thessaly gave way, And Hector's all too quick decease Made Pergamus an easier prey To wearied Greece.

What if, as auburn Phyllis' mate, You graft yourself on regal stem? Oh yes! be sure her sires were great; She weeps for them. Believe me, from no rascal scum Your charmer sprang; so true a flame, Such hate of greed, could never come From vulgar dame. With honest fervour I commend Those lips, those eyes; you need not fear A rival, hurrying on to end His fortieth year.

Book 2, Poem 6

Septimius, who with me would brave Far Gades, and Cantabrian land Untamed by Rome, and Moorish wave That whirls the sand; Fair Tibur, town of Argive kings, There would I end my days serene, At rest from seas and travellings, And service seen. Should angry Fate those wishes foil, Then let me seek Galesus, sweet To skin-clad sheep, and that rich soil, The Spartan's seat.

O, what can match the green recess, Whose honey not to Hybla yields, Whose olives vie with those that bless Venafrum's fields? Long springs, mild winters glad that spot By Jove's good grace, and Aulon, dear To fruitful Bacchus, envies not Falernian cheer. That spot, those happy heights desire Our sojourn; there, when life shall end, Your tear shall dew my yet warm pyre, Your bard and friend.

Book 2, Poem 7

O, oft with me in troublous time Involved, when Brutus warr'd in Greece, Who gives you back to your own clime And your own gods, a man of peace, Pompey, the earliest friend I knew, With whom I oft cut short the hours With wine, my hair bright bathed in dew Of Syrian oils, and wreathed with flowers? With you I shared Philippi's rout, Unseemly parted from my shield, When Valour fell, and warriors stout Were tumbled on the inglorious field:

But I was saved by Mercury, Wrapp'd in thick mist, yet trembling sore, While you to that tempestuous sea Were swept by battle's tide once more. Come, pay to Jove the feast you owe; Lay down those limbs, with warfare spent, Beneath my laurel; nor be slow To drain my cask; for you 'twas meant. Lethe's true draught is Massic wine; Fill high the goblet; pour out free Rich streams of unguent. Who will twine The hasty wreath from myrtle-tree

Or parsley? Whom will Venus seat Chairman of cups? Are Bacchants sane? Then I'll be sober. O, 'tis sweet To fool, when friends come home again!

Book 2, Poem 8

Had chastisement for perjured truth, Barine, mark'd you with a curse— Did one wry nail, or one black tooth, But make you worse— I'd trust you; but, when plighted lies Have pledged you deepest, lovelier far You sparkle forth, of all young eyes The ruling star. 'Tis gain to mock your mother's bones, And night's still signs, and all the sky, And gods, that on their glorious thrones Chill Death defy.

Ay, Venus smiles; the pure nymphs smile, And Cupid, tyrant-lord of hearts, Sharpening on bloody stone the while His fiery darts. New captives fill the nets you weave; New slaves are bred; and those before, Though oft they threaten, never leave Your godless door. The mother dreads you for her son, The thrifty sire, the new-wed bride, Lest, lured by you, her precious one Should leave her side.

Book 2, Poem 9

The rain, it rains not every day On the soak'd meads; the Caspian main Not always feels the unequal sway Of storms, nor on Armenia's plain, Dear Valgius, lies the cold dull snow Through all the year; nor northwinds keen Upon Garganian oakwoods blow, And strip the ashes of their green. You still with tearful tones pursue Your lost, lost Mystes; Hesper sees Your passion when he brings the dew, And when before the sun he flees.

Yet not for loved Antilochus Grey Nestor wasted all his years In grief; nor o'er young Troilus His parents' and his sisters' tears For ever flow'd. At length have done With these soft sorrows; rather tell Of Caesar's trophies newly won, And hoar Niphates' icy fell, And Medus' flood, 'mid conquer'd tribes Rolling a less presumptuous tide, And Scythians taught, as Rome prescribes, Henceforth o'er narrower steppes to ride.

Book 2, Poem 10

Licinius, trust a seaman's lore: Steer not too boldly to the deep, Nor, fearing storms, by treacherous shore Too closely creep. Who makes the golden mean his guide, Shuns miser's cabin, foul and dark, Shuns gilded roofs, where pomp and pride Are envy's mark. With fiercer blasts the pine's dim height Is rock'd; proud towers with heavier fall Crash to the ground; and thunders smite The mountains tall.

In sadness hope, in gladness fear 'Gainst coming change will fortify Your breast. The storms that Jupiter Sweeps o'er the sky He chases. Why should rain today Bring rain tomorrow? Python's foe Is pleased sometimes his lyre to play, Nor bends his bow. Be brave in trouble; meet distress With dauntless front; but when the gale Too prosperous blows, be wise no less, And shorten sail.

Book 2, Poem 11

O ask not what those sons of war, Cantabrian, Scythian, each intend, Disjoin'd from us by Hadria's bar, Nor puzzle, Quintius, how to spend A life so simple. Youth removes, And Beauty too; and hoar Decay Drives out the wanton tribe of Loves And Sleep, that came or night or day. The sweet spring-flowers not always keep Their bloom, nor moonlight shines the same Each evening. Why with thoughts too deep O'ertask a mind of mortal frame?

Why not, just thrown at careless ease 'Neath plane or pine, our locks of grey Perfumed with Syrian essences And wreathed with roses, while we may, Lie drinking? Bacchus puts to shame The cares that waste us. Where's the slave To quench the fierce Falernian's flame With water from the passing wave? Who'll coax coy Lyde from her home? Go, bid her take her ivory lyre, The runaway, and haste to come, Her wild hair bound with Spartan tire.

Book 2, Poem 12

The weary war where fierce Numantia bled, Fell Hannibal, the swoln Sicilian main Purpled with Punic blood—not mine to wed These to the lyre's soft strain, Nor cruel Lapithae, nor, mad with wine, Centaurs, nor, by Herculean arm o'ercome, The earth-born youth, whose terrors dimm'd the shine Of the resplendent dome Of ancient Saturn. You, Maecenas, best In pictured prose of Caesar's warrior feats Will tell, and captive kings with haughty crest Led through the Roman streets.

On me the Muse has laid her charge to tell Of your Licymnia's voice, the lustrous hue Of her bright eye, her heart that beats so well To mutual passion true: How nought she does but lends her added grace, Whether she dance, or join in bantering play, Or with soft arms the maiden choir embrace On great Diana's day. Say, would you change for all the wealth possest By rich Achaemenes or Phrygia's heir, Or the full stores of Araby the blest, One lock of her dear hair,

While to your burning lips she bends her neck, Or with kind cruelty denies the due She means you not to beg for, but to take, Or snatches it from you?

Book 2, Poem 13

Black day he chose for planting thee, Accurst he rear'd thee from the ground, The bane of children yet to be, The scandal of the village round. His father's throat the monster press'd Beside, and on his hearthstone spilt, I ween, the blood of midnight guest; Black Colchian drugs, whate'er of guilt Is hatch'd on earth, he dealt in all— Who planted in my rural stead Thee, fatal wood, thee, sure to fall Upon thy blameless master's head.

The dangers of the hour! no thought We give them; Punic seaman's fear Is all of Bosporus, nor aught Reeks he of pitfalls otherwhere; The soldier fears the mask'd retreat Of Parthia; Parthia dreads the thrall Of Rome; but Death with noiseless feet Has stolen and will steal on all. How near dark Pluto's court I stood, And Aeacus' judicial throne, The blest seclusion of the good, And Sappho, with sweet lyric moan

Bewailing her ungentle sex, And thee, Alcaeus, louder far Chanting thy tale of woful wrecks, Of woful exile, woful war! In sacred awe the silent dead Attend on each: but when the song Of combat tells and tyrants fled, Keen ears, press'd shoulders, closer throng. What marvel, when at those sweet airs The hundred-headed beast spell-bound Each black ear droops, and Furies' hairs Uncoil their serpents at the sound?

Prometheus too and Pelops' sire In listening lose the sense of woe; Orion hearkens to the lyre, And lets the lynx and lion go.

Book 2, Poem 14

Ah, Postumus! they fleet away, Our years, nor piety one hour Can win from wrinkles and decay, And Death's indomitable power; Not though three hundred bullocks flame Each year, to soothe the tearless king Who holds huge Geryon's triple frame And Tityos in his watery ring, That circling flood, which all must stem, Who eat the fruits that Nature yields, Wearers of haughtiest diadem, Or humblest tillers of the fields.

In vain we shun war's contact red Or storm-tost spray of Hadrian main: In vain, the season through, we dread For our frail lives Scirocco's bane. Cocytus' black and stagnant ooze Must welcome you, and Danaus' seed Ill-famed, and ancient Sisyphus To never-ending toil decreed. Your land, your house, your lovely bride Must lose you; of your cherish'd trees None to its fleeting master's side Will cleave, but those sad cypresses.

Your heir, a larger soul, will drain The hundred-padlock'd Caecuban, And richer spilth the pavement stain Than e'er at pontiff's supper ran.

Book 2, Poem 15

Few roods of ground the piles we raise Will leave to plough; ponds wider spread Than Lucrine lake will meet the gaze On every side; the plane unwed Will top the elm; the violet-bed, The myrtle, each delicious sweet, On olive-grounds their scent will shed, Where once were fruit-trees yielding meat; Thick bays will screen the midday range Of fiercest suns. Not such the rule Of Romulus, and Cato sage, And all the bearded, good old school.

Each Roman's wealth was little worth, His country's much; no colonnade For private pleasance wooed the North With cool “prolixity of shade.” None might the casual sod disdain To roof his home; a town alone, At public charge, a sacred fane Were honour'd with the pomp of stone.

Book 2, Poem 16

For ease, in wide Aegean caught, The sailor prays, when clouds are hiding The moon, nor shines of starlight aught For seaman's guiding: For ease the Mede, with quiver gay: For ease rude Thrace, in battle cruel: Can purple buy it, Grosphus? Nay, Nor gold, nor jewel. No pomp, no lictor clears the way 'Mid rabble-routs of troublous feelings, Nor quells the cares that sport and play Round gilded ceilings.

More happy he whose modest board His father's well-worn silver brightens; No fear, nor lust for sordid hoard, His light sleep frightens. Why bend our bows of little span? Why change our homes for regions under Another sun? What exiled man From self can sunder? Care climbs the bark, and trims the sail, Curst fiend! nor troops of horse can 'scape her, More swift than stag, more swift than gale That drives the vapour.

Blest in the present, look not forth On ills beyond, but soothe each bitter With slow, calm smile. No suns on earth Unclouded glitter. Achilles' light was quench'd at noon; A long decay Tithonus minish'd; My hours, it may be, yet will run When yours are flnish'd. For you Sicilian heifers low, Bleat countless flocks; for you are neighing Proud coursers; Afric purples glow For your arraying

With double dyes; a small domain, The soul that breathed in Grecian harping, My portion these; and high disdain Of ribald carping.

Book 2, Poem 17

Why rend my heart with that sad sigh? It cannot please the gods or me That you, Maecenas, first should die, My pillar of prosperity. Ah! should I lose one half my soul Untimely, can the other stay Behind it? Life that is not whole, Is that as sweet? The self-same day Shall crush us twain; no idle oath Has Horace sworn; whene'er you go, We both will travel, travel both The last dark journey down below.

No, not Chimaera's fiery breath, Nor Gyas, could he rise again, Shall part us; Justice, strong as death, So wills it; so the Fates ordain. Whether 'twas Libra saw me born Or angry Scorpio, lord malign Of natal hour, or Capricorn, The tyrant of the western brine, Our planets sure with concord strange Are blended. You by Jove's blest power Were snatch'd from out the baleful range Of Saturn, and the evil hour

Was stay'd, when rapturous benches full Three times the auspicious thunder peal'd; Me the curst trunk, that smote my skull, Had slain; but Faunus, strong to shield The friends of Mercury, check'd the blow In mid descent. Be sure to pay The victims and the fane you owe; Your bard a humbler lamb will slay.

Book 2, Poem 18

Carven ivory have I none No golden cornice in my dwelling shines; Pillars choice of Libyan stone Upbear no architrave from Attic mines; 'Twas not mine to enter in To Attalus' broad realms, an unknown heir, Nor for me fair clients spin Laconian purples for their patron's wear. Truth is mine, and Genius mine; The rich man comes, and knocks at my low door: Favour'd thus, I ne'er repine, Nor weary out indulgent Heaven for more:

In my Sabine homestead blest, Why should I further tax a generous friend? Suns are hurrying suns a-west, And newborn moons make speed to meet their end. You have hands to square and hew Vast marble-blocks, hard on your day of doom, Ever building mansions new, Nor thinking of the mansion of the tomb. Now you press on ocean's bound, Where waves on Baiae beat, as earth were scant; Now absorb your neighbour's ground, And tear his landmarks up, your own to plant.

Hedges set round clients' farms Your avarice tramples; see, the outcasts fly, Wife and husband, in their arms Their fathers' gods, their squalid family. Yet no hall that wealth e'er plann'd Waits you more surely than the wider room Traced by Death's yet greedier hand. Why strain so far? you cannot leap the tomb. Earth removes the impartial sod Alike for beggar and for monarch's child: Nor the slave of Hell's dark god Convey'd Prometheus back, with bribe beguiled.

