William Shakespeare — Romances · Poems

Contents — 34 sections

1. ACT I
2. ACT II
3. ACT III
4. ACT IV
5. ACT V
6. ACT I
7. ACT I, SCENE I. Antioch. A room in the palace.
8. ACT I, SCENE II. Tyre. A room in the palace.
9. ACT I, SCENE III. Tyre. An ante-chamber in the Palace.
10. ACT I, SCENE IV. Tarsus. A room in the Governor’s house.
11. ACT II
12. ACT II, SCENE I. Pentapolis. An open place by the seaside.
13. ACT II, SCENE II. The same. A public way, or platform leading to the lists. A
14. ACT II, SCENE III. The same. A hall of state: a banquet prepared.
15. ACT II, SCENE IV. Tyre. A room in the Governor’s house.
16. ACT II, SCENE V. Pentapolis. A room in the palace.
17. ACT III
18. ACT III, SCENE I.
19. ACT III, SCENE II. Ephesus. A room in Cerimon’s house.
20. ACT III, SCENE III. Tarsus. A room in Cleon’s house.
21. ACT III, SCENE IV. Ephesus. A room in Cerimon’s house.
22. ACT IV
23. ACT IV, SCENE III. Tarsus. A room in Cleon’s house.
24. ACT IV, SCENE IV.
25. ACT IV, SCENE V. Mytilene. A street before the brothel.
26. ACT IV, SCENE VI. The same. A room in the brothel.
27. ACT V
28. ACT V, SCENE I. On board Pericles’ ship, off Mytilene. A close pavilion on
29. ACT V, SCENE II.
30. ACT V, SCENE III. The temple of Diana at Ephesus; Thaisa standing near the
31. ACT I
32. ACT II
33. ACT III
34. ACT V

ACT I

Chorus. Before the palace of Antioch Scene I. Antioch. A room in the palace Scene II. Tyre. A room in the palace Scene III. Tyre. An ante-chamber in the Palace Scene IV. Tarsus. A room in the Governor’s house

ACT II

Chorus. Chorus Scene I. Pentapolis. An open place by the seaside Scene II. The same. A public way, or platform leading to the lists Scene III. The same. A hall of state: a banquet prepared Scene IV. Tyre. A room in the Governor’s house Scene V. Pentapolis. A room in the palace

ACT III

Chorus. Chorus Scene I. On shipboard Scene II. Ephesus. A room in Cerimon’s house Scene III. Tarsus. A room in Cleon’s house Scene IV. Ephesus. A room in Cerimon’s house

ACT IV

Chorus. Chorus Scene I. Tarsus. An open place near the seashore Scene II. Mytilene. A room in a brothel Scene III. Tarsus. A room in Cleon’s house Scene IV. Before the monument of Marina at Tarsus Scene V. Mytilene. A street before the brothel Scene VI. The same. A room in the brothel

ACT V

Chorus. Chorus Scene I. On board Pericles’ ship, off Mytilene Scene II. Before the temple of Diana at Ephesus Scene III. The temple of Diana at Ephesus

Dramatis Personæ

ANTIOCHUS, king of Antioch. PERICLES, prince of Tyre. HELICANUS, ESCANES, two lords of Tyre. SIMONIDES, king of Pentapolis. CLEON, governor of Tarsus. LYSIMACHUS, governor of Mytilene. CERIMON, a lord of Ephesus. THALIARD, a lord of Antioch. PHILEMON, servant to Cerimon. LEONINE, servant to Dionyza. Marshal. A Pandar. BOULT, his servant. The Daughter of Antiochus. DIONYZA, wife to Cleon. THAISA, daughter to Simonides. MARINA, daughter to Pericles and Thaisa. LYCHORIDA, nurse to Marina. A Bawd. Lords, Knights, Gentlemen, Sailors, Pirates, Fishermen, and Messengers.

GOWER, as Chorus.

SCENE: Dispersedly in various countries.

ACT I

Enter Gower.

Before the palace of Antioch.

To sing a song that old was sung, From ashes ancient Gower is come; Assuming man’s infirmities, To glad your ear, and please your eyes. It hath been sung at festivals, On ember-eves and holy-ales; And lords and ladies in their lives Have read it for restoratives: The purchase is to make men glorious, _Et bonum quo antiquius eo melius._ If you, born in these latter times, When wit’s more ripe, accept my rhymes, And that to hear an old man sing May to your wishes pleasure bring, I life would wish, and that I might Waste it for you, like taper-light. This Antioch, then, Antiochus the Great Built up, this city, for his chiefest seat; The fairest in all Syria. I tell you what mine authors say: This king unto him took a fere, Who died and left a female heir, So buxom, blithe, and full of face, As heaven had lent her all his grace; With whom the father liking took, And her to incest did provoke. Bad child; worse father! to entice his own To evil should be done by none: But custom what they did begin Was with long use account’d no sin. The beauty of this sinful dame Made many princes thither frame, To seek her as a bedfellow, In marriage pleasures playfellow: Which to prevent he made a law, To keep her still, and men in awe, That whoso ask’d her for his wife, His riddle told not, lost his life: So for her many a wight did die, As yon grim looks do testify. What now ensues, to the judgement your eye I give, my cause who best can justify.

ACT I, SCENE I. Antioch. A room in the palace.

Enter Antiochus, Prince Pericles and followers.

Young prince of Tyre, you have at large received The danger of the task you undertake.

I have, Antiochus, and, with a soul Emboldened with the glory of her praise, Think death no hazard in this enterprise.

Music! Bring in our daughter, clothed like a bride, For the embracements even of Jove himself; At whose conception, till Lucina reigned, Nature this dowry gave, to glad her presence, The senate house of planets all did sit, To knit in her their best perfections.

Music. Enter the Daughter of Antiochus.

See where she comes, apparell’d like the spring, Graces her subjects, and her thoughts the king Of every virtue gives renown to men! Her face the book of praises, where is read Nothing but curious pleasures, as from thence Sorrow were ever razed, and testy wrath Could never be her mild companion. You gods that made me man, and sway in love, That have inflamed desire in my breast To taste the fruit of yon celestial tree, Or die in the adventure, be my helps, As I am son and servant to your will, To compass such a boundless happiness!

Prince Pericles,—

That would be son to great Antiochus.

Before thee stands this fair Hesperides, With golden fruit, but dangerous to be touch’d; For death-like dragons here affright thee hard: Her face, like heaven, enticeth thee to view Her countless glory, which desert must gain; And which, without desert, because thine eye Presumes to reach, all the whole heap must die. Yon sometimes famous princes, like thyself, Drawn by report, adventurous by desire, Tell thee, with speechless tongues and semblance pale, That without covering, save yon field of stars, Here they stand Martyrs, slain in Cupid’s wars; And with dead cheeks advise thee to desist For going on death’s net, whom none resist.

Antiochus, I thank thee, who hath taught My frail mortality to know itself, And by those fearful objects to prepare This body, like to them, to what I must; For death remember’d should be like a mirror, Who tells us life’s but breath, to trust it error. I’ll make my will then, and, as sick men do Who know the world, see heaven, but, feeling woe, Gripe not at earthly joys as erst they did; So I bequeath a happy peace to you And all good men, as every prince should do; My riches to the earth from whence they came; [_To the daughter of Antiochus._] But my unspotted fire of love to you. Thus ready for the way of life or death, I wait the sharpest blow, Antiochus.

Scorning advice, read the conclusion, then: Which read and not expounded, ’tis decreed, As these before thee thou thyself shalt bleed.

Of all ’ssayed yet, mayst thou prove prosperous! Of all ’ssayed yet, I wish thee happiness!

PERICLES Like a bold champion, I assume the lists, Nor ask advice of any other thought But faithfulness and courage.

[_He reads the riddle._]

_I am no viper, yet I feed On mother’s flesh which did me breed. I sought a husband, in which labour I found that kindness in a father: He’s father, son, and husband mild; I mother, wife, and yet his child. How they may be, and yet in two, As you will live resolve it you._

Sharp physic is the last: but, O you powers That give heaven countless eyes to view men’s acts, Why cloud they not their sights perpetually, If this be true, which makes me pale to read it? Fair glass of light, I loved you, and could still,

[_Takes hold of the hand of the Princess._]

Were not this glorious casket stored with ill: But I must tell you, now my thoughts revolt; For he’s no man on whom perfections wait That, knowing sin within, will touch the gate, You are a fair viol, and your sense the strings; Who, finger’d to make man his lawful music, Would draw heaven down, and all the gods to hearken; But being play’d upon before your time, Hell only danceth at so harsh a chime. Good sooth, I care not for you.

Prince Pericles, touch not, upon thy life, For that’s an article within our law, As dangerous as the rest. Your time’s expired: Either expound now, or receive your sentence.

Great king, Few love to hear the sins they love to act; ’Twould braid yourself too near for me to tell it. Who has a book of all that monarchs do, He’s more secure to keep it shut than shown: For vice repeated is like the wandering wind, Blows dust in others’ eyes, to spread itself; And yet the end of all is bought thus dear, The breath is gone, and the sore eyes see clear. To stop the air would hurt them. The blind mole casts Copp’d hills towards heaven, to tell the earth is throng’d By man’s oppression; and the poor worm doth die for’t. Kind are earth’s gods; in vice their law’s their will; And if Jove stray, who dares say Jove doth ill? It is enough you know; and it is fit, What being more known grows worse, to smother it. All love the womb that their first bred, Then give my tongue like leave to love my head.

[_Aside_] Heaven, that I had thy head! He has found the meaning: But I will gloze with him.—Young prince of Tyre. Though by the tenour of our strict edict, Your exposition misinterpreting, We might proceed to cancel of your days; Yet hope, succeeding from so fair a tree As your fair self, doth tune us otherwise: Forty days longer we do respite you; If by which time our secret be undone, This mercy shows we’ll joy in such a son: And until then your entertain shall be As doth befit our honour and your worth.

[_Exeunt all but Pericles._]

How courtesy would seem to cover sin, When what is done is like an hypocrite, The which is good in nothing but in sight! If it be true that I interpret false, Then were it certain you were not so bad As with foul incest to abuse your soul; Where now you’re both a father and a son, By your untimely claspings with your child, Which pleasures fits a husband, not a father; And she an eater of her mother’s flesh, By the defiling of her parent’s bed; And both like serpents are, who though they feed On sweetest flowers, yet they poison breed. Antioch, farewell! for wisdom sees, those men Blush not in actions blacker than the night, Will ’schew no course to keep them from the light. One sin, I know, another doth provoke; Murder’s as near to lust as flame to smoke: Poison and treason are the hands of sin, Ay, and the targets, to put off the shame: Then, lest my life be cropp’d to keep you clear, By flight I’ll shun the danger which I fear.

Re-enter Antiochus.

He hath found the meaning, For which we mean to have his head. He must not live to trumpet forth my infamy, Nor tell the world Antiochus doth sin In such a loathed manner; And therefore instantly this prince must die; For by his fall my honour must keep high. Who attends us there?

Enter Thaliard.

Doth your highness call?

Thaliard, you are of our chamber, And our mind partakes her private actions To your secrecy; and for your faithfulness We will advance you. Thaliard, Behold, here’s poison, and here’s gold; We hate the prince of Tyre, and thou must kill him: It fits thee not to ask the reason why, Because we bid it. Say, is it done?

My lord, ’tis done.

Enter a Messenger.

Let your breath cool yourself, telling your haste.

My lord, Prince Pericles is fled.

As thou wilt live, fly after: and like an arrow shot From a well-experienced archer hits the mark His eye doth level at, so thou ne’er return Unless thou say ‘Prince Pericles is dead.’

My lord, if I can get him within my pistol’s length, I’ll make him sure enough: so, farewell to your highness.

Thaliard! adieu!

[_Exit Thaliard._]

Till Pericles be dead, My heart can lend no succour to my head.

ACT I, SCENE II. Tyre. A room in the palace.

Enter Pericles with his Lords.

[_To Lords without._] Let none disturb us.—Why should this change of thoughts, The sad companion, dull-eyed melancholy, Be my so used a guest as not an hour In the day’s glorious walk or peaceful night, The tomb where grief should sleep, can breed me quiet? Here pleasures court mine eyes, and mine eyes shun them, And danger, which I fear’d, is at Antioch, Whose arm seems far too short to hit me here: Yet neither pleasure’s art can joy my spirits, Nor yet the other’s distance comfort me. Then it is thus: the passions of the mind, That have their first conception by misdread, Have after-nourishment and life by care; And what was first but fear what might be done, Grows elder now and cares it be not done. And so with me: the great Antiochus, ’Gainst whom I am too little to contend, Since he’s so great can make his will his act, Will think me speaking, though I swear to silence; Nor boots it me to say I honour him. If he suspect I may dishonour him: And what may make him blush in being known, He’ll stop the course by which it might be known; With hostile forces he’ll o’erspread the land, And with the ostent of war will look so huge, Amazement shall drive courage from the state; Our men be vanquish’d ere they do resist, And subjects punish’d that ne’er thought offence: Which care of them, not pity of myself, Who am no more but as the tops of trees, Which fence the roots they grow by and defend them, Makes both my body pine and soul to languish, And punish that before that he would punish.

Enter Helicanus with other Lords.

FIRST LORD.

Joy and all comfort in your sacred breast!

SECOND LORD.

And keep your mind, till you return to us, Peaceful and comfortable!

Peace, peace, and give experience tongue. They do abuse the king that flatter him: For flattery is the bellows blows up sin; The thing the which is flatter’d, but a spark, To which that spark gives heat and stronger glowing: Whereas reproof, obedient and in order, Fits kings, as they are men, for they may err. When Signior Sooth here does proclaim peace, He flatters you, makes war upon your life. Prince, pardon me, or strike me, if you please; I cannot be much lower than my knees.

All leave us else, but let your cares o’erlook What shipping and what lading’s in our haven, And then return to us.

[_Exeunt Lords._]

Helicanus, thou Hast moved us: what seest thou in our looks?

An angry brow, dread lord.

If there be such a dart in princes’ frowns, How durst thy tongue move anger to our face?

How dares the plants look up to heaven, from whence They have their nourishment?

Thou know’st I have power To take thy life from thee.

HELICANUS. [_Kneeling._] I have ground the axe myself; Do but you strike the blow.

Rise, prithee, rise. Sit down: thou art no flatterer: I thank thee for it; and heaven forbid That kings should let their ears hear their faults hid! Fit counsellor and servant for a prince, Who by thy wisdom makest a prince thy servant, What wouldst thou have me do?

To bear with patience Such griefs as you yourself do lay upon yourself.

Thou speak’st like a physician, Helicanus, That ministers a potion unto me That thou wouldst tremble to receive thyself. Attend me, then: I went to Antioch, Where, as thou know’st, against the face of death, I sought the purchase of a glorious beauty, From whence an issue I might propagate, Are arms to princes, and bring joys to subjects. Her face was to mine eye beyond all wonder; The rest—hark in thine ear—as black as incest, Which by my knowledge found, the sinful father Seem’d not to strike, but smooth: but thou know’st this, ’Tis time to fear when tyrants seems to kiss. Which fear so grew in me I hither fled, Under the covering of a careful night, Who seem’d my good protector; and, being here, Bethought me what was past, what might succeed. I knew him tyrannous; and tyrants’ fears Decrease not, but grow faster than the years: And should he doubt, as no doubt he doth, That I should open to the listening air How many worthy princes’ bloods were shed, To keep his bed of blackness unlaid ope, To lop that doubt, he’ll fill this land with arms, And make pretence of wrong that I have done him; When all, for mine, if I may call offence, Must feel war’s blow, who spares not innocence: Which love to all, of which thyself art one, Who now reprovest me for it,—

Alas, sir!

Drew sleep out of mine eyes, blood from my cheeks, Musings into my mind, with thousand doubts How I might stop this tempest ere it came; And finding little comfort to relieve them, I thought it princely charity to grieve them.

Well, my lord, since you have given me leave to speak, Freely will I speak. Antiochus you fear, And justly too, I think, you fear the tyrant, Who either by public war or private treason Will take away your life. Therefore, my lord, go travel for a while, Till that his rage and anger be forgot, Or till the Destinies do cut his thread of life. Your rule direct to any; if to me, Day serves not light more faithful than I’ll be.

I do not doubt thy faith; But should he wrong my liberties in my absence?

We’ll mingle our bloods together in the earth, From whence we had our being and our birth.

Tyre, I now look from thee then, and to Tarsus Intend my travel, where I’ll hear from thee; And by whose letters I’ll dispose myself. The care I had and have of subjects’ good On thee I lay, whose wisdom’s strength can bear it. I’ll take thy word for faith, not ask thine oath: Who shuns not to break one will sure crack both: But in our orbs we’ll live so round and safe, That time of both this truth shall ne’er convince, Thou show’dst a subject’s shine, I a true prince.

ACT I, SCENE III. Tyre. An ante-chamber in the Palace.

Enter Thaliard.

So, this is Tyre, and this the court. Here must I kill King Pericles; and if I do it not, I am sure to be hanged at home: ’tis dangerous. Well, I perceive he was a wise fellow, and had good discretion, that, being bid to ask what he would of the king, desired he might know none of his secrets: now do I see he had some reason for’t; for if a king bid a man be a villain, he’s bound by the indenture of his oath to be one. Husht, here come the lords of Tyre.

Enter Helicanus and Escanes with other Lords of Tyre.

You shall not need, my fellow peers of Tyre, Further to question me of your king’s departure: His seal’d commission, left in trust with me, Doth speak sufficiently he’s gone to travel.

[_Aside._] How? the king gone?

If further yet you will be satisfied, Why, as it were unlicensed of your loves, He would depart, I’ll give some light unto you. Being at Antioch—

[_Aside._] What from Antioch?

Royal Antiochus—on what cause I know not Took some displeasure at him; at least he judged so: And doubting lest that he had err’d or sinn’d, To show his sorrow, he’d correct himself; So puts himself unto the shipman’s toil, With whom each minute threatens life or death.

[_Aside._] Well, I perceive I shall not be hang’d now, although I would; But since he’s gone, the king’s seas must please He ’scaped the land, to perish at the sea. I’ll present myself. Peace to the lords of Tyre!

Lord Thaliard from Antiochus is welcome.

From him I come With message unto princely Pericles; But since my landing I have understood Your lord has betook himself to unknown travels, My message must return from whence it came.

We have no reason to desire it, Commended to our master, not to us: Yet, ere you shall depart, this we desire, As friends to Antioch, we may feast in Tyre.

ACT I, SCENE IV. Tarsus. A room in the Governor’s house.

Enter Cleon, the governor of Tarsus, with Dionyza and others.

My Dionyza, shall we rest us here, And by relating tales of others’ griefs, See if ’twill teach us to forget our own?

That were to blow at fire in hope to quench it; For who digs hills because they do aspire Throws down one mountain to cast up a higher. O my distressed lord, even such our griefs are; Here they’re but felt, and seen with mischief’s eyes, But like to groves, being topp’d, they higher rise.

O Dionyza, Who wanteth food, and will not say he wants it, Or can conceal his hunger till he famish? Our tongues and sorrows do sound deep Our woes into the air; our eyes do weep, Till tongues fetch breath that may proclaim them louder; That, if heaven slumber while their creatures want, They may awake their helps to comfort them. I’ll then discourse our woes, felt several years, And wanting breath to speak, help me with tears.

I’ll do my best, sir.

This Tarsus, o’er which I have the government, A city on whom plenty held full hand, For riches strew’d herself even in the streets; Whose towers bore heads so high they kiss’d the clouds, And strangers ne’er beheld but wonder’d at; Whose men and dames so jetted and adorn’d, Like one another’s glass to trim them by: Their tables were stored full to glad the sight, And not so much to feed on as delight; All poverty was scorn’d, and pride so great, The name of help grew odious to repeat.

O, ’tis too true.

But see what heaven can do! By this our change, These mouths, who but of late, earth, sea, and air, Were all too little to content and please, Although they gave their creatures in abundance, As houses are defiled for want of use, They are now starved for want of exercise: Those palates who, not yet two summers younger, Must have inventions to delight the taste, Would now be glad of bread and beg for it: Those mothers who, to nousle up their babes, Thought nought too curious, are ready now To eat those little darlings whom they loved. So sharp are hunger’s teeth, that man and wife Draw lots who first shall die to lengthen life: Here stands a lord, and there a lady weeping; Here many sink, yet those which see them fall Have scarce strength left to give them burial. Is not this true?

Our cheeks and hollow eyes do witness it.

O, let those cities that of plenty’s cup And her prosperities so largely taste, With their superflous riots, hear these tears! The misery of Tarsus may be theirs.

Enter a Lord.

Where’s the lord governor?

Here. Speak out thy sorrows which thou bring’st in haste, For comfort is too far for us to expect.

We have descried, upon our neighbouring shore, A portly sail of ships make hitherward.

I thought as much. One sorrow never comes but brings an heir, That may succeed as his inheritor; And so in ours: some neighbouring nation, Taking advantage of our misery, That stuff’d the hollow vessels with their power, To beat us down, the which are down already; And make a conquest of unhappy me, Whereas no glory’s got to overcome.

That’s the least fear; for, by the semblance Of their white flags display’d, they bring us peace, And come to us as favourers, not as foes.

Thou speak’st like him’s untutor’d to repeat: Who makes the fairest show means most deceit. But bring they what they will and what they can, What need we fear? The ground’s the lowest, and we are half way there. Go tell their general we attend him here, To know for what he comes, and whence he comes, And what he craves.

I go, my lord.

Welcome is peace, if he on peace consist; If wars, we are unable to resist.

Enter Pericles with Attendants.

Lord governor, for so we hear you are, Let not our ships and number of our men Be like a beacon fired to amaze your eyes. We have heard your miseries as far as Tyre, And seen the desolation of your streets: Nor come we to add sorrow to your tears, But to relieve them of their heavy load; And these our ships, you happily may think Are like the Trojan horse was stuff’d within With bloody veins, expecting overthrow, Are stored with corn to make your needy bread, And give them life whom hunger starved half dead.

The gods of Greece protect you! And we’ll pray for you.

Arise, I pray you, rise: We do not look for reverence, but for love, And harbourage for ourself, our ships and men.

The which when any shall not gratify, Or pay you with unthankfulness in thought, Be it our wives, our children, or ourselves, The curse of heaven and men succeed their evils! Till when,—the which I hope shall ne’er be seen,— Your grace is welcome to our town and us.

Which welcome we’ll accept; feast here awhile, Until our stars that frown lend us a smile.

ACT II

Enter Gower.

Here have you seen a mighty king His child, iwis, to incest bring; A better prince and benign lord, That will prove awful both in deed and word. Be quiet then as men should be, Till he hath pass’d necessity. I’ll show you those in troubles reign, Losing a mite, a mountain gain. The good in conversation, To whom I give my benison, Is still at Tarsus, where each man Thinks all is writ he speken can; And to remember what he does, Build his statue to make him glorious: But tidings to the contrary Are brought your eyes; what need speak I?

Dumb-show. Enter at one door Pericles talking with Cleon; all the train with them. Enter at another door a Gentleman with a letter to Pericles; Pericles shows the letter to Cleon; gives the Messenger a reward, and knights him. Exit Pericles at one door, and Cleon at another.

Good Helicane, that stay’d at home. Not to eat honey like a drone From others’ labours; for though he strive To killen bad, keep good alive; And to fulfil his prince’ desire, Sends word of all that haps in Tyre: How Thaliard came full bent with sin And had intent to murder him; And that in Tarsus was not best Longer for him to make his rest. He, doing so, put forth to seas, Where when men been, there’s seldom ease; For now the wind begins to blow; Thunder above and deeps below Make such unquiet, that the ship Should house him safe is wreck’d and split; And he, good prince, having all lost, By waves from coast to coast is tost: All perishen of man, of pelf, Ne aught escapen but himself; Till Fortune, tired with doing bad, Threw him ashore, to give him glad: And here he comes. What shall be next, Pardon old Gower,—this longs the text.

ACT II, SCENE I. Pentapolis. An open place by the seaside.

Enter Pericles, wet.

Yet cease your ire, you angry stars of heaven! Wind, rain, and thunder, remember earthly man Is but a substance that must yield to you; And I, as fits my nature, do obey you: Alas, the sea hath cast me on the rocks, Wash’d me from shore to shore, and left me breath Nothing to think on but ensuing death: Let it suffice the greatness of your powers To have bereft a prince of all his fortunes; And having thrown him from your watery grave, Here to have death in peace is all he’ll crave.

Enter three Fishermen.

FIRST FISHERMAN.

What, ho, Pilch!

SECOND FISHERMAN.

Ha, come and bring away the nets!

FIRST FISHERMAN.

What, Patch-breech, I say!

THIRD FISHERMAN.

What say you, master?

FIRST FISHERMAN.

Look how thou stirrest now! Come away, or I’ll fetch thee with a wanion.

THIRD FISHERMAN.

Faith, master, I am thinking of the poor men that were cast away before us even now.

FIRST FISHERMAN.

Alas, poor souls, it grieved my heart to hear what pitiful cries they made to us to help them, when, well-a-day, we could scarce help ourselves.

THIRD FISHERMAN.

Nay, master, said not I as much when I saw the porpus how he bounced and tumbled? They say they’re half fish, half flesh: a plague on them, they ne’er come but I look to be washed. Master, I marvel how the fishes live in the sea.

FIRST FISHERMAN.

Why, as men do a-land; the great ones eat up the little ones: I can compare our rich misers to nothing so fitly as to a whale; a’ plays and tumbles, driving the poor fry before him, and at last devours them all at a mouthful. Such whales have I heard on o’ the land, who never leave gaping till they swallowed the whole parish, church, steeple, bells and all.

[_Aside._] A pretty moral.

THIRD FISHERMAN.

But, master, if I had been the sexton, I would have been that day in the belfry.

SECOND FISHERMAN.

Why, man?

THIRD FISHERMAN.

Because he should have swallowed me too; and when I had been in his belly, I would have kept such a jangling of the bells, that he should never have left, till he cast bells, steeple, church and parish up again. But if the good King Simonides were of my mind,—

[_Aside._] Simonides?

THIRD FISHERMAN.

We would purge the land of these drones, that rob the bee of her honey.

[_Aside._] How from the finny subject of the sea These fishers tell the infirmities of men; And from their watery empire recollect All that may men approve or men detect! Peace be at your labour, honest fishermen.

SECOND FISHERMAN.

Honest! good fellow, what’s that? If it be a day fits you, search out of the calendar, and nobody look after it.

May see the sea hath cast upon your coast.

SECOND FISHERMAN.

What a drunken knave was the sea to cast thee in our way!

A man whom both the waters and the wind, In that vast tennis-court, have made the ball For them to play upon, entreats you pity him; He asks of you, that never used to beg.

FIRST FISHERMAN.

No, friend, cannot you beg? Here’s them in our country of Greece gets more with begging than we can do with working.

SECOND FISHERMAN.

Canst thou catch any fishes, then?

I never practised it.

SECOND FISHERMAN.

Nay, then thou wilt starve, sure; for here’s nothing to be got now-a-days, unless thou canst fish for’t.

What I have been I have forgot to know; But what I am, want teaches me to think on: A man throng’d up with cold: my veins are chill, And have no more of life than may suffice To give my tongue that heat to ask your help; Which if you shall refuse, when I am dead, For that I am a man, pray see me buried.

FIRST FISHERMAN.

Die quoth-a? Now gods forbid’t, and I have a gown here; come, put it on; keep thee warm. Now, afore me, a handsome fellow! Come, thou shalt go home, and we’ll have flesh for holidays, fish for fasting-days, and moreo’er puddings and flap-jacks, and thou shalt be welcome.

I thank you, sir.

SECOND FISHERMAN.

Hark you, my friend; you said you could not beg?

I did but crave.

SECOND FISHERMAN.

But crave! Then I’ll turn craver too, and so I shall ’scape whipping.

Why, are your beggars whipped, then?

SECOND FISHERMAN.

O, not all, my friend, not all; for if all your beggars were whipped, I would wish no better office than to be beadle. But, master, I’ll go draw up the net.

[_Exit with Third Fisherman._]

[_Aside._] How well this honest mirth becomes their labour!

FIRST FISHERMAN.

Hark you, sir, do you know where ye are?

Not well.

FIRST FISHERMAN.

Why, I’ll tell you: this is called Pentapolis, and our King, the good Simonides.

The good Simonides, do you call him?

FIRST FISHERMAN.

Ay, sir; and he deserves so to be called for his peaceable reign and good government.

He is a happy king, since he gains from his subjects the name of good government. How far is his court distant from this shore?

FIRST FISHERMAN.

Marry sir, half a day’s journey: and I’ll tell you, he hath a fair daughter, and tomorrow is her birth-day; and there are princes and knights come from all parts of the world to joust and tourney for her love.

Were my fortunes equal to my desires, I could wish to make one there.

FIRST FISHERMAN.

O, sir, things must be as they may; and what a man cannot get, he may lawfully deal for—his wife’s soul.

Re-enter Second and Third Fishermen, drawing up a net.

SECOND FISHERMAN.

Help, master, help! here’s a fish hangs in the net, like a poor man’s right in the law; ’twill hardly come out. Ha! bots on’t, ’tis come at last, and ’tis turned to a rusty armour.

An armour, friends! I pray you, let me see it. Thanks, Fortune, yet, that, after all my crosses, Thou givest me somewhat to repair myself, And though it was mine own, part of my heritage, Which my dead father did bequeath to me, With this strict charge, even as he left his life. ‘Keep it, my Pericles; it hath been a shield ’Twixt me and death;’—and pointed to this brace;— ‘For that it saved me, keep it; in like necessity— The which the gods protect thee from!—may defend thee.’ It kept where I kept, I so dearly loved it; Till the rough seas, that spares not any man, Took it in rage, though calm’d have given’t again: I thank thee for’t: my shipwreck now’s no ill, Since I have here my father gave in his will.

FIRST FISHERMAN.

What mean you sir?