Pelops he and Pelops' sire Holds, spite of pride, in close captivity; Beggars, who of labour tire, Call'd or uncall'd, he hears and sets them free.

Book 2, Poem 19

Bacchus I saw in mountain glades Retired (believe it, after years!) Teaching his strains to Dryad maids, While goat-hoof'd satyrs prick'd their ears. Evoe! my eyes with terror glare; My heart is revelling with the god; 'Tis madness! Evoe! spare, O spare, Dread wielder of the ivied rod! Yes, I may sing the Thyiad crew, The stream of wine, the sparkling rills That run with milk, and honey-dew That from the hollow trunk distils;

And I may sing thy consort's crown, New set in heaven, and Pentheus' hall With ruthless ruin thundering down, And proud Lycurgus' funeral. Thou turn'st the rivers, thou the sea; Thou, on far summits, moist with wine, Thy Bacchants' tresses harmlessly Dost knot with living serpent-twine. Thou, when the giants, threatening wrack, Were clambering up Jove's citadel, Didst hurl o'erweening Rhoetus back, In tooth and claw a lion fell.

Who knew thy feats in dance and play Deem'd thee belike for war's rough game Unmeet: but peace and battle-fray Found thee, their centre, still the same. Grim Cerberus wagg'd his tail to see Thy golden horn, nor dreamd of wrong. But gently fawning, follow'd thee, And lick'd thy feet with triple tongue.

Book 2, Poem 20

No vulgar wing, nor weakly plied, Shall bear me through the liquid sky; A two-form'd bard, no more to bide Within the range of envy's eye 'Mid haunts of men. I, all ungraced By gentle blood, I, whom you call Your friend, Maecenas, shall not taste Of death, nor chafe in Lethe's thrall. E'en now a rougher skin expands Along my legs: above I change To a white bird; and o'er my hands And shoulders grows a plumage strange:

Fleeter than Icarus, see me float O'er Bosporus, singing as I go, And o'er Gaetulian sands remote, And Hyperborean fields of snow; By Dacian horde, that masks its fear Of Marsic steel, shall I be known, And furthest Scythian: Spain shall hear My warbling, and the banks of Rhone. No dirges for my fancied death; No weak lament, no mournful stave; All clamorous grief were waste of breath, And vain the tribute of a grave.

Book 3, Poem 1

Bid the unhallow'd crowd avaunt! Keep holy silence; strains unknown Till now, the Muses' hierophant, I sing to youths and maids alone. Kings o'er their flocks the sceptre wield; E'en kings beneath Jove's sceptre bow: Victor in giant battle-field, He moves all nature with his brow. This man his planted walks extends Beyond his peers; an older name One to the people's choice commends; One boasts a more unsullied fame;

One plumes him on a larger crowd Of clients. What are great or small? Death takes the mean man with the proud; The fatal urn has room for all. When guilty Pomp the drawn sword sees Hung o'er her, richest feasts in vain Strain their sweet juice her taste to please; No lutes, no singing birds again Will bring her sleep. Sleep knows no pride; It scorns not cots of village hinds, Nor shadow-trembling river-side, Nor Tempe, stirr'd by western winds.

Who, having competence, has all, The tumult of the sea defies, Nor fears Arcturus' angry fall, Nor fears the Kid-star's sullen rise, Though hail-storms on the vineyard beat, Though crops deceive, though trees complain, One while of showers, one while of heat, One while of winter's barbarous reign. Fish feel the narrowing of the main From sunken piles, while on the strand Contractors with their busy train Let down huge stones, and lords of land

Affect the sea: but fierce Alarm Can clamber to the master's side: Black Cares can up ihe galley swarm, And close behind the horseman ride. If Phrygian marbles soothe not pain, Nor star-bright purple's costliest wear, Nor vines of true Falernian strain, Nor Achaemenian spices rare, Why with rich gate and pillard range Upbuild new mansions, twice as high, Or why my Sabine vale exchange For more laborious luxury?

Book 3, Poem 2

To suffer hardness with good cheer, In sternest school of warfare bred, Our youth should learn; let steed and spear Make him one day the Parthian's dread; Cold skies, keen perils, brace his life. Methinks I see from rampired town Some battling tyrant's matron wife, Some maiden, look in terror down,— “Ah, my dear lord, untrain'd in war! O tempt not the infuriate mood Of that fell lion I see! from far He plunges through a tide of blood!“

What joy, for fatherland to die! Death's darts e'en flying feet o'ertake, Nor spare a recreant chivalry, A back that cowers, or loins that quake. True Virtue never knows defeat: Her robes she keeps unsullied still, Nor takes, nor quits, her curule seat To please a people's veering will. True Virtue opens heaven to worth: She makes the way she does not find: The vulgar crowd, the humid earth, Her soaring pinion leaves behind.

Seal'd lips have blessings sure to come: Who drags Eleusis' rite today, That man shall never share my home, Or join my voyage: roofs give way And boats are wreck'd: true men and thieves Neglected Justice oft confounds: Though Vengeance halt, she seldom leaves The wretch whose flying steps she hounds.

Book 3, Poem 3

The man of firm and righteous will, No rabble, clamorous for the wrong, No tyrant's brow, whose frown may kill, Can shake the strength that makes him strong: Not winds, that chafe the sea they sway, Nor Jove's right hand, with lightning red: Should Nature's pillar'd frame give way, That wreck would strike one fearless head. Pollux and roving Hercules Thus won their way to Heaven's proud steep, 'Mid whom Augustus, couch'd at ease, Dyes his red lips with nectar deep.

For this, great Bacchus, tigers drew Thy glorious car, untaught to slave In harness: thus Quirinus flew On Mars' wing'd steeds from Acheron's wave, When Juno spoke with Heaven's assent: “O Ilium, Ilium, wretched town! The judge accurst, incontinent, And stranger dame have dragg'd thee down. Pallas and I, since Priam's sire Denied the gods his pledged reward, Had doom'd them all to sword and fire, The people and their perjured lord.

No more the adulterous guest can charm The Spartan queen: the house forsworn No more repels by Hector's arm My warriors, baffled and outworn: Hush'd is the war our strife made long: I welcome now, my hatred o'er, A grandson in the child of wrong, Him whom the Trojan priestess bore. Receive him, Mars! the gates of flame May open: let him taste forgiven The nectar, and enrol his name Among the peaceful ranks of Heaven.

Let the wide waters sever still Ilium and Rome, the exiled race May reign and prosper where they will: So but in Paris' burial-place The cattle sport, the wild beasts hide Their cubs, the Capitol may stand All bright, and Rome in warlike pride O'er Media stretch a conqueror's hand. Aye, let her scatter far and wide Her terror, where tbe land-lock'd waves Europe from Afric's shore divide, Where swelling Nile the corn-field laves—

Of strength more potent to disdain Hid gold, best buried in the mine, Than gather it with hand profane, That for man's greed would rob a shrine. Whate'er the bound to earth ordain'd, There let her reach the arm of power, Travelling, where raves the fire unrein'd, And where the storm-cloud and the shower. Yet, warlike Roman, know thy doom, Nor, drunken with a conqueror's joy, Or blind with duteous zeal, presume To build again ancestral Troy.

Should Troy revive to hateful life, Her star again should set in gore, While I, Jove's sister and his wife, To victory led my host once more. Though Phoebus thrice in brazen mail Should case her towers, they thrice should fall, Storm'd by my Greeks: thrice wives should wail Husband and son, themselves in thrall.”— Such thunders from the lyre of love! Back, wayward Muse! refrain, refrain To tell the talk of gods above, And dwarf high themes in puny strain.

Book 3, Poem 4

Come down, Calliope, from above: Breathe on the pipe a strain of fire: Or if a graver note thou love, With Phoebus' cittern and his lyre. You hear her? or is this the play Of fond illusion? Hark! meseems Through gardens of the good I stray, 'Mid murmuring gales and purling streams. Me, as I lay on Vultur's steep, A truant past Apulia's bound, O'ertired, poor child, with play and sleep, With living green the stock-doves crown'd—

A legend, nay, a miracle, By Acherontia's nestlings told, By all in Bantine glade that dwell, Or till the rich Forentan mould. “Bears, vipers, spared him as he lay, The sacred garland deck'd his hair, The myrtle blended with the bay: The child's inspired: the gods were there.” Your grace, sweet Muses, shields me still On Sabine heights, or lets me range Where cool Praeneste, Tibur's hill, Or liquid Baiae proffers change.

Me to your springs, your dances true, Philippi bore not to the ground, Nor the doom'd tree in falling slew, Nor billowy Palinurus drown'd. Grant me your presence, blithe and fain Mad Bosporus shall my bark explore; My foot shall tread the sandy plain That glows beside Assyria's shore; 'Mid Briton tribes, the stranger's foe, And Spaniards, drunk with horses' blood, And quiver'd Scythians, will I go Unharm'd, and look on Tanais' flood.

When Caesar's self in peaceful town The weary veteran's home has made, You bid him lay his helmet down And rest in your Pierian shade. Mild thoughts you plant, and joy to see Mild thoughts take root. The nations know How with descending thunder he The impious Titans hurl'd below, Who rules dull earth and stormy seas, And towns of men, and realms of pain, And gods, and mortal companies, Alone, impartial in his reign.

Yet Jove had fear'd the giant rush, Their upraised arms, their port of pride, And the twin brethren bent to push Huge Pelion up Olympus' side. But Typhon, Mimas, what could these, Or what Porphyrion's stalwart scorn, Rhoetus, or he whose spears were trees, Enceladus, from earth uptorn, As on they rush'd in mad career 'Gainst Pallas' shield? Here met the foe Fierce Vulcan, queenly Juno here, And he who ne'er shall quit his bow,

Who laves in clear Castalian flood His locks, and loves the leafy growth Of Lycia next his native wood, The Delian and the Pataran both. Strength, mindless, falls by its own weight; Strength, mix'd with mind, is made more strong By the just gods, who surely hate The strength whose thoughts are set on wrong. Let hundred-handed Gyas bear His witness, and Orion known Tempter of Dian, chaste and fair, By Dian's maiden dart o'erthrown.

Hurl'd on the monstrous shapes she bred, Earth groans, and mourns her children thrust To Orcus; Aetna's weight of lead Keeps down the fire that breaks its crust; Still sits the bird on Tityos' breast, The warder of Unlawful love; Still suffers lewd Pirithous, prest By massive chains no hand may move.

Book 3, Poem 5

Jove rules in heaven, his thunder shows; Henceforth Augustus earth shall own Her present god, now Briton foes And Persians bow before his throne. Has Crassus' soldier ta'en to wife A base barbarian, and grown grey (Woe, for a nation's tainted life!) Earning his foemen-kinsmen's pay, His king, forsooth, a Mede, his sire A Marsian? can he name forget, Gown, sacred shield, undying fire, And Jove and Rome are standing yet?

'Twas this that Regulus foresaw, What time he spurn'd the foul disgrace Of peace, whose precedent would draw Destruction on an unborn race, Should aught but death the prisoner's chain Unrivet. “I have seen,” he said, “Rome's eagle in a Punic fane, And armour, ne'er a blood-drop shed, Stripp'd from the soldier; I have seen Free sons of Rome with arms fast tied; The fields we spoil'd with corn are green, And Carthage opes her portals wide.

The warrior, sure, redeem'd by gold, Will fight the bolder! Aye, you heap On baseness loss. The hues of old Revisit not the wool we steep; And genuine worth, expell'd by fear, Returns not to the worthless slave. Break but her meshes, will the deer Assail you? then will he be brave Who once to faithless foes has knelt; Yes, Carthage yet his spear will fly, Who with bound arms the cord has felt, The coward, and has fear'd to die.

He knows not, he, how life is won; Thinks war, like peace, a thing of trade! Great art thou, Carthage! mate the sun, While Italy in dust is laid!” His wife's pure kiss he waved aside, And prattling boys, as one disgraced, They tell us, and with manly pride Stern on the ground his visage placed. With counsel thus ne'er else aread He nerved the fathers' weak intent, And, girt by friends that mourn'd him, sped Into illustrious banishment.

Well witting what the torturer's art Design'd him, with like unconcern The press of kin he push'd apart And crowds encumbering his return, As though, some tedious business o'er Of clients' court, his journey lay Towards Venafrum's grassy floor, Or Sparta-built Tarentum's bay.

Book 3, Poem 6

Your fathers' guilt you still must pay, Till, Roman, you restore each shrine, Each temple, 'mouldering in decay, And smoke-grimed statue, scarce divine. Revering Heaven, you rule below; Be that your base, your coping still; 'Tis Heaven neglected bids o'erflow The measure of Italian ill. Now Pacorus and Monaeses twice Have given our unblest arms the foil; Their necklaces, of mean device; Smiling they deck with Roman spoil.

Our city, torn by faction's throes, Dacian and Ethiop well-nigh razed, These with their dreadful navy, those For archer-prowess rather praised. An evil age erewhile debased The marriage-bed, the race, the home; Thence rose the flood whose waters waste The nation and the name of Rome. Not such their birth, who stain'd for us The sea with Punic carnage red, Smote Pyrrhus, smote Antiochus, And Hannibal, the Roman's dread.

Theirs was a hardy soldier-brood, Inured all day the land to till With Sabine spade, then shoulder wood Hewn at a stern old mother's will, When sunset lengthen'd from each height The shadows, and unyoked the steer, Restoring in its westward flight The hour to toilworn travail dear. What has not cankering Time made worse? Viler than grandsires, sires beget Ourselves, yet baser, soon to curse The world with offspring baser yet.

Book 3, Poem 7

Why weep for him whom sweet Favonian airs Will waft next spring, Asteria, back to you, Rich with Bithynia's wares, A lover fond and true, Your Gyges? He, detain'd by stormy stress At Oricum, about the Goat-star's rise, Cold, wakeful, comfortless, The long night weeping lies. Meantime his lovesick hostess' messenger Talks of the flames that waste poor Chloe's heart (Flames lit for you, not her!) With a besieger's art;

Shows how a treacherous woman's lying breath Once on a time on trustful Proetus won To doom to early death Too chaste Bellerophon; Warns him of Peleus' peril, all but slain For virtuous scorn of fair Hippolyta, And tells again each tale That e'er led heart astray. In vain; for deafer than Icarian seas He hears, untainted yet. But, lady fair, What if Enipeus please Your listless eye? beware!

Though true it be that none with surer seat O'er Mars's grassy turf is seen to ride, Nor any swims so fleet Adown the Tuscan tide, Yet keep each evening door and window barr'd; Look not abroad when music strikes up shrill, And though he call you hard, Remain obdurate still.

Book 3, Poem 8

The first of March! a man unwed! What can these flowers, this censer mean? Or what these embers, glowing red On sods of green? You ask, in either language skill'd! A feast I vow'd to Bacchus free, A white he-goat, when all but kill'd By falling tree. So, when that holyday comes round, It sees me still the rosin clear From this my wine-jar, first embrown'd In Tullus' year.

Come, crush one hundred cups for life Preserved, Maecenas; keep till day The candles lit; let noise and strife Be far away. Lay down that load of state-concern; The Dacian hosts are all o'erthrown; The Mede, that sought our overturn, Now seeks his own; A servant now, our ancient foe, The Spaniard, wears at last our chain; The Scythian half unbends his bow And quits the plain.

Then fret not lest the state should ail; A private man such thoughts may spare; Enjoy the present hour's regale, And banish care.

Book 3, Poem 9

While I had power to bless you, Nor any round that neck his arms did fling More privileged to caress you, Happier was Horace than the Persian king. While you for none were pining Sorer, nor Lydia after Chloe came, Lydia, her peers outshining, Might match her own with Ilia's Roman fame. Now Chloe is my treasure, Whose voice, whose touch, can make sweet music flow: For her I'd die with pleasure, Would Fate but spare the dear survivor so.

I love my own fond lover, Young Calais, son of Thurian Ornytus: For him I'd die twice over, Would Fate but spare the sweet survivor thus. What now, if Love returning Should pair us 'neath his brazen yoke once more, And, bright-hair'd Chloe spurning, Horace to off-cast Lydia ope his door? Though he is fairer, milder, Than starlight, you lighter than bark of tree, Than stormy Hadria wilder, With you to live, to die, were bliss for me.

Book 3, Poem 10

Ah Lyce! though your drink were Tanais, Your husband some rude savage, you would weep To leave me shivering, on a night like this, Where storms their watches keep. Hark! how your door is creaking! how the grove In your fair courtyard, while the wild winds blow, Wails in accord! with what transparence Jove Is glazing the driven snow! Cease that proud temper: Venus loves it not: The rope may break, the wheel may backward turn: Begetting you, no Tuscan sire begot Penelope the stern.

O, though no gift, no “prevalence of prayer,” Nor lovers' paleness deep as violet, Nor husband, smit with a Pierian fair, Move you, have pity yet! O harder e'en than toughest heart of oak, Deafer than uncharm'd snake to suppliant moans! This side, I warn you, will not always brook Rain-water and cold stones.

Book 3, Poem 11

Come, Mercury, by whose minstrel spell Amphion raised the Theban stones, Come, with thy seven sweet strings, my shell, Thy “diverse tones,” Nor vocal once nor pleasant, now To rich man's board and temple dear: Put forth thy power, till Lyde bow Her stubborn ear. She, like a three-year colt unbroke, Is frisking o'er the spacious plain, Too shy to bear a lover's yoke, A husband's rein.

The wood, the tiger, at thy call Have follow'd: thou caust rivers stay: The monstrous guard of Pluto's hall To thee gave way, Grim Cerberus, round whose Gorgon head A hundred snakes are hissing death, Whose triple jaws black venom shed, And sickening breath. Ixion too and Tityos smooth'd Their rugged brows: the urn stood dry One hour, while Danaus' maids were sooth'd With minstrelsy.

Let Lyde hear those maidens' guilt, Their famous doom, the ceaseless drain Of outpour'd water, ever spilt, And all the pain Reserved for sinners, e'en when dead: Those impious hands, (could crime do more?) Those impious hands had hearts to shed Their bridegrooms' gore! One only, true to Hymen's flame, Was traitress to her sire forsworn: That splendid falsehood lights her name Through times unborn.

“Wake!” to her youthful spouse she cried, “Wake! or you yet may sleep too well: Fly—from the father of your bride, Her sisters fell: They, as she-lions bullocks rend, Tear each her victim: I, less hard Than these, will slay you not, poor friend, Nor hold in ward: Me let my sire in fetters lay For mercy to my husband shown: Me let him ship far hence away, To climes unknown.

Go; speed your flight o'er land and wave, While Night and Venus shield you; go Be blest: and on my tomb engrave This tale of woe.”

Book 3, Poem 12

How unhappy are the maidens who with Cupid may not play, Who may never touch the wine-cup, but must tremble all the day At an uncle, and the scourging of his tongue! Neobule, there's a robber takes your needle and your thread, Lets the lessons of Minerva run no longer in your head; It is Hebrus, the athletic and the young! O, to see him when anointed he is plunging in the flood! What a seat he has on horseback! was Bellerophon's as good? As a boxer, as a runner, past compare! When the deer are flying blindly all the open country o'er, He can aim and he can hit them; he can steal upon the boar, As it couches in the thicket unaware.

Book 3, Poem 13

Bandusia's fount, in clearness crystalline, O worthy of the wine, the flowers we vow! Tomorrow shall be thine A kid, whose crescent brow Is sprouting all for love and victory. In vain: his warm red blood, so early stirr'd. Thy gelid stream shall dye, Child of the wanton herd. Thee the fierce Sirian star, to madness fired, Forbears to touch: sweet cool thy waters yield To ox with ploughing tired, And lazy sheep afield.

Thou too one day shalt win proud eminence 'Mid honour'd founts, while I the ilex sing Crowning the cavern, whence Thy babbling wavelets spring.

Book 3, Poem 14

Our Hercules, they told us, Rome, Had sought the laurel Death bestows: Now Glory brings him conqueror home From Spaniard foes. Proud of her spouse, the imperial fair Must thank the gods that shield from death; His sister too:—let matrons wear The suppliant wreath For daughters and for sons restored: Ye youths and damsels newly wed, Let decent awe restrain each word Best left unsaid.

This day, true holyday to me, Shall banish care: I will not fear Rude broils or bloody death to see, While Caesar's here. Quick, boy, the chaplets and the nard, And wine, that knew the Marsian war, If roving Spartacus have spared A single jar. And bid Neaera come and trill, Her bright locks bound with careless art: If her rough porter cross your will, Why then depart.

Soon palls the taste for noise and fray, When hair is white and leaves are sere: How had I fired in life's warm May, In Plancus' year!

Book 3, Poem 15

Wife of Ibycus the poor, Let aged scandals have at length their bound: Give your graceless doings o'er, Ripe as you are for going underground. You the maidens' dance to lead, And cast your gloom upon those beaming stars! Daughter Pholoe may succeed, But mother Chloris what she touches mars. Young men's homes your daughter storms, Like Thyiad, madden'd by the cymbals' beat: Nothus' love her bosom warms: She gambols like a fawn with silver feet.

Yours should be the wool that grows By fair Luceria, not the merry lute: Flowers beseem not wither'd brows,. Nor wither'd lips with emptied wine-jars suit.

Book 3, Poem 16

Full well had Danae been secured, in truth, By oaken portals, and a brazen tower, And savage watch-dogs, from the roving youth That prowl at midnight's hour: But Jove and Venus mock'd with gay disdain The jealous warder of that close stronghold: The way, they knew, must soon be smooth and plain When gods could change to gold. Gold, gold can pass the tyrant's sentinel, Can shiver rocks with more resistless blow Than is the thunder's. Argos' prophet fell, He and his house laid low,

And all for gain. The man of Macedon Cleft gates of cities, rival kings o'erthrew By force of gifts: their cunning snares have won Rude captains and their crew. As riches grow, care follows: men repine And thirst for more. No lofty crest I raise: Wisdom that thought forbids, Maecenas mine, The knightly order's praise. He that denies himself shall gain the more From bounteous Heaven. I strip me of my pride, Desert the rich man's standard, and pass o'er To bare Contentment's side,

More proud as lord of what the great despise Than if the wheat thresh'd on Apulia's floor I hoarded all in my huge granaries, 'Mid vast possessions poor. A clear fresh stream, a little field o'ergrown With shady trees, a crop that ne'er deceives, Pass, though men know it not, their wealth, that own All Afric's golden sheaves. Though no Calabrian bees their honey yield For me, nor mellowing sleeps the god of wine In Formian jar, nor in Gaul's pasture-field The wool grows long and fine,

Yet Poverty ne'er comes to break my peace; If more I craved, you would not more refuse. Desiring less, I better shall increase My tiny revenues, Than if to Alyattes' wide domains I join'd the realms of Mygdon. Great desires Sort with great wants. 'Tis best, when prayer obtains No more than life requires.

Book 3, Poem 17

Aelius, of Lamus' ancient name (For since from that high parentage The prehistoric Lamias came And all who fill the storied page, No doubt you trace your line from him, Who stretch'd his sway o'er Formiae, And Liris, whose still waters swim Whore green Marica skirts the sea, Lord of broad realms), an eastern gale Will blow to-morrow, and bestrew The shore with weeds, with leaves the vale, If rain's old prophet tell me true,

The raven. Gather, while 'tis fine, Your wood; tomorrow shall be gay With smoking pig and streaming wine, And lord and slave keep holyday.

Book 3, Poem 18

O wont the flying Nymphs to woo, Good Faunus, through my sunny farm Pass gently, gently pass, nor do My younglings harm. Each year, thou know'st, a kid must die For thee; nor lacks the wine's full stream To Venus' mate, the bowl; and high The altars steam. Sure as December's Nones appear, All o'er the grass the cattle play; The village, with the lazy steer, Keeps holyday.

Wolves rove among the fearless sheep; The woods for thee their foliage strow; The delver loves on earth to leap, His ancient foe.

Book 3, Poem 19

What the time from Inachus To Codrus, who in patriot battle fell, Who were sprung from Aeacus, And how men fought at Ilion,—this you tell. What the wines of Chios cost, Who with due heat our water can allay, What the hour, and who the host To give us house-room,—this you will not say Ho, there! wine to moonrise, wine To midnight, wine to our new augur too! Nine to three or three to nine, As each man pleases, makes proportion true.

Who the uneven Muses loves, Will fire his dizzy brain with three times three; Three once told the Grace approves; She with her two bright sisters, gay and free, Shrinks, as maiden should, from strife: But I'm for madness. What has dull'd the fire Of the Berecyntian fife? Why hangs the flute in silence with the lyre? Out on niggard-handed boys! Rain showers of roses; let old Lycus hear, Envious churl, our senseless noise, And she, our neighbour, his ill-sorted fere.

You with your bright clustering hair, Your beauty, Telephus, like evening's sky, Rhoda loves, as young, as fair; I for my Glycera slowly, slowly die.

Book 3, Poem 21

O born in Manlius' year with me, Whate'er you bring us, plaint or jest, Or passion and wild revelry, Or, like a gentle wine-jar, rest; Howe'er men call your Massic juice, Its broaching claims a festal day; Come then; Corvinus bids produce A mellower wine, and I obey. Though steep'd in all Socratic lore He will not slight you; do not fear. They say old Cato o'er and o'er With wine his honest heart would cheer.

Tough wits to your mild torture yield Their treasures; you unlock the soul Of wisdom and its stores conceal'd, Arm'd with Lyaeus' kind control. 'Tis yours the drooping heart to heal; Your strength uplifts the poor man's horn; Inspired by you, the soldier's steel, The monarch's crown, he laughs to scorn, Liber and Venus, wills she so, And sister Graces, ne'er unknit, And living lamps shall see you flow Till stars before the sunrise flit.