To beg of you, kind friends, this coat of worth, For it was sometime target to a king; I know it by this mark. He loved me dearly, And for his sake I wish the having of it; And that you’d guide me to your sovereign court, Where with it I may appear a gentleman; And if that ever my low fortune’s better, I’ll pay your bounties; till then rest your debtor.

FIRST FISHERMAN.

Why, wilt thou tourney for the lady?

I’ll show the virtue I have borne in arms.

FIRST FISHERMAN.

Why, d’ye take it, and the gods give thee good on’t!

SECOND FISHERMAN.

Ay, but hark you, my friend; ’twas we that made up this garment through the rough seams of the waters: there are certain condolements, certain vails. I hope, sir, if you thrive, you’ll remember from whence you had them.

Believe’t I will. By your furtherance I am clothed in steel; And spite of all the rapture of the sea, This jewel holds his building on my arm: Unto thy value I will mount myself Upon a courser, whose delightful steps Shall make the gazer joy to see him tread. Only, my friend, I yet am unprovided Of a pair of bases.

SECOND FISHERMAN.

We’ll sure provide: thou shalt have my best gown to make thee a pair; and I’ll bring thee to the court myself.

Then honour be but a goal to my will, This day I’ll rise, or else add ill to ill.

ACT II, SCENE II. The same. A public way, or platform leading to the lists. A

pavilion by the side of it for the reception of the King, Princess, Lords, etc.

Enter Simonides, Thaisa, Lords and Attendants.

Are the knights ready to begin the triumph?

FIRST LORD.

They are, my liege; And stay your coming to present themselves.

Return them, we are ready; and our daughter, In honour of whose birth these triumphs are, Sits here, like beauty’s child, whom Nature gat For men to see, and seeing wonder at.

[_Exit a Lord._]

It pleaseth you, my royal father, to express My commendations great, whose merit’s less.

It’s fit it should be so; for princes are A model, which heaven makes like to itself: As jewels lose their glory if neglected, So princes their renowns if not respected. ’Tis now your honour, daughter, to entertain The labour of each knight in his device.

Which, to preserve mine honour, I’ll perform.

The first Knight passes by, and his Squire presents his shield to Thaisa.

Who is the first that doth prefer himself?

A knight of Sparta, my renowned father; And the device he bears upon his shield Is a black Ethiope reaching at the sun: The word, _Lux tua vita mihi._

He loves you well that holds his life of you.

The second Knight passes by, and his Squire presents his shield to Thaisa.

Who is the second that presents himself?

A prince of Macedon, my royal father; And the device he bears upon his shield Is an arm’d knight that’s conquer’d by a lady; The motto thus, in Spanish, _Piu por dulzura que por forza._

The third Knight passes by, and his Squire presents his shield to Thaisa.

And what’s the third?

The third of Antioch; And his device, a wreath of chivalry; The word, _Me pompae provexit apex._

The fourth Knight passes by, and his Squire presents his shield to Thaisa.

What is the fourth?

A burning torch that’s turned upside down; The word, _Quod me alit me extinguit._

Which shows that beauty hath his power and will, Which can as well inflame as it can kill.

The fifth Knight passes by, and his Squire presents his shield to Thaisa.

The fifth, an hand environed with clouds, Holding out gold that’s by the touchstone tried; The motto thus, _Sic spectanda fides._

The sixth Knight, Pericles, passes in rusty armour with bases, and unaccompanied. He presents his device directly to Thaisa.

And what’s the sixth and last, the which the knight himself With such a graceful courtesy deliver’d?

He seems to be a stranger; but his present is A wither’d branch, that’s only green at top; The motto, _In hac spe vivo._

A pretty moral; From the dejected state wherein he is, He hopes by you his fortunes yet may flourish.

FIRST LORD.

He had need mean better than his outward show Can any way speak in his just commend; For by his rusty outside he appears To have practised more the whipstock than the lance.

SECOND LORD.

He well may be a stranger, for he comes To an honour’d triumph strangely furnished.

THIRD LORD.

And on set purpose let his armour rust Until this day, to scour it in the dust.

Opinion’s but a fool, that makes us scan The outward habit by the inward man. But stay, the knights are coming. We will withdraw into the gallery.

[_Exeunt. Great shouts within, and all cry_ ‘The mean Knight!’]

ACT II, SCENE III. The same. A hall of state: a banquet prepared.

Enter Simonides, Thaisa, Lords, Attendants and Knights, from tilting.

Knights, To say you’re welcome were superfluous. To place upon the volume of your deeds, As in a title-page, your worth in arms, Were more than you expect, or more than’s fit, Since every worth in show commends itself. Prepare for mirth, for mirth becomes a feast: You are princes and my guests.

But you, my knight and guest; To whom this wreath of victory I give, And crown you king of this day’s happiness.

’Tis more by fortune, lady, than by merit.

Call it by what you will, the day is yours; And here, I hope, is none that envies it. In framing an artist, art hath thus decreed, To make some good, but others to exceed; And you are her labour’d scholar. Come queen of the feast,— For, daughter, so you are,—here take your place: Marshal the rest, as they deserve their grace.

We are honour’d much by good Simonides.

Your presence glads our days; honour we love; For who hates honour hates the gods above.

Sir, yonder is your place.

Some other is more fit.

FIRST KNIGHT.

Contend not, sir; for we are gentlemen Have neither in our hearts nor outward eyes Envied the great, nor shall the low despise.

You are right courteous knights.

Sit, sir, sit. By Jove, I wonder, that is king of thoughts, These cates resist me, he but thought upon.

By Juno, that is queen of marriage, All viands that I eat do seem unsavoury, Wishing him my meat. Sure, he’s a gallant gentleman.

He’s but a country gentleman; Has done no more than other knights have done; Has broken a staff or so; so let it pass.

To me he seems like diamond to glass.

Yon king’s to me like to my father’s picture, Which tells me in that glory once he was; Had princes sit, like stars, about his throne, And he the sun, for them to reverence; None that beheld him, but, like lesser lights, Did vail their crowns to his supremacy: Where now his son’s like a glow-worm in the night, The which hath fire in darkness, none in light: Whereby I see that time’s the king of men, He’s both their parent, and he is their grave, And gives them what he will, not what they crave.

What, are you merry, knights?

Who can be other in this royal presence?

Here, with a cup that’s stored unto the brim,— As you do love, fill to your mistress’ lips,— We drink this health to you.

We thank your grace.

Yet pause awhile. Yon knight doth sit too melancholy, As if the entertainment in our court Had not a show might countervail his worth. Note it not you, Thaisa?

What is’t to me, my father?

O attend, my daughter: Princes in this should live like gods above, Who freely give to everyone that comes to honour them: And princes not doing so are like to gnats, Which make a sound, but kill’d are wonder’d at. Therefore to make his entrance more sweet, Here, say we drink this standing-bowl of wine to him.

Alas, my father, it befits not me Unto a stranger knight to be so bold: He may my proffer take for an offence, Since men take women’s gifts for impudence.

How? Do as I bid you, or you’ll move me else.

[_Aside._] Now, by the gods, he could not please me better.

And furthermore tell him, we desire to know of him, Of whence he is, his name and parentage.

The king my father, sir, has drunk to you.

I thank him.

Wishing it so much blood unto your life.

I thank both him and you, and pledge him freely.

And further he desires to know of you, Of whence you are, your name and parentage.

A gentleman of Tyre; my name, Pericles; My education been in arts and arms; Who, looking for adventures in the world, Was by the rough seas reft of ships and men, And after shipwreck driven upon this shore.

He thanks your grace; names himself Pericles, A gentleman of Tyre, Who only by misfortune of the seas Bereft of ships and men, cast on this shore.

Now, by the gods, I pity his misfortune, And will awake him from his melancholy. Come, gentlemen, we sit too long on trifles, And waste the time, which looks for other revels. Even in your armours, as you are address’d, Will well become a soldier’s dance. I will not have excuse, with saying this, ‘Loud music is too harsh for ladies’ heads’ Since they love men in arms as well as beds.

[_The Knights dance._]

So, this was well ask’d, ’twas so well perform’d. Come, sir; here is a lady which wants breathing too: And I have heard you knights of Tyre Are excellent in making ladies trip; And that their measures are as excellent.

In those that practise them they are, my lord.

O, that’s as much as you would be denied Of your fair courtesy.

[_The Knights and Ladies dance._]

Unclasp, unclasp: Thanks gentlemen, to all; all have done well. [_To Pericles._] But you the best. Pages and lights to conduct These knights unto their several lodgings. [_To Pericles._] Yours, sir, we have given order to be next our own.

I am at your grace’s pleasure.

Princes, it is too late to talk of love; And that’s the mark I know you level at: Therefore each one betake him to his rest; Tomorrow all for speeding do their best.

ACT II, SCENE IV. Tyre. A room in the Governor’s house.

Enter Helicanus and Escanes.

No, Escanes, know this of me, Antiochus from incest lived not free: For which the most high gods not minding longer To withhold the vengeance that they had in store Due to this heinous capital offence, Even in the height and pride of all his glory, When he was seated in a chariot Of an inestimable value, and his daughter with him, A fire from heaven came and shrivell’d up Their bodies, even to loathing, for they so stunk, That all those eyes adored them ere their fall Scorn now their hand should give them burial.

’Twas very strange

And yet but justice; for though this king were great; His greatness was no guard to bar heaven’s shaft, But sin had his reward.

’Tis very true.

Enter two or three Lords.

FIRST LORD.

See, not a man in private conference Or council has respect with him but he.

SECOND LORD.

It shall no longer grieve without reproof.

THIRD LORD.

And cursed be he that will not second it.

FIRST LORD.

Follow me, then. Lord Helicane, a word.

With me? and welcome: happy day, my lords.

FIRST LORD.

Know that our griefs are risen to the top, And now at length they overflow their banks.

Your griefs! for what? Wrong not your prince you love.

FIRST LORD.

Wrong not yourself, then, noble Helicane; But if the prince do live, let us salute him. Or know what ground’s made happy by his breath. If in the world he live, we’ll seek him out; If in his grave he rest, we’ll find him there. We’ll be resolved he lives to govern us, Or dead, give’s cause to mourn his funeral, And leave us to our free election.

SECOND LORD.

Whose death’s indeed the strongest in our censure: And knowing this kingdom is without a head,— Like goodly buildings left without a roof Soon fall to ruin,—your noble self, That best know how to rule and how to reign, We thus submit unto,—our sovereign.

Live, noble Helicane!

For honour’s cause, forbear your suffrages: If that you love Prince Pericles, forbear. Take I your wish, I leap into the seas, Where’s hourly trouble for a minute’s ease. A twelvemonth longer, let me entreat you To forbear the absence of your king; If in which time expired, he not return, I shall with aged patience bear your yoke. But if I cannot win you to this love, Go search like nobles, like noble subjects, And in your search spend your adventurous worth; Whom if you find, and win unto return, You shall like diamonds sit about his crown.

FIRST LORD.

To wisdom he’s a fool that will not yield; And since Lord Helicane enjoineth us, We with our travels will endeavour us.

Then you love us, we you, and we’ll clasp hands: When peers thus knit, a kingdom ever stands.

ACT II, SCENE V. Pentapolis. A room in the palace.

Enter Simonides reading a letter at one door; the Knights meet him.

FIRST KNIGHT.

Good morrow to the good Simonides.

Knights, from my daughter this I let you know, That for this twelvemonth she’ll not undertake A married life. Her reason to herself is only known, Which yet from her by no means can I get.

SECOND KNIGHT.

May we not get access to her, my lord?

Faith, by no means; she hath so strictly tied Her to her chamber, that ’tis impossible. One twelve moons more she’ll wear Diana’s livery; This by the eye of Cynthia hath she vow’d, And on her virgin honour will not break it.

THIRD KNIGHT.

Loath to bid farewell, we take our leaves.

[_Exeunt Knights._]

So, they are well dispatch’d; now to my daughter’s letter: She tells me here, she’ll wed the stranger knight, Or never more to view nor day nor light. ’Tis well, mistress; your choice agrees with mine; I like that well: nay, how absolute she’s in’t, Not minding whether I dislike or no! Well, I do commend her choice; And will no longer have it be delay’d. Soft! here he comes: I must dissemble it.

Enter Pericles.

All fortune to the good Simonides!

To you as much. Sir, I am beholding to you For your sweet music this last night: I do Protest my ears were never better fed With such delightful pleasing harmony.

It is your grace’s pleasure to commend; Not my desert.

Sir, you are music’s master.

The worst of all her scholars, my good lord.

Let me ask you one thing: What do you think of my daughter, sir?

A most virtuous princess.

And she is fair too, is she not?

As a fair day in summer, wondrous fair.

Sir, my daughter thinks very well of you; Ay, so well, that you must be her master, And she will be your scholar: therefore look to it.

I am unworthy for her schoolmaster.

She thinks not so; peruse this writing else.

[_Aside._] What’s here? A letter, that she loves the knight of Tyre! ’Tis the king’s subtlety to have my life. O, seek not to entrap me, gracious lord, A stranger and distressed gentleman, That never aim’d so high to love your daughter, But bent all offices to honour her.

Thou hast bewitch’d my daughter, And thou art a villain.

By the gods, I have not: Never did thought of mine levy offence; Nor never did my actions yet commence A deed might gain her love or your displeasure.

Traitor, thou liest.

Ay, traitor.

Even in his throat—unless it be the king— That calls me traitor, I return the lie.

[_Aside._] Now, by the gods, I do applaud his courage.

My actions are as noble as my thoughts, That never relish’d of a base descent. I came unto your court for honour’s cause, And not to be a rebel to her state; And he that otherwise accounts of me, This sword shall prove he’s honour’s enemy.

No? Here comes my daughter, she can witness it.

Enter Thaisa.

Then, as you are as virtuous as fair, Resolve your angry father, if my tongue Did e’er solicit, or my hand subscribe To any syllable that made love to you.

Why, sir, say if you had, Who takes offence at that would make me glad?

Yea, mistress, are you so peremptory? [_Aside._] I am glad on’t with all my heart.— I’ll tame you; I’ll bring you in subjection. Will you, not having my consent, Bestow your love and your affections Upon a stranger? [_Aside._] Who, for aught I know May be, nor can I think the contrary, As great in blood as I myself.— Therefore hear you, mistress; either frame Your will to mine, and you, sir, hear you, Either be ruled by me, or I will make you— Man and wife. Nay, come, your hands, And lips must seal it too: and being join’d, I’ll thus your hopes destroy; and for further grief, God give you joy! What, are you both pleased?

Yes, if you love me, sir.

Even as my life my blood that fosters it.

What, are you both agreed?

Yes, if’t please your majesty.

It pleaseth me so well, that I will see you wed; And then with what haste you can, get you to bed.

ACT III

Enter Gower.

Now sleep yslaked hath the rouse; No din but snores about the house, Made louder by the o’erfed breast Of this most pompous marriage feast. The cat, with eyne of burning coal, Now couches fore the mouse’s hole; And crickets sing at the oven’s mouth, Are the blither for their drouth. Hymen hath brought the bride to bed, Where, by the loss of maidenhead, A babe is moulded. Be attent, And time that is so briefly spent With your fine fancies quaintly eche: What’s dumb in show I’ll plain with speech.

Dumb-show. Enter, Pericles and Simonides at one door with Attendants; a Messenger meets them, kneels, and gives Pericles a letter: Pericles shows it Simonides; the Lords kneel to him. Then enter Thaisa with child, with Lychorida, a nurse. The King shows her the letter; she rejoices: she and Pericles take leave of her father, and depart, with Lychorida and their Attendants. Then exeunt Simonides and the rest.

By many a dern and painful perch Of Pericles the careful search, By the four opposing coigns Which the world together joins, Is made with all due diligence That horse and sail and high expense Can stead the quest. At last from Tyre, Fame answering the most strange enquire, To th’ court of King Simonides Are letters brought, the tenour these: Antiochus and his daughter dead; The men of Tyrus on the head Of Helicanus would set on The crown of Tyre, but he will none: The mutiny he there hastes t’oppress; Says to ’em, if King Pericles Come not home in twice six moons, He, obedient to their dooms, Will take the crown. The sum of this, Brought hither to Pentapolis Y-ravished the regions round, And everyone with claps can sound, ‘Our heir apparent is a king! Who dreamt, who thought of such a thing?’ Brief, he must hence depart to Tyre: His queen with child makes her desire— Which who shall cross?—along to go: Omit we all their dole and woe: Lychorida, her nurse, she takes, And so to sea. Their vessel shakes On Neptune’s billow; half the flood Hath their keel cut: but fortune’s mood Varies again; the grisled north Disgorges such a tempest forth, That, as a duck for life that dives, So up and down the poor ship drives: The lady shrieks, and well-a-near Does fall in travail with her fear: And what ensues in this fell storm Shall for itself itself perform. I nill relate, action may Conveniently the rest convey; Which might not what by me is told. In your imagination hold This stage the ship, upon whose deck The sea-tost Pericles appears to speak.

ACT III, SCENE I.

Enter Pericles, on shipboard.

Thou god of this great vast, rebuke these surges, Which wash both heaven and hell; and thou that hast Upon the winds command, bind them in brass, Having call’d them from the deep! O, still Thy deafening, dreadful thunders; gently quench Thy nimble, sulphurous flashes! O, how, Lychorida, How does my queen? Thou stormest venomously; Wilt thou spit all thyself? The seaman’s whistle Is as a whisper in the ears of death, Unheard. Lychorida! - Lucina, O! Divinest patroness, and midwife gentle To those that cry by night, convey thy deity Aboard our dancing boat; make swift the pangs Of my queen’s travails! Now, Lychorida!

Enter Lychorida with an infant.

Here is a thing too young for such a place, Who, if it had conceit, would die, as I Am like to do: take in your arms this piece Of your dead queen.

How? how, Lychorida?

Patience, good sir; do not assist the storm. Here’s all that is left living of your queen, A little daughter: for the sake of it, Be manly, and take comfort.

O you gods! Why do you make us love your goodly gifts, And snatch them straight away? We here below Recall not what we give, and therein may Vie honour with you.

Patience, good sir. Even for this charge.

Now, mild may be thy life! For a more blustrous birth had never babe: Quiet and gentle thy conditions! for Thou art the rudeliest welcome to this world That ever was prince’s child. Happy what follows! Thou hast as chiding a nativity As fire, air, water, earth, and heaven can make, To herald thee from the womb. Even at the first thy loss is more than can Thy portage quit, with all thou canst find here, Now, the good gods throw their best eyes upon’t!

Enter two Sailors

FIRST SAILOR.

What courage, sir? God save you!

Courage enough: I do not fear the flaw; It hath done to me the worst. Yet, for the love Of this poor infant, this fresh new sea-farer, I would it would be quiet.

FIRST SAILOR.

Slack the bolins there! Thou wilt not, wilt thou? Blow, and split thyself.

SECOND SAILOR.

But sea-room, and the brine and cloudy billow kiss the moon, I care not.

FIRST SAILOR.

Sir, your queen must overboard: the sea works high, the wind is loud and will not lie till the ship be cleared of the dead.

That’s your superstition.

FIRST SAILOR.

Pardon us, sir; with us at sea it has been still observed; and we are strong in custom. Therefore briefly yield her; for she must overboard straight.

As you think meet. Most wretched queen!

Here she lies, sir.

A terrible childbed hast thou had, my dear; No light, no fire: th’unfriendly elements Forgot thee utterly; nor have I time To give thee hallow’d to thy grave, but straight Must cast thee, scarcely coffin’d, in the ooze; Where, for a monument upon thy bones, And e’er-remaining lamps, the belching whale And humming water must o’erwhelm thy corpse, Lying with simple shells. O Lychorida. Bid Nestor bring me spices, ink and paper, My casket and my jewels; and bid Nicander Bring me the satin coffer: lay the babe Upon the pillow: hie thee, whiles I say A priestly farewell to her: suddenly, woman.

[_Exit Lychorida._]

SECOND SAILOR.

Sir, we have a chest beneath the hatches, caulked and bitumed ready.

I thank thee. Mariner, say what coast is this?

SECOND SAILOR.

We are near Tarsus.

Thither, gentle mariner, Alter thy course for Tyre. When canst thou reach it?

SECOND SAILOR.

By break of day, if the wind cease.

O, make for Tarsus! There will I visit Cleon, for the babe Cannot hold out to Tyrus. There I’ll leave it At careful nursing. Go thy ways, good mariner: I’ll bring the body presently.

ACT III, SCENE II. Ephesus. A room in Cerimon’s house.

Enter Cerimon, with a Servant, and some Persons who have been shipwrecked.

Philemon, ho!

Enter Philemon.

Doth my lord call?

Get fire and meat for these poor men: ’T has been a turbulent and stormy night.

I have been in many; but such a night as this, Till now, I ne’er endured.

Your master will be dead ere you return; There’s nothing can be minister’d to nature That can recover him. [_To Philemon._] Give this to the ’pothecary, And tell me how it works.

[_Exeunt all but Cerimon._]

Enter two Gentlemen.

FIRST GENTLEMAN.

Good morrow.

SECOND GENTLEMAN.

Good morrow to your lordship.

Gentlemen, why do you stir so early?

FIRST GENTLEMAN.

Sir, our lodgings, standing bleak upon the sea, Shook as the earth did quake; The very principals did seem to rend, And all to topple: pure surprise and fear Made me to quit the house.

SECOND GENTLEMAN.

That is the cause we trouble you so early; ’Tis not our husbandry.

O, you say well.

FIRST GENTLEMAN.

But I much marvel that your lordship, having Rich tire about you, should at these early hours Shake off the golden slumber of repose. ’Tis most strange, Nature should be so conversant with pain. Being thereto not compell’d.

I hold it ever, Virtue and cunning were endowments greater Than nobleness and riches: careless heirs May the two latter darken and expend; But immortality attends the former, Making a man a god. ’Tis known, I ever Have studied physic, through which secret art, By turning o’er authorities, I have, Together with my practice, made familiar To me and to my aid the blest infusions That dwell in vegetives, in metals, stones; And I can speak of the disturbances That nature works, and of her cures; which doth give me A more content in course of true delight Than to be thirsty after tottering honour, Or tie my pleasure up in silken bags, To please the fool and death.

SECOND GENTLEMAN.

Your honour has through Ephesus pour’d forth Your charity, and hundreds call themselves Your creatures, who by you have been restored: And not your knowledge, your personal pain, but even Your purse, still open, hath built Lord Cerimon Such strong renown as time shall never—

Enter two or three Servants with a chest.

FIRST SERVANT.

So, lift there.

What’s that?

FIRST SERVANT.

Sir, even now Did the sea toss upon our shore this chest: ’Tis of some wreck.

Set’t down, let’s look upon’t.

SECOND GENTLEMAN.

’Tis like a coffin, sir.

Whate’er it be, ’Tis wondrous heavy. Wrench it open straight: If the sea’s stomach be o’ercharged with gold, ’Tis a good constraint of fortune it belches upon us.

SECOND GENTLEMAN.

’Tis so, my lord.

How close ’tis caulk’d and bitumed! Did the sea cast it up?

FIRST SERVANT.

I never saw so huge a billow, sir, As toss’d it upon shore.

Wrench it open; Soft! it smells most sweetly in my sense.

SECOND GENTLEMAN.

A delicate odour.

As ever hit my nostril. So up with it. O you most potent gods! what’s here? a corpse!

FIRST GENTLEMAN.

Most strange!

Shrouded in cloth of state; balm’d and entreasured With full bags of spices! A passport too! Apollo, perfect me in the characters!

[_Reads from a scroll._]

_Here I give to understand, If e’er this coffin drives a-land, I, King Pericles, have lost This queen, worth all our mundane cost. Who finds her, give her burying; She was the daughter of a king: Besides this treasure for a fee, The gods requite his charity._ If thou livest, Pericles, thou hast a heart That even cracks for woe! This chanced tonight.

SECOND GENTLEMAN.

Most likely, sir.

Nay, certainly tonight; For look how fresh she looks! They were too rough That threw her in the sea. Make a fire within Fetch hither all my boxes in my closet.

[_Exit a Servant._]

Death may usurp on nature many hours, And yet the fire of life kindle again The o’erpress’d spirits. I heard of an Egyptian That had nine hours lain dead, Who was by good appliance recovered.

Re-enter a Servant with napkins and fire.

Well said, well said; the fire and cloths. The rough and woeful music that we have, Cause it to sound, beseech you The viol once more: how thou stirr’st, thou block! The music there!—I pray you, give her air. Gentlemen, this queen will live. Nature awakes; a warmth breathes out of her. She hath not been entranced above five hours. See how she ’gins to blow into life’s flower again!

FIRST GENTLEMAN.

The heavens, through you, increase our wonder And sets up your fame for ever.

She is alive; behold, her eyelids, Cases to those heavenly jewels which Pericles hath lost, Begin to part their fringes of bright gold; The diamonds of a most praised water doth appear, To make the world twice rich. Live, and make us weep To hear your fate, fair creature, rare as you seem to be.

[_She moves._]

O dear Diana, Where am I? Where’s my lord? What world is this?

SECOND GENTLEMAN.

Is not this strange?

FIRST GENTLEMAN.

Most rare.

Hush, my gentle neighbours! Lend me your hands; to the next chamber bear her. Get linen: now this matter must be look’d to, For her relapse is mortal. Come, come; And Aesculapius guide us!

[_Exeunt, carrying her away._]

ACT III, SCENE III. Tarsus. A room in Cleon’s house.

Enter Pericles, Cleon, Dionyza and Lychorida with Marina in her arms.

Most honour’d Cleon, I must needs be gone; My twelve months are expired, and Tyrus stands In a litigious peace. You and your lady, Take from my heart all thankfulness! The gods Make up the rest upon you!

Your shafts of fortune, though they hurt you mortally, Yet glance full wanderingly on us.

O, your sweet queen! That the strict fates had pleased you had brought her hither, To have bless’d mine eyes with her!

We cannot but obey The powers above us. Could I rage and roar As doth the sea she lies in, yet the end Must be as ’tis. My gentle babe Marina, Whom, for she was born at sea, I have named so, Here I charge your charity withal, Leaving her the infant of your care; Beseeching you to give her princely training, That she may be manner’d as she is born.

Fear not, my lord, but think Your grace, that fed my country with your corn, For which the people’s prayers still fall upon you, Must in your child be thought on. If neglection Should therein make me vile, the common body, By you relieved, would force me to my duty: But if to that my nature need a spur, The gods revenge it upon me and mine, To the end of generation!

I believe you; Your honour and your goodness teach me to’t, Without your vows. Till she be married, madam, By bright Diana, whom we honour, all Unscissored shall this hair of mine remain, Though I show ill in’t. So I take my leave. Good madam, make me blessed in your care In bringing up my child.

I have one myself, Who shall not be more dear to my respect Than yours, my lord.

Madam, my thanks and prayers.

We’ll bring your grace e’en to the edge o’the shore, Then give you up to the mask’d Neptune and The gentlest winds of heaven.

I will embrace your offer. Come, dearest madam. O, no tears, Lychorida, no tears. Look to your little mistress, on whose grace You may depend hereafter. Come, my lord.

ACT III, SCENE IV. Ephesus. A room in Cerimon’s house.

Enter Cerimon and Thaisa.

Madam, this letter, and some certain jewels, Lay with you in your coffer, which are At your command. Know you the character?

It is my lord’s. That I was shipp’d at sea, I well remember, Even on my groaning time; but whether there Deliver’d, by the holy gods, I cannot rightly say. But since King Pericles, My wedded lord, I ne’er shall see again, A vestal livery will I take me to, And never more have joy.

Madam, if this you purpose as ye speak, Diana’s temple is not distant far, Where you may abide till your date expire. Moreover, if you please, a niece of mine Shall there attend you.

My recompense is thanks, that’s all; Yet my good will is great, though the gift small.

ACT IV

Enter Gower.

Imagine Pericles arrived at Tyre, Welcomed and settled to his own desire. His woeful queen we leave at Ephesus, Unto Diana there a votaress. Now to Marina bend your mind, Whom our fast-growing scene must find At Tarsus, and by Cleon train’d In music’s letters; who hath gain’d Of education all the grace, Which makes her both the heart and place Of general wonder. But, alack, That monster envy, oft the wrack Of earned praise, Marina’s life Seeks to take off by treason’s knife, And in this kind our Cleon hath One daughter, and a full grown wench Even ripe for marriage-rite; this maid Hight Philoten: and it is said For certain in our story, she Would ever with Marina be. Be’t when she weaved the sleided silk With fingers long, small, white as milk; Or when she would with sharp needle wound, The cambric, which she made more sound By hurting it; or when to th’ lute She sung, and made the night-bird mute That still records with moan; or when She would with rich and constant pen Vail to her mistress Dian; still This Philoten contends in skill With absolute Marina: so The dove of Paphos might with the crow Vie feathers white. Marina gets All praises, which are paid as debts, And not as given. This so darks In Philoten all graceful marks, That Cleon’s wife, with envy rare, A present murderer does prepare For good Marina, that her daughter Might stand peerless by this slaughter. The sooner her vile thoughts to stead, Lychorida, our nurse, is dead: And cursed Dionyza hath The pregnant instrument of wrath Prest for this blow. The unborn event I do commend to your content: Only I carry winged time Post on the lame feet of my rhyme; Which never could I so convey, Unless your thoughts went on my way. Dionyza does appear, With Leonine, a murderer.

Scene I. Tarsus. An open place near the seashore.

Enter Dionyza with Leonine.

Thy oath remember; thou hast sworn to do’t: ’Tis but a blow, which never shall be known. Thou canst not do a thing in the world so soon, To yield thee so much profit. Let not conscience, Which is but cold, inflaming love i’ thy bosom, Inflame too nicely; nor let pity, which Even women have cast off, melt thee, but be A soldier to thy purpose.

I will do’t; but yet she is a goodly creature.

The fitter, then, the gods should have her. Here she comes weeping for her only mistress’ death. Thou art resolved?

I am resolved.

Enter Marina with a basket of flowers.

No, I will rob Tellus of her weed To strew thy green with flowers: the yellows, blues, The purple violets, and marigolds, Shall as a carpet hang upon thy grave, While summer days do last. Ay me! poor maid, Born in a tempest, when my mother died, This world to me is like a lasting storm, Whirring me from my friends.