Book 3, Poem 22

Guardian of hill and woodland, Maid, Who to young wives in childbirth's hour Thrice call'd, vouchsafest sovereign aid, O three-form'd power! This pine that shades my cot be thine; Here will I slay, as years come round, A youngling boar, whose tusks design The side-long wound.

Book 3, Poem 23

If, Phidyle, your hands you lift To heaven, as each new moon is born, Soothing your Lares with the gift Of slaughter'd swine, and spice, and corn, Ne'er shall Scirocco's bane assail Your vines, nor mildew blast your wheat. Ne'er shall your tender younglings fail In autumn, when the fruits are sweet. The destined victim 'mid the snows Of Algidus in oakwoods fed, Or where the Alban herbage grows, Shall dye the pontiff's axes red;

No need of butcher'd sheep for you To make your homely prayers prevail; Give but your little gods their due, The rosemary twined with myrtle frail. The sprinkled salt, the votive meal, As soon their favour will regain, Let but the hand be pure and leal, As all the pomp of heifers slain.

Book 3, Poem 24

Though your buried wealth surpass The unsunn'd gold of Ind or Araby, Though with many a ponderous mass You crowd the Tuscan and Apulian sea, Let Necessity but drive Her wedge of adamant into that proud head, Vainly battling will you strive To 'scape Death's noose, or rid your soul of dread. Better life the Scythians lead, Trailing on waggon wheels their wandering home, Or the hardy Getan breed, As o'er their vast unmeasured steppes they roam;

Free the crops that bless their soil; Their tillage wearies after one year's space; Each in turn fulfils his toil; His period o'er, another takes his place. There the step-dame keeps her hand From guilty plots, from blood of orphans clean; There no downed wives command Their feeble lords, or on adulterers lean. Theirs are dowries not of gold, Their parents' worth, their own pure chastity, True to one, to others cold; They dare not sin, or, if they dare, they die.

O, whoe'er has heart and head To stay our plague of blood, our civic brawls, Would he that his name be read “Father of Rome” on lofty pedestals, Let him chain this lawless will, And be our children's hero! cursed spite! Living worth we envy still, Then seek it with strain'd eyes, when snatch'd from sight. What can sad laments avail Unless sharp justice kill the taint of sin? What can laws, that needs must fail Shorn of the aid of manners form'd within,

If the merchant turns not back From the fierce heats that round the tropic glow, Turns not from the regions black With northern winds, and hard with frozen snow; Sailors override the wave, While guilty poverty, more fear'd than vice. Bids us crime and suffering brave, And shuns the ascent of virtue's precipice? Let the Capitolian fane, The favour'd goal of yon vociferous crowd, Aye, or let the nearest main Receive our gold, our jewels rich and proud:

Slay we thus the cause of crime, If yet we would repent and choose the good: Ours the task to take in time This baleful lust, and crush it in the bud. Ours to mould our weakling sons To nobler sentiment and manlier deed: Now the noble's first-born shuns The perilous chase, nor learns to sit his steed: Set him to the unlawful dice, Or Grecian hoop, how skilfully he plays! While his sire, mature in vice, A friend, a partner, or a guest betrays,

Hurrying, for an heir so base, To gather riches. Money, root of ill, Doubt it not, still grows apace: Yet the scant heap has somewhat lacking still.

Book 3, Poem 25

Whither, Bacchus, tear'st thou me. FiIl'd with thy strength? What dens, what forests these, Thus in wildering race I see? What cave shall hearken to my melodies, Tuned to tell of Caesar's praise And throne him high the heavenly ranks among? Sweet and strange shall be my lays, A tale till now by poet voice unsung. As the Evian on the height, Roused from her sleep, looks wonderingly abroad, Looks on Thrace with snow-drifts white, And Rhodope by barbarous footstep trod,

So my truant eyes admire The banks, the desolate forests. O great King Who the Naiads dost inspire, And Bacchants, strong from earth huge trees to wring! Not a lowly strain is mine, No mere man's utterance. O, 'tis venture sweet Thee to follow, God of wine, Making the vine-branch round thy temples meet!

Book 3, Poem 26

For ladies' love I late was fit, And good success my warfare blest, But now my arms, my lyre I quit, And hang them up to rust or rest. Here, where arising from the sea Stands Venus, lay the load at last, Links, crowbars, and artillery, Threatening all doors that dared be fast. O Goddess! Cyprus owns thy sway, And Memphis, far from Thracian snow; Raise high thy lash, and deal me, pray, That haughty Chloe just one blow!

Book 3, Poem 27

When guilt goes forth, let lapwings shrill, And dogs and foxes great with young, And wolves from far Lanuvian hill, Give clamorous tongue: Across the roadway dart the snake, Frightening, like arrow loosed from string, The horses. I, for friendship's sake, Watching each wing, Ere to his haunt, the stagnant marsh, The harbinger of tempest flies, Will call the raven, croaking harsh, From eastern skies.

Farewell!—and wheresoe'er you go, My Galatea, think of me: Let lefthand pie and roving crow Still leave you free. But mark with what a front of fear Orion lowers. Ah! well I know How Hadria glooms, how falsely clear The west-winds blow. Let foemen's wives and children feel The gathering south-wind's angry roar, The black wave's crash, the thunder-peal, The quivering shore.

So to the bull Europa gave Her beauteous form, and when she saw The monstrous deep, the yawning grave, Grew pale with awe. That morn of meadow-flowers she thought, Weaving a crown the nymphs to please: That gloomy night she look'd on nought But stars and seas. Then, as in hundred-citied Crete She landed,—“O my sire!” she said, “O childly duty! passion's heat Has struck thee dead.

Whence came I? death, for maiden's shame, Were little. Do I wake to weep My sin? or am I pure of blame, And is it sleep From dreamland brings a form to trick My senses? Which was best? to go Over the long, long waves, or pick The flowers in blow? O, were that monster made my prize, How would I strive to wound that brow, How tear those horns, my frantic eyes Adored but now!

Shameless I left my father's home; Shameless I cheat the expectant grave; O heaven, that naked I might roam In lions' cave! Now, ere decay my bloom devour Or thin the richness of my blood, Fain would I fall in youth's first flower, The tigers' food. Hark! 'tis my father—‘Worthless one! What, yet alive? the oak is nigh. 'Twas well you kept your maiden zone, The noose to tie.

Or if your choice be that rude pike, New barb'd with death, leap down and ask The wind to bear you. Would you like The bondmaid's task, You, child of kings, a master's toy, A mistress' slave?’” Beside her, lo! Stood Venus smiling, and her boy With unstrung bow. Then, when her laughter ceased, “Have done With fume and fret,” she cried, “my fair; That odious bull will give you soon His horns to tear.

You know not you are Jove's own dame: Away with sobbing; be resign'd To greatness: you shall give your name To half mankind.”

Book 3, Poem 28

Neptune's feast-day! what should man Think first of doing? Lyde mine, be bold, Broach the treasured Caecuban, And batter Wisdom in her own stronghold. Now the noon has pass'd the full, Yet sure you deem swift Time has made a halt, Tardy as you are to pull Old Bibulus' wine-jar from its sleepy vault. I will take my turn and sing Neptune and Nereus' train with locks of green; You shall warble to the string Latona and her Cynthia's arrowy sheen.

Hers our latest song, who sways Cnidos and Cyclads, and to Paphos goes With her swans, on holydays; Night too shall claim the homage music owes.

Book 3, Poem 29

Heir of Tyrrhenian kings, for you A mellow cask, unbroach'd as yet, Maecenas mine, and roses new, And fresh-drawn oil your locks to wet, Are waiting here. Delay not still, Nor gaze on Tibur, never dried, And sloping Aesule, and the hill Of Telegon the parricide. O leave that pomp that can but tire, Those piles, among the clouds at home; Cease for a moment to admire The smoke, the wealth, the noise of Rome!

In change e'en luxury finds a zest: The poor man's supper, neat, but spare, With no gay couch to seat the guest, Has smooth'd the rugged brow of care. Now glows the Ethiop maiden's sire; Now Procyon rages all ablaze; The Lion maddens in his ire, As suns bring back the sultry days: The shepherd with his weary sheep Seeks out the streamlet and the trees, Silvanus' lair: the still banks sleep Untroubled by the wandering breeze.

You ponder on imperial schemes, And o'er the city's danger brood: Bactrian and Serian haunt your dreams, And Tanais, toss'd by inward feud. The issue of the time to be Heaven wisely hides in blackest night, And laughs, should man's anxiety Transgress the bounds of man's short sight. Control the present: all beside Flows like a river seaward borne, Now rolling on its placid tide, Now whirling massy trunks uptorn,

And waveworn crags, and farms, and stock, In chaos blent, while hill and wood Reverberate to the enormous shock, When savage rains the tranquil flood Have stirr'd to madness. Happy he, Self-centred, who each night can say, “My life is lived: the morn may see A clouded or a sunny day: That rests with Jove: but what is gone, He will not, cannot turn to nought; Nor cancel, as a thing undone, What once the flying hour has brought.”

Fortune, who loves her cruel game, Still bent upon some heartless whim, Shifts her caresses, fickle dame, Now kind to me, and now to him: She stays; 'tis well: but let her shake Those wings, her presents I resign, Cloak me in native worth, and take Chaste Poverty undower'd for mine. Though storms around my vessel rave, I will not fall to craven prayers, Nor bargain by my vows to save My Cyprian and Sidonian wares,

Else added to the insatiate main. Then through the wild Aegean roar The breezes and the Brethren Twain Shall waft my little boat ashore.

Book 3, Poem 30

And now 'tis done: more durable than brass My monument shall be, and raise its head O'er royal pyramids: it shall not dread Corroding rain or angry Boreas, Nor the long lapse of immemorial time. I shall not wholly die: large residue Shall 'scape the queen of funerals. Ever new My after fame shall grow, while pontiffs climb With silent maids the Capitolian height. “Born,” men will say, “where Aufidus is loud, Where Daunus, scant of streams, beneath him bow'd The rustic tribes, from dimness he wax'd bright,

First of his race to wed the Aeolian lay To notes of Italy.” Put glory on, My own Melpomene, by genius won, And crown me of thy grace with Delphic bay.

Book 4, Poem 1

Yet again thou wak'st the flame That long had slumber'd! Spare me, Venus, spare! Trust me, I am not the same As in the reign of Cinara, kind and fair. Cease thy softening spells to prove On this old heart, by fifty years made hard, Cruel Mother of sweet Love! Haste, where gay youth solicits thy regard. With thy purple cygnets fly To Paullus' door, a seasonable guest; There within hold revelry, There light thy flame in that congenial breast.

He, with birth and beauty graced, The trembling client's champion, ne'er tongue-tied, Master of each manly taste, Shall bear thy conquering banners far and wide. Let him smile in triumph gay, True heart, victorious over lavish hand, By the Alban lake that day 'Neath citron roof all marble shalt thou stand: Incense there and fragrant spice With odorous fumes thy nostrils shall salute; Blended notes thine ear entice, The lyre, the pipe, the Berecyntine flute:

Graceful youths and maidens bright Shall twice a day thy tuneful praise resound, While their feet, so fair and white, In Salian measure three times beat the ground. I can relish love no more, Nor flattering hopes that tell me hearts are true, Nor the revel's loud uproar, Nor fresh-wreathed flowerets, bathed in vernal dew. Ah! but why, my Ligurine, Steal trickling tear-drops down my wasted cheek? Wherefore halts this tongue of mine, So eloquent once, so faltering now and weak?

Now I hold you in my chain, And clasp you close, all in a nightly dream; Now, still dreaming, o'er the plain I chase you; now, ah cruel! down the stream.

Book 4, Poem 2

Who fain at Pindar's flight would aim, On waxen wings, Iulus, he Soars heavenward, doom'd to give his name To some new sea. Pindar, like torrent from the steep Which, swollen with rain, its banks o'erflows, With mouth unfathomably deep, Foams, thunders, glows, All worthy of Apollo's bay, Whether in dithyrambic roll Pouring new words he burst away Beyond control,

Or gods and god-born heroes tell, Whose arm with righteous death could tame Grim Centaurs, tame Chimaeras fell, Out-breathing flame, Or bid the boxer or the steed In deathless pride of victory live, And dower them with a nobler meed Than sculptors give, Or mourn the bridegroom early torn From his young bride, and set on high Strength, courage, virtue's golden morn, Too good to die.

Antonius! yes, the winds blow free, When Dirce's swan ascends the skies, To waft him. I, like Matine bee, In act and guise, That culls its sweets through toilsome hours, Am roaming Tibur's banks along, And fashioning with puny powers A laboured song. Your Muse shall sing in loftier strain How Caesar climbs the sacred height, The fierce Sygambrians in his train, With laurel dight,

Than whom the Fates ne'er gave mankind A richer treasure or more dear, Nor shall, though earth again should find The golden year. Your Muse shall tell of public sports, And holyday, and votive feast, For Caesar's sake, and brawling courts Where strife has ceased. Then, if my voice can aught avail, Grateful for him our prayers have won, My song shall echo, “Hail, all hail, Auspicious Sun!”