How now, Marina! why do you keep alone? How chance my daughter is not with you? Do not consume your blood with sorrowing; Have you a nurse of me? Lord, how your favour’s Changed with this unprofitable woe! Come, give me your flowers, ere the sea mar it. Walk with Leonine; the air is quick there, And it pierces and sharpens the stomach. Come, Leonine, take her by the arm, walk with her.

No, I pray you; I’ll not bereave you of your servant.

Come, come; I love the king your father, and yourself, With more than foreign heart. We every day Expect him here: when he shall come and find Our paragon to all reports thus blasted, He will repent the breadth of his great voyage; Blame both my lord and me, that we have taken No care to your best courses. Go, I pray you, Walk, and be cheerful once again; reserve That excellent complexion, which did steal The eyes of young and old. Care not for me; I can go home alone.

Well, I will go; But yet I have no desire to it.

Come, come, I know ’tis good for you. Walk half an hour, Leonine, at the least: Remember what I have said.

I warrant you, madam.

I’ll leave you, my sweet lady, for a while: Pray, walk softly, do not heat your blood: What! I must have a care of you.

My thanks, sweet madam.

[_Exit Dionyza._]

Is this wind westerly that blows?

When I was born the wind was north.

Was’t so?

My father, as nurse said, did never fear, But cried ‘Good seamen!’ to the sailors, Galling his kingly hands, haling ropes; And clasping to the mast, endured a sea That almost burst the deck.

When was this?

When I was born: Never was waves nor wind more violent; And from the ladder tackle washes off A canvas-climber. ‘Ha!’ says one, ‘wolt out?’ And with a dropping industry they skip From stem to stern: the boatswain whistles, and The master calls and trebles their confusion.

Come, say your prayers.

What mean you?

If you require a little space for prayer, I grant it: pray; but be not tedious, For the gods are quick of ear, and I am sworn To do my work with haste.

Why will you kill me?

To satisfy my lady.

Why would she have me kill’d now? As I can remember, by my troth, I never did her hurt in all my life: I never spake bad word, nor did ill turn To any living creature: believe me, la, I never kill’d a mouse, nor hurt a fly: I trod upon a worm against my will, But I wept for it. How have I offended, Wherein my death might yield her any profit, Or my life imply her any danger?

My commission Is not to reason of the deed, but do it.

You will not do’t for all the world, I hope. You are well favour’d, and your looks foreshow You have a gentle heart. I saw you lately, When you caught hurt in parting two that fought: Good sooth, it show’d well in you: do so now: Your lady seeks my life; come you between, And save poor me, the weaker.

I am sworn, And will dispatch.

[_He seizes her._]

Enter Pirates.

FIRST PIRATE.

Hold, villain!

[_Leonine runs away._]

SECOND PIRATE.

A prize! a prize!

THIRD PIRATE.

Half part, mates, half part, Come, let’s have her aboard suddenly.

[_Exeunt Pirates with Marina._]

Re-enter Leonine.

These roguing thieves serve the great pirate Valdes; And they have seized Marina. Let her go: There’s no hope she will return. I’ll swear she’s dead And thrown into the sea. But I’ll see further: Perhaps they will but please themselves upon her, Not carry her aboard. If she remain, Whom they have ravish’d must by me be slain.

Scene II. Mytilene. A room in a brothel.

Enter Pandar, Bawd and Boult.

Search the market narrowly; Mytilene is full of gallants. We lost too much money this mart by being too wenchless.

We were never so much out of creatures. We have but poor three, and they can do no more than they can do; and they with continual action are even as good as rotten.

Therefore let’s have fresh ones, whate’er we pay for them. If there be not a conscience to be used in every trade, we shall never prosper.

Thou sayest true: ’tis not our bringing up of poor bastards,—as, I think, I have brought up some eleven—

Ay, to eleven; and brought them down again. But shall I search the market?

What else, man? The stuff we have, a strong wind will blow it to pieces, they are so pitifully sodden.

Thou sayest true; they’re too unwholesome, o’ conscience. The poor Transylvanian is dead, that lay with the little baggage.

Ay, she quickly pooped him; she made him roast-meat for worms. But I’ll go search the market.

Three or four thousand chequins were as pretty a proportion to live quietly, and so give over.

Why to give over, I pray you? Is it a shame to get when we are old?

O, our credit comes not in like the commodity, nor the commodity wages not with the danger: therefore, if in our youths we could pick up some pretty estate, ’twere not amiss to keep our door hatched. Besides, the sore terms we stand upon with the gods will be strong with us for giving over.

Come, others sorts offend as well as we.

As well as we! ay, and better too; we offend worse. Neither is our profession any trade; it’s no calling. But here comes Boult.

Re-enter Boult, with the Pirates and Marina.

BOULT [_To Pirates._] Come your ways. My masters, you say she’s a virgin?

FIRST PIRATE.

O sir, we doubt it not.

Master, I have gone through for this piece, you see: if you like her, so; if not, I have lost my earnest.

Boult, has she any qualities?

She has a good face, speaks well and has excellent good clothes: there’s no farther necessity of qualities can make her be refused.

What is her price, Boult?

I cannot be baited one doit of a thousand pieces.

Well, follow me, my masters, you shall have your money presently. Wife, take her in; instruct her what she has to do, that she may not be raw in her entertainment.

[_Exeunt Pandar and Pirates._]

Boult, take you the marks of her, the colour of her hair, complexion, height, her age, with warrant of her virginity; and cry ‘He that will give most shall have her first.’ Such a maidenhead were no cheap thing, if men were as they have been. Get this done as I command you.

Performance shall follow.

Alack that Leonine was so slack, so slow! He should have struck, not spoke; or that these pirates, Not enough barbarous, had not o’erboard thrown me For to seek my mother!

Why lament you, pretty one?

That I am pretty.

Come, the gods have done their part in you.

I accuse them not.

You are light into my hands, where you are like to live.

The more my fault To scape his hands where I was like to die.

Ay, and you shall live in pleasure.

Yes, indeed shall you, and taste gentlemen of all fashions: you shall fare well; you shall have the difference of all complexions. What! do you stop your ears?

Are you a woman?

What would you have me be, an I be not a woman?

An honest woman, or not a woman.

Marry, whip the gosling: I think I shall have something to do with you. Come, you’re a young foolish sapling, and must be bowed as I would have you.

The gods defend me!

If it please the gods to defend you by men, then men must comfort you, men must feed you, men stir you up. Boult’s returned.

Re-enter Boult.

Now, sir, hast thou cried her through the market?

I have cried her almost to the number of her hairs; I have drawn her picture with my voice.

And I prithee tell me, how dost thou find the inclination of the people, especially of the younger sort?

Faith, they listened to me as they would have hearkened to their father’s testament. There was a Spaniard’s mouth so watered, that he went to bed to her very description.

We shall have him here tomorrow with his best ruff on.

Tonight, tonight. But, mistress, do you know the French knight that cowers i’ the hams?

Who, Monsieur Veroles?

Ay, he: he offered to cut a caper at the proclamation; but he made a groan at it, and swore he would see her tomorrow.

Well, well, as for him, he brought his disease hither: here he does but repair it. I know he will come in our shadow, to scatter his crowns in the sun.

Well, if we had of every nation a traveller, we should lodge them with this sign.

[_To Marina._] Pray you, come hither awhile. You have fortunes coming upon you. Mark me: you must seem to do that fearfully which you commit willingly, despise profit where you have most gain. To weep that you live as ye do makes pity in your lovers: seldom but that pity begets you a good opinion, and that opinion a mere profit.

I understand you not.

O, take her home, mistress, take her home: these blushes of hers must be quenched with some present practice.

Thou sayest true, i’faith so they must; for your bride goes to that with shame which is her way to go with warrant.

Faith, some do and some do not. But, mistress, if I have bargained for the joint,—

Thou mayst cut a morsel off the spit.

I may so.

BAWD. Who should deny it? Come young one, I like the manner of your garments well.

Ay, by my faith, they shall not be changed yet.

Boult, spend thou that in the town: report what a sojourner we have; you’ll lose nothing by custom. When nature framed this piece, she meant thee a good turn; therefore say what a paragon she is, and thou hast the harvest out of thine own report.

I warrant you, mistress, thunder shall not so awake the beds of eels as my giving out her beauty stirs up the lewdly inclined. I’ll bring home some tonight.

Come your ways; follow me.

If fires be hot, knives sharp, or waters deep, Untied I still my virgin knot will keep. Diana, aid my purpose!

What have we to do with Diana? Pray you, will you go with us?

ACT IV, SCENE III. Tarsus. A room in Cleon’s house.

Enter Cleon and Dionyza.

Why, are you foolish? Can it be undone?

O, Dionyza, such a piece of slaughter The sun and moon ne’er look’d upon!

I think you’ll turn a child again.

Were I chief lord of all this spacious world, I’d give it to undo the deed. A lady, Much less in blood than virtue, yet a princess To equal any single crown o’ the earth I’ the justice of compare! O villain Leonine! Whom thou hast poison’d too: If thou hadst drunk to him, ’t had been a kindness Becoming well thy face. What canst thou say When noble Pericles shall demand his child?

That she is dead. Nurses are not the fates, To foster it, nor ever to preserve. She died at night; I’ll say so. Who can cross it? Unless you play the pious innocent, And for an honest attribute cry out ‘She died by foul play.’

O, go to. Well, well, Of all the faults beneath the heavens, the gods Do like this worst.

Be one of those that thinks The petty wrens of Tarsus will fly hence, And open this to Pericles. I do shame To think of what a noble strain you are, And of how coward a spirit.

To such proceeding Whoever but his approbation added, Though not his prime consent, he did not flow From honourable courses.

Be it so, then: Yet none does know, but you, how she came dead, Nor none can know, Leonine being gone. She did distain my child, and stood between Her and her fortunes: none would look on her, But cast their gazes on Marina’s face; Whilst ours was blurted at and held a malkin Not worth the time of day. It pierced me through; And though you call my course unnatural, You not your child well loving, yet I find It greets me as an enterprise of kindness Perform’d to your sole daughter.

Heavens forgive it!

And as for Pericles, what should he say? We wept after her hearse, and yet we mourn. Her monument is almost finish’d, and her epitaphs In glittering golden characters express A general praise to her, and care in us At whose expense ’tis done.

Thou art like the harpy, Which, to betray, dost, with thine angel’s face, Seize with thine eagle’s talons.

You are like one that superstitiously Doth swear to the gods that winter kills the flies: But yet I know you’ll do as I advise.

ACT IV, SCENE IV.

Enter Gower, before the monument of Marina at Tarsus.

Thus time we waste, and long leagues make short; Sail seas in cockles, have and wish but for’t; Making, to take your imagination, From bourn to bourn, region to region. By you being pardon’d, we commit no crime To use one language in each several clime Where our scenes seem to live. I do beseech you To learn of me, who stand i’the gaps to teach you, The stages of our story. Pericles Is now again thwarting the wayward seas Attended on by many a lord and knight, To see his daughter, all his life’s delight. Old Helicanus goes along. Behind Is left to govern, if you bear in mind, Old Escanes, whom Helicanus late Advanced in time to great and high estate. Well-sailing ships and bounteous winds have brought This king to Tarsus,—think his pilot thought; So with his steerage shall your thoughts go on,— To fetch his daughter home, who first is gone. Like motes and shadows see them move awhile; Your ears unto your eyes I’ll reconcile.

Dumb-show. Enter Pericles at one door with all his train; Cleon and Dionyza at the other. Cleon shows Pericles the tomb; whereat Pericles makes lamentation, puts on sackcloth and in a mighty passion departs. Then exeunt Cleon and Dionyza.

See how belief may suffer by foul show; This borrow’d passion stands for true old woe; And Pericles, in sorrow all devour’d, With sighs shot through; and biggest tears o’ershower’d, Leaves Tarsus and again embarks. He swears Never to wash his face, nor cut his hairs: He puts on sackcloth, and to sea he bears A tempest, which his mortal vessel tears, And yet he rides it out. Now please you wit The epitaph is for Marina writ By wicked Dionyza.

[_Reads the inscription on Marina’s monument._]

_The fairest, sweet’st, and best lies here, Who wither’d in her spring of year. She was of Tyrus the King’s daughter, On whom foul death hath made this slaughter; Marina was she call’d; and at her birth, Thetis, being proud, swallow’d some part o’ the earth: Therefore the earth, fearing to be o’erflow’d, Hath Thetis’ birth-child on the heavens bestow’d: Wherefore she does, and swears she’ll never stint, Make raging battery upon shores of flint._

No visor does become black villany So well as soft and tender flattery. Let Pericles believe his daughter’s dead, And bear his courses to be ordered By Lady Fortune; while our scene must play His daughter’s woe and heavy well-a-day In her unholy service. Patience, then, And think you now are all in Mytilene.

ACT IV, SCENE V. Mytilene. A street before the brothel.

Enter, from the brothel, two Gentlemen.

FIRST GENTLEMAN.

Did you ever hear the like?

SECOND GENTLEMAN.

No, nor never shall do in such a place as this, she being once gone.

FIRST GENTLEMAN.

But to have divinity preached there! did you ever dream of such a thing?

SECOND GENTLEMAN.

No, no. Come, I am for no more bawdy houses: shall’s go hear the vestals sing?

FIRST GENTLEMAN.

I’ll do anything now that is virtuous; but I am out of the road of rutting for ever.

ACT IV, SCENE VI. The same. A room in the brothel.

Enter Pandar, Bawd and Boult.

Well, I had rather than twice the worth of her she had ne’er come here.

Fie, fie upon her! She’s able to freeze the god Priapus, and undo a whole generation. We must either get her ravished, or be rid of her. When she should do for clients her fitment, and do me the kindness of our profession, she has me her quirks, her reasons, her master reasons, her prayers, her knees; that she would make a puritan of the devil, if he should cheapen a kiss of her.

Faith, I must ravish her, or she’ll disfurnish us of all our cavaliers, and make our swearers priests.

Now, the pox upon her green sickness for me!

Faith, there’s no way to be rid on’t but by the way to the pox. Here comes the Lord Lysimachus disguised.

We should have both lord and lown, if the peevish baggage would but give way to customers.

Enter Lysimachus.

How now! How a dozen of virginities?

Now, the gods to bless your honour!

I am glad to see your honour in good health.

You may so; ’tis the better for you that your resorters stand upon sound legs. How now? Wholesome iniquity have you that a man may deal withal, and defy the surgeon?

We have here one, sir, if she would—but there never came her like in Mytilene.

If she’d do the deed of darkness, thou wouldst say.

Your honour knows what ’tis to say well enough.

Well, call forth, call forth.

For flesh and blood, sir, white and red, you shall see a rose; and she were a rose indeed, if she had but—

What, prithee?

O, sir, I can be modest.

That dignifies the renown of a bawd no less than it gives a good report to a number to be chaste.

[_Exit Boult._]

Here comes that which grows to the stalk; never plucked yet, I can assure you.

Re-enter Boult with Marina.

Is she not a fair creature?

Faith, she would serve after a long voyage at sea. Well, there’s for you: leave us.

I beseech your honour, give me leave: a word, and I’ll have done presently.

I beseech you, do.

[_To Marina._] First, I would have you note, this is an honourable man.

I desire to find him so, that I may worthily note him.

Next, he’s the governor of this country, and a man whom I am bound to.

If he govern the country, you are bound to him indeed; but how honourable he is in that, I know not.

BAWD. Pray you, without any more virginal fencing, will you use him kindly? He will line your apron with gold.

What he will do graciously, I will thankfully receive.

Ha’ you done?

My lord, she’s not paced yet: you must take some pains to work her to your manage. Come, we will leave his honour and her together. Go thy ways.

[_Exeunt Bawd, Pandar and Boult._]

Now, pretty one, how long have you been at this trade?

What trade, sir?

Why, I cannot name’t but I shall offend.

I cannot be offended with my trade. Please you to name it.

How long have you been of this profession?

E’er since I can remember.

LYSIMACHUS. Did you go to’t so young? Were you a gamester at five or at seven?

Earlier, too, sir, if now I be one.

Why, the house you dwell in proclaims you to be a creature of sale.

Do you know this house to be a place of such resort, and will come into’t? I hear say you are of honourable parts, and are the governor of this place.

Why, hath your principal made known unto you who I am?

Who is my principal?

Why, your herb-woman; she that sets seeds and roots of shame and iniquity. O, you have heard something of my power, and so stand aloof for more serious wooing. But I protest to thee, pretty one, my authority shall not see thee, or else look friendly upon thee. Come, bring me to some private place: come, come.

If you were born to honour, show it now; If put upon you, make the judgement good That thought you worthy of it.

How’s this? how’s this? Some more; be sage.

For me, That am a maid, though most ungentle Fortune Have placed me in this sty, where, since I came, Diseases have been sold dearer than physic, O, that the gods Would set me free from this unhallow’d place, Though they did change me to the meanest bird That flies i’ the purer air!

I did not think Thou couldst have spoke so well; ne’er dream’d thou couldst. Had I brought hither a corrupted mind, Thy speech had alter’d it. Hold, here’s gold for thee: Persever in that clear way thou goest, And the gods strengthen thee!

The good gods preserve you!

For me, be you thoughten That I came with no ill intent; for to me The very doors and windows savour vilely. Fare thee well. Thou art a piece of virtue, and I doubt not but thy training hath been noble. Hold, here’s more gold for thee. A curse upon him, die he like a thief, That robs thee of thy goodness! If thou dost Hear from me, it shall be for thy good.

Re-enter Boult.

I beseech your honour, one piece for me.

Avaunt, thou damned door-keeper! Your house but for this virgin that doth prop it, Would sink and overwhelm you. Away!

How’s this? We must take another course with you. If your peevish chastity, which is not worth a breakfast in the cheapest country under the cope, shall undo a whole household, let me be gelded like a spaniel. Come your ways.

Whither would you have me?

I must have your maidenhead taken off, or the common hangman shall execute it. Come your ways. We’ll have no more gentlemen driven away. Come your ways, I say.

Re-enter Bawd.

How now! what’s the matter?

Worse and worse, mistress; she has here spoken holy words to the Lord Lysimachus.

O, abominable!

She makes our profession as it were to stink afore the face of the gods.

Marry, hang her up for ever!

The nobleman would have dealt with her like a nobleman, and she sent him away as cold as a snowball; saying his prayers too.

Boult, take her away; use her at thy pleasure: crack the glass of her virginity, and make the rest malleable.

An if she were a thornier piece of ground than she is, she shall be ploughed.

Hark, hark, you gods!

She conjures: away with her! Would she had never come within my doors! Marry, hang you! She’s born to undo us. Will you not go the way of womankind? Marry, come up, my dish of chastity with rosemary and bays!

Come, mistress; come your way with me.

Whither wilt thou have me?

To take from you the jewel you hold so dear.

Prithee, tell me one thing first.

Come now, your one thing?

What canst thou wish thine enemy to be?

Why, I could wish him to be my master, or rather, my mistress.

Neither of these are so bad as thou art, Since they do better thee in their command. Thou hold’st a place, for which the pained’st fiend Of hell would not in reputation change: Thou art the damned doorkeeper to every Coistrel that comes inquiring for his Tib. To the choleric fisting of every rogue Thy ear is liable, thy food is such As hath been belch’d on by infected lungs.

What would you have me do? Go to the wars, would you? where a man may serve seven years for the loss of a leg, and have not money enough in the end to buy him a wooden one?

Do anything but this thou doest. Empty Old receptacles, or common shores, of filth; Serve by indenture to the common hangman: Any of these ways are yet better than this; For what thou professest, a baboon, could he speak, Would own a name too dear. O, that the gods Would safely deliver me from this place! Here, here’s gold for thee. If that thy master would gain by me, Proclaim that I can sing, weave, sew, and dance, With other virtues, which I’ll keep from boast; And I will undertake all these to teach. I doubt not but this populous city will Yield many scholars.

But can you teach all this you speak of?

Prove that I cannot, take me home again, And prostitute me to the basest groom That doth frequent your house.

Well, I will see what I can do for thee: if I can place thee, I will.

But amongst honest women.

Faith, my acquaintance lies little amongst them. But since my master and mistress have bought you, there’s no going but by their consent: therefore I will make them acquainted with your purpose, and I doubt not but I shall find them tractable enough. Come, I’ll do for thee what I can; come your ways.

ACT V

Enter Gower.

Marina thus the brothel ’scapes, and chances Into an honest house, our story says. She sings like one immortal, and she dances As goddess-like to her admired lays; Deep clerks she dumbs; and with her nee’le composes Nature’s own shape, of bud, bird, branch, or berry, That even her art sisters the natural roses; Her inkle, silk, twin with the rubied cherry: That pupils lacks she none of noble race, Who pour their bounty on her; and her gain She gives the cursed bawd. Here we her place; And to her father turn our thoughts again, Where we left him, on the sea. We there him lost; Whence, driven before the winds, he is arrived Here where his daughter dwells; and on this coast Suppose him now at anchor. The city strived God Neptune’s annual feast to keep: from whence Lysimachus our Tyrian ship espies, His banners sable, trimm’d with rich expense; And to him in his barge with fervour hies. In your supposing once more put your sight Of heavy Pericles; think this his bark: Where what is done in action, more, if might, Shall be discover’d; please you, sit and hark.

ACT V, SCENE I. On board Pericles’ ship, off Mytilene. A close pavilion on

deck, with a curtain before it; Pericles within it, reclined on a couch. A barge lying beside the Tyrian vessel.

Enter two Sailors, one belonging to the Tyrian vessel, the other to the barge; to them Helicanus.

TYRIAN SAILOR.

[_To the Sailor of Mytilene._] Where is lord Helicanus? He can resolve you. O, here he is. Sir, there’s a barge put off from Mytilene, And in it is Lysimachus the governor, Who craves to come aboard. What is your will?

That he have his. Call up some gentlemen.

TYRIAN SAILOR.

Ho, gentlemen! my lord calls.

Enter two or three Gentlemen.

FIRST GENTLEMAN.

Doth your lordship call?

Gentlemen, there is some of worth would come aboard; I pray ye, greet them fairly.

[_The Gentlemen and the two Sailors descend and go on board the barge._]

Enter, from thence, Lysimachus and Lords; with the Gentlemen and the two Sailors.

TYRIAN SAILOR.

Sir, This is the man that can, in aught you would, Resolve you.

Hail, reverend sir! the gods preserve you!

And you, sir, to outlive the age I am, And die as I would do.

You wish me well. Being on shore, honouring of Neptune’s triumphs, Seeing this goodly vessel ride before us, I made to it, to know of whence you are.

First, what is your place?

I am the governor of this place you lie before.

Sir, our vessel is of Tyre, in it the king; A man who for this three months hath not spoken To anyone, nor taken sustenance But to prorogue his grief.

Upon what ground is his distemperature?

’Twould be too tedious to repeat; But the main grief springs from the loss Of a beloved daughter and a wife.

May we not see him?

You may; But bootless is your sight: he will not speak To any.

Yet let me obtain my wish.

Behold him. [_Pericles discovered._] This was a goodly person. Till the disaster that, one mortal night, Drove him to this.

Sir king, all hail! The gods preserve you! Hail, royal sir!

It is in vain; he will not speak to you.

FIRST LORD.

Sir, we have a maid in Mytilene, I durst wager, Would win some words of him.

’Tis well bethought. She questionless with her sweet harmony And other chosen attractions, would allure, And make a battery through his deafen’d parts, Which now are midway stopp’d: She is all happy as the fairest of all, And, with her fellow maids, is now upon The leafy shelter that abuts against The island’s side.

[_Whispers a Lord who goes off in the barge of Lysimachus._]

Sure, all’s effectless; yet nothing we’ll omit That bears recovery’s name. But, since your kindness We have stretch’d thus far, let us beseech you That for our gold we may provision have, Wherein we are not destitute for want, But weary for the staleness.

O, sir, a courtesy Which if we should deny, the most just gods For every graff would send a caterpillar, And so inflict our province. Yet once more Let me entreat to know at large the cause Of your king’s sorrow.

Sit, sir, I will recount it to you: But, see, I am prevented.

Re-enter from the barge, Lord with Marina and a young Lady.

O, here is the lady that I sent for. Welcome, fair one! Is’t not a goodly presence?

She’s a gallant lady.

She’s such a one, that, were I well assured Came of a gentle kind and noble stock, I’d wish no better choice, and think me rarely wed. Fair one, all goodness that consists in bounty Expect even here, where is a kingly patient: If that thy prosperous and artificial feat Can draw him but to answer thee in aught, Thy sacred physic shall receive such pay As thy desires can wish.

Sir, I will use My utmost skill in his recovery, provided That none but I and my companion maid Be suffer’d to come near him.

Come, let us leave her, And the gods make her prosperous!

[_Marina sings._]

Mark’d he your music?

No, nor look’d on us.

See, she will speak to him.

Hail, sir! My lord, lend ear.

Hum, ha!

I am a maid, My lord, that ne’er before invited eyes, But have been gazed on like a comet: she speaks, My lord, that, may be, hath endured a grief Might equal yours, if both were justly weigh’d. Though wayward Fortune did malign my state, My derivation was from ancestors Who stood equivalent with mighty kings: But time hath rooted out my parentage, And to the world and awkward casualties Bound me in servitude. [_Aside._] I will desist; But there is something glows upon my cheek, And whispers in mine ear ‘Go not till he speak.’

My fortunes—parentage—good parentage— To equal mine!—was it not thus? what say you?

I said, my lord, if you did know my parentage, You would not do me violence.

I do think so. Pray you, turn your eyes upon me. You are like something that—what country-woman? Here of these shores?

No, nor of any shores: Yet I was mortally brought forth, and am No other than I appear.

I am great with woe, and shall deliver weeping. My dearest wife was like this maid, and such a one My daughter might have been: my queen’s square brows; Her stature to an inch; as wand-like straight; As silver-voiced; her eyes as jewel-like And cased as richly; in pace another Juno; Who starves the ears she feeds, and makes them hungry, The more she gives them speech. Where do you live?

Where I am but a stranger: from the deck You may discern the place.

Where were you bred? And how achieved you these endowments, which You make more rich to owe?

If I should tell my history, it would seem Like lies disdain’d in the reporting.

Prithee, speak: Falseness cannot come from thee; for thou look’st Modest as Justice, and thou seem’st a palace For the crown’d Truth to dwell in: I will believe thee, And make my senses credit thy relation To points that seem impossible; for thou look’st Like one I loved indeed. What were thy friends? Didst thou not say, when I did push thee back— Which was when I perceived thee—that thou cam’st From good descending?

So indeed I did.

Report thy parentage. I think thou said’st Thou hadst been toss’d from wrong to injury, And that thou thought’st thy griefs might equal mine, If both were open’d.

Some such thing, I said, and said no more but what my thoughts Did warrant me was likely.

Tell thy story; If thine consider’d prove the thousand part Of my endurance, thou art a man, and I Have suffer’d like a girl: yet thou dost look Like Patience gazing on kings’ graves, and smiling Extremity out of act. What were thy friends? How lost thou them? Thy name, my most kind virgin? Recount, I do beseech thee: come, sit by me.

My name is Marina.

O, I am mock’d, And thou by some incensed god sent hither To make the world to laugh at me.

Patience, good sir, Or here I’ll cease.

Nay, I’ll be patient. Thou little know’st how thou dost startle me, To call thyself Marina.

The name Was given me by one that had some power, My father, and a king.

How! a king’s daughter? And call’d Marina?

You said you would believe me; But, not to be a troubler of your peace, I will end here.

But are you flesh and blood? Have you a working pulse? and are no fairy? Motion! Well; speak on. Where were you born? And wherefore call’d Marina?

Call’d Marina For I was born at sea.

At sea! What mother?

My mother was the daughter of a king; Who died the minute I was born, As my good nurse Lychorida hath oft Deliver’d weeping.

O, stop there a little! [_Aside._] This is the rarest dream that e’er dull sleep Did mock sad fools withal: this cannot be: My daughter, buried. Well, where were you bred? I’ll hear you more, to the bottom of your story, And never interrupt you.

You scorn: believe me, ’twere best I did give o’er.

I will believe you by the syllable Of what you shall deliver. Yet, give me leave: How came you in these parts? Where were you bred?

The king my father did in Tarsus leave me; Till cruel Cleon, with his wicked wife, Did seek to murder me: and having woo’d A villain to attempt it, who having drawn to do’t, A crew of pirates came and rescued me; Brought me to Mytilene. But, good sir. Whither will you have me? Why do you weep? It may be, You think me an impostor: no, good faith; I am the daughter to King Pericles, If good King Pericles be.

Ho, Helicanus!

Enter Helicanus and Lysimachus.

Calls my lord?

Thou art a grave and noble counsellor, Most wise in general: tell me, if thou canst, What this maid is, or what is like to be, That thus hath made me weep.

I know not, But here is the regent, sir, of Mytilene Speaks nobly of her.

She would never tell Her parentage; being demanded that, She would sit still and weep.

O Helicanus, strike me, honour’d sir; Give me a gash, put me to present pain; Lest this great sea of joys rushing upon me O’erbear the shores of my mortality, And drown me with their sweetness. [_To Marina_] O, come hither, Thou that beget’st him that did thee beget; Thou that wast born at sea, buried at Tarsus, And found at sea again! O Helicanus, Down on thy knees, thank the holy gods as loud As thunder threatens us: this is Marina. What was thy mother’s name? tell me but that, For truth can never be confirm’d enough, Though doubts did ever sleep.

First, sir, I pray, what is your title?

I am Pericles of Tyre: but tell me now My drown’d queen’s name, as in the rest you said Thou hast been godlike perfect, The heir of kingdoms and another life To Pericles thy father.

Is it no more to be your daughter than To say my mother’s name was Thaisa? Thaisa was my mother, who did end The minute I began.

Now, blessing on thee! rise; thou art my child. Give me fresh garments. Mine own, Helicanus; She is not dead at Tarsus, as she should have been, By savage Cleon: she shall tell thee all; When thou shalt kneel, and justify in knowledge She is thy very princess. Who is this?

Sir, ’tis the governor of Mytilene, Who, hearing of your melancholy state, Did come to see you.

I embrace you. Give me my robes. I am wild in my beholding. O heavens bless my girl! But, hark, what music? Tell Helicanus, my Marina, tell him O’er, point by point, for yet he seems to doubt, How sure you are my daughter. But, what music?

My lord, I hear none.

None! The music of the spheres! List, my Marina.

It is not good to cross him; give him way.

Rarest sounds! Do ye not hear?

Music, my lord? I hear.

Most heavenly music! It nips me unto listening, and thick slumber Hangs upon mine eyes: let me rest.

A pillow for his head: So, leave him all. Well, my companion friends, If this but answer to my just belief, I’ll well remember you.

[_Exeunt all but Pericles._]

Diana appears to Pericles as in a vision.

My temple stands in Ephesus: hie thee thither, And do upon mine altar sacrifice. There, when my maiden priests are met together, Before the people all, Reveal how thou at sea didst lose thy wife: To mourn thy crosses, with thy daughter’s, call And give them repetition to the life. Or perform my bidding, or thou livest in woe: Do it, and happy; by my silver bow! Awake and tell thy dream.

Celestial Dian, goddess argentine, I will obey thee. Helicanus!

Re-enter Helicanus, Lysimachus and Marina.

My purpose was for Tarsus, there to strike The inhospitable Cleon; but I am For other service first: toward Ephesus Turn our blown sails; eftsoons I’ll tell thee why. [_To Lysimachus._] Shall we refresh us, sir, upon your shore, And give you gold for such provision As our intents will need?

Sir, with all my heart, And when you come ashore I have another suit.

You shall prevail, were it to woo my daughter; For it seems you have been noble towards her.

Sir, lend me your arm.

Come, my Marina.

ACT V, SCENE II.

Enter Gower before the temple of Diana at Ephesus.

Now our sands are almost run; More a little, and then dumb. This, my last boon, give me, For such kindness must relieve me, That you aptly will suppose What pageantry, what feats, what shows, What minstrelsy, and pretty din, The regent made in Mytilene To greet the king. So he thrived, That he is promised to be wived To fair Marina; but in no wise Till he had done his sacrifice, As Dian bade: whereto being bound, The interim, pray you, all confound. In feather’d briefness sails are fill’d, And wishes fall out as they’re will’d. At Ephesus, the temple see, Our king and all his company. That he can hither come so soon, Is by your fancy’s thankful doom.

ACT V, SCENE III. The temple of Diana at Ephesus; Thaisa standing near the

altar, as high priestess; a number of Virgins on each side; Cerimon and other inhabitants of Ephesus attending.

Enter Pericles with his train; Lysimachus, Helicanus, Marina and a Lady.

Hail, Dian! to perform thy just command, I here confess myself the King of Tyre; Who, frighted from my country, did wed At Pentapolis the fair Thaisa. At sea in childbed died she, but brought forth A maid child call’d Marina; whom, O goddess, Wears yet thy silver livery. She at Tarsus Was nursed with Cleon; who at fourteen years He sought to murder: but her better stars Brought her to Mytilene; ’gainst whose shore Riding, her fortunes brought the maid aboard us, Where by her own most clear remembrance, she Made known herself my daughter.

Voice and favour! You are, you are—O royal Pericles!

What means the nun? She dies! help, gentlemen!

Noble sir, If you have told Diana’s altar true, This is your wife.

Reverend appearer, no; I threw her overboard with these very arms.

Upon this coast, I warrant you.

’Tis most certain.

Look to the lady; O, she’s but o’er-joy’d. Early in blustering morn this lady was Thrown upon this shore. I oped the coffin, Found there rich jewels; recover’d her, and placed her Here in Diana’s temple.

May we see them?

Great sir, they shall be brought you to my house, Whither I invite you. Look, Thaisa is Recovered.

O, let me look! If he be none of mine, my sanctity Will to my sense bend no licentious ear, But curb it, spite of seeing. O, my lord, Are you not Pericles? Like him you spake, Like him you are: did you not name a tempest, A birth, and death?

The voice of dead Thaisa!

That Thaisa am I, supposed dead And drown’d.

Immortal Dian!

Now I know you better, When we with tears parted Pentapolis, The king my father gave you such a ring.

[_Shows a ring._]

This, this: no more, you gods! your present kindness Makes my past miseries sports: you shall do well, That on the touching of her lips I may Melt and no more be seen. O, come, be buried A second time within these arms.

My heart Leaps to be gone into my mother’s bosom.

[_Kneels to Thaisa._]

Look, who kneels here! Flesh of thy flesh, Thaisa; Thy burden at the sea, and call’d Marina For she was yielded there.

Blest, and mine own!

Hail, madam, and my queen!

I know you not.

You have heard me say, when I did fly from Tyre, I left behind an ancient substitute: Can you remember what I call’d the man? I have named him oft.

’Twas Helicanus then.

Still confirmation: Embrace him, dear Thaisa; this is he. Now do I long to hear how you were found: How possibly preserved; and who to thank, Besides the gods, for this great miracle.

Lord Cerimon, my lord; this man, Through whom the gods have shown their power; that can From first to last resolve you.

Reverend sir, The gods can have no mortal officer More like a god than you. Will you deliver How this dead queen relives?

I will, my lord. Beseech you, first go with me to my house, Where shall be shown you all was found with her; How she came placed here in the temple; No needful thing omitted.

Pure Dian, bless thee for thy vision! I Will offer night-oblations to thee. Thaisa, This prince, the fair betrothed of your daughter, Shall marry her at Pentapolis. And now this ornament Makes me look dismal will I clip to form; And what this fourteen years no razor touch’d To grace thy marriage-day, I’ll beautify.

Lord Cerimon hath letters of good credit, sir, My father’s dead.

Heavens make a star of him! Yet there, my queen, We’ll celebrate their nuptials, and ourselves Will in that kingdom spend our following days: Our son and daughter shall in Tyrus reign. Lord Cerimon, we do our longing stay To hear the rest untold. Sir, lead’s the way.

Enter Gower.

In Antiochus and his daughter you have heard Of monstrous lust the due and just reward: In Pericles, his queen and daughter seen, Although assail’d with Fortune fierce and keen, Virtue preserved from fell destruction’s blast, Led on by heaven, and crown’d with joy at last. In Helicanus may you well descry A figure of truth, of faith, of loyalty: In reverend Cerimon there well appears The worth that learned charity aye wears: For wicked Cleon and his wife, when fame Had spread their cursed deed, the honour’d name Of Pericles, to rage the city turn, That him and his they in his palace burn. The gods for murder seemed so content To punish, although not done, but meant. So on your patience evermore attending, New joy wait on you! Here our play has ending.

THE LIFE AND DEATH OF KING RICHARD THE SECOND

ACT I

Scene I. London. A Room in the palace. Scene II. The same. A room in the Duke of Lancaster’s palace. Scene III. Open Space, near Coventry. Lists set out, and a Throne. Heralds, &c., attending. Scene IV. London. A Room in the King’s Castle.

ACT II

Scene I. London. An Apartment in Ely House. Scene II. The Same. A Room in the Castle. Scene III. The Wolds in Gloucestershire. Scene IV. A camp in Wales.

ACT III

Scene I. Bristol. Bolingbroke’s camp. Scene II. The coast of Wales. A castle in view. Scene III. Wales. Before Flint Castle. Scene IV. Langley. The Duke of York’s garden.

ACT V

Scene I. London. A street leading to the Tower. Scene II. The same. A room in the Duke of York’s palace. Scene III. Windsor. A room in the Castle. Scene IV. Another room in the Castle. Scene V. Pomfret. The dungeon of the Castle. Scene VI. Windsor. An Apartment in the Castle.

Dramatis Personæ

Contents — 29 sections

1. ACT I
2. ACT II
3. ACT III
4. ACT IV
5. ACT V
6. ACT I
7. ACT I, SCENE II. Thebes. The Court of the Palace
8. ACT I, SCENE III. Before the gates of Athens
9. ACT I, SCENE IV. A field before Thebes.
10. ACT I, SCENE V. Another part of the same, more remote from Thebes
11. ACT II
12. ACT II, SCENE II. The prison
13. ACT II, SCENE III. The country near Athens
14. ACT II, SCENE IV. Athens. A room in the prison
15. ACT II, SCENE V. An open place in Athens
16. ACT II, SCENE VI. Athens. Before the prison
17. ACT III
18. ACT III, SCENE II. Another Part of the forest
19. ACT III, SCENE III. The same part of the forest as in scene I.
20. ACT III, SCENE IV. Another part of the forest
21. ACT III, SCENE V. Another part of the forest
22. ACT III, SCENE VI. The same part of the forest as in scene III.
23. ACT IV
24. ACT IV, SCENE II. A Room in the Palace
25. ACT IV, SCENE III. A room in the prison
26. ACT V
27. ACT V, SCENE II. Athens. A Room in the Prison
28. ACT V, SCENE III. A part of the Forest near Athens, and near the Place
29. ACT V, SCENE IV. The same; a Block prepared

ACT I

PROLOGUE Scene I. Athens. Before a temple Scene II. Thebes. The Court of the Palace Scene III. Before the gates of Athens Scene IV. A field before Thebes. Scene V. Another part of the same, more remote from Thebes

ACT II

Scene I. Athens. A garden, with a castle in the background Scene II. The prison Scene III. The country near Athens Scene IV. Athens. A room in the prison Scene V. An open place in Athens Scene VI. Athens. Before the prison

ACT III

Scene I. A forest near Athens Scene II. Another part of the forest Scene III. The same part of the forest as in scene I. Scene IV. Another part of the forest Scene V. Another part of the forest Scene VI. The same part of the forest as in scene III.

ACT IV

Scene I. Athens. A room in the prison Scene II. A Room in the Palace Scene III. A room in the prison

ACT V

Scene I. Athens. Before the Temples of Mars, Venus, and Diana Scene II. Athens. A Room in the Prison Scene III. A part of the Forest near Athens, and near the Place appointed for the Combat Scene IV. The same; a Block prepared EPILOGUE

Dramatis Personæ

ARCITE, the two noble kinsmen, cousins, PALAMON, nephews of Creon, King of Thebes

THESEUS, Duke of Athens HIPPOLYTA, Queen of the Amazons, later Duchess of Athens EMILIA, Sister of Hippolyta PIRITHOUS, friend to Theseus

Three QUEENS, widows of the kings killed in laying siege to Thebes

The JAILER of Theseus’s prison His DAUGHTER, in love with Palamon His BROTHER, The WOOER of the Jailer’s daughter Two FRIENDS of the Jailer, A DOCTOR

ARTESIUS, an Athenian soldier VALERIUS, a Theban WOMAN, attending on Emilia An Athenian GENTLEMAN Six KNIGHTS, three accompanying Arcite, three Palamon

Six COUNTRYMEN, one dressed as a Bavian or baboon Gerald, a SCHOOLMASTER NEL, a countrywoman A TABORER

A singing BOY A HERALD A MESSENGER A SERVANT

Hymen (god of weddings), lords, soldiers, four countrywomen (Fritz, Maudlin, Luce, and Barbary), nymphs, attendants, maids, executioner, guard

SCENE: Athens and the Neighbourhood, except in part of the first Act, where it is Thebes and the Neighbourhood

Flourish. Enter Prologue.

New plays and maidenheads are near akin: Much followed both, for both much money gi’en, If they stand sound and well. And a good play, Whose modest scenes blush on his marriage day And shake to lose his honour, is like her That after holy tie and first night’s stir Yet still is Modesty, and still retains More of the maid, to sight, than husband’s pains. We pray our play may be so, for I am sure It has a noble breeder and a pure, A learned, and a poet never went More famous yet ’twixt Po and silver Trent. Chaucer, of all admired, the story gives; There, constant to eternity, it lives. If we let fall the nobleness of this, And the first sound this child hear be a hiss, How will it shake the bones of that good man And make him cry from underground, “O, fan From me the witless chaff of such a writer That blasts my bays and my famed works makes lighter Than Robin Hood!” This is the fear we bring; For, to say truth, it were an endless thing And too ambitious, to aspire to him, Weak as we are, and, almost breathless, swim In this deep water. Do but you hold out Your helping hands, and we shall tack about And something do to save us. You shall hear Scenes, though below his art, may yet appear Worth two hours’ travel. To his bones sweet sleep; Content to you. If this play do not keep A little dull time from us, we perceive Our losses fall so thick, we must needs leave.

[_Flourish. Exit._]

ACT I

SCENE I. Athens. Before a temple

Enter Hymen with a torch burning; a Boy, in a white robe before singing, and strewing flowers. After Hymen, a Nymph encompassed in her tresses, bearing a wheaten garland; then Theseus between two other Nymphs with wheaten chaplets on their heads. Then Hippolyta, the bride, led by Pirithous, and another holding a garland over her head, her tresses likewise hanging. After her, Emilia, holding up her train. Then Artesius and Attendants.

The Song

_Roses, their sharp spines being gone, Not royal in their smells alone, But in their hue; Maiden pinks of odour faint, Daisies smell-less, yet most quaint, And sweet thyme true;_

_Primrose, first-born child of Ver, Merry springtime’s harbinger, With harebells dim, Oxlips in their cradles growing, Marigolds on deathbeds blowing, Lark’s-heels trim;_

[_Strews flowers._]

_All dear Nature’s children sweet Lie ’fore bride and bridegroom’s feet, Blessing their sense. Not an angel of the air, Bird melodious or bird fair, Is absent hence._

_The crow, the sland’rous cuckoo, nor The boding raven, nor chough hoar, Nor chatt’ring ’pie, May on our bride-house perch or sing, Or with them any discord bring, But from it fly._

Enter three Queens in black, with veils stained, with imperial crowns. The first Queen falls down at the foot of Theseus; the second falls down at the foot of Hippolyta; the third before Emilia.

FIRST QUEEN.

For pity’s sake and true gentility’s, Hear and respect me.

SECOND QUEEN.

For your mother’s sake, And as you wish your womb may thrive with fair ones, Hear and respect me.

THIRD QUEEN.

Now, for the love of him whom Jove hath marked The honour of your bed, and for the sake Of clear virginity, be advocate For us and our distresses. This good deed Shall raze you out o’ th’ book of trespasses All you are set down there.

Sad lady, rise.

Stand up.

No knees to me. What woman I may stead that is distressed, Does bind me to her.

What’s your request? Deliver you for all.

FIRST QUEEN.

We are three queens whose sovereigns fell before The wrath of cruel Creon, who endure The beaks of ravens, talons of the kites, And pecks of crows, in the foul fields of Thebes. He will not suffer us to burn their bones, To urn their ashes, nor to take th’ offence Of mortal loathsomeness from the blest eye Of holy Phœbus, but infects the winds With stench of our slain lords. O, pity, Duke! Thou purger of the earth, draw thy feared sword That does good turns to th’ world; give us the bones Of our dead kings, that we may chapel them; And of thy boundless goodness take some note That for our crowned heads we have no roof Save this, which is the lion’s and the bear’s, And vault to everything.

Pray you, kneel not. I was transported with your speech and suffered Your knees to wrong themselves. I have heard the fortunes Of your dead lords, which gives me such lamenting As wakes my vengeance and revenge for ’em. King Capaneus was your lord. The day That he should marry you, at such a season As now it is with me, I met your groom By Mars’s altar. You were that time fair! Not Juno’s mantle fairer than your tresses, Nor in more bounty spread her. Your wheaten wreath Was then nor threshed nor blasted. Fortune at you Dimpled her cheek with smiles. Hercules, our kinsman, Then weaker than your eyes, laid by his club; He tumbled down upon his Nemean hide And swore his sinews thawed. O grief and time, Fearful consumers, you will all devour!

FIRST QUEEN.

O, I hope some god, Some god hath put his mercy in your manhood, Whereto he’ll infuse power, and press you forth Our undertaker.

O, no knees, none, widow! Unto the helmeted Bellona use them, And pray for me, your soldier. Troubled I am.

[_Turns away._]

SECOND QUEEN.

Honoured Hippolyta, Most dreaded Amazonian, that hast slain The scythe-tusked boar; that with thy arm, as strong As it is white, wast near to make the male To thy sex captive, but that this thy lord, Born to uphold creation in that honour First nature styled it in, shrunk thee into The bound thou wast o’erflowing, at once subduing Thy force and thy affection; soldieress That equally canst poise sternness with pity, Whom now I know hast much more power on him Than ever he had on thee, who ow’st his strength And his love too, who is a servant for The tenor of thy speech, dear glass of ladies, Bid him that we, whom flaming war doth scorch, Under the shadow of his sword may cool us; Require him he advance it o’er our heads; Speak ’t in a woman’s key, like such a woman As any of us three; weep ere you fail. Lend us a knee; But touch the ground for us no longer time Than a dove’s motion when the head’s plucked off. Tell him if he i’ th’ blood-sized field lay swollen, Showing the sun his teeth, grinning at the moon, What you would do.

Poor lady, say no more. I had as lief trace this good action with you As that whereto I am going, and never yet Went I so willing way. My lord is taken Heart-deep with your distress. Let him consider; I’ll speak anon.

THIRD QUEEN.

O, my petition was Set down in ice, which by hot grief uncandied Melts into drops; so sorrow, wanting form, Is pressed with deeper matter.

Pray, stand up; Your grief is written in your cheek.

THIRD QUEEN.

O, woe! You cannot read it there. There through my tears, Like wrinkled pebbles in a glassy stream, You may behold ’em. Lady, lady, alack! He that will all the treasure know o’ th’ earth Must know the center too; he that will fish For my least minnow, let him lead his line To catch one at my heart. O, pardon me! Extremity, that sharpens sundry wits, Makes me a fool.

Pray you say nothing, pray you. Who cannot feel nor see the rain, being in ’t, Knows neither wet nor dry. If that you were The ground-piece of some painter, I would buy you T’ instruct me ’gainst a capital grief, indeed Such heart-pierced demonstration. But, alas, Being a natural sister of our sex, Your sorrow beats so ardently upon me That it shall make a counter-reflect ’gainst My brother’s heart and warm it to some pity, Though it were made of stone. Pray have good comfort.

Forward to th’ temple! Leave not out a jot O’ th’ sacred ceremony.

FIRST QUEEN.

O, this celebration Will longer last and be more costly than Your suppliants’ war! Remember that your fame Knolls in the ear o’ th’ world; what you do quickly Is not done rashly; your first thought is more Than others’ laboured meditance, your premeditating More than their actions. But, O Jove, your actions, Soon as they move, as ospreys do the fish, Subdue before they touch. Think, dear Duke, think What beds our slain kings have!

SECOND QUEEN.

What griefs our beds, That our dear lords have none!

THIRD QUEEN.

None fit for th’ dead. Those that with cords, knives, drams, precipitance, Weary of this world’s light, have to themselves Been death’s most horrid agents, human grace Affords them dust and shadow.

FIRST QUEEN.

But our lords Lie blist’ring ’fore the visitating sun, And were good kings when living.

It is true, and I will give you comfort To give your dead lords graves; The which to do must make some work with Creon.

FIRST QUEEN.

And that work presents itself to th’ doing. Now ’twill take form; the heats are gone tomorrow. Then, bootless toil must recompense itself With its own sweat. Now he’s secure, Not dreams we stand before your puissance, Rinsing our holy begging in our eyes To make petition clear.

SECOND QUEEN.

Now you may take him, drunk with his victory.

THIRD QUEEN.

And his army full of bread and sloth.

Artesius, that best knowest How to draw out fit to this enterprise The prim’st for this proceeding, and the number To carry such a business: forth and levy Our worthiest instruments, whilst we dispatch This grand act of our life, this daring deed Of fate in wedlock.

FIRST QUEEN.

Dowagers, take hands. Let us be widows to our woes; delay Commends us to a famishing hope.

ALL THE QUEENS.

SECOND QUEEN.

We come unseasonably; but when could grief Cull forth, as unpanged judgement can, fitt’st time For best solicitation?

Why, good ladies, This is a service, whereto I am going, Greater than any war; it more imports me Than all the actions that I have foregone, Or futurely can cope.

FIRST QUEEN.

The more proclaiming Our suit shall be neglected when her arms, Able to lock Jove from a synod, shall By warranting moonlight corselet thee. O, when Her twinning cherries shall their sweetness fall Upon thy tasteful lips, what wilt thou think Of rotten kings or blubbered queens? What care For what thou feel’st not, what thou feel’st being able To make Mars spurn his drum? O, if thou couch But one night with her, every hour in ’t will Take hostage of thee for a hundred, and Thou shalt remember nothing more than what That banquet bids thee to.

Though much unlike You should be so transported, as much sorry I should be such a suitor, yet I think, Did I not, by th’ abstaining of my joy, Which breeds a deeper longing, cure their surfeit That craves a present med’cine, I should pluck All ladies’ scandal on me. Therefore, sir,

[_She kneels._]

As I shall here make trial of my prayers, Either presuming them to have some force, Or sentencing for aye their vigor dumb, Prorogue this business we are going about, and hang Your shield afore your heart, about that neck Which is my fee, and which I freely lend To do these poor queens service.

ALL QUEENS.

[_To Emilia_.] O, help now! Our cause cries for your knee.

[_To Theseus, kneeling_.] If you grant not My sister her petition in that force, With that celerity and nature, which She makes it in, from henceforth I’ll not dare To ask you anything, nor be so hardy Ever to take a husband.

Pray stand up. I am entreating of myself to do

[_They rise._]

That which you kneel to have me.—Pirithous, Lead on the bride; get you and pray the gods For success and return; omit not anything In the pretended celebration.—Queens, Follow your soldier. [_To Artesius._] As before, hence you, And at the banks of Aulis meet us with The forces you can raise, where we shall find The moiety of a number for a business More bigger looked.

[_Exit Artesius._]

[_To Hippolyta._] Since that our theme is haste, I stamp this kiss upon thy currant lip; Sweet, keep it as my token. Set you forward, For I will see you gone.

[_The wedding procession moves towards the temple._]

Farewell, my beauteous sister.—Pirithous, Keep the feast full; bate not an hour on ’t.

Sir, I’ll follow you at heels. The feast’s solemnity Shall want till your return.

Cousin, I charge you, Budge not from Athens. We shall be returning Ere you can end this feast, of which I pray you Make no abatement. Once more, farewell all.

[_Exeunt all but Theseus and the Queens._]

FIRST QUEEN.

Thus dost thou still make good the tongue o’ th’ world.

SECOND QUEEN.

And earn’st a deity equal with Mars.

THIRD QUEEN.

If not above him, for Thou, being but mortal, mak’st affections bend To godlike honours; they themselves, some say, Groan under such a mast’ry.

As we are men, Thus should we do; being sensually subdued, We lose our human title. Good cheer, ladies. Now turn we towards your comforts.

[_Flourish. Exeunt._]

ACT I, SCENE II. Thebes. The Court of the Palace

Enter Palamon and Arcite.

Dear Palamon, dearer in love than blood And our prime cousin, yet unhardened in The crimes of nature, let us leave the city Thebes, and the temptings in ’t, before we further Sully our gloss of youth And here to keep in abstinence we shame As in incontinence; for not to swim I’ th’ aid o’ th’ current, were almost to sink, At least to frustrate striving; and to follow The common stream, ’twould bring us to an eddy Where we should turn or drown; if labour through, Our gain but life and weakness.

Your advice Is cried up with example. What strange ruins, Since first we went to school, may we perceive Walking in Thebes! Scars and bare weeds The gain o’ th’ martialist, who did propound To his bold ends honour and golden ingots, Which, though he won, he had not, and now flirted By peace for whom he fought! Who then shall offer To Mars’s so-scorned altar? I do bleed When such I meet, and wish great Juno would Resume her ancient fit of jealousy To get the soldier work, that peace might purge For her repletion, and retain anew Her charitable heart, now hard and harsher Than strife or war could be.

Are you not out? Meet you no ruin but the soldier in The cranks and turns of Thebes? You did begin As if you met decays of many kinds. Perceive you none that do arouse your pity But th’ unconsidered soldier?

Yes, I pity Decays where’er I find them, but such most That, sweating in an honourable toil, Are paid with ice to cool ’em.

’Tis not this I did begin to speak of. This is virtue Of no respect in Thebes. I spake of Thebes, How dangerous, if we will keep our honours, It is for our residing, where every evil Hath a good colour; where every seeming good’s A certain evil; where not to be e’en jump As they are here were to be strangers, and, Such things to be, mere monsters.

’Tis in our power— Unless we fear that apes can tutor ’s—to Be masters of our manners. What need I Affect another’s gait, which is not catching Where there is faith? Or to be fond upon Another’s way of speech, when by mine own I may be reasonably conceived, saved too, Speaking it truly? Why am I bound By any generous bond to follow him Follows his tailor, haply so long until The followed make pursuit? Or let me know Why mine own barber is unblessed, with him My poor chin too, for ’tis not scissored just To such a favourite’s glass? What canon is there That does command my rapier from my hip To dangle ’t in my hand, or to go tiptoe Before the street be foul? Either I am The fore-horse in the team, or I am none That draw i’ th’ sequent trace. These poor slight sores Need not a plantain; that which rips my bosom Almost to th’ heart’s—

Our uncle Creon.

He. A most unbounded tyrant, whose successes Makes heaven unfeared and villainy assured Beyond its power there’s nothing; almost puts Faith in a fever, and deifies alone Voluble chance; who only attributes The faculties of other instruments To his own nerves and act; commands men service, And what they win in ’t, boot and glory; one That fears not to do harm; good, dares not. Let The blood of mine that’s sib to him be sucked From me with leeches; let them break and fall Off me with that corruption.

Clear-spirited cousin, Let’s leave his court, that we may nothing share Of his loud infamy; for our milk Will relish of the pasture, and we must Be vile or disobedient; not his kinsmen In blood unless in quality.

Nothing truer. I think the echoes of his shames have deafed The ears of heavenly justice. Widows’ cries Descend again into their throats and have not Due audience of the gods.

Enter Valerius.

The King calls for you; yet be leaden-footed Till his great rage be off him. Phœbus, when He broke his whipstock and exclaimed against The horses of the sun, but whispered to The loudness of his fury.

Small winds shake him. But what’s the matter?

Theseus, who where he threats appalls, hath sent Deadly defiance to him and pronounces Ruin to Thebes, who is at hand to seal The promise of his wrath.

Let him approach. But that we fear the gods in him, he brings not A jot of terror to us. Yet what man Thirds his own worth—the case is each of ours— When that his action’s dregged with mind assured ’Tis bad he goes about?

Leave that unreasoned. Our services stand now for Thebes, not Creon. Yet to be neutral to him were dishonour, Rebellious to oppose; therefore we must With him stand to the mercy of our fate, Who hath bounded our last minute.

So we must. [_To Valerius._] Is ’t said this war’s afoot? Or, it shall be, On fail of some condition?

’Tis in motion; The intelligence of state came in the instant With the defier.

Let’s to the King; who, were he A quarter carrier of that honour which His enemy come in, the blood we venture Should be as for our health, which were not spent, Rather laid out for purchase. But alas, Our hands advanced before our hearts, what will The fall o’ th’ stroke do damage?

Let th’ event, That never-erring arbitrator, tell us When we know all ourselves; and let us follow The becking of our chance.

ACT I, SCENE III. Before the gates of Athens

Enter Pirithous, Hippolyta and Emilia.

No further.

Sir, farewell. Repeat my wishes To our great lord, of whose success I dare not Make any timorous question; yet I wish him Excess and overflow of power, an ’t might be, To dure ill-dealing fortune. Speed to him! Store never hurts good governors.

Though I know His ocean needs not my poor drops, yet they Must yield their tribute there. My precious maid, Those best affections that the heavens infuse In their best-tempered pieces keep enthroned In your dear heart!

Thanks, sir. Remember me To our all-royal brother, for whose speed The great Bellona I’ll solicit; and Since in our terrene state petitions are not Without gifts understood, I’ll offer to her What I shall be advised she likes. Our hearts Are in his army, in his tent.

In ’s bosom. We have been soldiers, and we cannot weep When our friends don their helms, or put to sea, Or tell of babes broached on the lance, or women That have sod their infants in—and after eat them— The brine they wept at killing ’em. Then if You stay to see of us such spinsters, we Should hold you here for ever.

Peace be to you As I pursue this war, which shall be then Beyond further requiring.

[_Exit Pirithous._]

How his longing Follows his friend! Since his depart, his sports, Though craving seriousness and skill, passed slightly His careless execution, where nor gain Made him regard, or loss consider, but Playing one business in his hand, another Directing in his head, his mind nurse equal To these so differing twins. Have you observed him Since our great lord departed?

With much labour, And I did love him for ’t. They two have cabined In many as dangerous as poor a corner, Peril and want contending; they have skiffed Torrents whose roaring tyranny and power I’ th’ least of these was dreadful; and they have Fought out together where Death’s self was lodged; Yet fate hath brought them off. Their knot of love, Tied, weaved, entangled, with so true, so long, And with a finger of so deep a cunning, May be outworn, never undone. I think Theseus cannot be umpire to himself, Cleaving his conscience into twain and doing Each side like justice, which he loves best.

Doubtless There is a best, and reason has no manners To say it is not you. I was acquainted Once with a time when I enjoyed a playfellow; You were at wars when she the grave enriched, Who made too proud the bed, took leave o’ th’ moon Which then looked pale at parting, when our count Was each eleven.

’Twas Flavina.

Yes. You talk of Pirithous’ and Theseus’ love. Theirs has more ground, is more maturely seasoned, More buckled with strong judgement, and their needs The one of th’ other may be said to water Their intertangled roots of love; but I, And she I sigh and spoke of, were things innocent, Loved for we did, and like the elements That know not what nor why, yet do effect Rare issues by their operance, our souls Did so to one another. What she liked Was then of me approved, what not, condemned, No more arraignment. The flower that I would pluck And put between my breasts, O, then but beginning To swell about the blossom—she would long Till she had such another, and commit it To the like innocent cradle, where, phœnix-like, They died in perfume. On my head no toy But was her pattern; her affections—pretty, Though haply her careless wear—I followed For my most serious decking; had mine ear Stol’n some new air, or at adventure hummed one From musical coinage, why, it was a note Whereon her spirits would sojourn—rather, dwell on, And sing it in her slumbers. This rehearsal, Which fury-innocent wots well, comes in Like old importment’s bastard—has this end, That the true love ’tween maid and maid may be More than in sex individual.