There as you move, “Ho! Triumph, ho! Great Triumph!” once and yet again All Rome shall cry, and spices strow Before your train. Ten bulls, ten kine, your debt discharge: A calf new-wean'd from parent cow, Battening on pastures rich and large, Shall quit my vow. Like moon just dawning on the night The crescent honours of his head; One dapple spot of snowy white, The rest all red.

Book 4, Poem 3

He whom thou, Melpomene, Hast welcomed with thy smile, in life arriving, Ne'er by boxer's skill shall be Renown'd abroad, for Isthmian mastery striving; Him shall never fiery steed Draw in Achaean car a conqueror seated; Him shall never martial deed Show, crown'd with bay, after proud kings defeated, Climbing Capitolian steep: But the cool streams that make green Tibur flourish, And the tangled forest deep, On soft Aeolian airs his fame shall nourish.

Rome, of cities first and best, Deigns by her sons' according voice to hail me Fellow-bard of poets blest, And faint and fainter envy's growls assail me. Goddess, whose Pierian art The lyre's sweet sounds can modulate and measure, Who to dumb fish canst impart The music of the swan, if such thy pleasure: O, 'tis all of thy dear grace That every finger points me out in going Lyrist of the Roman race; Breath, power to charm, if mine, are thy bestowing!

Book 4, Poem 4

E'en as the lightning's minister, Whom Jove o'er all the feather'd breed Made sovereign, having proved him sure Erewhile on auburn Ganymede; Stirr'd by warm youth and inborn power, He quits the nest with timorous wing, For winter's storms have ceased to lower, And zephyrs of returuing spring Tempt him to launch on unknown skies Next on the fold he stoops downright; Last on resisting serpents flies, Athirst for foray and for flight:

As tender kidling on the grass Espies, uplooking from her food, A lion's whelp, and knows, alas! Those new-set teeth shall drink her blood: So look'd the Raetian mountaineers On Drusus:—whence in every field They learn'd through immemorial years The Amazonian axe to wield, I ask not now: not all of truth We seekers find: enough to know The wisdom of the princely youth Has taught our erst victorious foe

What prowess dwells in boyish hearts Rear'd in the shrine of a pure home, What strength Augustus' love imparts To Nero's seed, the hope of Rome. Good sons and brave good sires approve: Strong bullocks, fiery colts, attest Their fathers' worth, nor weakling dove Is hatch'd in savage eagle's nest. But care draws forth the power within, And cultured minds are strong for good: Let manners fail, the plague of sin Taints e'en the course of gentle blood.

How great thy debt to Nero's race, O Rome, let red Metaurus say, Slain Hasdrubal, and victory's grace First granted on that glorious day Which chased the clouds, and show'd the sun, When Hannibal o'er Italy Ran, as swift flames o'er pine-woods run, Or Eurus o'er Sicilia's sea. Henceforth, by fortune aiding toil, Rome's prowess grew: her fanes, laid waste By Punic sacrilege and spoil, Beheld at length their gods replaced.

Then the false Libyan own'd his doom:— “Weak deer, the wolves' predestined prey, Blindly we rush on foes, from whom 'Twere triumph won to steal away. That race which, strong from Ilion's fires, Its gods, on Tuscan waters tost, Its sons, its venerable sires, Bore to Ausonia's citied coast; That race, like oak by axes shorn On Algidus with dark leaves rife, Laughs carnage, havoc, all to scorn, And draws new spirit from the knife.

Not the lopp'd Hydra task'd so sore Alcides, chafing at the foil: No pest so fell was born of yore From Colchian or from Theban soil. Plunged in the deep, it mounts to sight More splendid: grappled, it will quell Unbroken powers, and fight a fight Whose story widow'd wives shall tell. No heralds shall my deeds proclaim To Carthage now: lost, lost is all: A nation's hope, a nation's name, They died with dying Hasdrubal.”

What will not Claudian hands achieve? Jove's favour is their guiding star, And watchful potencies unweave For them the tangled paths of war.

Book 4, Poem 5

Best guardian of Rome's people, dearest boon Of a kind Heaven, thou lingerest all too long: Thou bad'st thy senate look to meet thee soon: Do not thy promise wrong. Restore, dear chief, the light thou tak'st away: Ah! when, like spring, that gracious mien of thine Dawns on thy Rome, more gently glides the day, And suns serener shine. See her whose darling child a long year past Has dwelt beyond the wild Carpathian foam; That long year o'er, the envious southern blast Still bars him from his home:

Weeping and praying to the shore she clings, Nor ever thence her straining eyesight turns: So, smit by loyal passion's restless stings, Rome for her Caesar yearns. In safety range the cattle o'er the mead: Sweet Peace, soft Plenty, swell the golden grain: O'er unvex'd seas the sailors blithely speed: Fair Honour shrinks from stain: No guilty lusts the shrine of home defile: Cleansed is the hand without, the heart within: The father's features in his children smile Swift vengeance follows sin.

Who fears the Parthian or the Scythian horde, Or the rank growth that German forests yield, While Caesar lives? who trembles at the sword The fierce Iberians wield? In his own hills each labours down the day, Teaching the vine to clasp the widow'd tree: Then to his cups again, where, feasting gay, He hails his god in thee. A household power, adored with prayers and wine, Thou reign'st auspicious o'er his hour of ease: Thus grateful Greece her Castor made divine, And her great Hercules.

Ah! be it thine long holydays to give To thy Hesperia! thus, dear chief, we pray At sober sunrise; thus at mellow eve, When ocean hides the day.

Book 4, Poem 6

Thou who didst make thy vengeful might To Niobe and Tityos known, And Peleus' son, when Troy's tall height Was nigh his own, Victorious else, for thee no peer, Though, strong in his sea-parent's power, He shook with that tremendous spear The Dardan tower. He, like a pine by axes sped, Or cypress sway'd by angry gust, Fell ruining, and laid his head In Trojan dust.

Not his to lie in covert pent Of the false steed, and sudden fall On Priam's ill-starr'd merriment In bower and hail: His ruthless arm in broad bare day The infant from the breast had torn, Nay, given to flame, ah, well a way! The babe unborn: But, won by Venus' voice and thine, Relenting Jove Aeneas will'd With other omens more benign New walls to build.

Sweet tuner of the Grecian lyre, Whose locks are laved in Xanthus' dews, Blooming Agyieus! help, inspire My Daunian Muse! 'Tis Phoebus, Phoebus gifts my tongue With minstrel art and minstrel fires: Come, noble youths and maidens sprung From noble sires, Blest in your Dian's guardian smile, Whose shafts the flying silvans stay, Come, foot the Lesbian measure, while The lyre I play:

Sing of Latona's glorious boy, Sing of night's queen with crescent horn, Who wings the fleeting months with joy, And swells the corn. And happy brides shall say, “'Twas mine, When years the cyclic season brought, To chant the festal hymn divine By Horace taught.”

Book 4, Poem 7

The snow is fled: the trees their leaves put on, The fields their green: Earth owns the change, and rivers lessening run Their banks between. Naked the Nymphs and Graces in the meads The dance essay: “No 'scaping death” proclaims the year, that speeds This sweet spring day. Frosts yield to zephyrs; Summer drives out Spring, To vanish, when Rich Autumn sheds his fruits; round wheels the ring,— Winter again!

Yet the swift moons repair Heaven's detriment: We, soon as thrust Where good Aeneas, Tullus, Ancus went, What are we? dust. Can Hope assure you one more day to live From powers above? You rescue from your heir whate'er you give The self you love. When life is o'er, and Minos has rehearsed The grand last doom, Not birth, nor eloquence, nor worth, shall burst Torquatus' tomb.

Not Dian's self can chaste Hippolytus To life recall, Nor Theseus free his loved Pirithous From Lethe's thrall.

Book 4, Poem 8

Ah Censorinus! to my comrades true Rich cups, rare bronzes, gladly would I send: Choice tripods from Olympia on each friend Would I confer, choicer on none than you, Had but my fate such gems of art bestow'd As cunning Scopas or Parrhasius wrought, This with the brush, that with the chisel taught To image now a mortal, now a god. But these are not my riches: your desire Such luxury craves not, and your means disdain: A poet's strain you love; a poet's strain Accept, and learn the value of the lyre.

Not public gravings on a marble base, Whence comes a second life to men of might E'en in the tomb: not Hannibal's swift flight, Nor those fierce threats flung back into his face, Not impious Carthage in its last red blaze, In clearer light sets forth his spotless fame, Who from crush'd Afric took away—a name, Than rude Calabria's tributary lays. Let silence hide the good your hand has wrought, Farewell, reward! Had blank oblivion's power Dimm'd the bright deeds of Romulus, at this hour, Despite his sire and mother, he were nought.

Thus Aeacus has 'scaped the Stygian wave, By grace of poets and their silver tongue, Henceforth to live the happy isles among. No, trust the Muse: she opes the good man's grave, And lifts him to the gods. So Hercules, His labours o'er, sits at the board of Jove: So Tyndareus' offspring shine as stars above, Saving lorn vessels from the yawning seas: So Bacchus, with the vine-wreath round his hair, Gives prosperous issue to his votary's prayer.

Book 4, Poem 9

Think not those strains can e'er expire, Which, cradled 'mid the echoing roar Of Aufidus, to Latium's lyre I sing with arts unknown before. Though Homer fill the foremost throne, Yet grave Stesichorus still can please, And fierce Alcaeus holds his own With Pindar and Simonides. The songs of Teos are not mute, And Sappho's love is breathing still: She told her secret to the lute, And yet its chords with passion thrill.

Not Sparta's queen alone was fired By broider'd robe and braided tress, And all the splendours that attired Her lover's guilty loveliness: Not only Teucer to the field His arrows brought, nor Ilion Beneath a single conqueror reel'd: Not Crete's majestic lord alone, Or Sthenelus, earn'd the Muses' crown: Not Hector first for child and wife, Or brave Deiphobus, laid down The burden of a manly life.

Before Atrides men were brave: But ah! oblivion, dark and long, Has lock'd them in a tearless grave, For lack of consecrating song. 'Twixt worth and baseness, lapp'd in death, What difference? You shall ne'er be dumb, While strains of mine have voice and breath: The dull neglect of days to come Those hard-won honours shall not blight: No, Lollius, no: a soul is yours, Clear-sighted, keen, alike upright When fortune smiles, and when she lowers:

To greed and rapine still severe, Spurning the gain men find so sweet: A consul, not of one brief year, But oft as on the judgment-seat You bend the expedient to the right, Turn haughty eyes from bribes away, Or bear your banners through the fight, Scattering the foeman's firm array. The lord of boundless revenues, Salute not him as happy: no, Call him the happy, who can use The bounty that the gods bestow,

Can bear the load of poverty, And tremble not at death, but sin: No recreant he when called to die In cause of country or of kin.

Book 4, Poem 11

Here is a cask of Alban, more Than nine years old: here grows for you Green parsley, Phyllis, and good store Of ivy too (Wreathed ivy suits your hair, you know): The plate shines bright: the altar, strew'd With vervain, hungers for the flow Of lambkin's blood. There's stir among the serving folk; They bustle, bustle, boy and girl; The flickering flames send up the smoke In many a curl.

But why, you ask, this special cheer? We celebrate the feast of Ides, Which April's month, to Venus dear, In twain divides. O, 'tis a day for reverence, E'en my own birthday scarce so dear, For my Maecenas counts from thence Each added year. 'Tis Telephus that you'd bewitch: But he is of a high degree; Bound to a lady fair and rich, He is not free.

O think of Phaethon half burn'd, And moderate your passion's greed: Think how Bellerophon was spurn'd By his wing'd steed. So learn to look for partners meet, Shun lofty things, nor raise your aims Above your fortune. Come then, sweet, My last of flames (For never shall another fair Enslave me), learn a tune, to sing With that dear voice: to music care Shall yield its sting.

Book 4, Poem 12

The gales of Thrace, that hush the unquiet sea, Spring's comrades, on the bellying canvas blow: Clogg'd earth and brawling streams alike are free From winter's weight of snow. Wailing her Itys in that sad, sad strain, Builds the poor bird, reproach to after time Of Cecrops' house, for bloody vengeance ta'en On foul barbaric crime. The keepers of fat lambkins chant their loves To silvan reeds, all in the grassy lea, And pleasure Him who tends the flocks and groves Of dark-leaved Arcady.

It is a thirsty season, Virgil mine: But would you taste the grape's Calenian juice, Client of noble youths, to earn your wine Some nard you must produce. A tiny box of nard shall bring to light The cask that in Sulpician cellar lies: O, it can give new hopes, so fresh and bright, And gladden gloomy eyes. You take the bait? then come without delay And bring your ware: be sure, 'tis not my plan To let you drain my liquor and not pay, As might some wealthy man.

Come, quit those covetous thoughts, those knitted brows, Think on the last black embers, while you may, And be for once unwise. When time allows, 'Tis sweet the fool to play.