You’re out of breath; And this high-speeded pace is but to say That you shall never, like the maid Flavina, Love any that’s called man.

I am sure I shall not.

Now, alack, weak sister, I must no more believe thee in this point— Though in ’t I know thou dost believe thyself— Than I will trust a sickly appetite, That loathes even as it longs. But sure, my sister, If I were ripe for your persuasion, you Have said enough to shake me from the arm Of the all-noble Theseus; for whose fortunes I will now in and kneel, with great assurance That we, more than his Pirithous, possess The high throne in his heart.

I am not Against your faith, yet I continue mine.

ACT I, SCENE IV. A field before Thebes.

Cornets. A battle struck within; then a retreat. Flourish. Then enter, Theseus, as victor, with a Herald, other Lords, and Soldiers. The three Queens meet him and fall on their faces before him.

FIRST QUEEN.

To thee no star be dark!

SECOND QUEEN.

Both heaven and earth Friend thee for ever!

THIRD QUEEN.

All the good that may Be wished upon thy head, I cry “Amen” to ’t!

Th’ impartial gods, who from the mounted heavens View us their mortal herd, behold who err And, in their time, chastise. Go and find out The bones of your dead lords and honour them With treble ceremony, rather than a gap Should be in their dear rites, we would supply ’t, But those we will depute which shall invest You in your dignities and even each thing Our haste does leave imperfect. So, adieu, And heaven’s good eyes look on you.

[_Exeunt Queens._]

Enter a Herald and Soldiers bearing Palamon and Arcite on hearses.

What are those?

Men of great quality, as may be judged By their appointment. Some of Thebes have told ’s They are sisters’ children, nephews to the King.

By th’ helm of Mars, I saw them in the war, Like to a pair of lions, smeared with prey, Make lanes in troops aghast. I fixed my note Constantly on them, for they were a mark Worth a god’s view. What prisoner was ’t that told me When I enquired their names?

Wi’ leave, they’re called Arcite and Palamon.

’Tis right; those, those. They are not dead?

Nor in a state of life. Had they been taken When their last hurts were given, ’twas possible They might have been recovered; yet they breathe And have the name of men.

Then like men use ’em. The very lees of such, millions of rates, Exceed the wine of others. All our surgeons Convent in their behoof; our richest balms, Rather than niggard, waste. Their lives concern us Much more than Thebes is worth. Rather than have ’em Freed of this plight, and in their morning state, Sound and at liberty, I would ’em dead; But forty-thousandfold we had rather have ’em Prisoners to us than death. Bear ’em speedily From our kind air, to them unkind, and minister What man to man may do, for our sake, more, Since I have known frights, fury, friends’ behests, Love’s provocations, zeal, a mistress’ task, Desire of liberty, a fever, madness, Hath set a mark which nature could not reach to Without some imposition, sickness in will O’er-wrestling strength in reason. For our love And great Apollo’s mercy, all our best Their best skill tender. Lead into the city, Where, having bound things scattered, we will post To Athens ’fore our army.

[_Flourish. Exeunt._]

ACT I, SCENE V. Another part of the same, more remote from Thebes

Music. Enter the Queens with the hearses of their knights, in a funeral solemnity, &c.

_Urns and odours bring away; Vapours, sighs, darken the day; Our dole more deadly looks than dying; Balms and gums and heavy cheers, Sacred vials filled with tears, And clamours through the wild air flying._

_Come, all sad and solemn shows That are quick-eyed Pleasure’s foes; We convent naught else but woes. We convent naught else but woes._

THIRD QUEEN.

This funeral path brings to your household’s grave. Joy seize on you again; peace sleep with him.

SECOND QUEEN.

And this to yours.

FIRST QUEEN.

Yours this way. Heavens lend A thousand differing ways to one sure end.

THIRD QUEEN.

This world’s a city full of straying streets, And death’s the market-place where each one meets.

[_Exeunt severally._]

ACT II

SCENE I. Athens. A garden, with a castle in the background

Enter Jailer and Wooer.

I may depart with little while I live; something I may cast to you, not much. Alas, the prison I keep, though it be for great ones, yet they seldom come; before one salmon, you shall take a number of minnows. I am given out to be better lined than it can appear to me report is a true speaker. I would I were really that I am delivered to be. Marry, what I have, be it what it will, I will assure upon my daughter at the day of my death.

Sir, I demand no more than your own offer, and I will estate your daughter in what I have promised.

Well, we will talk more of this when the solemnity is past. But have you a full promise of her? When that shall be seen, I tender my consent.

Enter the Jailer’s Daughter, carrying rushes.

I have sir. Here she comes.

Your friend and I have chanced to name you here, upon the old business. But no more of that now; so soon as the court hurry is over, we will have an end of it. I’ th’ meantime, look tenderly to the two prisoners. I can tell you they are princes.

These strewings are for their chamber. ’Tis pity they are in prison, and ’twere pity they should be out. I do think they have patience to make any adversity ashamed. The prison itself is proud of ’em, and they have all the world in their chamber.

They are famed to be a pair of absolute men.

By my troth, I think fame but stammers ’em; they stand a grise above the reach of report.

I heard them reported in the battle to be the only doers.

Nay, most likely, for they are noble sufferers. I marvel how they would have looked had they been victors, that with such a constant nobility enforce a freedom out of bondage, making misery their mirth and affliction a toy to jest at.

Do they so?

It seems to me they have no more sense of their captivity than I of ruling Athens. They eat well, look merrily, discourse of many things, but nothing of their own restraint and disasters. Yet sometime a divided sigh, martyred as ’twere i’ th’ deliverance, will break from one of them—when the other presently gives it so sweet a rebuke that I could wish myself a sigh to be so chid, or at least a sigher to be comforted.

I never saw ’em.

The Duke himself came privately in the night, and so did they.

Enter Palamon and Arcite, above.

What the reason of it is, I know not. Look, yonder they are; that’s Arcite looks out.

No, sir, no, that’s Palamon. Arcite is the lower of the twain; you may perceive a part of him.

Go to, leave your pointing; they would not make us their object. Out of their sight.

It is a holiday to look on them. Lord, the difference of men!

ACT II, SCENE II. The prison

Enter Palamon and Arcite in prison.

How do you, noble cousin?

How do you, sir?

Why, strong enough to laugh at misery And bear the chance of war; yet we are prisoners I fear for ever, cousin.

I believe it, And to that destiny have patiently Laid up my hour to come.

O, cousin Arcite, Where is Thebes now? Where is our noble country? Where are our friends and kindreds? Never more Must we behold those comforts, never see The hardy youths strive for the games of honour, Hung with the painted favours of their ladies, Like tall ships under sail; then start amongst ’em, And as an east wind leave ’em all behind us, Like lazy clouds, whilst Palamon and Arcite, Even in the wagging of a wanton leg, Outstripped the people’s praises, won the garlands, Ere they have time to wish ’em ours. O, never Shall we two exercise, like twins of honour, Our arms again, and feel our fiery horses Like proud seas under us! Our good swords now— Better the red-eyed god of war ne’er wore— Ravished our sides, like age must run to rust And deck the temples of those gods that hate us; These hands shall never draw ’em out like lightning To blast whole armies more.

No, Palamon, Those hopes are prisoners with us. Here we are, And here the graces of our youths must wither Like a too-timely spring; here age must find us And, which is heaviest, Palamon, unmarried. The sweet embraces of a loving wife, Loaden with kisses, armed with thousand Cupids, Shall never clasp our necks; no issue know us, No figures of ourselves shall we e’er see, To glad our age, and like young eagles teach ’em Boldly to gaze against bright arms and say “Remember what your fathers were, and conquer!” The fair-eyed maids shall weep our banishments And in their songs curse ever-blinded Fortune Till she for shame see what a wrong she has done To youth and nature. This is all our world. We shall know nothing here but one another, Hear nothing but the clock that tells our woes. The vine shall grow, but we shall never see it; Summer shall come, and with her all delights, But dead-cold winter must inhabit here still.

’Tis too true, Arcite. To our Theban hounds That shook the aged forest with their echoes No more now must we hallow, no more shake Our pointed javelins whilst the angry swine Flies like a Parthian quiver from our rages, Struck with our well-steeled darts. All valiant uses, The food and nourishment of noble minds, In us two here shall perish; we shall die, Which is the curse of honour, lastly, Children of grief and ignorance.

Yet, cousin, Even from the bottom of these miseries, From all that fortune can inflict upon us, I see two comforts rising, two mere blessings, If the gods please: to hold here a brave patience, And the enjoying of our griefs together. Whilst Palamon is with me, let me perish If I think this our prison!

Certainly ’Tis a main goodness, cousin, that our fortunes Were twined together; ’tis most true, two souls Put in two noble bodies, let ’em suffer The gall of hazard, so they grow together, Will never sink; they must not, say they could. A willing man dies sleeping and all’s done.

Shall we make worthy uses of this place That all men hate so much?

How, gentle cousin?

Let’s think this prison holy sanctuary, To keep us from corruption of worse men. We are young and yet desire the ways of honour; That liberty and common conversation, The poison of pure spirits, might like women, Woo us to wander from. What worthy blessing Can be but our imaginations May make it ours? And here being thus together, We are an endless mine to one another; We are one another’s wife, ever begetting New births of love; we are father, friends, acquaintance; We are, in one another, families; I am your heir, and you are mine. This place Is our inheritance; no hard oppressor Dare take this from us; here with a little patience We shall live long and loving. No surfeits seek us; The hand of war hurts none here, nor the seas Swallow their youth. Were we at liberty, A wife might part us lawfully, or business; Quarrels consume us; envy of ill men Crave our acquaintance. I might sicken, cousin, Where you should never know it, and so perish Without your noble hand to close mine eyes, Or prayers to the gods. A thousand chances, Were we from hence, would sever us.

You have made me— I thank you, cousin Arcite—almost wanton With my captivity. What a misery It is to live abroad and everywhere! ’Tis like a beast, methinks. I find the court here, I am sure, a more content; and all those pleasures That woo the wills of men to vanity I see through now, and am sufficient To tell the world ’tis but a gaudy shadow That old Time as he passes by takes with him. What had we been, old in the court of Creon, Where sin is justice, lust and ignorance The virtues of the great ones? Cousin Arcite, Had not the loving gods found this place for us, We had died as they do, ill old men, unwept, And had their epitaphs, the people’s curses. Shall I say more?

I would hear you still.

Ye shall. Is there record of any two that loved Better than we do, Arcite?

Sure, there cannot.

I do not think it possible our friendship Should ever leave us.

Till our deaths it cannot;

Enter Emilia and her Woman, below.

And after death our spirits shall be led To those that love eternally. Speak on, sir.

This garden has a world of pleasures in’t. What flower is this?

’Tis called narcissus, madam.

That was a fair boy, certain, but a fool, To love himself. Were there not maids enough?

Pray, forward.

Or were they all hard-hearted?

They could not be to one so fair.

Thou wouldst not.

I think I should not, madam.

That’s a good wench. But take heed to your kindness, though.

Why, madam?

Men are mad things.

Will ye go forward, cousin?

Canst not thou work such flowers in silk, wench?

I’ll have a gown full of ’em, and of these. This is a pretty colour; will ’t not do Rarely upon a skirt, wench?

Dainty, madam.

Cousin, cousin! How do you, sir? Why, Palamon!

Never till now I was in prison, Arcite.

Why, what’s the matter, man?

Behold, and wonder! By heaven, she is a goddess.

Do reverence. She is a goddess, Arcite.

Of all flowers, Methinks a rose is best.

Why, gentle madam?

It is the very emblem of a maid. For when the west wind courts her gently, How modestly she blows and paints the sun With her chaste blushes! When the north comes near her, Rude and impatient, then, like chastity, She locks her beauties in her bud again, And leaves him to base briers.

Yet, good madam, Sometimes her modesty will blow so far She falls for ’t. A maid, If she have any honour, would be loath To take example by her.

Thou art wanton.

She is wondrous fair.

She is all the beauty extant.

The sun grows high; let’s walk in. Keep these flowers. We’ll see how near art can come near their colours. I am wondrous merry-hearted. I could laugh now.

I could lie down, I am sure.

And take one with you?

That’s as we bargain, madam.

Well, agree then.

[_Exeunt Emilia and Woman._]

What think you of this beauty?

’Tis a rare one.

Is’t but a rare one?

Yes, a matchless beauty.

Might not a man well lose himself, and love her?

I cannot tell what you have done; I have, Beshrew mine eyes for’t! Now I feel my shackles.

You love her, then?

Who would not?

And desire her?

Before my liberty.

I saw her first.

That’s nothing.

But it shall be.

I saw her too.

Yes, but you must not love her.

I will not, as you do, to worship her As she is heavenly and a blessed goddess. I love her as a woman, to enjoy her. So both may love.

You shall not love at all.

Not love at all! Who shall deny me?

I, that first saw her; I that took possession First with mine eye of all those beauties in her Revealed to mankind. If thou lovest her, Or entertain’st a hope to blast my wishes, Thou art a traitor, Arcite, and a fellow False as thy title to her. Friendship, blood, And all the ties between us, I disclaim If thou once think upon her.

Yes, I love her; And, if the lives of all my name lay on it, I must do so; I love her with my soul. If that will lose ye, farewell, Palamon. I say again, I love, and in loving her maintain I am as worthy and as free a lover And have as just a title to her beauty, As any Palamon, or any living That is a man’s son.

Have I called thee friend?

Yes, and have found me so. Why are you moved thus? Let me deal coldly with you: am not I Part of your blood, part of your soul? You have told me That I was Palamon and you were Arcite.

Am not I liable to those affections, Those joys, griefs, angers, fears, my friend shall suffer?

Ye may be.

Why then would you deal so cunningly, So strangely, so unlike a noble kinsman, To love alone? Speak truly; do you think me Unworthy of her sight?

No; but unjust, If thou pursue that sight.

Because another First sees the enemy, shall I stand still And let mine honour down, and never charge?

Yes, if he be but one.

But say that one Had rather combat me?

Let that one say so, And use thy freedom. Else, if thou pursuest her, Be as that cursed man that hates his country, A branded villain.

You are mad.

I must be, Till thou art worthy, Arcite; it concerns me; And in this madness, if I hazard thee And take thy life, I deal but truely.

Fie, sir! You play the child extremely. I will love her; I must, I ought to do so, and I dare, And all this justly.

O, that now, that now, Thy false self and thy friend had but this fortune, To be one hour at liberty, and grasp Our good swords in our hands! I would quickly teach thee What ’twere to filch affection from another! Thou art baser in it than a cutpurse. Put but thy head out of this window more And, as I have a soul, I’ll nail thy life to ’t.

Thou dar’st not, fool, thou canst not, thou art feeble. Put my head out? I’ll throw my body out And leap the garden, when I see her next And pitch between her arms, to anger thee.

Enter Jailer.

No more; the keeper’s coming. I shall live To knock thy brains out with my shackles.

By your leave, gentlemen.

Now, honest keeper?

Lord Arcite, you must presently to th’ Duke; The cause I know not yet.

I am ready, keeper.

Prince Palamon, I must awhile bereave you Of your fair cousin’s company.

[_Exeunt Arcite and Jailer._]

And me too, Even when you please, of life.—Why is he sent for? It may be he shall marry her; he’s goodly, And like enough the Duke hath taken notice Both of his blood and body. But his falsehood! Why should a friend be treacherous? If that Get him a wife so noble and so fair, Let honest men ne’er love again. Once more I would but see this fair one. Blessed garden And fruit and flowers more blessed that still blossom As her bright eyes shine on ye! Would I were, For all the fortune of my life hereafter, Yon little tree, yon blooming apricock! How I would spread and fling my wanton arms In at her window! I would bring her fruit Fit for the gods to feed on; youth and pleasure Still as she tasted should be doubled on her; And, if she be not heavenly, I would make her So near the gods in nature, they should fear her.

Enter Jailer.

And then I am sure she would love me. How now, keeper? Where’s Arcite?

Banished. Prince Pirithous Obtained his liberty, but never more Upon his oath and life must he set foot Upon this kingdom.

He’s a blessed man. He shall see Thebes again, and call to arms The bold young men that, when he bids ’em charge, Fall on like fire. Arcite shall have a fortune, If he dare make himself a worthy lover, Yet in the field to strike a battle for her; And, if he lose her then, he’s a cold coward. How bravely may he bear himself to win her If he be noble Arcite, thousand ways! Were I at liberty, I would do things Of such a virtuous greatness that this lady, This blushing virgin, should take manhood to her And seek to ravish me.

My lord for you I have this charge to—

To discharge my life?

No, but from this place to remove your lordship; The windows are too open.

Devils take ’em, That are so envious to me! Prithee, kill me.

And hang for’t afterward!

By this good light, Had I a sword I would kill thee.

Why, my Lord?

Thou bringst such pelting, scurvy news continually, Thou art not worthy life. I will not go.

Indeed, you must, my lord.

May I see the garden?

Then I am resolved, I will not go.

I must constrain you then; and, for you are dangerous, I’ll clap more irons on you.

Do, good keeper. I’ll shake ’em so, ye shall not sleep; I’ll make you a new morris. Must I go?

There is no remedy.

Farewell, kind window. May rude wind never hurt thee!—O, my lady, If ever thou hast felt what sorrow was, Dream how I suffer.—Come, now bury me.

[_Exeunt Palamon and Jailer._]

ACT II, SCENE III. The country near Athens

Enter Arcite.

Banished the kingdom? ’Tis a benefit, A mercy I must thank ’em for; but banished The free enjoying of that face I die for, O, ’twas a studied punishment, a death Beyond imagination, such a vengeance That, were I old and wicked, all my sins Could never pluck upon me. Palamon, Thou hast the start now; thou shalt stay and see Her bright eyes break each morning ’gainst thy window And let in life into thee; thou shalt feed Upon the sweetness of a noble beauty That nature ne’er exceeded nor ne’er shall. Good gods, what happiness has Palamon! Twenty to one, he’ll come to speak to her; And if she be as gentle as she’s fair, I know she’s his; he has a tongue will tame Tempests and make the wild rocks wanton. Come what can come, The worst is death; I will not leave the kingdom. I know mine own is but a heap of ruins, And no redress there. If I go, he has her. I am resolved another shape shall make me Or end my fortunes. Either way I am happy. I’ll see her and be near her, or no more.

Enter four Countrymen, and one with a garland before them.

FIRST COUNTRYMAN.

My masters, I’ll be there, that’s certain.

SECOND COUNTRYMAN.

And I’ll be there.

THIRD COUNTRYMAN.

And I.

FOURTH COUNTRYMAN.

Why, then, have with you, boys. ’Tis but a chiding. Let the plough play today; I’ll tickle ’t out Of the jades’ tails tomorrow.

FIRST COUNTRYMAN.

I am sure To have my wife as jealous as a turkey, But that’s all one. I’ll go through; let her mumble.

SECOND COUNTRYMAN.

Clap her aboard tomorrow night, and stow her, And all’s made up again.

THIRD COUNTRYMAN.

Ay, do but put A fescue in her fist and you shall see her Take a new lesson out and be a good wench. Do we all hold against the Maying?

FOURTH COUNTRYMAN.

Hold? What should ail us?

THIRD COUNTRYMAN.

Arcas will be there.

SECOND COUNTRYMAN.

And Sennois. And Rycas; and three better lads ne’er danced Under green tree. And ye know what wenches, ha? But will the dainty domine, the schoolmaster, Keep touch, do you think? For he does all, ye know.

THIRD COUNTRYMAN.

He’ll eat a hornbook ere he fail. Go to; The matter’s too far driven between him And the tanner’s daughter to let slip now; And she must see the Duke, and she must dance too.

FOURTH COUNTRYMAN.

Shall we be lusty?

SECOND COUNTRYMAN.

All the boys in Athens Blow wind i’ th’ breech on ’s. And here I’ll be, And there I’ll be, for our town, and here again, And there again. Ha, boys, hey for the weavers!

FIRST COUNTRYMAN.

This must be done i’ th’ woods.

FOURTH COUNTRYMAN.

O, pardon me.

SECOND COUNTRYMAN.

By any means; our thing of learning says so— Where he himself will edify the Duke Most parlously in our behalfs. He’s excellent i’ th’ woods; Bring him to th’ plains, his learning makes no cry.

THIRD COUNTRYMAN.

We’ll see the sports, then every man to ’s tackle; And, sweet companions, let’s rehearse, by any means, Before the ladies see us, and do sweetly, And God knows what may come on ’t.

FOURTH COUNTRYMAN.

Content; the sports once ended, we’ll perform. Away, boys, and hold.

By your leaves, honest friends: pray you, whither go you?

FOURTH COUNTRYMAN.

Whither? Why, what a question’s that?

Yes, ’tis a question To me that know not.

THIRD COUNTRYMAN.

To the games, my friend.

SECOND COUNTRYMAN.

Where were you bred, you know it not?

Not far, sir; Are there such games today?

FIRST COUNTRYMAN.

Yes, marry, are there, And such as you never saw; the Duke himself Will be in person there.

What pastimes are they?

SECOND COUNTRYMAN.

Wrestling, and running.—’Tis a pretty fellow.

THIRD COUNTRYMAN.

Thou wilt not go along?

Not yet, sir.

FOURTH COUNTRYMAN.

Well, sir, Take your own time. Come, boys.

FIRST COUNTRYMAN.

My mind misgives me, This fellow has a vengeance trick o’ th’ hip; Mark how his body’s made for ’t.

SECOND COUNTRYMAN.

I’ll be hanged, though, If he dare venture. Hang him, plum porridge! He wrestle? He roast eggs! Come, let’s be gone, lads.

[_Exeunt Countrymen._]

This is an offered opportunity I durst not wish for. Well I could have wrestled— The best men called it excellent—and run Swifter than wind upon a field of corn, Curling the wealthy ears, never flew. I’ll venture, And in some poor disguise be there. Who knows Whether my brows may not be girt with garlands, And happiness prefer me to a place Where I may ever dwell in sight of her?

[_Exit Arcite._]

ACT II, SCENE IV. Athens. A room in the prison

Enter Jailer’s Daughter alone.

Why should I love this gentleman? ’Tis odds He never will affect me. I am base, My father the mean keeper of his prison, And he a prince. To marry him is hopeless; To be his whore is witless. Out upon ’t! What pushes are we wenches driven to When fifteen once has found us! First, I saw him; I, seeing, thought he was a goodly man; He has as much to please a woman in him, If he please to bestow it so, as ever These eyes yet looked on. Next, I pitied him, And so would any young wench, o’ my conscience, That ever dreamed, or vowed her maidenhead To a young handsome man. Then I loved him, Extremely loved him, infinitely loved him! And yet he had a cousin, fair as he too, But in my heart was Palamon, and there, Lord, what a coil he keeps! To hear him Sing in an evening, what a heaven it is! And yet his songs are sad ones. Fairer spoken Was never gentleman. When I come in To bring him water in a morning, first He bows his noble body, then salutes me thus: “Fair, gentle maid, good morrow. May thy goodness Get thee a happy husband.” Once he kissed me; I loved my lips the better ten days after. Would he would do so ev’ry day! He grieves much— And me as much to see his misery. What should I do to make him know I love him? For I would fain enjoy him. Say I ventured To set him free? What says the law then? Thus much for law or kindred! I will do it; And this night, or tomorrow, he shall love me.

ACT II, SCENE V. An open place in Athens

A short flourish of cornets and shouts within. Enter Theseus, Hippolyta, Pirithous, Emilia; Arcite in disguise as a countryman, with a garland, Attendants, and others.

You have done worthily. I have not seen, Since Hercules, a man of tougher sinews. Whate’er you are, you run the best and wrestle, That these times can allow.

I am proud to please you.

What country bred you?

This; but far off, Prince.

Are you a gentleman?

My father said so; And to those gentle uses gave me life.

Are you his heir?

His youngest, sir.

Your father Sure is a happy sire then. What profess you?

A little of all noble qualities. I could have kept a hawk and well have hallowed To a deep cry of dogs. I dare not praise My feat in horsemanship, yet they that knew me Would say it was my best piece; last, and greatest, I would be thought a soldier.

You are perfect.

Upon my soul, a proper man.

He is so.

How do you like him, lady?

I admire him. I have not seen so young a man so noble, If he say true, of his sort.

Believe, His mother was a wondrous handsome woman; His face, methinks, goes that way.

But his body And fiery mind illustrate a brave father.

Mark how his virtue, like a hidden sun, Breaks through his baser garments.

He’s well got, sure.

What made you seek this place, sir?

Noble Theseus, To purchase name and do my ablest service To such a well-found wonder as thy worth; For only in thy court, of all the world, Dwells fair-eyed Honour.

All his words are worthy.

Sir, we are much indebted to your travel, Nor shall you lose your wish.—Pirithous, Dispose of this fair gentleman.

Thanks, Theseus. Whate’er you are, you’re mine, and I shall give you To a most noble service: to this lady, This bright young virgin; pray, observe her goodness. You have honoured her fair birthday with your virtues, And, as your due, you’re hers; kiss her fair hand, sir.

Sir, you’re a noble giver.—Dearest beauty, Thus let me seal my vowed faith.

[_He kisses her hand._]

When your servant, Your most unworthy creature, but offends you, Command him die, he shall.

That were too cruel. If you deserve well, sir, I shall soon see ’t. You’re mine, and somewhat better than your rank I’ll use you.

I’ll see you furnished, and because you say You are a horseman, I must needs entreat you This afternoon to ride, but ’tis a rough one.

I like him better, Prince; I shall not then Freeze in my saddle.

Sweet, you must be ready,— And you, Emilia,—and you, friend,—and all, Tomorrow by the sun, to do observance To flowery May, in Dian’s wood.—Wait well, sir, Upon your mistress.—Emily, I hope He shall not go afoot.

That were a shame, sir, While I have horses.—Take your choice, and what You want at any time, let me but know it. If you serve faithfully, I dare assure you You’ll find a loving mistress.

If I do not, Let me find that my father ever hated, Disgrace and blows.

Go lead the way; you have won it. It shall be so; you shall receive all dues Fit for the honour you have won; ’twere wrong else. Sister, beshrew my heart, you have a servant, That, if I were a woman, would be master. But you are wise.

I hope too wise for that, sir.

[_Flourish. Exeunt._]

ACT II, SCENE VI. Athens. Before the prison

Enter Jailer’s Daughter alone.

Let all the dukes and all the devils roar, He is at liberty! I have ventured for him And out I have brought him; to a little wood A mile hence I have sent him, where a cedar Higher than all the rest spreads like a plane Fast by a brook, and there he shall keep close Till I provide him files and food, for yet His iron bracelets are not off. O Love, What a stout-hearted child thou art! My father Durst better have endured cold iron than done it. I love him beyond love and beyond reason, Or wit, or safety. I have made him know it; I care not, I am desperate. If the law Find me and then condemn me for ’t, some wenches, Some honest-hearted maids, will sing my dirge And tell to memory my death was noble, Dying almost a martyr. That way he takes, I purpose is my way too. Sure he cannot Be so unmanly as to leave me here. If he do, maids will not so easily Trust men again. And yet he has not thanked me For what I have done; no, not so much as kissed me, And that, methinks, is not so well; nor scarcely Could I persuade him to become a free man, He made such scruples of the wrong he did To me and to my father. Yet I hope, When he considers more, this love of mine Will take more root within him. Let him do What he will with me, so he use me kindly; For use me so he shall, or I’ll proclaim him, And to his face, no man. I’ll presently Provide him necessaries and pack my clothes up, And where there is a path of ground I’ll venture, So he be with me. By him, like a shadow I’ll ever dwell. Within this hour the hubbub Will be all o’er the prison. I am then Kissing the man they look for. Farewell, father! Get many more such prisoners and such daughters, And shortly you may keep yourself. Now to him.

ACT III

SCENE I. A forest near Athens

Cornets in sundry places. Noise and hallowing as people a-Maying. Enter Arcite alone.

The Duke has lost Hippolyta; each took A several land. This is a solemn rite They owe bloomed May, and the Athenians pay it To th’ heart of ceremony. O Queen Emilia, Fresher than May, sweeter Than her gold buttons on the boughs, or all Th’ enameled knacks o’ th’ mead or garden—yea, We challenge too the bank of any nymph That makes the stream seem flowers; thou, O jewel O’ th’ wood, o’ th’ world, hast likewise blessed a pace With thy sole presence. In thy rumination That I, poor man, might eftsoons come between And chop on some cold thought! Thrice blessed chance To drop on such a mistress, expectation Most guiltless on ’t. Tell me, O Lady Fortune, Next after Emily my sovereign, how far I may be proud. She takes strong note of me, Hath made me near her, and this beauteous morn, The prim’st of all the year, presents me with A brace of horses; two such steeds might well Be by a pair of kings backed, in a field That their crowns’ titles tried. Alas, alas, Poor cousin Palamon, poor prisoner, thou So little dream’st upon my fortune that Thou think’st thyself the happier thing, to be So near Emilia; me thou deem’st at Thebes, And therein wretched, although free. But if Thou knew’st my mistress breathed on me, and that I eared her language, lived in her eye, O coz, What passion would enclose thee!

Enter Palamon as out of a bush, with his shackles; he bends his fist at Arcite.

Traitor kinsman, Thou shouldst perceive my passion, if these signs Of prisonment were off me, and this hand But owner of a sword. By all oaths in one, I and the justice of my love would make thee A confessed traitor! O thou most perfidious That ever gently looked, the void’st of honour That e’er bore gentle token, falsest cousin That ever blood made kin! Call’st thou her thine? I’ll prove it in my shackles, with these hands, Void of appointment, that thou liest, and art A very thief in love, a chaffy lord, Nor worth the name of villain. Had I a sword, And these house-clogs away—

Dear cousin Palamon—

Cozener Arcite, give me language such As thou hast showed me feat.

Not finding in The circuit of my breast any gross stuff To form me like your blazon holds me to This gentleness of answer. ’Tis your passion That thus mistakes, the which, to you being enemy, Cannot to me be kind. Honour and honesty I cherish and depend on, howsoe’er You skip them in me, and with them, fair coz, I’ll maintain my proceedings. Pray be pleased To show in generous terms your griefs, since that Your question’s with your equal, who professes To clear his own way with the mind and sword Of a true gentleman.

That thou durst, Arcite!

My coz, my coz, you have been well advertised How much I dare; you’ve seen me use my sword Against th’ advice of fear. Sure, of another You would not hear me doubted, but your silence Should break out, though i’ th’ sanctuary.

Sir, I have seen you move in such a place, which well Might justify your manhood; you were called A good knight and a bold. But the whole week’s not fair If any day it rain. Their valiant temper Men lose when they incline to treachery; And then they fight like compelled bears, would fly Were they not tied.

Kinsman, you might as well Speak this and act it in your glass as to His ear which now disdains you.

Come up to me; Quit me of these cold gyves, give me a sword Though it be rusty, and the charity Of one meal lend me. Come before me then, A good sword in thy hand, and do but say That Emily is thine, I will forgive The trespass thou hast done me, yea, my life, If then thou carry ’t; and brave souls in shades That have died manly, which will seek of me Some news from earth, they shall get none but this: That thou art brave and noble.

Be content. Again betake you to your hawthorn house. With counsel of the night, I will be here With wholesome viands. These impediments Will I file off; you shall have garments and Perfumes to kill the smell o’ th’ prison. After, When you shall stretch yourself and say but “Arcite, I am in plight,” there shall be at your choice Both sword and armour.

Oh you heavens, dares any So noble bear a guilty business? None But only Arcite, therefore none but Arcite In this kind is so bold.

Sweet Palamon.

I do embrace you and your offer; for Your offer do ’t I only, sir; your person, Without hypocrisy I may not wish More than my sword’s edge on ’t.

[_Wind horns of cornets._]

You hear the horns. Enter your musit, lest this match between ’s Be crossed ere met. Give me your hand; farewell. I’ll bring you every needful thing. I pray you, Take comfort and be strong.

Pray hold your promise, And do the deed with a bent brow. Most certain You love me not; be rough with me, and pour This oil out of your language. By this air, I could for each word give a cuff, my stomach Not reconciled by reason.

Plainly spoken. Yet pardon me hard language. When I spur My horse, I chide him not; content and anger In me have but one face.

[_Wind horns._]

Hark, sir, they call The scattered to the banquet. You must guess I have an office there.

Sir, your attendance Cannot please heaven, and I know your office Unjustly is achieved.

’Tis a good title. I am persuaded, this question, sick between ’s, By bleeding must be cured. I am a suitor That to your sword you will bequeath this plea, And talk of it no more.

But this one word: You are going now to gaze upon my mistress, For, note you, mine she is—

Nay, then—

Nay, pray you, You talk of feeding me to breed me strength. You are going now to look upon a sun That strengthens what it looks on; there You have a vantage o’er me. But enjoy ’t till I may enforce my remedy. Farewell.

ACT III, SCENE II. Another Part of the forest

Enter Jailer’s Daughter alone.

He has mistook the brake I meant, is gone After his fancy. ’Tis now well-nigh morning. No matter; would it were perpetual night, And darkness lord o’ th’ world. Hark, ’tis a wolf! In me hath grief slain fear, and but for one thing, I care for nothing, and that’s Palamon. I reck not if the wolves would jaw me, so He had this file. What if I hallowed for him? I cannot hallow. If I whooped, what then? If he not answered, I should call a wolf, And do him but that service. I have heard Strange howls this livelong night; why may ’t not be They have made prey of him? He has no weapons; He cannot run; the jingling of his gyves Might call fell things to listen, who have in them A sense to know a man unarmed and can Smell where resistance is. I’ll set it down He’s torn to pieces; they howled many together, And then they fed on him. So much for that. Be bold to ring the bell. How stand I then? All’s chared when he is gone. No, no, I lie. My father’s to be hanged for his escape; Myself to beg, if I prized life so much As to deny my act; but that I would not, Should I try death by dozens. I am moped. Food took I none these two days; Sipped some water. I have not closed mine eyes Save when my lids scoured off their brine. Alas, Dissolve, my life! Let not my sense unsettle, Lest I should drown, or stab, or hang myself. O state of nature, fail together in me, Since thy best props are warped! So, which way now? The best way is the next way to a grave; Each errant step beside is torment. Lo, The moon is down, the crickets chirp, the screech owl Calls in the dawn. All offices are done Save what I fail in. But the point is this: An end, and that is all.

ACT III, SCENE III. The same part of the forest as in scene I.

Enter Arcite with meat, wine and files.

I should be near the place.—Ho! Cousin Palamon!

[_From the bush._] Arcite?

The same. I have brought you food and files. Come forth and fear not; here’s no Theseus.

Enter Palamon.

Nor none so honest, Arcite.

That’s no matter. We’ll argue that hereafter. Come, take courage; You shall not die thus beastly. Here, sir, drink— I know you are faint—then I’ll talk further with you.

Arcite, thou mightst now poison me.

I might; But I must fear you first. Sit down and, good now, No more of these vain parleys; let us not, Having our ancient reputation with us, Make talk for fools and cowards. To your health.

Pray sit down, then, and let me entreat you, By all the honesty and honour in you, No mention of this woman; ’twill disturb us. We shall have time enough.

Well, sir, I’ll pledge you.

Drink a good hearty draught; it breeds good blood, man. Do not you feel it thaw you?

Stay, I’ll tell you After a draught or two more.

Spare it not; the Duke has more, coz. Eat now.

I am glad you have so good a stomach.

I am gladder I have so good meat to ’t.

Is’t not mad lodging, Here in the wild woods, cousin?

Yes, for them That have wild consciences.

How tastes your victuals? Your hunger needs no sauce, I see.

Not much. But if it did, yours is too tart, sweet cousin. What is this?

’Tis a lusty meat. Give me more wine. Here, Arcite, to the wenches We have known in our days! The Lord Steward’s daughter, Do you remember her?

After you, coz.

She loved a black-haired man.

She did so; well, sir?

And I have heard some call him Arcite, and—

Out with’t, faith.

She met him in an arbour. What did she there, coz? Play o’ th’ virginals?

Something she did, sir.

Made her groan a month for ’t, Or two, or three, or ten.

The Marshal’s sister Had her share too, as I remember, cousin, Else there be tales abroad. You’ll pledge her?

A pretty brown wench ’tis. There was a time When young men went a-hunting, and a wood, And a broad beech; and thereby hangs a tale. Heigh ho!

For Emily, upon my life! Fool, Away with this strained mirth! I say again That sigh was breathed for Emily. Base cousin, Dar’st thou break first?

You are wide.

By heaven and earth, There’s nothing in thee honest.

Then I’ll leave you. You are a beast now.

As thou mak’st me, traitor.

There’s all things needful: files and shirts and perfumes. I’ll come again some two hours hence, and bring That that shall quiet all.

A sword and armour?

Fear me not. You are now too foul. Farewell. Get off your trinkets; you shall want naught.

I’ll hear no more.

If he keep touch, he dies for ’t.

ACT III, SCENE IV. Another part of the forest

Enter Jailer’s Daughter.

I am very cold, and all the stars are out too, The little stars and all, that look like aglets. The sun has seen my folly. Palamon! Alas, no; he’s in heaven. Where am I now? Yonder’s the sea, and there’s a ship; how ’t tumbles! And there’s a rock lies watching under water; Now, now, it beats upon it; now, now, now, There’s a leak sprung, a sound one! How they cry! Run her before the wind, you’ll lose all else. Up with a course or two, and tack about, boys! Good night, good night; you’re gone. I am very hungry. Would I could find a fine frog; he would tell me News from all parts o’ th’ world; then would I make A carrack of a cockle shell, and sail By east and north-east to the king of pygmies, For he tells fortunes rarely. Now my father, Twenty to one, is trussed up in a trice Tomorrow morning. I’ll say never a word.

_For I’ll cut my green coat a foot above my knee, And I’ll clip my yellow locks an inch below mine eye. Hey nonny, nonny, nonny. He’s buy me a white cut, forth for to ride, And I’ll go seek him through the world that is so wide. Hey nonny, nonny, nonny._ O, for a prick now, like a nightingale, To put my breast against. I shall sleep like a top else.

ACT III, SCENE V. Another part of the forest

Enter a Schoolmaster and five Countrymen, one dressed as a Bavian.

Fie, fie, What tediosity and disinsanity Is here among ye! Have my rudiments Been laboured so long with ye, milked unto ye, And, by a figure, even the very plum-broth And marrow of my understanding laid upon ye, And do you still cry “Where?” and “How?” and “Wherefore?” You most coarse-frieze capacities, ye jean judgements, Have I said “Thus let be” and “There let be” And “Then let be” and no man understand me? _Proh Deum, medius fidius_, ye are all dunces! For why? Here stand I; here the Duke comes; there are you, Close in the thicket; the Duke appears; I meet him And unto him I utter learned things And many figures; he hears, and nods, and hums, And then cries “Rare!” and I go forward. At length I fling my cap up—mark there! Then do you As once did Meleager and the boar, Break comely out before him; like true lovers, Cast yourselves in a body decently, And sweetly, by a figure, trace and turn, boys.

FIRST COUNTRYMAN.

And sweetly we will do it, Master Gerald.

SECOND COUNTRYMAN.

Draw up the company. Where’s the taborer?

THIRD COUNTRYMAN.

Why, Timothy!

Here, my mad boys, have at ye.

But I say, where’s their women?

Enter five Countrywomen.

FOURTH COUNTRYMAN.

Here’s Friz and Maudlin.

SECOND COUNTRYMAN.

And little Luce with the white legs, and bouncing Barbary.

FIRST COUNTRYMAN.

And freckled Nel, that never failed her master.

Where be your ribbons, maids? Swim with your bodies, And carry it sweetly and deliverly, And now and then a favour and a frisk.

Let us alone, sir.

Where’s the rest o’ th’ music?

THIRD COUNTRYMAN.

Dispersed, as you commanded.

Couple, then, And see what’s wanting. Where’s the Bavian? My friend, carry your tail without offence Or scandal to the ladies; and be sure You tumble with audacity and manhood; And when you bark, do it with judgement.

Yes, sir.

_Quo usque tandem?_ Here is a woman wanting.

FOURTH COUNTRYMAN.

We may go whistle; all the fat’s i’ th’ fire.

We have, as learned authors utter, washed a tile. we have been _fatuus_ and laboured vainly.

SECOND COUNTRYMAN.

This is that scornful piece, that scurvy hilding, That gave her promise faithfully, she would be here, Cicely, the sempster’s daughter. The next gloves that I give her shall be dogskin! Nay an she fail me once—You can tell, Arcas, She swore by wine and bread, she would not break.

An eel and woman, A learned poet says, unless by th’ tail And with thy teeth thou hold, will either fail. In manners this was false position.

FIRST COUNTRYMAN.

A fire ill take her; does she flinch now?

THIRD COUNTRYMAN.

What Shall we determine, sir?

Nothing. Our business is become a nullity, Yea, and a woeful and a piteous nullity.

FOURTH COUNTRYMAN.

Now, when the credit of our town lay on it, Now to be frampul, now to piss o’ th’ nettle! Go thy ways; I’ll remember thee. I’ll fit thee.

Enter Jailer’s Daughter.

[_Sings_.] _The George Alow came from the south, From the coast of Barbary-a. And there he met with brave gallants of war, By one, by two, by three-a._

_Well hailed, well hailed, you jolly gallants, And whither now are you bound-a? O let me have your company Till I come to the sound-a._

_There was three fools fell out about an howlet: The one said it was an owl, The other he said nay, The third he said it was a hawk, And her bells were cut away._

THIRD COUNTRYMAN.

There’s a dainty mad woman, Master, Comes i’ th’ nick, as mad as a March hare. If we can get her dance, we are made again; I warrant her, she’ll do the rarest gambols.

FIRST COUNTRYMAN.

A madwoman? We are made, boys.

And are you mad, good woman?

I would be sorry else. Give me your hand.

I can tell your fortune. You are a fool. Tell ten. I have posed him. Buzz! Friend, you must eat no white bread; if you do, Your teeth will bleed extremely. Shall we dance, ho? I know you, you’re a tinker; sirrah tinker, Stop no more holes but what you should.

_Dii boni!_ A tinker, damsel?

Or a conjurer. Raise me a devil now, and let him play _Qui passa_ o’ th’ bells and bones.

Go, take her, And fluently persuade her to a peace. _Et opus exegi, quod nec Jovis ira, nec ignis—_ Strike up, and lead her in.

SECOND COUNTRYMAN.

Come, lass, let’s trip it.

I’ll lead.

THIRD COUNTRYMAN.

Do, do!

Persuasively, and cunningly. Away, boys; I hear the horns. Give me some meditation, And mark your cue.

[_Exeunt all but Schoolmaster._]

Pallas inspire me.

Enter Theseus, Pirithous, Hippolyta, Emilia, and train.

This way the stag took.

Stay, and edify!

What have we here?

Some country sport, upon my life, sir.

Well, sir, go forward; we will “edify.” Ladies, sit down. We’ll stay it.

Thou doughty Duke, all hail! All hail, sweet ladies!

This is a cold beginning.

If you but favour, our country pastime made is. We are a few of those collected here That ruder tongues distinguish “villager.” And to say verity, and not to fable, We are a merry rout, or else a _rabble_, Or company, or by a figure, _chorus_, That ’fore thy dignity will dance a morris. And I that am the rectifier of all, By title _pædagogus_, that let fall The birch upon the breeches of the small ones, And humble with a ferula the tall ones, Do here present this machine, or this frame. And, dainty Duke, whose doughty dismal fame From Dis to Dædalus, from post to pillar, Is blown abroad, help me, thy poor well-willer, And with thy twinkling eyes look right and straight Upon this mighty _Morr_, of mickle weight. _Is_ now comes in, which being glued together Makes _Morris_, and the cause that we came hither. The body of our sport, of no small study. I first appear, though rude and raw and muddy, To speak before thy noble grace this tenner, At whose great feet I offer up my penner. The next, the Lord of May and Lady bright, The Chambermaid and Servingman, by night That seek out silent hanging; then mine Host And his fat Spouse, that welcomes to their cost The galled traveller, and with a beck’ning Informs the tapster to inflame the reck’ning. Then the beest-eating Clown and next the Fool, The Bavian with long tail and eke long tool, _Cum multis aliis_ that make a dance. Say “Ay,” and all shall presently advance.

Ay, ay, by any means, dear _Domine_.

_Intrate, filii!_ Come forth and foot it.

Music. Enter the Countrymen, Countrywomen and Jailer’s Daughter; they perform a morris dance.

Ladies, if we have been merry And have pleased ye with a derry, And a derry, and a down, Say the schoolmaster’s no clown. Duke, if we have pleased thee too And have done as good boys should do, Give us but a tree or twain For a Maypole, and again, Ere another year run out, We’ll make thee laugh, and all this rout.

Take twenty, _Domine_.—How does my sweetheart?

Never so pleased, sir.

’Twas an excellent dance, And, for a preface, I never heard a better.

Schoolmaster, I thank you.—One see’em all rewarded.

And here’s something to paint your pole withal.

[_He gives money._]

Now to our sports again.

May the stag thou hunt’st stand long, And thy dogs be swift and strong; May they kill him without lets, And the ladies eat his dowsets.

[_Exeunt Theseus, Pirithous, Hippolyta, Emilia, Arcite and Train. Horns winded as they go out._]

Come, we are all made. _Dii deæque omnes_, You have danced rarely, wenches.

ACT III, SCENE VI. The same part of the forest as in scene III.

Enter Palamon from the bush.

About this hour my cousin gave his faith To visit me again, and with him bring Two swords and two good armours. If he fail, He’s neither man nor soldier. When he left me, I did not think a week could have restored My lost strength to me, I was grown so low And crestfall’n with my wants. I thank thee, Arcite, Thou art yet a fair foe, and I feel myself, With this refreshing, able once again To outdure danger. To delay it longer Would make the world think, when it comes to hearing, That I lay fatting like a swine to fight And not a soldier. Therefore, this blest morning Shall be the last; and that sword he refuses, If it but hold, I kill him with. ’Tis justice. So, love and fortune for me!

Enter Arcite with armours and swords.

O, good morrow.

Good morrow, noble kinsman.

I have put you To too much pains, sir.

That too much, fair cousin, Is but a debt to honour, and my duty.

Would you were so in all, sir; I could wish ye As kind a kinsman as you force me find A beneficial foe, that my embraces Might thank ye, not my blows.

I shall think either, Well done, a noble recompence.

Then I shall quit you.

Defy me in these fair terms, and you show More than a mistress to me. No more anger, As you love anything that’s honourable! We were not bred to talk, man; when we are armed And both upon our guards, then let our fury, Like meeting of two tides, fly strongly from us; And then to whom the birthright of this beauty Truly pertains—without upbraidings, scorns, Despisings of our persons, and such poutings, Fitter for girls and schoolboys—will be seen, And quickly, yours or mine. Will ’t please you arm, sir? Or, if you feel yourself not fitting yet And furnished with your old strength, I’ll stay, cousin, And every day discourse you into health, As I am spared. Your person I am friends with, And I could wish I had not said I loved her, Though I had died; but, loving such a lady, And justifying my love, I must not fly from ’t.

Arcite, thou art so brave an enemy, That no man but thy cousin’s fit to kill thee. I am well and lusty; choose your arms.

Choose you, sir.

Wilt thou exceed in all, or dost thou do it To make me spare thee?

If you think so, cousin, You are deceived, for as I am a soldier, I will not spare you.

That’s well said.

You’ll find it.

Then, as I am an honest man and love With all the justice of affection, I’ll pay thee soundly.

[_He chooses armour._]

This I’ll take.

That’s mine, then. I’ll arm you first.

[_Arcite begins arming him._]

Pray thee, tell me, cousin, Where got’st thou this good armour?

’Tis the Duke’s, And, to say true, I stole it. Do I pinch you?

Is’t not too heavy?

I have worn a lighter, But I shall make it serve.

I’ll buckle ’t close.

By any means.

You care not for a grand guard?

No, no; we’ll use no horses: I perceive You would fain be at that fight.

I am indifferent.

Faith, so am I. Good cousin, thrust the buckle Through far enough.

I warrant you.

My casque now.

Will you fight bare-armed?

We shall be the nimbler.

But use your gauntlets though. Those are o’ th’ least; Prithee take mine, good cousin.

Thank you, Arcite. How do I look? Am I fall’n much away?

Faith, very little; love has used you kindly.

I’ll warrant thee, I’ll strike home.

Do, and spare not. I’ll give you cause, sweet cousin.

Now to you, sir.

[_He begins to arm Arcite._]

Methinks this armour’s very like that, Arcite, Thou wor’st that day the three kings fell, but lighter.

That was a very good one; and that day, I well remember, you outdid me, cousin; I never saw such valour. When you charged Upon the left wing of the enemy, I spurred hard to come up, and under me I had a right good horse.

You had indeed; A bright bay, I remember.

Yes, but all Was vainly laboured in me; you outwent me, Nor could my wishes reach you. Yet a little I did by imitation.

More by virtue; You are modest, cousin.

When I saw you charge first, Me thought I heard a dreadful clap of thunder Break from the troop.

But still before that flew The lightning of your valour. Stay a little; Is not this piece too strait?

No, no, ’tis well.

I would have nothing hurt thee but my sword. A bruise would be dishonour.

Now I am perfect.

Stand off, then.

Take my sword; I hold it better.

I thank ye, no; keep it; your life lies on it. Here’s one; if it but hold, I ask no more For all my hopes. My cause and honour guard me!

And me my love!

[_They bow several ways, then advance and stand._]

Is there aught else to say?

This only, and no more. Thou art mine aunt’s son. And that blood we desire to shed is mutual, In me thine, and in thee mine. My sword Is in my hand, and if thou killest me, The gods and I forgive thee. If there be A place prepared for those that sleep in honour, I wish his weary soul that falls may win it. Fight bravely, cousin; give me thy noble hand.

Here, Palamon. This hand shall never more Come near thee with such friendship.

I commend thee.

If I fall, curse me, and say I was a coward, For none but such dare die in these just trials. Once more farewell, my cousin.

Farewell, Arcite.

[_They fight. Horns within. They stand_.]

Lo, cousin, lo, our folly has undone us.

This is the Duke, a-hunting, as I told you. If we be found, we are wretched. O, retire, For honour’s sake and safety, presently Into your bush again. Sir, we shall find Too many hours to die in. Gentle cousin, If you be seen, you perish instantly For breaking prison and I, if you reveal me, For my contempt. Then all the world will scorn us, And say we had a noble difference, But base disposers of it.

No, no, cousin, I will no more be hidden, nor put off This great adventure to a second trial; I know your cunning and I know your cause. He that faints now, shame take him! Put thyself Upon thy present guard—

You are not mad?

Or I will make th’advantage of this hour Mine own, and what to come shall threaten me I fear less than my fortune. Know, weak cousin, I love Emilia, and in that I’ll bury Thee, and all crosses else.

Then, come what can come, Thou shalt know, Palamon, I dare as well Die, as discourse, or sleep. Only this fears me, The law will have the honour of our ends. Have at thy life!

Look to thine own well, Arcite.

[_They fight. Horns within. They stand._]

Enter Theseus, Hippolyta, Emilia, Pirithous and train.

What ignorant and mad malicious traitors Are you, that ’gainst the tenor of my laws Are making battle, thus like knights appointed, Without my leave, and officers of arms? By Castor, both shall die.

Hold thy word, Theseus. We are certainly both traitors, both despisers Of thee and of thy goodness. I am Palamon, That cannot love thee, he that broke thy prison. Think well what that deserves. And this is Arcite. A bolder traitor never trod thy ground, A falser ne’er seemed friend. This is the man Was begged and banished; this is he contemns thee And what thou dar’st do; and in this disguise, Against thine own edict, follows thy sister, That fortunate bright star, the fair Emilia, Whose servant—if there be a right in seeing And first bequeathing of the soul to—justly I am; and, which is more, dares think her his. This treachery, like a most trusty lover, I called him now to answer. If thou be’st As thou art spoken, great and virtuous, The true decider of all injuries, Say “Fight again,” and thou shalt see me, Theseus, Do such a justice thou thyself wilt envy. Then take my life; I’ll woo thee to ’t.

O heaven, What more than man is this!

I have sworn.

We seek not Thy breath of mercy, Theseus. ’Tis to me A thing as soon to die as thee to say it, And no more moved. Where this man calls me traitor, Let me say thus much: if in love be treason, In service of so excellent a beauty, As I love most, and in that faith will perish, As I have brought my life here to confirm it, As I have served her truest, worthiest, As I dare kill this cousin that denies it, So let me be most traitor, and you please me. For scorning thy edict, Duke, ask that lady Why she is fair, and why her eyes command me Stay here to love her; and if she say “traitor,” I am a villain fit to lie unburied.

Thou shalt have pity of us both, O Theseus, If unto neither thou show mercy. Stop, As thou art just, thy noble ear against us; As thou art valiant, for thy cousin’s soul, Whose twelve strong labours crown his memory, Let’s die together at one instant, Duke; Only a little let him fall before me, That I may tell my soul he shall not have her.

I grant your wish, for, to say true, your cousin Has ten times more offended, for I gave him More mercy than you found, sir, your offences Being no more than his. None here speak for ’em, For, ere the sun set, both shall sleep for ever.

Alas the pity! Now or never, sister, Speak, not to be denied. That face of yours Will bear the curses else of after ages For these lost cousins.

In my face, dear sister, I find no anger to ’em, nor no ruin; The misadventure of their own eyes kill ’em. Yet that I will be woman and have pity, My knees shall grow to’ th’ ground but I’ll get mercy.

[_She kneels._]

Help me, dear sister; in a deed so virtuous The powers of all women will be with us. Most royal brother—

[_Kneels._] Sir, by our tie of marriage—

By your own spotless honour—

By that faith, That fair hand, and that honest heart you gave me—

By that you would have pity in another, By your own virtues infinite—

By valour, By all the chaste nights I have ever pleased you—

These are strange conjurings.

Nay, then, I’ll in too.

By all our friendship, sir, by all our dangers, By all you love most: wars and this sweet lady—

By that you would have trembled to deny A blushing maid—

By your own eyes, by strength, In which you swore I went beyond all women, Almost all men, and yet I yielded, Theseus—

To crown all this, by your most noble soul, Which cannot want due mercy, I beg first.

Next, hear my prayers.

Last, let me entreat, sir.

For mercy.

Mercy on these princes.

Ye make my faith reel. Say I felt Compassion to’em both, how would you place it?

[_Emilia, Hippolyta and Pirithous rise._]

Upon their lives. But with their banishments.

You are a right woman, sister: you have pity, But want the understanding where to use it. If you desire their lives, invent a way Safer than banishment. Can these two live, And have the agony of love about ’em, And not kill one another? Every day They’d fight about you, hourly bring your honour In public question with their swords. Be wise, then, And here forget ’em; it concerns your credit And my oath equally. I have said they die. Better they fall by th’ law than one another. Bow not my honour.

O, my noble brother, That oath was rashly made, and in your anger; Your reason will not hold it; if such vows Stand for express will, all the world must perish. Besides, I have another oath ’gainst yours, Of more authority, I am sure more love, Not made in passion neither, but good heed.

What is it, sister?

Urge it home, brave lady.

That you would ne’er deny me anything Fit for my modest suit and your free granting. I tie you to your word now; if ye fail in ’t, Think how you maim your honour— For now I am set a-begging, sir, I am deaf To all but your compassion—how their lives Might breed the ruin of my name. Opinion! Shall anything that loves me perish for me? That were a cruel wisdom. Do men prune The straight young boughs that blush with thousand blossoms Because they may be rotten? O, Duke Theseus, The goodly mothers that have groaned for these, And all the longing maids that ever loved, If your vow stand, shall curse me and my beauty, And in their funeral songs for these two cousins Despise my cruelty, and cry woe worth me, Till I am nothing but the scorn of women. For heaven’s sake, save their lives, and banish ’em.

On what conditions?

Swear ’em never more To make me their contention, or to know me, To tread upon thy dukedom, and to be, Wherever they shall travel, ever strangers To one another.

I’ll be cut a-pieces Before I take this oath! Forget I love her? O, all ye gods, despise me then! Thy banishment I not mislike, so we may fairly carry Our swords and cause along; else never trifle, But take our lives, Duke. I must love, and will And for that love must and dare kill this cousin On any piece the earth has.

Will you, Arcite, Take these conditions?

He’s a villain, then.

These are men!

No, never, Duke. ’Tis worse to me than begging To take my life so basely. Though I think I never shall enjoy her, yet I’ll preserve The honour of affection, and die for her, Make death a devil.

What may be done? For now I feel compassion.

Let it not fall again, sir.

Say, Emilia, If one of them were dead, as one must, are you Content to take th’ other to your husband? They cannot both enjoy you. They are princes As goodly as your own eyes, and as noble As ever fame yet spoke of. Look upon ’em, And, if you can love, end this difference; I give consent.—Are you content too, princes?

With all our souls.

He that she refuses Must die, then.

Any death thou canst invent, Duke.

If I fall from that mouth, I fall with favour, And lovers yet unborn shall bless my ashes.

If she refuse me, yet my grave will wed me, And soldiers sing my epitaph.

Make choice, then.

I cannot, sir, they are both too excellent; For me, a hair shall never fall of these men.

What will become of ’em?

Thus I ordain it And, by mine honour, once again, it stands, Or both shall die. You shall both to your country, And each within this month, accompanied With three fair knights, appear again in this place, In which I’ll plant a pyramid; and whether, Before us that are here, can force his cousin By fair and knightly strength to touch the pillar, He shall enjoy her; th’ other lose his head, And all his friends; nor shall he grudge to fall, Nor think he dies with interest in this lady. Will this content ye?

Yes. Here, cousin Arcite, I am friends again, till that hour.

[_He offers his hand._]

I embrace ye.

Are you content, sister?

Yes, I must, sir, Else both miscarry.

Come, shake hands again, then; And take heed, as you are gentlemen, this quarrel Sleep till the hour prefixed, and hold your course.

We dare not fail thee, Theseus.

[_They shake hands._]

Come, I’ll give ye Now usage like to princes, and to friends. When ye return, who wins, I’ll settle here; Who loses, yet I’ll weep upon his bier.

ACT IV

SCENE I. Athens. A room in the prison

Enter Jailer and his Friend.

Hear you no more? Was nothing said of me Concerning the escape of Palamon? Good sir, remember.

FIRST FRIEND.

Nothing that I heard, For I came home before the business Was fully ended. Yet I might perceive, Ere I departed, a great likelihood Of both their pardons; for Hippolyta And fair-eyed Emily, upon their knees, Begged with such handsome pity that the Duke Methought stood staggering whether he should follow His rash oath or the sweet compassion Of those two ladies. And, to second them, That truly noble prince, Pirithous, Half his own heart, set in too, that I hope All shall be well. Neither heard I one question Of your name or his ’scape.

Pray heaven it hold so.

Enter Second Friend.

SECOND FRIEND.

Be of good comfort, man; I bring you news, Good news.

They are welcome.

SECOND FRIEND.

Palamon has cleared you, And got your pardon, and discovered how And by whose means he escaped, which was your daughter’s, Whose pardon is procured too; and the prisoner, Not to be held ungrateful to her goodness, Has given a sum of money to her marriage, A large one, I’ll assure you.

You are a good man And ever bring good news.

FIRST FRIEND.

How was it ended?

SECOND FRIEND.

Why, as it should be; they that never begged But they prevailed had their suits fairly granted; The prisoners have their lives.

FIRST FRIEND.