Book 4, Poem 13

The gods have heard, the gods have heard my prayer; Yes, Lyce! you are growing old, and still You struggle to look fair; You drink, and dance, and trill Your songs to youthful Love, in accents weak With wine, and age, and passion. Youthful Love! He dwells in Chia's cheek, And hears her harp-strings move. Rude boy, he flies like lightning o'er the heath Past wither'd trees like you; you're wrinkled now; The white has left your teeth And settled on your brow.

Your Coan silks, your jewels bright as stars, Ah no! they bring not back the days of old, In public calendars By flying Time enroll'd. Where now that beauty? where those movements? where That colour? what of her, of her is left, Who, breathing Love's own air, Me of myself bereft, Who reign'd in Cinara's stead, a fair, fair face, Queen of sweet arts? but Fate to Cinara gave A life of little space; And now she cheats the grave

Of Lyce, spared to raven's length of days, That youth may see, with laughter and disgust, A fire-brand, once ablaze, Now smouldering in grey dust.

Book 4, Poem 14

What honours can a grateful Rome, A grateful senate, Caesar, give To make thy worth through days to come Emblazon'd on our records live, Mightiest of chieftains whomsoe'er The sun beholds from heaven on high? They know thee now, thy strength in war, Those unsubdued Vindelici. Thine was the sword that Drusus drew, When on the Breunian hordes he fell, And storm'd the fierce Genaunian crew E'en in their Alpine citadel,

And paid them back their debt twice told 'Twas then the elder Nero came To conflict, and in ruin roll'd Stout Raetian kernes of giant frame. O, 'twas a gallant sight to see The shocks that beat upon the brave Who chose to perish and be free! As south winds scourge the rebel wave When through rent clouds the Pleiads weep, So keen his force to smite, and smite The foe, or make his charger leap Through the red furnace of the fight.

Thus Daunia's ancient river fares, Proud Aufidus, with bull-like horn, When swoln with choler he prepares A deluge for the fields of corn. So Claudius charged and overthrew The grim barbarian's mail-clad host, The foremost and the hindmost slew, And conquer'd all, and nothing lost. The force, the forethought, were thine own, Thine own the gods. The selfsame day When, port and palace open thrown, Low at thy footstool Egypt lay,

That selfsame day, three lustres gone, Another victory to thine hand Was given; another field was won By grace of Caesar's high command. Thee Spanish tribes, unused to yield, Mede, Indian, Scyth that knows no home, Acknowledge, sword at once and shield Of Italy and queenly Rome. Ister to thee, and Tanais fleet, And Nile that will not tell his birth, To thee the monstrous seas that beat On Britain's coast, the end of earth,

To thee the proud Iberians bow, And Gauls, that scorn from death to flee; The fierce Sygambrian bends his brow, And drops his arms to worship thee.

Book 4, Poem 15

Of battles fought I fain had told, And conquer'd towns, when Phoebus smote His harp-string: “Sooth, 'twere over-bold. To tempt wide seas in that frail boat.” Thy age, great Caesar, has restored To squalid fields the plenteous grain, Given back to Rome's almighty Lord Our standards, torn from Parthian fane, Has closed Quirinian Janus' gate, Wild passion's erring walk controll'd, Heal'd the foul plague-spot of the state, And brought again the life of old,

Life, by whose healthful power increased The glorious name of Latium spread To where the sun illumes the east From where he seeks his western bed. While Caesar rules, no civil strife Shall break our rest, nor violence rude, Nor rage, that whets the slaughtering knife And plunges wretched towns in feud. The sons of Danube shall not scorn The Julian edicts; no, nor they By Tanais' distant river horn, Nor Persia, Scythia, or Cathay.

And we on feast and working-tide, While Bacchus' bounties freely flow, Our wives and children at our side, First paying Heaven the prayers we owe, Shall sing of chiefs whose deeds are done, As wont our sires, to flute or shell, And Troy, Anchises, and the son Of Venus on our tongues shall dwell.

Satires

  1. Book 1, Poem 4
  2. Book 1, Poem 10
  3. Book 2, Poem 1
  4. Book 2, Poem 3

Book 1, Poem 4

When discord dreadful bursts the brazen bars, And shatters iron locks to thunder forth her wars.

Book 1, Poem 10

lucili, quam sis mendosus, teste catone, defensore tuo, pervincam, qui male factos emendare parat versus, hoc lenius ille, quo melior vir et est longe subtilior illo, qui multum puer et loris et funibus udis exoratus, ut esset, opem qui ferre poetis antiquis posset contra fastidia nostra, grammaticorum equitum doctissimus. ut redeam illuc:

Book 2, Poem 1

Sed quid opus teneras mordaci radere vero Auriculas? Vide sis ne maiorum tibi forte Limina et rigescunt.

Book 2, Poem 3

Mater, te adpello, tu quae somno curam suspensam levas, Neque te mei miseret, surge et sepeli natum Priusquam ferae volucresque. Vigila et cicer ingere large Rixanti populo, nostra ut Floralia possint Aprici meminisse senes.

Epistles

Latin text only — English translation not yet available.

Ars Poetica

Contents — 13 sections
  1. Section 1
  2. Section 44
  3. Section 73
  4. Section 99
  5. Section 125
  6. Section 189
  7. Section 220
  8. Section 275
  9. Section 309
  10. Section 347
  11. Section 391
  12. Section 419
  13. Section 453

Section 1

If a painter should wish to unite a horse's neck to a human head, and spread a variety of plumage over limbs [of different animals] taken from every part [of nature], so that what is a beautiful woman in the upper part terminates unsightly in an ugly fish below; could you, my friends, refrain from laughter, were you admitted to such a sight Believe, ye Pisos, the book will be perfectly like such a picture, the ideas of which, like a sick man's dreams, are all vain and fictitious: so that neither head nor foot can correspond to any one form. "Poets and painters [you will say] have ever had equal authority for attempting any thing." We are conscious of this, and this privilege we demand and allow in turn: but not to such a degree, that the tame should associate with the savage; nor that serpents should be coupled with birds, lambs with tigers.

All that our poet says here may be referred, in general, to three heads, the fable, the manners, and the diction. We should take notice that this piece particularly regards epic and dramatic poetry, and that our author only occasionally mentions any other kind. The most important precept for the composition of a poem is unity and simplicity of design. There should be only one action, to which all the incidents ought to refer; and this point of perfection, every regular work requires. To show the necessity of this rule, Horace compares an irregular poem to pictures formed by a wild assortment of many parts entirely unlike each other. Every part, considered in itself, may have its proper, natural perfection, while their union produces nothing but what is monstrous and ridiculous. FRAN. The critic's rules must be taken either, 1. from the general standing laws of composition; or, 2. from the peculiar ones, appropriated to the kind. Now the direction to be fetched from the former of these sources will of course precede, as well on account of its superior dignity, as that the mind itself delights to descend from universals to the consideration of particulars. Agreeably to this rule of nature, the poet, having to correct, in the Roman drama, these three points, 1. a misconduct in the disposition; 2. an abuse of language; and, 3. a disregard of the peculiar characters and colorings of its different species, hath chosen to do this on principles of universal nature; which, while they include the case of the drama, at the same time extend to poetic composition at large. These prefatory, universal observations being delivered, he then proceeds, with advantage, to the second source of this art, viz., the consideration of the laws and rules peculiar to the kind.

But Orelli more rightly treats collatis membris as the ablative absolute.

In pompous introductions, and such as promise a great deal, it generally happens that one or two verses of purple patch-work, that may make a great show, are tagged on; as when the grove and the altar of Diana and the meandering of a current hastening through pleasant fields, or the river Rhine, or the rainbow is described. But here there was no room for these [fine things]: perhaps, too, you know how to draw a cypress: but what is that to the purpose, if he, who is painted for the given price, is [to be represented as] swimming hopeless out of a shipwreck? A large vase at first was designed: why, as the wheel revolves, turns out a little pitcher? In a word, be your subject what it will, let it be merely simple and uniform.

These preparatory observations, concerning the laws of poetic composition at large, have been thought to glance more particularly at the epic poetry which was not improper: for, 1. the drama which he was about to criticise, had its rise and origin from the epos. Thus we are told by the great critic, that Homer was the first who invented dramatic imitations μόνοσ . 2. The several censures, here pointed at the epic, would bear still more directly against the tragic poem; it being more glaringly inconsistent with the genius of the drama to admit of foreign and digressive ornaments, than of the extended, episodical epopaeia. For both these reasons, it was altogether pertinent to the poet's purpose, in a criticism on the drama, to expose the vicious practice of the epic models. Though, to preserve the unity of his piece, and for a further reason (see note on v. 1), he hath artfully done this under the cover of general criticism.

Boughs of cypress were carried in funeral processions, and placed before the houses of the great, upon particular occasions of sorrow, Et non plebeios luctus testata cupressus. From hence, perhaps, this tree was usually drawn in votive tablets; in pictures carried by beggars, to excite charity; and in those used by lawyers in courts of justice, to raise the compassion of the judges, by representing the distresses of their clients. A painter might, by frequent practice, excel in drawing a tree for which there was such demand; and he therefore absurdly determines to show his skill upon all occasions, even by painting it in the middle of the ocean, and making it overshadow the storm. The commentators understand this passage in a different manner.

The great majority of us poets, father, and youths worthy such a father, are misled by the appearance of right. I labor to be concise, I become obscure: nerves and spirit fail him, that aims at the easy: one, that pretends to be sublime, proves bombastical: he who is too cautious and fearful of the storm, crawls along the ground: he who wants to vary his subject in a marvelous manner, paints the dolphin in the woods, the boar in the sea. The avoiding of an error leads to a fault, if it lack skill.

The word prodigialiter apparently refers to that fictitious monster, under which the poet allusively shadows out the idea of absurd and inconsistent composition. The application, however, differs in this, that, whereas the monster, there painted, was intended to expose the extravagance of putting together incongruous parts, without any reference to a whole, this prodigy is designed to characterize a whole, but deformed by the ill-judged position of its parts. The former is like a monster, whose several members as of right belonging to different animals, could by no disposition be made to constitute one consistent animal. The other, like a landscape which hath no objects absolutely irrelative, or irreducible to a whole, but which a wrong position of the parts only renders prodigious. Send the boar to the woods, and the dolphin to the waves; and the painter might show them both on the same canvas.

Each is a violation of the law of unity, and a real monster: the one, because it contains an assemblage of natural incoherent parts; the other, because its parts, though in themselves coherent, are misplaced and disjointed.

A statuary about the Aemilian school shall of himself, with singular skill, both express the nails, and imitate in brass the flexible hair; unhappy yet in the main, because he knows not how to finish a complete piece. I would no more choose to be such a one as this, had I a mind to compose any thing, than to live with a distorted nose, [though] remarkable for black eyes and jetty hair.

Unus = praeter caeteros, melius quam reliqui omnes.

Ye who write, make choice of a subject suitable to your abilities; and revolve in your thoughts a considerable time what your strength declines, and what it is able to support. Neither elegance of style, nor a perspicuous disposition, shall desert the man, by whom the subject matter is chosen judiciously.

Literally, "shoulders," a phrase derived from wrestlers. The reading before Bentley was imus.

This, or I am mistaken, will constitute the merit and beauty of arrangement, that the poet just now say what ought just now to be said, put off most of his thoughts, and waive them for the present.

Section 44

In the choice of his words, too, the author of the projected poem must be delicate and cautious, he must embrace one and reject another: you will express yourself eminently well, if a dexterous combination should give an air of novelty to a well-known word. If it happen to be necessary to explain some abstruse subjects by new invented terms; it will follow that you must frame words never heard of by the old-fashioned Cethegi: and the license will be granted, if modestly used: and new and lately-formed words will have authority, if they descend from a Greek source, with a slight deviation. But why should the Romans grant to Plautus and Caecilius a privilege denied to Virgil and Varius? Why should I be envied, if I have it in my power to acquire a few words, when the language of Cato and Ennius has enriched our native tongue, and produced new names of things It has been, and ever will be, allowable to coin a word marked with the stamp in present request. As leaves in the woods are changed with the fleeting years; the earliest fall off first: in this manner words perish with old age, and those lately invented flourish and thrive, like men in the time of youth. We, and our works, are doomed to death: whether Neptune, admitted into the continent, defends our fleet from the north winds, a kingly work; or the lake, for a long time unfertile and fit for oars, now maintains its neighboring cities and feels the heavy plow; or the river, taught to run in a more convenient channel, has changed its course which was so destructive to the fruits. Mortal works must perish: much less can the honor and elegance of language be long-lived. Many words shall revive, which now have fallen off; and many which are now in esteem shall fall off, if it be the will of custom, in whose power is the decision and right and standard of language.

Cinctutis. Having the tunic tightened by the cinctus, or wearing the cinctus instead of the tunic, as appears to have been the custom of the ancient Romans. This was a vest which passed round the waist, and extended down to the feet. That it was an ancient vesture may appear from its being used by the Luperci. Comp. . As it did not embarrass the motion of the arms, even after the tunic became part of the dress, it was sometimes substituted for it by those who had occasion to use much bodily exertion. Hence cinctutis is supposed by some to have a meaning here similar to that of succinctus, "active, industrious." Others explain the word as referring to that arrangement of the toga called cinctus Gabinus.

Agrippa opened a communication between the Lucrine and Avernian Lakes in 717, and built a magnificent haven there, which he named Portius Julius, in honor of Augustus, who was at that time only called Julius Octavianus.

The Scholiast informs us, that Agrippa opened a canal to receive the waters of the Tiber, which had overflowed the country.

This revival of old words is one of those niceties in composition, not to be attempted by any but great masters. It may be done two ways: 1. by restoring such terms as are grown entirely obsolete; or 2. by selecting out of those which have still a currency, and are not quite laid aside, such as are most forcible and expressive. These choice words, among such as are still in use, I take to be those which are employed by the old writers in some peculiarly strong and energetic sense, yet so as with good advantage to be copied by the moderns, without appearing barbarous or affected. (See ) The other use of old terms, i. e. when become obsolete, he says, must be made parce, more sparingly.

Section 73

Quemnam te esse dicam? qui tarda in senectute,

Section 99

It is not enough that poems be beautiful; let them be tender and affecting, and bear away the soul of the auditor whithersoever they please. As the human countenance smiles on those that smile, so does it sympathize with those that weep. If you would have me weep you must first express the passion of grief yourself; then, Telephus or Peleus, your misfortunes hurt me: if you pronounce the parts assigned you ill, I shall either fall asleep or laugh.

Non satis est pulchra , etc. Bentley objects to pulchra because this, he says, is a general term including under it every species of beauty, and therefore that of dulcis or the affecting. As if general terms were not frequently restrained and determined to a peculiar sense by the context. But the great critic did not sufficietly attend to the connection, which, as F. Robertellus, in his paraphrase on the epistle, well observes, stands thus: "It is not enough, that tragedies have that kind of beauty which arises from a pomp and splendor of diction, they must also be pathetic or affecting."

Pathetic accents suit a melancholy countenance; words full of menace, an angry one; wanton expressions, a sportive look; and serious matter, an austere one. For nature forms us first within to every modification of circumstances; she delights or impels us to anger, or depresses us to the earth and afflicts us with heavy sorrow: then expresses those emotions of the mind by the tongue, its interpreter. If the words be discordant to the station of the speaker, the Roman knights and plebians will raise an immoderate laugh. It will make a wide difference, whether it be Davus that speaks, or a hero; a man well-stricken in years, or a hot young fellow in his bloom; and a matron of distinction, or an officious nurse; a roaming merchant, or the cultivator of a verdant little farm; a Colchian, or an Assyrian; one educated at Thebes, or one at Argos.

You, that write, either follow tradition, or invent such fables as are congruous to themselves. If as poet you have to represent the renowned Achilles; let him be indefatigable, wrathful, inexorable, courageous, let him deny that laws were made for him, let him arrogate every thing to force of arms Let Medea be fierce and untractable, Ino an object of pity, Ixion perfidious, Io wandering, Orestes in distress.

The connection lies thus: language must agree with character; character with fame, or at least with itself.

Section 125

If you offer to the stage any thing unattempted, and venture to form a new character; let it be preserved to the last such as it set out at the beginning, and be consistent with itself. It is difficult to write with propriety on subjects to which all writers have a common claim; and you with more prudence will reduce the Iliad into acts, than if you first introduce arguments unknown and never treated of before. A public story will become your own property, if you do not dwell upon the whole circle of events, which is paltry and open to every one; nor must you be so faithful a translator, as to take the pains of rendering [the original] word for word; nor by imitating throw yourself into straits, whence either shame or the rules of your work may forbid you to retreat. Nor must you make such an exordium, as the Cyclic writer of old: "I will sing the fate of Priam, and the noble war." What will this boaster produce worthy of all this gaping? The mountains are in labor, a ridiculous mouse will be brought forth. How much more to the purpose he, who attempts nothing improperly "Sing for me, my muse, the man who, after the time of the destruction of Troy, surveyed the manners and cities of many men." He meditates not [to produce] smoke from a flash, but out of smoke to elicit fire, that he may thence bring forth his instances of the marvelous with beauty, [such as] Antiphates, Scylla, the Cyclops, and Charybdis. Nor does he date Diomede's return from Meleager's death, nor trace the rise of the Trojan war from [Leda's] eggs: he always hastens on to the event; and hurries away his reader in the midst of interesting circumstances, no otherwise than as if they were [already] known; and what he despairs of, as to receiving a polish from his touch, he omits; and in such a manner forms his fictions, so intermingles the false with the true, that the middle is not inconsistent with the beginning, nor the end with the middle. Do you attend to what I, and the public in my opinion, expect from you [as a dramatic writer]. If you are desirous of an applauding spectator, who will wait for [the falling of] the curtain, and till the chorus calls out "your plaudits"; the manners of every age must be marked by you, and a proper decorum assigned to men's varying dispositions and years. The boy, who is just able to pronounce his words, and prints the ground with a firm tread, delights to play with his fellows, and contracts and lays aside anger without reason, and is subject to change every hour. The beardless youth, his guardian being at length discharged, joys in horses, and dogs, and the verdure of the sunny Campus Martius; pliable as wax to the bent of vice, rough to advisers, a slow provider of useful things, prodigal of his money, high-spirited, and amorous, and hasty in deserting the objects of his passion. [After this,] our inclinations being changed, the age and spirit of manhood seeks after wealth, and [high] connections, is subservient to points of honor; and is cautious of committing any action, which he would subsequently be industrious to correct. Many inconveniences encompass a man in years; either because he seeks [eagerly] for gain, and abstains from what he has gotten, and is afraid to make use of it; or because he transacts every thing in a timorous and dispassionate manner, dilatory, slow in hope, remiss, and greedy of futurity. Peevish, querulous, a panegyrist of former times when he was a boy, a chastiser and censurer of his juniors. Our advancing years bring many advantages along with them. Many our declining ones take away. That the parts [therefore] belong ing to age may not be given to youth, and those of a man to a boy, we must dwell upon those qualities which are joined and adapted to each person's age.

The rule is, as appears from the reason of the thing, and from Aristotle, "Let a uniformity of character be preserved, or at least a consistency": i. e. either let the manners be exactly the same from the beginning to the end of the play, as those of Medea, for instance, and Orestes; or, if any change be necessary, let it be such as may consist with, and be easily reconciled to, the manners formerly attributed, as is seen in the case of Electra and Iphigenia.

Difficile est proprie communia dicere. Lambin's comment is, Communia hoc loco appellat Horatius argumenta fabularum a nullo adhuc tractata: et ita, quae cuivis exposita sunt et in medio quadammodo posit, quasi vacua et a nemino occupata. And that this is the true meaning of communia is evidently fixed by the words ignota indictaque, which are explanatory of it.

Publica materies is just the reverse of what the poet had before styled communia: the latter meaning such subjects or characters as, though by their nature left in common to all, had yet, in fact, not been occupied by any writer; the former, those which had already been made public by occupation. In order to acquire a property in subjects of this sort, the poet directs us to observe the three following cautions: 1. Not to follow the trite, obvious round of the original work; i. e. not servilely and scrupulously to adhere to its plan of method. 2. Not to be translators, instead of imitators, i. e. if it shall be thought fit to imitate more expressly any part of the original, to do it with freedom and spirit, and without a slavish attachment to the mode of expression. 3. Not to adopt any particular incident that may occur in the proposed model, which either decency or the nature of the work would reject.

Scriptor cyclicus. Some author of the cyclus, described above, 1, 132. The chief Cyclic poems are the following: 1. τὰ Κύπρια, of Stasinus or Hegesinus. 2. The Αἰθιοπίσ of Arctinus. 3. The Ἰλιὰσ μικρά, by Lesches. 4. The Ἰλίου πέρσισ of Arctinus. 5. The Νόστοι attributed to Agias. 6. The Τηλεγονία of Eugammon. These were collected, more for the sake of philology than poetry, by the Alexandrine grammarians.

Quaerit = quaestus facit, as in In medium quaerebant.

He returns to his first division of human life into two parts. "Anni venientes," the years preceding manhood; "anni recedentes," the years going back toward old age and death. The ancients reckoned the former by addition: the latter by subtraction. The French have an expression like this of "recedentes anni." They say, "il est sur son retour," "he is upon his return," when a person is declining in years.

Semper in adjunctis. "Adjuncta aevo," every thing which attends age; "apta aevo," every thing proper to it.

An action is either represented on the stage, or being done elsewhere is there related. The things which enter by the ear affect the mind more languidly, than such as are submitted to the faithful eyes, and what a spectator presents to himself. You must not, however, bring upon the stage things fit only to be acted behind the scenes: and you must take away from view many actions, which elegant descrition may soon after deliver in presence [of the spectators]. Let not Medea murder her sons before the people; nor the execrable Atreus openly dress human entrails: nor let Progne be metamorphosed into a bird, Cadmus into a serpent. Whatever you show to me in this manner, not able to give credit to, I detest.

Facundia praesens. The recital of an actor present, which ought to be made with all the pathetic; facundia; or a recital instead of the action, facundia facti vicaria, quae rem quasi oculis praesentem sistit.

Section 189

Indoctus quid enim saperet liberque laborum, Rusticus urbane confusus, turpis honesto?

Section 220

Indoctus quid enim saperet liberque laborum Rusticus urbane confusus, turpis honesto eo quod Illecebris erat, et grata novitate morandus Spectator, functusque sacris, et potus, et exlex.

Section 275

Thespis is said to have invented a new kind of tragedy, and to have carried his pieces about in carts, which [certain strollers], who had their faces besmeared with lees of wine, sang and acted. After him Aeschylus, the inventor of the vizard mask and decent robe, laid the stage over with boards of a tolerable size, and taught to speak in lofty tone, and strut in the buskin. To these succeeded the old comedy, not without considerable praise: but its personal freedom degenerated into excess and violence, worthy to be regulated by law; a law was made accordingly, and the chorus, the right of abusing being taken away, disgracefully became silent.

Thespis. A native of Icarius, a village in Attica, to whom the invention of the drama has been ascribed. Before his time there were no performers except the chorus. He led the way to the formation of a dramatic plot and language, by directing a pause in the performance of the chorus, during which he came forward and recited with gesticulation a mythological story. Comp. note . The date is thus given by the Par. Chron. Boeckh.: Ἀφ' οὖ Θέσπισ ὁ ποιητὴσ ἐφάνη, πρῶτοσ ὃσ ἑδίδαξε δρᾶμα ἐν ἄστει καὶ ἐτέθη ὁ τράγοσ ἆθλον ἔτη ΗΗΠΔΔ, ἄρχοντοσ Ἀθήνησιε Quod ad annum attinet, consistendum sane in Olymp. 61, eiusque tribus prioribus annis. Boeckh. in Chr.

Our poets have left no species [of the art] unattempted; nor have those of them merited the least honor, who dared to forsake the footsteps of the Greeks, and celebrate domestic facts; whether they have instructed us in tragedy, or comedy. Nor would Italy be raised higher by valor and feats of arms, than by its language, did not the fatigue and tediousness of using the file disgust every one of our poets. Do you, the descendants of Pompilius, reject that poem, which many days and many a blot have not ten times subdued to the most perfect accuracy. Because Democritus believes that genius is more successful than wretched art, and excludes from Helicon all poets who are in their senses, a great number do not care to part with their nails or beard, frequent places of solitude, shun the baths. For he will acquire, [he thinks,] the esteem and title of a poet, if he neither submits his head, which is not to be cured by even three Anticyras, to Licinius the barber. What an unlucky fellow am I, who am purged for the bile in spring-time! Else nobody would compose better poems; but the purchase is not worth the expense. Therefore I will serve instead of a whetstone, which though not able of itself to cut, can make steel sharp: so I, who can write no poetry myself, will teach the duty and business [of an author]; whence he may be stocked with rich materials; what nourishes and forms the poet; what gives grace, what not; what is the tendency of excellence, what that of error.

Vel qui praetextas, vel qui docuere togatas. There hath been much difficulty here in settling a very plain point. The question is, whether praetextas means tragedy or a species of comedy. The answer is very clear from Diomedes, whose account is, in short, this: "Togatae is a general term for all sorts of Latin plays adopting the Roman customs and dresses; as Palliatae is for all adopting the Grecian. Of the Togatae, the several species are, 1. Praetexta or praetextata, in which the Roman kings or generals were introduced, and is so called because the praetexta was the distinguishing habit of such persons; 2. Tabernaria, frequently called Togata, though that word, as we have seen, had properly a larger sense. 3. Atellana. 4. Planipedis." He next marks the difference of these several sorts of the Togatae from the similar corresponding ones of the Palliatae, which are these: 1. "Tragoedia, absolutely so styled. 2. Comoedia. 3. Satyri. 4. μῖμοσ." (These four sorts of the Palliatae were also probably in use at Rome; certainly, at least, the two former.) It appears then from thence, that praetextata was properly the Roman tragedy. But he adds, "Togata praetextata a tragoedia differt" and it is also said, "to be only like tragedy, tragoediae similis." What is this difference and this likeness? The explanation follows. "Heroes are introduced into tragedy, such as Orestes, Chryses, and the like. In the praetextata, Brutus, Decius, or Marcellus." So then we see when Grecian characters were introduced, it was called simply tragoedia; when Roman, praetextata; yet both, tragedies. The sole difference lay in the persons being foreign or domestic. The correspondence in every other respect was exact. The same is observed of the Roman comedy; when it adopted Greek characters, it was called comoedia; when Roman, togata tabernaria, or togata, simply.