I knew ’twould be so.

SECOND FRIEND.

But there be new conditions, which you’ll hear of At better time.

I hope they are good.

SECOND FRIEND.

They are honourable; How good they’ll prove, I know not.

FIRST FRIEND.

’Twill be known.

Enter Wooer.

Alas, sir, where’s your daughter?

Why do you ask?

O, sir, when did you see her?

SECOND FRIEND.

How he looks?

This morning.

Was she well? Was she in health, sir? When did she sleep?

FIRST FRIEND.

These are strange questions.

I do not think she was very well, for now You make me mind her, but this very day I asked her questions, and she answered me So far from what she was, so childishly, So sillily, as if she were a fool, An innocent, and I was very angry. But what of her, sir?

Nothing but my pity. But you must know it, and as good by me As by another that less loves her.

Well, sir?

FIRST FRIEND.

Not right?

SECOND FRIEND.

Not well?

No, sir, not well: ’Tis too true, she is mad.

FIRST FRIEND.

It cannot be.

Believe, you’ll find it so.

I half suspected What you have told me. The gods comfort her! Either this was her love to Palamon, Or fear of my miscarrying on his ’scape, Or both.

’Tis likely.

But why all this haste, sir?

I’ll tell you quickly. As I late was angling In the great lake that lies behind the palace, From the far shore, thick set with reeds and sedges, As patiently I was attending sport, I heard a voice, a shrill one; and, attentive, I gave my ear, when I might well perceive ’Twas one that sung, and by the smallness of it A boy or woman. I then left my angle To his own skill, came near, but yet perceived not Who made the sound, the rushes and the reeds Had so encompassed it. I laid me down And listened to the words she sung, for then, Through a small glade cut by the fishermen, I saw it was your daughter.

Pray, go on, sir.

She sung much, but no sense; only I heard her Repeat this often: “Palamon is gone, Is gone to th’ wood to gather mulberries; I’ll find him out tomorrow.”

FIRST FRIEND.

Pretty soul!

“His shackles will betray him; he’ll be taken, And what shall I do then? I’ll bring a bevy, A hundred black-eyed maids that love as I do, With chaplets on their heads of daffadillies, With cherry lips and cheeks of damask roses, And all we’ll dance an antic ’fore the Duke, And beg his pardon.” Then she talked of you, sir; That you must lose your head tomorrow morning, And she must gather flowers to bury you, And see the house made handsome. Then she sung Nothing but “Willow, willow, willow,” and between Ever was “Palamon, fair Palamon,” And “Palamon was a tall young man.” The place Was knee-deep where she sat; her careless tresses, A wreath of bulrush rounded; about her stuck Thousand fresh water-flowers of several colours, That methought she appeared like the fair nymph That feeds the lake with waters, or as Iris Newly dropped down from heaven. Rings she made Of rushes that grew by, and to ’em spoke The prettiest posies: “Thus our true love’s tied,” “This you may loose, not me,” and many a one; And then she wept, and sung again, and sighed, And with the same breath smiled and kissed her hand.

SECOND FRIEND.

Alas, what pity it is!

I made in to her. She saw me, and straight sought the flood. I saved her And set her safe to land, when presently She slipped away, and to the city made With such a cry and swiftness that, believe me, She left me far behind her. Three or four I saw from far off cross her—one of ’em I knew to be your brother—where she stayed And fell, scarce to be got away. I left them with her And hither came to tell you.

Enter Jailer’s Brother, Jailer’s Daughter and others.

Here they are.

_May you never more enjoy the light, &c._

Is not this a fine song?

O, a very fine one.

I can sing twenty more.

I think you can.

Yes, truly can I. I can sing “The Broom” and “Bonny Robin.” Are not you a tailor?

Where’s my wedding gown?

I’ll bring it tomorrow.

Do, very rarely, I must be abroad else To call the maids and pay the minstrels, For I must lose my maidenhead by cocklight. ’Twill never thrive else. [_Sings_.] _O fair, O sweet, &c._

[_To Jailer._] You must e’en take it patiently.

’Tis true.

Good ev’n, good men; pray, did you ever hear Of one young Palamon?

Yes, wench, we know him.

Is’t not a fine young gentleman?

’Tis, love.

By no means cross her; she is then distempered Far worse than now she shows.

FIRST FRIEND.

Yes, he’s a fine man.

O, is he so? You have a sister?

FIRST FRIEND.

But she shall never have him, tell her so, For a trick that I know; you’d best look to her, For if she see him once, she’s gone, she’s done, And undone in an hour. All the young maids Of our town are in love with him, but I laugh at ’em And let ’em all alone. Is ’t not a wise course?

FIRST FRIEND.

There is at least two hundred now with child by him— There must be four; yet I keep close for all this, Close as a cockle; and all these must be boys He has the trick on ’t; and at ten years old They must be all gelt for musicians And sing the wars of Theseus.

SECOND FRIEND.

This is strange.

As ever you heard, but say nothing.

FIRST FRIEND.

They come from all parts of the dukedom to him. I’ll warrant ye, he had not so few last night As twenty to dispatch. He’ll tickle ’t up In two hours, if his hand be in.

She’s lost Past all cure.

Heaven forbid, man!

Come hither, you are a wise man.

FIRST FRIEND.

[_Aside._] Does she know him?

SECOND FRIEND.

[_Aside._] No, would she did.

You are master of a ship?

Where’s your compass?

Set it to th’ north. And now direct your course to th’ wood, where Palamon Lies longing for me. For the tackling, Let me alone. Come, weigh, my hearts, cheerly.

Owgh, owgh, owgh! ’Tis up, the wind’s fair! Top the bowline; out with the mainsail; Where’s your whistle, master?

Let’s get her in.

Up to the top, boy.

Where’s the pilot?

FIRST FRIEND.

What kenn’st thou?

SECOND FRIEND.

A fair wood.

Bear for it, master. Tack about! [_Sings_.] _When Cinthia with her borrowed light, &c._

ACT IV, SCENE II. A Room in the Palace

Enter Emilia alone, with two pictures.

Yet I may bind those wounds up, that must open And bleed to death for my sake else. I’ll choose, And end their strife. Two such young handsome men Shall never fall for me; their weeping mothers, Following the dead cold ashes of their sons, Shall never curse my cruelty.

[_Looks at one of the pictures._]

Good heaven, What a sweet face has Arcite! If wise Nature, With all her best endowments, all those beauties She sows into the births of noble bodies, Were here a mortal woman, and had in her The coy denials of young maids, yet doubtless She would run mad for this man. What an eye, Of what a fiery sparkle and quick sweetness, Has this young prince! Here Love himself sits smiling; Just such another wanton Ganymede Set Jove afire with, and enforced the god Snatch up the goodly boy and set him by him, A shining constellation. What a brow, Of what a spacious majesty, he carries, Arched like the great-eyed Juno’s, but far sweeter, Smoother than Pelops’ shoulder! Fame and Honour, Methinks, from hence, as from a promontory Pointed in heaven, should clap their wings and sing To all the under-world the loves and fights Of gods and such men near ’em.

[_Looks at the other picture._]

Palamon Is but his foil; to him a mere dull shadow; He’s swart and meagre, of an eye as heavy As if he had lost his mother; a still temper, No stirring in him, no alacrity; Of all this sprightly sharpness, not a smile. Yet these that we count errors may become him; Narcissus was a sad boy but a heavenly. O, who can find the bent of woman’s fancy? I am a fool; my reason is lost in me; I have no choice, and I have lied so lewdly That women ought to beat me. On my knees I ask thy pardon, Palamon, thou art alone And only beautiful, and these the eyes, These the bright lamps of beauty, that command And threaten love, and what young maid dare cross ’em? What a bold gravity, and yet inviting, Has this brown manly face! O Love, this only From this hour is complexion. Lie there, Arcite.

[_She puts aside his picture._]

Thou art a changeling to him, a mere gypsy, And this the noble body. I am sotted, Utterly lost. My virgin’s faith has fled me. For if my brother but even now had asked me Whether I loved, I had run mad for Arcite; Now, if my sister, more for Palamon. Stand both together. Now, come ask me, brother. Alas, I know not! Ask me now, sweet sister. I may go look! What a mere child is Fancy, That, having two fair gauds of equal sweetness, Cannot distinguish, but must cry for both.

Enter a Gentleman.

How now, sir?

From the noble Duke your brother, Madam, I bring you news. The knights are come.

To end the quarrel?

Would I might end first! What sins have I committed, chaste Diana, That my unspotted youth must now be soiled With blood of princes, and my chastity Be made the altar where the lives of lovers— Two greater and two better never yet Made mothers joy—must be the sacrifice To my unhappy beauty?

Enter Theseus, Hippolyta, Pirithous and Attendants.

Bring ’em in Quickly, by any means; I long to see ’em. Your two contending lovers are returned, And with them their fair knights. Now, my fair sister, You must love one of them.

I had rather both, So neither for my sake should fall untimely.

Who saw ’em?

I a while.

And I.

Enter Messenger.

From whence come you, sir?

From the knights.

Pray, speak, You that have seen them, what they are.

I will, sir, And truly what I think. Six braver spirits Than these they have brought, if we judge by the outside, I never saw nor read of. He that stands In the first place with Arcite, by his seeming Should be a stout man, by his face a prince, His very looks so say him; his complexion Nearer a brown than black, stern and yet noble, Which shows him hardy, fearless, proud of dangers; The circles of his eyes show fire within him, And as a heated lion so he looks. His hair hangs long behind him, black and shining Like ravens’ wings; his shoulders broad and strong; Armed long and round; and on his thigh a sword Hung by a curious baldric, when he frowns To seal his will with. Better, o’ my conscience, Was never soldier’s friend.

Thou hast well described him.

Yet a great deal short, Methinks, of him that’s first with Palamon.

Pray, speak him, friend.

I guess he is a prince too, And, if it may be, greater; for his show Has all the ornament of honour in ’t: He’s somewhat bigger than the knight he spoke of, But of a face far sweeter; his complexion Is, as a ripe grape, ruddy. He has felt Without doubt what he fights for, and so apter To make this cause his own. In ’s face appears All the fair hopes of what he undertakes And when he’s angry, then a settled valour, Not tainted with extremes, runs through his body And guides his arm to brave things. Fear he cannot; He shows no such soft temper. His head’s yellow, Hard-haired and curled, thick-twined like ivy tods, Not to undo with thunder. In his face The livery of the warlike maid appears, Pure red and white, for yet no beard has blessed him; And in his rolling eyes sits Victory, As if she ever meant to crown his valour. His nose stands high, a character of honour; His red lips, after fights, are fit for ladies.

Must these men die too?

When he speaks, his tongue Sounds like a trumpet. All his lineaments Are as a man would wish ’em, strong and clean. He wears a well-steeled axe, the staff of gold; His age some five-and-twenty.

There’s another, A little man, but of a tough soul, seeming As great as any; fairer promises In such a body yet I never looked on.

O, he that’s freckle-faced?

The same, my lord; Are they not sweet ones?

Yes, they are well.

Methinks, Being so few and well disposed, they show Great and fine art in nature. He’s white-haired, Not wanton white, but such a manly colour Next to an auburn; tough and nimble-set, Which shows an active soul. His arms are brawny, Lined with strong sinews. To the shoulder-piece Gently they swell, like women new-conceived, Which speaks him prone to labour, never fainting Under the weight of arms; stout-hearted still, But when he stirs, a tiger. He’s grey-eyed, Which yields compassion where he conquers; sharp To spy advantages, and where he finds ’em, He’s swift to make ’em his. He does no wrongs, Nor takes none. He’s round-faced, and when he smiles He shows a lover; when he frowns, a soldier. About his head he wears the winner’s oak, And in it stuck the favour of his lady. His age some six-and-thirty. In his hand He bears a charging-staff embossed with silver.

Are they all thus?

They are all the sons of honour.

Now, as I have a soul, I long to see’em. Lady, you shall see men fight now.

I wish it, But not the cause, my lord. They would show Bravely about the titles of two kingdoms. ’Tis pity love should be so tyrannous.— O, my soft-hearted sister, what think you? Weep not till they weep blood. Wench, it must be.

You have steeled ’em with your beauty. Honoured friend, To you I give the field; pray order it Fitting the persons that must use it.

Yes, sir.

Come, I’ll go visit ’em. I cannot stay, Their fame has fired me so; till they appear. Good friend, be royal.

There shall want no bravery.

[_Exeunt all but Emilia._]

Poor wench, go weep, for whosoever wins, Loses a noble cousin for thy sins.

ACT IV, SCENE III. A room in the prison

Enter Jailer, Wooer and Doctor.

Her distraction is more at some time of the moon, than at other some, is it not?

She is continually in a harmless distemper, sleeps little, altogether without appetite, save often drinking, dreaming of another world, and a better; and what broken piece of matter soe’er she’s about, the name Palamon lards it, that she farces every business withal, fits it to every question.

Enter Jailer’s Daughter.

Look where she comes; you shall perceive her behaviour.

I have forgot it quite. The burden on ’t was “Down-a, down-a,” and penned by no worse man than Geraldo, Emilia’s schoolmaster. He’s as fantastical, too, as ever he may go upon’s legs, for in the next world will Dido see Palamon, and then will she be out of love with Æneas.

What stuff’s here? Poor soul!

Even thus all day long.

Now for this charm that I told you of: you must bring a piece of silver on the tip of your tongue, or no ferry. Then if it be your chance to come where the blessed spirits are, there’s a sight now! We maids that have our livers perished, cracked to pieces with love, we shall come there, and do nothing all day long but pick flowers with Proserpine. Then will I make Palamon a nosegay; then let him mark me—then.

How prettily she’s amiss! Note her a little further.

Faith, I’ll tell you, sometime we go to barley-break, we of the blessed. Alas, ’tis a sore life they have i’ th’ other place—such burning, frying, boiling, hissing, howling, chattering, cursing—O, they have shrewd measure; take heed! If one be mad, or hang or drown themselves, thither they go; Jupiter bless us! And there shall we be put in a cauldron of lead and usurers’ grease, amongst a whole million of cutpurses, and there boil like a gammon of bacon that will never be enough.

How her brain coins!

Lords and courtiers that have got maids with child, they are in this place. They shall stand in fire up to the navel and in ice up to the heart, and there th’ offending part burns and the deceiving part freezes. In troth, a very grievous punishment, as one would think, for such a trifle. Believe me, one would marry a leprous witch to be rid on ’t, I’ll assure you.

How she continues this fancy! ’Tis not an engraffed madness, but a most thick, and profound melancholy.

To hear there a proud lady and a proud city wife howl together! I were a beast an I’d call it good sport. One cries “O this smoke!” th’ other, “This fire!”; one cries, “O, that ever I did it behind the arras!” and then howls; th’ other curses a suing fellow and her garden house.

[_Sings._] _I will be true, my stars, my fate, &c._

[_Exit Jailer’s Daughter._]

What think you of her, sir?

I think she has a perturbed mind, which I cannot minister to.

Alas, what then?

Understand you she ever affected any man ere she beheld Palamon?

I was once, sir, in great hope she had fixed her liking on this gentleman, my friend.

I did think so too, and would account I had a great penn’orth on’t, to give half my state, that both she and I at this present stood unfeignedly on the same terms.

That intemperate surfeit of her eye hath distempered the other senses. They may return and settle again to execute their preordained faculties, but they are now in a most extravagant vagary. This you must do: confine her to a place where the light may rather seem to steal in than be permitted. Take upon you, young sir, her friend, the name of Palamon; say you come to eat with her, and to commune of love. This will catch her attention, for this her mind beats upon; other objects that are inserted ’tween her mind and eye become the pranks and friskins of her madness. Sing to her such green songs of love as she says Palamon hath sung in prison. Come to her stuck in as sweet flowers as the season is mistress of, and thereto make an addition of some other compounded odours which are grateful to the sense. All this shall become Palamon, for Palamon can sing, and Palamon is sweet and every good thing. Desire to eat with her, carve her, drink to her, and still among intermingle your petition of grace and acceptance into her favour. Learn what maids have been her companions and play-feres, and let them repair to her with Palamon in their mouths, and appear with tokens, as if they suggested for him. It is a falsehood she is in, which is with falsehoods to be combated. This may bring her to eat, to sleep, and reduce what’s now out of square in her into their former law and regiment. I have seen it approved, how many times I know not, but to make the number more I have great hope in this. I will, between the passages of this project, come in with my appliance. Let us put it in execution and hasten the success, which, doubt not, will bring forth comfort.

ACT V

SCENE I. Athens. Before the Temples of Mars, Venus, and Diana

Flourish. Enter Theseus, Pirithous, Hippolyta and Attendants.

Now let ’em enter and before the gods Tender their holy prayers. Let the temples Burn bright with sacred fires, and the altars In hallowed clouds commend their swelling incense To those above us. Let no due be wanting. They have a noble work in hand, will honour The very powers that love ’em.

Sir, they enter.

Enter Palamon and Arcite and their Knights.

You valiant and strong-hearted enemies, You royal german foes, that this day come To blow that nearness out that flames between ye, Lay by your anger for an hour and, dove-like, Before the holy altars of your helpers, The all-feared gods, bow down your stubborn bodies. Your ire is more than mortal; so your help be; And, as the gods regard ye, fight with justice. I’ll leave you to your prayers, and betwixt ye I part my wishes.

Honour crown the worthiest.

[_Exeunt Theseus and his Train._]

The glass is running now that cannot finish Till one of us expire. Think you but thus, That were there aught in me which strove to show Mine enemy in this business, were ’t one eye Against another, arm oppressed by arm, I would destroy th’ offender, coz, I would Though parcel of myself. Then from this gather How I should tender you.

I am in labour To push your name, your ancient love, our kindred Out of my memory, and i’ th’ selfsame place To seat something I would confound. So hoist we The sails that must these vessels port even where The heavenly limiter pleases.

You speak well. Before I turn, let me embrace thee, cousin. This I shall never do again.

One farewell.

Why, let it be so. Farewell, coz.

Farewell, sir.

[_Exeunt Palamon and his Knights._]

Knights, kinsmen, lovers, yea, my sacrifices, True worshippers of Mars, whose spirit in you Expels the seeds of fear and th’ apprehension Which still is father of it, go with me Before the god of our profession. There Require of him the hearts of lions and The breath of tigers, yea, the fierceness too, Yea, the speed also—to go on, I mean; Else wish we to be snails. You know my prize Must be dragged out of blood; force and great feat Must put my garland on, where she sticks, The queen of flowers. Our intercession, then, Must be to him that makes the camp a cistern Brimmed with the blood of men. Give me your aid, And bend your spirits towards him.

[_They advance to the altar of Mars, fall on their faces before it, and then kneel._]

Thou mighty one, that with thy power hast turned Green Neptune into purple; whose approach Comets prewarn, whose havoc in vast field Unearthed skulls proclaim; whose breath blows down The teeming Ceres’ foison, who dost pluck With hand armipotent from forth blue clouds The masoned turrets, that both mak’st and break’st The stony girths of cities; me thy pupil, Youngest follower of thy drum, instruct this day With military skill, that to thy laud I may advance my streamer, and by thee Be styled the lord o’ th’ day. Give me, great Mars, Some token of thy pleasure.

[_Here they fall on their faces as formerly, and there is heard clanging of armour, with a short thunder, as the burst of a battle, whereupon they all rise and bow to the altar._]

O, great corrector of enormous times, Shaker of o’er-rank states, thou grand decider Of dusty and old titles, that heal’st with blood The earth when it is sick, and cur’st the world O’ th’ pleurisy of people; I do take Thy signs auspiciously, and in thy name To my design march boldly.—Let us go.

Enter Palamon and his Knights, with the former observance.

Our stars must glister with new fire, or be Today extinct. Our argument is love, Which, if the goddess of it grant, she gives Victory too. Then blend your spirits with mine, You whose free nobleness do make my cause Your personal hazard. To the goddess Venus Commend we our proceeding, and implore Her power unto our party.

[_Here they kneel as formerly._]

Hail, sovereign queen of secrets, who hast power To call the fiercest tyrant from his rage And weep unto a girl; that hast the might Even with an eye-glance to choke Mars’s drum And turn th’ alarm to whispers; that canst make A cripple flourish with his crutch, and cure him Before Apollo; that mayst force the king To be his subject’s vassal, and induce Stale gravity to dance. The polled bachelor, Whose youth, like wanton boys through bonfires, Have skipped thy flame, at seventy thou canst catch, And make him, to the scorn of his hoarse throat, Abuse young lays of love. What godlike power Hast thou not power upon? To Phœbus thou Add’st flames hotter than his; the heavenly fires Did scorch his mortal son, thine him. The huntress, All moist and cold, some say, began to throw Her bow away and sigh. Take to thy grace Me, thy vowed soldier, who do bear thy yoke As ’twere a wreath of roses, yet is heavier Than lead itself, stings more than nettles. I have never been foul-mouthed against thy law, Ne’er revealed secret, for I knew none—would not, Had I kenned all that were. I never practised Upon man’s wife, nor would the libels read Of liberal wits. I never at great feasts Sought to betray a beauty, but have blushed At simpering sirs that did. I have been harsh To large confessors, and have hotly asked them If they had mothers—I had one, a woman, And women ’twere they wronged. I knew a man Of eighty winters, this I told them, who A lass of fourteen brided; ’twas thy power To put life into dust. The aged cramp Had screwed his square foot round; The gout had knit his fingers into knots, Torturing convulsions from his globy eyes Had almost drawn their spheres, that what was life In him seemed torture. This anatomy Had by his young fair fere a boy, and I Believed it was his, for she swore it was, And who would not believe her? Brief, I am To those that prate and have done, no companion; To those that boast and have not, a defier; To those that would and cannot, a rejoicer. Yea, him I do not love that tells close offices The foulest way, nor names concealments in The boldest language. Such a one I am, And vow that lover never yet made sigh Truer than I. O, then, most soft sweet goddess, Give me the victory of this question, which Is true love’s merit, and bless me with a sign Of thy great pleasure.

[_Here music is heard; doves are seen to flutter. They fall again upon their faces, then on their knees._]

O thou that from eleven to ninety reign’st In mortal bosoms, whose chase is this world And we in herds thy game, I give thee thanks For this fair token, which being laid unto Mine innocent true heart, arms in assurance My body to this business.—Let us rise And bow before the goddess.

[_They rise and bow._]

Time comes on.

Still music of recorders. Enter Emilia in white, her hair about her shoulders, wearing a wheaten wreath. One in white holding up her train, her hair stuck with flowers. One before her carrying a silver hind, in which is conveyed incense and sweet odours, which being set upon the altar of Diana, her maids standing aloof, she sets fire to it; then they curtsy and kneel.

O sacred, shadowy, cold, and constant queen, Abandoner of revels, mute contemplative, Sweet, solitary, white as chaste, and pure As wind-fanned snow, who to thy female knights Allow’st no more blood than will make a blush, Which is their order’s robe, I here, thy priest, Am humbled ’fore thine altar. O, vouchsafe With that thy rare green eye, which never yet Beheld thing maculate, look on thy virgin; And, sacred silver mistress, lend thine ear, Which ne’er heard scurrile term, into whose port Ne’er entered wanton sound, to my petition, Seasoned with holy fear. This is my last Of vestal office. I am bride-habited But maiden-hearted. A husband I have ’pointed, But do not know him. Out of two I should Choose one, and pray for his success, but I Am guiltless of election. Of mine eyes, Were I to lose one, they are equal precious; I could doom neither; that which perished should Go to ’t unsentenced. Therefore, most modest queen, He of the two pretenders that best loves me And has the truest title in ’t, let him Take off my wheaten garland, or else grant The file and quality I hold I may Continue in thy band.

[_Here the hind vanishes under the altar, and in the place ascends a rose tree, having one rose upon it._]

See what our general of ebbs and flows Out from the bowels of her holy altar With sacred act advances: but one rose! If well inspired, this battle shall confound Both these brave knights, and I, a virgin flower, Must grow alone, unplucked.

[_Here is heard a sudden twang of instruments, and the rose falls from the tree._]

The flower is fall’n, the tree descends. O mistress, Thou here dischargest me. I shall be gathered; I think so, but I know not thine own will. Unclasp thy mystery!—I hope she’s pleased; Her signs were gracious.

[_They curtsy and exeunt._]

ACT V, SCENE II. Athens. A Room in the Prison

Enter Doctor, Jailer and Wooer in the habit of Palamon.

Has this advice I told you, done any good upon her?

O, very much. The maids that kept her company Have half persuaded her that I am Palamon; Within this half-hour she came smiling to me, And asked me what I would eat, and when I would kiss her. I told her “Presently,” and kissed her twice.

’Twas well done. Twenty times had been far better, For there the cure lies mainly.

Then she told me She would watch with me tonight, for well she knew What hour my fit would take me.

Let her do so, And when your fit comes, fit her home, and presently.

She would have me sing.

You did so?

’Twas very ill done, then; You should observe her every way.

Alas, I have no voice, sir, to confirm her that way.

That’s all one, if ye make a noise. If she entreat again, do anything. Lie with her, if she ask you.

Hoa, there, doctor!

Yes, in the way of cure.

But first, by your leave, I’ th’ way of honesty.

That’s but a niceness, Ne’er cast your child away for honesty. Cure her first this way; then if she will be honest, She has the path before her.

Thank ye, Doctor.

Pray, bring her in, And let’s see how she is.

I will, and tell her Her Palamon stays for her. But, Doctor, Methinks you are i’ th’ wrong still.

[_Exit Jailer._]

Go, go; You fathers are fine fools. Her honesty? An we should give her physic till we find that!

Why, do you think she is not honest, sir?

How old is she?

She’s eighteen.

She may be, But that’s all one; ’tis nothing to our purpose. Whate’er her father says, if you perceive Her mood inclining that way that I spoke of, _Videlicet_, the way of flesh—you have me?

Yes, very well, sir.

Please her appetite, And do it home; it cures her, _ipso facto_, The melancholy humour that infects her.

I am of your mind, Doctor.

Enter Jailer, Jailer’s Daughter and Maid.

You’ll find it so. She comes, pray, humour her.

Come, your love Palamon stays for you, child, And has done this long hour, to visit you.

I thank him for his gentle patience; He’s a kind gentleman, and I am much bound to him. Did you ne’er see the horse he gave me?

How do you like him?

He’s a very fair one.

You never saw him dance?

I have often. He dances very finely, very comely, And for a jig, come cut and long tail to him, He turns ye like a top.

That’s fine, indeed.

He’ll dance the morris twenty mile an hour, And that will founder the best hobby-horse If I have any skill in all the parish, And gallops to the tune of “Light o’ love.” What think you of this horse?

Having these virtues, I think he might be brought to play at tennis.

Alas, that’s nothing.

Can he write and read too?

A very fair hand, and casts himself th’ accounts Of all his hay and provender. That hostler Must rise betime that cozens him. You know The chestnut mare the Duke has?

Very well.

She is horribly in love with him, poor beast; But he is like his master, coy and scornful.

What dowry has she?

Some two hundred bottles, And twenty strike of oates; but he’ll ne’er have her. He lisps in’s neighing, able to entice A miller’s mare. He’ll be the death of her.

What stuff she utters!

Make curtsy; here your love comes.

Enter Wooer and Doctor come forward.

Pretty soul, How do ye? That’s a fine maid; there’s a curtsy!

Yours to command i’ th’ way of honesty. How far is’t now to’ th’ end o’ th’ world, my masters?

Why, a day’s journey, wench.

Will you go with me?

What shall we do there, wench?

Why, play at stool-ball; What is there else to do?

I am content, If we shall keep our wedding there.

’Tis true, For there, I will assure you, we shall find Some blind priest for the purpose, that will venture To marry us, for here they are nice and foolish. Besides, my father must be hanged tomorrow, And that would be a blot i’ th’ business. Are not you Palamon?

Do not you know me?

Yes, but you care not for me. I have nothing But this poor petticoat, and two coarse smocks.

That’s all one; I will have you.

Will you surely?

[_Taking her hand._] Yes, by this fair hand, will I.

We’ll to bed, then.

E’en when you will.

[_Kisses her._]

[_Rubs off the kiss._] O sir, you would fain be nibbling.

Why do you rub my kiss off?

’Tis a sweet one, And will perfume me finely against the wedding. Is not this your cousin Arcite?

[_She indicates the Doctor._]

Yes, sweetheart, And I am glad my cousin Palamon Has made so fair a choice.

Do you think he’ll have me?

Yes, without doubt.

Do you think so too?

We shall have many children. [_To Doctor._] Lord, how you’re grown! My Palamon, I hope, will grow too, finely, Now he’s at liberty. Alas, poor chicken, He was kept down with hard meat and ill lodging, But I’ll kiss him up again.

Enter a Messenger.

What do you here? You’ll lose the noblest sight That e’er was seen.

Are they i’ th’ field?

They are. You bear a charge there too.

I’ll away straight. I must e’en leave you here.

Nay, we’ll go with you; I will not lose the sight.

How did you like her?

I’ll warrant you, within these three or four days I’ll make her right again. You must not from her, But still preserve her in this way.

I will.

Let’s get her in.

Come, sweet, we’ll go to dinner; And then we’ll play at cards.

And shall we kiss too?

A hundred times.

And twenty.

Ay, and twenty.

And then we’ll sleep together.

Take her offer.

Yes, marry, will we.

But you shall not hurt me.

I will not, sweet.

If you do, love, I’ll cry.

ACT V, SCENE III. A part of the Forest near Athens, and near the Place

appointed for the Combat

Flourish. Enter Theseus, Hippolyta, Emilia, Pirithous and some Attendants.

I’ll no step further.

Will you lose this sight?

I had rather see a wren hawk at a fly Than this decision. Every blow that falls Threats a brave life; each stroke laments The place whereon it falls, and sounds more like A bell than blade. I will stay here. It is enough my hearing shall be punished With what shall happen, ’gainst the which there is No deafing, but to hear; not taint mine eye With dread sights it may shun.

Sir, my good lord, Your sister will no further.