Section 309

To have good sense, is the first principle and fountain of writing well. The Socratic papers will direct you in the choice of your subjects; and words will spontaneously accompany the subject, when it is well conceived. He who has learned what he owes to his country, and what to his friends; with what affection a parent, a brother, and a stranger, are to be loved; what is the duty of a senator, what of a judge; what the duties of a general sent out to war; he, [I say,] certainly knows how to give suitable attributes to every character. I should direct the learned imitator to have a regard to the mode of nature and manners, and thence draw his expressions to the life. Sometimes a play, that is showy with common-places, and where the manners are well marked, though of no elegance, without force or art, gives the people much higher delight and more effectually commands their attention, than verse void of matter, and tuneful trifles. To the Greeks, covetous of nothing but praise, the muse gave genius; to the Greeks the power of expressing themselves in round periods. The Roman youth learn by long computation to subdivide a pound into an hundred parts. Let the son of Albinus tell me, if from five ounces one be subtracted, what remains? He would have said the third of a pound. Bravely done! you will be able to take care of your own affairs. An ounce is added: what will that be? Half a pound.

Truth, in poetry, means such an expression as conforms to the general nature of things; falsehood, that which, however suitable to the particular instance in view, doth yet not correspond to such general nature. To attain to this truth of expression in dramatic poetry two things are prescribed: 1. A diligent study of the Socratic philosophy; and, 2, A masterly knowledge and comprehension of human life. The first, because it is the peculiar distinction of this school "ad veritatem vitae propius accedere." And the latter as rendering the imitation more universally striking.

Interdum speciosa locis , etc. The poet's science in ethics will principally show itself in these two ways: 1. in furnishing proper matter for general reflection on human life and conduct; and, 2, in a due adjustment of the manners. By the former of these two applications of moral knowledge a play becomes, what the poet calls, speciosa locis, i. e. (for the term is borrowed from the rhetoricians) striking in its moral topics: a merit of the highest importance on the ancient stage, and which, if prudently employed in subserviency to the latter more essential requisite of the drama, a just expression of the manners, will deserve to be so reputed at all times, and on every theater. The danger is, lest a studied, declamatory moral, affectedly introduced, or indulged to access, should prejudice the natural exhibition of the characters, and so convert the image of human life into an unaffecting, philosophical dialogue.

Moratque recta fabula , etc. This judgment of the poet, in regard of the superior efficacy of manners, is generally thought to be contradicted by Aristotle; who, in treating this subject, observes, "that let a piece be ever so perfect in the manners, sentiments, and style, it will not so well answer the end and purpose of tragedy, as if defective in these, and finished only in the fable and composition." M. Dacier thinks to clear this matter by saying, "that what Aristotle remarks holds true of tragedy, but not of comedy, of which alone Horace is here speaking." But granting that the artificial contexture of the fable is less necessary to the perfection of comedy than of tragedy, yet, the tenor of this whole division, exhorting to correctness in general, makes it unquestionable that Horace must intend to include both. The case, as it seems to me, is this. The poet is not comparing the respective importance of the fable and manners, but of the manners and diction, under this word including also numbers. He gives them the preference not to a good plot, nor even to fine sentiments, but to versus inopes rerum nugaeque canorae . The art he speaks of, is the art of expressing the thoughts properly, gracefully, and harmoniously: the pondus is the force and energy of good versification. Venus is a general term including both kinds of beauty. Fabula does not mean the fable (in distinction from the rest), but simply a play.

When this sordid rust and hankering after wealth has once tainted their minds, can we expect that such verses should be made as are worthy of being anointed with the oil of cedar, and kept in the well-polished cypress?

Aerugo et cura peculi cum semel imbuerit , etc. This love of gain, to which Horace imputes the imperfect state of the Roman poetry, hath been uniformly assigned, by the wisdom of ancient times, as the specific bane of arts and letters. Longinus and Quinctilian account, from hence, for the decay of eloquence, Galen of physic, Petronius of painting, and Pliny of the whole circle of the liberal arts. For being, as Longinus calls it, νόσημα μικροποῖον, a disease which narrows and contracts the soul, it must, of course, restrain the generous efforts and expansions of genius; cramp the free powers and energies of the mind, and render it unapt to open itself to wide views, and to the projection of great, extensive designs. It is so in its consequences. For, as one says elegantly, when the passion of avarice grows general in a country, the temples of honor are soon pulled down, and all men's sacrifices are made to fortune.

To preserve their books, the ancients rubbed them with oil of cedar, and kept them in cases of cypress, because these kinds of wood were not liable to corruption.

Poets wish either to profit or to delight; or to deliver at once both the pleasures and the necessaries of life. Whatever precepts you give, be concise; that docile minds may soon comprehend what is said, and faithfully retain it. All superfluous instructions flow from the too full memory. Let whatever is imagined for the sake of entertainment, have as much likeness to truth as possible; let not your play demand belief for whatever [absurdities] it is inclinable [to exhibit]: nor take out of a witch's belly a living child that she had dined upon. The tribes of the seniors rail against every thing that is void of edification: the exalted knights disregard poems which are austere. He who joins the instructive with the agreeable, carries off every vote, by delighting and at the same time admonishing the reader. This book gains money for the Sosii; this crosses the sea, and continues to its renowned author a lasting duration.

Omne tulit punctum. Alluding to the manner of voting at the comitia by putting a point over the name of a candidate.

Section 347

Yet there are faults, which we should be ready to pardon: for neither does the string [always] form the sound which the hand and conception [of the performer] intends, but very often returns a sharp note when he demands a flat; nor will the bow always hit whatever mark it threatens. But when there is a great majority of beauties in a poem, I will not be offended with a few blemishes, which either inattention has dropped, or human nature has not sufficiently provided against. What therefore [is to be determined in this matter]? As a transcriber, if he still commits the same fault though he has been reproved, is without excuse; and the harper who always blunders on the same string, is sure to be laughed at; so he who is excessively deficient becomes another Choerilus; whom, when I find him tolerable in two or three places, I wonder at with laughter; and at the same time am I grieved whenever honest Homer grows drowsy But it is allowable, that sleep should steal upon [the progress of] a long work.

As is painting, so is poetry: some pieces will strike you more if you stand near, and some, if you are at a greater distance: one loves the dark; another, which is not afraid of the critic's subtle judgment, chooses to be seen in the light; the one has pleased once the other will give pleasure if ten times repeated. 0 ye elder of the youths, though you are framed to a right judgment by your father's instructions, and are wise in yourself, yet take this truth along with you, [and] remember it; that in certain things a medium and tolerable degree of eminence may be admitted: a counselor and pleader at the bar of the middle rate is far removed from the merit of eloquent Messala, nor has so much knowledge of the law as Casselius Aulus, but yet he is in request; [but] a mediocrity in poets neither gods, nor men, nor [even] the booksellers' shops have endured. As at an agreeable entertainment discordant music, and muddy perfume, and poppies mixed with Sardinian honey give offense, because the supper might have passed without them; so poetry, created and invented for the delight of our souls, if it comes short ever so little of the summit, sinks to the bottom.

This judgment, however severe it may seem, is according to the practice of the best critics. We have a remarkable instance in the case of Apollonius Rhodius, who though, in the judgment of Quinctilian, the author of no contemptible poem, yet on account of that equal mediocrity which every where prevails in him, was struck out of the list of good writers by such sovereign judges of poetical merit as Aristophanes and Aristarchus. ()

Sardinia was full of bitter herbs, from whence the honey was bitter. White poppy seed, roasted, was mingled with honey by the ancients.

He who does not understand the game, abstains from the weapons of the Campus Martius: and the unskillful in the tennis-ball, the quoit, and the troques keeps himself quiet; lest the crowded ring should raise a laugh at his expense: notwithstanding this, he who knows nothing of verses presumes to compose. Why not! He is free-born, and of a good family; above all, he is registered at an equestrian sum of moneys, and clear from every vice. You, [I am persuaded,] will neither say nor do any thing in opposition to Minerva: such is your judgment, such your disposition. But if ever you shall write any thing, let it be submitted to the ears of Metius [Tarpa], who is a judge, and your father's, and mine; and let it be suppressed till the ninth year, your papers being laid up within your own custody. You will have it in your power to blot out what you have not made public: a word once sent abroad can never return.

Invita … Minerva . , explains this phrase: "adversante et repugnante natura." And yet the meaning here is not very evident. Does Horace say that young Piso will neither do nor say any thing contrary to his natural endowments; implying that he will not attempt poetry, as his abilities are inadequate? Or does he mean to compliment him on his capabilities, by saying that there is nothing which he will attempt, in which genius will not favor and assist him? The latter appears to be the correct interpretation. Thus the obvious meaning of invita Minerva is — Minerva refusing her assistance, or discountenancing the attempt; and the interpretation-natural endowments refusing their assistance, or marring the effort.

Section 391

Orpheus, the priest and interpreter of the gods, deterred the savage race of men from slaughters and inhuman diet; hence said to tame tigers and furious lions: Amphion too, the builder of the Theban wall, was said to give the stones motion with the sound of his lyre, and to lead them whithersoever he would, by engaging persuasion. This was deemed wisdom of yore, to distinguish the public from private weal; things sacred from things profane; to prohibit a promiscuous commerce between the sexes; to give laws to married people; to plan out cities; to engrave laws on [tables of] wood. Thus honor accrued to divine poets, and their songs. After these, excellent Homer and Tyrtaeus animated the manly mind to martial achievements with their verses. Oracles were delivered in poetry, and the economy of life pointed out, and the favor of sovereign princes was solicited by Pierian strains, games were instituted, and a [cheerful] period put to the tedious labors of the day; [this I remind you of,] lest haply you should be ashamed of the lyric muse, and Apollo the god of song.

i. e. strains of the muses, surnamed Pierides

It has been made a question, whether good poetry be derived from nature or from art. For my part, I can neither conceive what study can do without a rich [natural] vein, nor what rude genius can avail of itself: so much does the one require the assistance of the other, and so amicably do they conspire [to produce the same effect]. He who is industrious to reach the wished-for goal, has done and suffered much when a boy; he has sweated and shivered with cold; he has abstained from love and wine; he who sings the Pythian strains, was first a learner, and in awe of a master. But [in poetry] it is now enough for a man to say of himself:— "I make admirable verses: a murrain seize the hindmost: it is scandalous for me to be outstripped, and fairly to acknowledge that I am ignorant of that which I never learned."

Pythia cantica , songs like the hymns which were sung in honor of Apollo, by the chorus in some comedies. A player, called Pythaules, played during the intervals when the chorus left off singing.

Section 419

'Calidum scis ponere sumen, Scis comitem horridulum trita donare lacerna,'

Section 453

Like one whom an odious plague or jaundice, fanatic phrensy or lunacy, distresses; those who are wise avoid a mad poet, and are afraid to touch him; the boys jostle him, and the incautious pursue him. If, like a fowler intent upon his game, he should fall into a well or a ditch while he belches out his fustian verses and roams about, though he should cry out for a long time, "Come to my assistance, 0 my countrymen;" not one would give himself the trouble of taking him up. Were any one to take pains to give him aid, and let down a rope; "How do you know, but he threw himself in hither on purpose?" I shall say: and will relate the death of the Sicilian poet. Empedocles, while he was ambitious of being esteemed an immortal god, in cold blood leaped into burning Aetna. Let poets have the privilege and license to die [as they please]. He who saves a man against his will, does the same with him who kills him [against his will]. Neither is it the first time that he has behaved in this manner; nor, were he to be forced from his purposes, would he now become a man, and lay aside his de sire of such a famous death. Neither does it appear sufficiently, why he makes verses: whether he has defiled his father's ashes, or sacrilegiously removed the sad enclosure of the vindictive thunder: it is evident that he is mad, and like a bear that has burst through the gates closing his den, this unmerciful rehearser chases the learned and unlearned. And whomsoever he seizes, he fastens on and assassinates with recitation: a leech that will not quit the skin, till satiated with blood.

Ardentem frigidus Aetnam insiluit. "In cold blood, deliberately." Horace, by playing on the words ardentum frigidus, would show that he did not believe the story, and told it as one of the traditions, which poets may use without being obliged to vouch the truth of them. The pleasantry continues, when he says, it is murder to hinder a poet from killing himself; a maxim, which could not be said seriously.

An triste bidental . What crime must that man have committed whom the gods in vengeance have possessed with a madness of writing verses? Bidental was a place struck with lightning, which the aruspices purified and consecrated with a sacrifice of a sheep, bidental. It was an act of sacrilege ever to remove the bounds of it, movere bidental.

In concluding the annotations on the Art of Poetry, I must beg to recommend to the reader's notice my translation of , with a collection of notes, as the two treatises contribute to each other's illustration in the fullest extent.

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