O, she must. She shall see deeds of honour in their kind, Which sometime show well, penciled. Nature now Shall make and act the story, the belief Both sealed with eye and ear. You must be present; You are the victor’s meed, the price and garland To crown the question’s title.

Pardon me; If I were there, I’d wink.

You must be there; This trial is as ’twere i’ th’ night, and you The only star to shine.

I am extinct. There is but envy in that light which shows The one the other. Darkness, which ever was The dam of horror, who does stand accursed Of many mortal millions, may even now, By casting her black mantle over both, That neither could find other, get herself Some part of a good name, and many a murder Set off whereto she’s guilty.

You must go.

In faith, I will not.

Why, the knights must kindle Their valour at your eye. Know, of this war You are the treasure, and must needs be by To give the service pay.

Sir, pardon me; The title of a kingdom may be tried Out of itself.

Well, well, then, at your pleasure. Those that remain with you could wish their office To any of their enemies.

Farewell, sister. I am like to know your husband ’fore yourself By some small start of time. He whom the gods Do of the two know best, I pray them he Be made your lot.

[_Exeunt all but Emilia._]

Arcite is gently visaged, yet his eye Is like an engine bent, or a sharp weapon In a soft sheath; mercy and manly courage Are bedfellows in his visage. Palamon Has a most menacing aspect; his brow Is graved, and seems to bury what it frowns on; Yet sometimes ’tis not so, but alters to The quality of his thoughts. Long time his eye Will dwell upon his object. Melancholy Becomes him nobly; so does Arcite’s mirth; But Palamon’s sadness is a kind of mirth, So mingled as if mirth did make him sad And sadness merry. Those darker humours that Stick misbecomingly on others, on them Live in fair dwelling.

[_Cornets. Trumpets sound as to a charge._]

Hark how yon spurs to spirit do incite The princes to their proof! Arcite may win me And yet may Palamon wound Arcite to The spoiling of his figure. O, what pity Enough for such a chance? If I were by, I might do hurt, for they would glance their eyes Towards my seat, and in that motion might Omit a ward or forfeit an offence Which craved that very time. It is much better I am not there.

[_Cornets. A great cry and noise within crying “À Palamon!”_]

Oh better never born Than minister to such harm.

Enter Servant.

What is the chance?

The cry’s “À Palamon.”

Then he has won. ’Twas ever likely. He looked all grace and success, and he is Doubtless the prim’st of men. I prithee run And tell me how it goes.

[_Shout and cornets, crying “À Palamon!”_]

Still “Palamon.”

Run and enquire.

[_Exit Servant._]

Poor servant, thou hast lost. Upon my right side still I wore thy picture, Palamon’s on the left. Why so, I know not. I had no end in ’t else; chance would have it so. On the sinister side the heart lies; Palamon Had the best-boding chance.

[_Another cry and shout within, and cornets._]

This burst of clamour Is sure th’ end o’ th’ combat.

Enter Servant.

They said that Palamon had Arcite’s body Within an inch o’ th’ pyramid, that the cry Was general “À Palamon.” But anon, Th’ assistants made a brave redemption, and The two bold titlers at this instant are Hand to hand at it.

Were they metamorphosed Both into one—O, why? There were no woman Worth so composed a man! Their single share, Their nobleness peculiar to them, gives The prejudice of disparity, value’s shortness, To any lady breathing.

[_Cornets. Cry within, “Arcite, Arcite.”_]

More exulting? “Palamon” still?

Nay, now the sound is “Arcite.”

I prithee, lay attention to the cry; Set both thine ears to th’ business.

[_Cornets. A great shout and cry “Arcite, victory!”_]

The cry is “Arcite”, and “Victory!” Hark, “Arcite, victory!” The combat’s consummation is proclaimed By the wind instruments.

Half-sights saw That Arcite was no babe. God’s lid, his richness And costliness of spirit looked through him; it could No more be hid in him than fire in flax, Than humble banks can go to law with waters That drift-winds force to raging. I did think Good Palamon would miscarry, yet I knew not Why I did think so. Our reasons are not prophets When oft our fancies are. They are coming off. Alas, poor Palamon!

Cornets. Enter Theseus, Hippolyta, Pirithous, Arcite as victor, and Attendants.

Lo, where our sister is in expectation, Yet quaking and unsettled.—Fairest Emily, The gods by their divine arbitrament Have given you this knight; he is a good one As ever struck at head. Give me your hands. Receive you her, you him; be plighted with A love that grows as you decay.

Emily, To buy you, I have lost what’s dearest to me, Save what is bought; and yet I purchase cheaply, As I do rate your value.

O loved sister, He speaks now of as brave a knight as e’er Did spur a noble steed. Surely the gods Would have him die a bachelor, lest his race Should show i’ th’ world too godlike. His behaviour So charmed me that methought Alcides was To him a sow of lead. If I could praise Each part of him to th’ all I have spoke, your Arcite Did not lose by ’t, for he that was thus good Encountered yet his better. I have heard Two emulous Philomels beat the ear o’ th’ night With their contentious throats, now one the higher, Anon the other, then again the first, And by-and-by out-breasted, that the sense Could not be judge between ’em. So it fared Good space between these kinsmen, till heavens did Make hardly one the winner.—Wear the garland With joy that you have won.—For the subdued, Give them our present justice, since I know Their lives but pinch ’em. Let it here be done. The scene’s not for our seeing. Go we hence Right joyful, with some sorrow.—Arm your prize; I know you will not lose her.—Hippolyta, I see one eye of yours conceives a tear, The which it will deliver.

Is this winning? O all you heavenly powers, where is your mercy? But that your wills have said it must be so, And charge me live to comfort this unfriended, This miserable prince, that cuts away A life more worthy from him than all women, I should and would die too.

Infinite pity That four such eyes should be so fixed on one That two must needs be blind for ’t.

So it is.

ACT V, SCENE IV. The same; a Block prepared

Enter Palamon and his Knights pinioned; Jailer, Executioner and Guard.

There’s many a man alive that hath outlived The love o’ th’ people; yea, i’ th’ selfsame state Stands many a father with his child. Some comfort We have by so considering. We expire, And not without men’s pity; to live still, Have their good wishes; we prevent The loathsome misery of age, beguile The gout and rheum that in lag hours attend For gray approachers; we come towards the gods Young and unwappered, not halting under crimes Many and stale. That sure shall please the gods Sooner than such, to give us nectar with ’em, For we are more clear spirits. My dear kinsmen, Whose lives for this poor comfort are laid down, You have sold ’em too too cheap.

FIRST KNIGHT.

What ending could be Of more content? O’er us the victors have Fortune, whose title is as momentary, As to us death is certain. A grain of honour They not o’erweigh us.

SECOND KNIGHT.

Let us bid farewell; And with our patience anger tottering Fortune, Who at her certain’st reels.

THIRD KNIGHT.

Come; who begins?

E’en he that led you to this banquet shall Taste to you all.—Ah ha, my friend, my friend, Your gentle daughter gave me freedom once; You’ll see ’t done now for ever. Pray, how does she? I heard she was not well; her kind of ill Gave me some sorrow.

Sir, she’s well restored, And to be married shortly.

By my short life, I am most glad on’t. ’Tis the latest thing I shall be glad of; prithee, tell her so. Commend me to her, and, to piece her portion, Tender her this.

[_Gives him his purse._]

FIRST KNIGHT.

Nay let’s be offerers all.

SECOND KNIGHT.

Is it a maid?

Verily, I think so. A right good creature, more to me deserving Then I can ’quite or speak of.

ALL KNIGHTS.

Commend us to her.

[_They give their purses._]

The gods requite you all, and make her thankful.

Adieu; and let my life be now as short As my leave-taking.

[_Lays his head on the block._]

FIRST KNIGHT.

Lead, courageous cousin.

SECOND AND THIRD KNIGHT.

We’ll follow cheerfully.

[_A great noise within crying “Run!” “Save!” “Hold!”_]

Enter in haste a Messenger.

Hold, hold! O hold, hold, hold!

Enter Pirithous in haste.

Hold, ho! It is a cursed haste you made If you have done so quickly!—Noble Palamon, The gods will show their glory in a life That thou art yet to lead.

Can that be, When Venus, I have said, is false? How do things fare?

Arise, great sir, and give the tidings ear That are most dearly sweet and bitter.

What Hath waked us from our dream?

List, then. Your cousin, Mounted upon a steed that Emily Did first bestow on him, a black one, owing Not a hair-worth of white, which some will say Weakens his price, and many will not buy His goodness with this note, which superstition Here finds allowance—on this horse is Arcite Trotting the stones of Athens, which the calkins Did rather tell than trample; for the horse Would make his length a mile, if ’t pleased his rider To put pride in him. As he thus went counting The flinty pavement, dancing, as ’twere, to th’ music His own hooves made—for, as they say, from iron Came music’s origin—what envious flint, Cold as old Saturn, and like him possessed With fire malevolent, darted a spark, Or what fierce sulphur else, to this end made, I comment not; the hot horse, hot as fire, Took toy at this and fell to what disorder His power could give his will; bounds, comes on end, Forgets school-doing, being therein trained And of kind manage. Pig-like he whines At the sharp rowel, which he frets at rather Than any jot obeys; seeks all foul means Of boist’rous and rough jad’ry to disseat His lord that kept it bravely. When naught served, When neither curb would crack, girth break, nor diff’ring plunges Disroot his rider whence he grew, but that He kept him ’tween his legs, on his hind hoofs On end he stands That Arcite’s legs, being higher than his head, Seemed with strange art to hang. His victor’s wreath Even then fell off his head and presently Backward the jade comes o’er, and his full poise Becomes the rider’s load. Yet is he living, But such a vessel ’tis that floats but for The surge that next approaches. He much desires To have some speech with you. Lo, he appears.

Enter Theseus, Hippolyta, Emilia, Arcite in a chair.

O miserable end of our alliance! The gods are mighty. Arcite, if thy heart, Thy worthy, manly heart, be yet unbroken, Give me thy last words. I am Palamon, One that yet loves thee dying.

Take Emilia And with her all the world’s joy. Reach thy hand; Farewell. I have told my last hour. I was false, Yet never treacherous. Forgive me, cousin. One kiss from fair Emilia.

[_Emilia kisses Arcite._]

’Tis done. Take her. I die.

Thy brave soul seek Elysium!

[_Arcite dies._]

I’ll close thine eyes, Prince; blessed souls be with thee! Thou art a right good man, and, while I live, This day I give to tears.

And I to honour.

In this place first you fought; e’en very here I sundered you. Acknowledge to the gods Our thanks that you are living. His part is played, and, though it were too short, He did it well; your day is lengthened, and The blissful dew of heaven does arrose you. The powerful Venus well hath graced her altar, And given you your love. Our master Mars, Hath vouched his oracle, and to Arcite gave The grace of the contention. So the deities Have showed due justice.—Bear this hence.

O cousin, That we should things desire, which do cost us The loss of our desire! That naught could buy Dear love, but loss of dear love!

[_Arcite’s body is carried out._]

Never Fortune Did play a subtler game. The conquered triumphs; The victor has the loss; yet in the passage The gods have been most equal. Palamon, Your kinsman hath confessed the right o’ th’ lady Did lie in you, for you first saw her and Even then proclaimed your fancy. He restored her As your stol’n jewel and desired your spirit To send him hence forgiven. The gods my justice Take from my hand and they themselves become The executioners. Lead your lady off And call your lovers from the stage of death, Whom I adopt my friends. A day or two Let us look sadly, and give grace unto The funeral of Arcite, in whose end The visages of bridegrooms we’ll put on And smile with Palamon; for whom an hour, But one hour since, I was as dearly sorry As glad of Arcite, and am now as glad As for him sorry. O you heavenly charmers, What things you make of us! For what we lack We laugh, for what we have are sorry, still Are children in some kind. Let us be thankful For that which is, and with you leave dispute That are above our question. Let’s go off And bear us like the time.

[_Flourish. Exeunt._]

Enter Epilogue.

EPILOGUE I would now ask ye how you like the play, But, as it is with schoolboys, cannot say. I am cruel fearful! Pray yet, stay a while, And let me look upon ye. No man smile? Then it goes hard, I see. He that has Loved a young handsome wench, then, show his face— ’Tis strange if none be here—and, if he will, Against his conscience let him hiss, and kill Our market. ’Tis in vain, I see, to stay ye. Have at the worst can come, then! Now what say ye? And yet mistake me not: I am not bold; We have no such cause. If the tale we have told For ’tis no other—any way content ye— For to that honest purpose it was meant ye— We have our end; and you shall have ere long, I dare say, many a better, to prolong Your old loves to us. We, and all our might, Rest at your service. Gentlemen, good night.

[_Flourish. Exit._]

Contents — 153 sections

1. Sonnet 2
2. Sonnet 3
3. Sonnet 4
4. Sonnet 5
5. Sonnet 6
6. Sonnet 7
7. Sonnet 8
8. Sonnet 9
9. Sonnet 10
10. Sonnet 11
11. Sonnet 12
12. Sonnet 13
13. Sonnet 14
14. Sonnet 15
15. Sonnet 16
16. Sonnet 17
17. Sonnet 18
18. Sonnet 19
19. Sonnet 20
20. Sonnet 21
21. Sonnet 22
22. Sonnet 23
23. Sonnet 24
24. Sonnet 25
25. Sonnet 26
26. Sonnet 27
27. Sonnet 28
28. Sonnet 29
29. Sonnet 30
30. Sonnet 31
31. Sonnet 32
32. Sonnet 33
33. Sonnet 34
34. Sonnet 35
35. Sonnet 36
36. Sonnet 37
37. Sonnet 38
38. Sonnet 39
39. Sonnet 40
40. Sonnet 41
41. Sonnet 42
42. Sonnet 43
43. Sonnet 44
44. Sonnet 45
45. Sonnet 46
46. Sonnet 47
47. Sonnet 48
48. Sonnet 49
49. Sonnet 50
50. Sonnet 51
51. Sonnet 52
52. Sonnet 53
53. Sonnet 54
54. Sonnet 55
55. Sonnet 56
56. Sonnet 57
57. Sonnet 58
58. Sonnet 59
59. Sonnet 60
60. Sonnet 61
61. Sonnet 62
62. Sonnet 63
63. Sonnet 64
64. Sonnet 65
65. Sonnet 66
66. Sonnet 67
67. Sonnet 68
68. Sonnet 69
69. Sonnet 70
70. Sonnet 71
71. Sonnet 72
72. Sonnet 73
73. Sonnet 74
74. Sonnet 75
75. Sonnet 76
76. Sonnet 77
77. Sonnet 78
78. Sonnet 79
79. Sonnet 80
80. Sonnet 81
81. Sonnet 82
82. Sonnet 83
83. Sonnet 84
84. Sonnet 85
85. Sonnet 86
86. Sonnet 87
87. Sonnet 88
88. Sonnet 89
89. Sonnet 90
90. Sonnet 91
91. Sonnet 92
92. Sonnet 93
93. Sonnet 94
94. Sonnet 95
95. Sonnet 96
96. Sonnet 97
97. Sonnet 98
98. Sonnet 99
99. Sonnet 100
100. Sonnet 101
101. Sonnet 102
102. Sonnet 103
103. Sonnet 104
104. Sonnet 105
105. Sonnet 106
106. Sonnet 107
107. Sonnet 108
108. Sonnet 109
109. Sonnet 110
110. Sonnet 111
111. Sonnet 112
112. Sonnet 113
113. Sonnet 114
114. Sonnet 115
115. Sonnet 116
116. Sonnet 117
117. Sonnet 118
118. Sonnet 119
119. Sonnet 120
120. Sonnet 121
121. Sonnet 122
122. Sonnet 123
123. Sonnet 124
124. Sonnet 125
125. Sonnet 126
126. Sonnet 127
127. Sonnet 128
128. Sonnet 129
129. Sonnet 130
130. Sonnet 131
131. Sonnet 132
132. Sonnet 133
133. Sonnet 134
134. Sonnet 135
135. Sonnet 136
136. Sonnet 137
137. Sonnet 138
138. Sonnet 139
139. Sonnet 140
140. Sonnet 141
141. Sonnet 142
142. Sonnet 143
143. Sonnet 144
144. Sonnet 145
145. Sonnet 146
146. Sonnet 147
147. Sonnet 148
148. Sonnet 149
149. Sonnet 150
150. Sonnet 151
151. Sonnet 152
152. Sonnet 153
153. Sonnet 154

Sonnet 2

When forty winters shall besiege thy brow, And dig deep trenches in thy beauty’s field, Thy youth’s proud livery so gazed on now, Will be a tattered weed of small worth held: Then being asked, where all thy beauty lies, Where all the treasure of thy lusty days; To say, within thine own deep sunken eyes, Were an all-eating shame, and thriftless praise. How much more praise deserv’d thy beauty’s use, If thou couldst answer ‘This fair child of mine Shall sum my count, and make my old excuse,’ Proving his beauty by succession thine. This were to be new made when thou art old, And see thy blood warm when thou feel’st it cold.

Sonnet 3

Look in thy glass and tell the face thou viewest, Now is the time that face should form another, Whose fresh repair if now thou not renewest, Thou dost beguile the world, unbless some mother. For where is she so fair whose uneared womb Disdains the tillage of thy husbandry? Or who is he so fond will be the tomb Of his self-love to stop posterity? Thou art thy mother’s glass and she in thee Calls back the lovely April of her prime, So thou through windows of thine age shalt see, Despite of wrinkles this thy golden time. But if thou live remembered not to be, Die single and thine image dies with thee.

Sonnet 4

Unthrifty loveliness why dost thou spend, Upon thyself thy beauty’s legacy? Nature’s bequest gives nothing but doth lend, And being frank she lends to those are free: Then beauteous niggard why dost thou abuse, The bounteous largess given thee to give? Profitless usurer why dost thou use So great a sum of sums yet canst not live? For having traffic with thyself alone, Thou of thyself thy sweet self dost deceive, Then how when nature calls thee to be gone, What acceptable audit canst thou leave? Thy unused beauty must be tombed with thee, Which used lives th’ executor to be.

Sonnet 5

Those hours that with gentle work did frame The lovely gaze where every eye doth dwell Will play the tyrants to the very same, And that unfair which fairly doth excel: For never-resting time leads summer on To hideous winter and confounds him there, Sap checked with frost and lusty leaves quite gone, Beauty o’er-snowed and bareness every where: Then were not summer’s distillation left A liquid prisoner pent in walls of glass, Beauty’s effect with beauty were bereft, Nor it nor no remembrance what it was. But flowers distilled though they with winter meet, Leese but their show, their substance still lives sweet.

Sonnet 6

Then let not winter’s ragged hand deface, In thee thy summer ere thou be distilled: Make sweet some vial; treasure thou some place, With beauty’s treasure ere it be self-killed: That use is not forbidden usury, Which happies those that pay the willing loan; That’s for thyself to breed another thee, Or ten times happier be it ten for one, Ten times thyself were happier than thou art, If ten of thine ten times refigured thee: Then what could death do if thou shouldst depart, Leaving thee living in posterity? Be not self-willed for thou art much too fair, To be death’s conquest and make worms thine heir.

Sonnet 7

Lo in the orient when the gracious light Lifts up his burning head, each under eye Doth homage to his new-appearing sight, Serving with looks his sacred majesty, And having climbed the steep-up heavenly hill, Resembling strong youth in his middle age, Yet mortal looks adore his beauty still, Attending on his golden pilgrimage: But when from highmost pitch with weary car, Like feeble age he reeleth from the day, The eyes (fore duteous) now converted are From his low tract and look another way: So thou, thyself out-going in thy noon: Unlooked on diest unless thou get a son.

Sonnet 8

Music to hear, why hear’st thou music sadly? Sweets with sweets war not, joy delights in joy: Why lov’st thou that which thou receiv’st not gladly, Or else receiv’st with pleasure thine annoy? If the true concord of well-tuned sounds, By unions married do offend thine ear, They do but sweetly chide thee, who confounds In singleness the parts that thou shouldst bear: Mark how one string sweet husband to another, Strikes each in each by mutual ordering; Resembling sire, and child, and happy mother, Who all in one, one pleasing note do sing: Whose speechless song being many, seeming one, Sings this to thee, ‘Thou single wilt prove none’.

Sonnet 9

Is it for fear to wet a widow’s eye, That thou consum’st thyself in single life? Ah, if thou issueless shalt hap to die, The world will wail thee like a makeless wife, The world will be thy widow and still weep, That thou no form of thee hast left behind, When every private widow well may keep, By children’s eyes, her husband’s shape in mind: Look what an unthrift in the world doth spend Shifts but his place, for still the world enjoys it; But beauty’s waste hath in the world an end, And kept unused the user so destroys it: No love toward others in that bosom sits That on himself such murd’rous shame commits.

Sonnet 10

For shame deny that thou bear’st love to any Who for thyself art so unprovident. Grant if thou wilt, thou art beloved of many, But that thou none lov’st is most evident: For thou art so possessed with murd’rous hate, That ’gainst thyself thou stick’st not to conspire, Seeking that beauteous roof to ruinate Which to repair should be thy chief desire: O change thy thought, that I may change my mind, Shall hate be fairer lodged than gentle love? Be as thy presence is gracious and kind, Or to thyself at least kind-hearted prove, Make thee another self for love of me, That beauty still may live in thine or thee.

Sonnet 11

As fast as thou shalt wane so fast thou grow’st, In one of thine, from that which thou departest, And that fresh blood which youngly thou bestow’st, Thou mayst call thine, when thou from youth convertest, Herein lives wisdom, beauty, and increase, Without this folly, age, and cold decay, If all were minded so, the times should cease, And threescore year would make the world away: Let those whom nature hath not made for store, Harsh, featureless, and rude, barrenly perish: Look whom she best endowed, she gave thee more; Which bounteous gift thou shouldst in bounty cherish: She carved thee for her seal, and meant thereby, Thou shouldst print more, not let that copy die.

Sonnet 12

When I do count the clock that tells the time, And see the brave day sunk in hideous night, When I behold the violet past prime, And sable curls all silvered o’er with white: When lofty trees I see barren of leaves, Which erst from heat did canopy the herd And summer’s green all girded up in sheaves Borne on the bier with white and bristly beard: Then of thy beauty do I question make That thou among the wastes of time must go, Since sweets and beauties do themselves forsake, And die as fast as they see others grow, And nothing ’gainst Time’s scythe can make defence Save breed to brave him, when he takes thee hence.

Sonnet 13

O that you were your self, but love you are No longer yours, than you yourself here live, Against this coming end you should prepare, And your sweet semblance to some other give. So should that beauty which you hold in lease Find no determination, then you were Yourself again after yourself’s decease, When your sweet issue your sweet form should bear. Who lets so fair a house fall to decay, Which husbandry in honour might uphold, Against the stormy gusts of winter’s day And barren rage of death’s eternal cold? O none but unthrifts, dear my love you know, You had a father, let your son say so.

Sonnet 14

Not from the stars do I my judgement pluck, And yet methinks I have astronomy, But not to tell of good, or evil luck, Of plagues, of dearths, or seasons’ quality, Nor can I fortune to brief minutes tell; Pointing to each his thunder, rain and wind, Or say with princes if it shall go well By oft predict that I in heaven find. But from thine eyes my knowledge I derive, And constant stars in them I read such art As truth and beauty shall together thrive If from thyself, to store thou wouldst convert: Or else of thee this I prognosticate, Thy end is truth’s and beauty’s doom and date.

Sonnet 15

When I consider everything that grows Holds in perfection but a little moment. That this huge stage presenteth nought but shows Whereon the stars in secret influence comment. When I perceive that men as plants increase, Cheered and checked even by the self-same sky: Vaunt in their youthful sap, at height decrease, And wear their brave state out of memory. Then the conceit of this inconstant stay, Sets you most rich in youth before my sight, Where wasteful Time debateth with Decay To change your day of youth to sullied night, And all in war with Time for love of you, As he takes from you, I engraft you new.

Sonnet 16

But wherefore do not you a mightier way Make war upon this bloody tyrant Time? And fortify yourself in your decay With means more blessed than my barren rhyme? Now stand you on the top of happy hours, And many maiden gardens yet unset, With virtuous wish would bear you living flowers, Much liker than your painted counterfeit: So should the lines of life that life repair Which this (Time’s pencil) or my pupil pen Neither in inward worth nor outward fair Can make you live yourself in eyes of men. To give away yourself, keeps yourself still, And you must live drawn by your own sweet skill.

Sonnet 17

Who will believe my verse in time to come If it were filled with your most high deserts? Though yet heaven knows it is but as a tomb Which hides your life, and shows not half your parts: If I could write the beauty of your eyes, And in fresh numbers number all your graces, The age to come would say this poet lies, Such heavenly touches ne’er touched earthly faces. So should my papers (yellowed with their age) Be scorned, like old men of less truth than tongue, And your true rights be termed a poet’s rage, And stretched metre of an antique song. But were some child of yours alive that time, You should live twice,—in it, and in my rhyme.

Sonnet 18

Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimmed, And every fair from fair sometime declines, By chance, or nature’s changing course untrimmed: But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st, Nor shall death brag thou wand’rest in his shade, When in eternal lines to time thou grow’st, So long as men can breathe or eyes can see, So long lives this, and this gives life to thee.

Sonnet 19

Devouring Time blunt thou the lion’s paws, And make the earth devour her own sweet brood, Pluck the keen teeth from the fierce tiger’s jaws, And burn the long-lived phoenix, in her blood, Make glad and sorry seasons as thou fleet’st, And do whate’er thou wilt swift-footed Time To the wide world and all her fading sweets: But I forbid thee one most heinous crime, O carve not with thy hours my love’s fair brow, Nor draw no lines there with thine antique pen, Him in thy course untainted do allow, For beauty’s pattern to succeeding men. Yet do thy worst, old Time; despite thy wrong, My love shall in my verse ever live young.

Sonnet 20

A woman’s face with nature’s own hand painted, Hast thou the master mistress of my passion, A woman’s gentle heart but not acquainted With shifting change as is false women’s fashion, An eye more bright than theirs, less false in rolling: Gilding the object whereupon it gazeth, A man in hue all hues in his controlling, Which steals men’s eyes and women’s souls amazeth. And for a woman wert thou first created, Till nature as she wrought thee fell a-doting, And by addition me of thee defeated, By adding one thing to my purpose nothing. But since she pricked thee out for women’s pleasure, Mine be thy love and thy love’s use their treasure.

Sonnet 21

So is it not with me as with that muse, Stirred by a painted beauty to his verse, Who heaven it self for ornament doth use, And every fair with his fair doth rehearse, Making a couplement of proud compare With sun and moon, with earth and sea’s rich gems: With April’s first-born flowers and all things rare, That heaven’s air in this huge rondure hems. O let me true in love but truly write, And then believe me, my love is as fair, As any mother’s child, though not so bright As those gold candles fixed in heaven’s air: Let them say more that like of hearsay well, I will not praise that purpose not to sell.

Sonnet 22

My glass shall not persuade me I am old, So long as youth and thou are of one date, But when in thee time’s furrows I behold, Then look I death my days should expiate. For all that beauty that doth cover thee, Is but the seemly raiment of my heart, Which in thy breast doth live, as thine in me, How can I then be elder than thou art? O therefore love be of thyself so wary, As I not for my self, but for thee will, Bearing thy heart which I will keep so chary As tender nurse her babe from faring ill. Presume not on thy heart when mine is slain, Thou gav’st me thine not to give back again.

Sonnet 23

As an unperfect actor on the stage, Who with his fear is put beside his part, Or some fierce thing replete with too much rage, Whose strength’s abundance weakens his own heart; So I for fear of trust, forget to say, The perfect ceremony of love’s rite, And in mine own love’s strength seem to decay, O’ercharged with burthen of mine own love’s might: O let my looks be then the eloquence, And dumb presagers of my speaking breast, Who plead for love, and look for recompense, More than that tongue that more hath more expressed. O learn to read what silent love hath writ, To hear with eyes belongs to love’s fine wit.

Sonnet 24

Mine eye hath played the painter and hath stelled, Thy beauty’s form in table of my heart, My body is the frame wherein ’tis held, And perspective it is best painter’s art. For through the painter must you see his skill, To find where your true image pictured lies, Which in my bosom’s shop is hanging still, That hath his windows glazed with thine eyes: Now see what good turns eyes for eyes have done, Mine eyes have drawn thy shape, and thine for me Are windows to my breast, where-through the sun Delights to peep, to gaze therein on thee; Yet eyes this cunning want to grace their art, They draw but what they see, know not the heart.

Sonnet 25

Let those who are in favour with their stars, Of public honour and proud titles boast, Whilst I whom fortune of such triumph bars Unlooked for joy in that I honour most; Great princes’ favourites their fair leaves spread, But as the marigold at the sun’s eye, And in themselves their pride lies buried, For at a frown they in their glory die. The painful warrior famoused for fight, After a thousand victories once foiled, Is from the book of honour razed quite, And all the rest forgot for which he toiled: Then happy I that love and am beloved Where I may not remove nor be removed.

Sonnet 26

Lord of my love, to whom in vassalage Thy merit hath my duty strongly knit; To thee I send this written embassage To witness duty, not to show my wit. Duty so great, which wit so poor as mine May make seem bare, in wanting words to show it; But that I hope some good conceit of thine In thy soul’s thought (all naked) will bestow it: Till whatsoever star that guides my moving, Points on me graciously with fair aspect, And puts apparel on my tattered loving, To show me worthy of thy sweet respect, Then may I dare to boast how I do love thee, Till then, not show my head where thou mayst prove me.

Sonnet 27

Weary with toil, I haste me to my bed, The dear respose for limbs with travel tired, But then begins a journey in my head To work my mind, when body’s work’s expired. For then my thoughts, from far where I abide, Intend a zealous pilgrimage to thee, And keep my drooping eyelids open wide, Looking on darkness which the blind do see. Save that my soul’s imaginary sight Presents thy shadow to my sightless view, Which like a jewel (hung in ghastly night) Makes black night beauteous, and her old face new. Lo thus by day my limbs, by night my mind, For thee, and for my self, no quiet find.

Sonnet 28

How can I then return in happy plight That am debarred the benefit of rest? When day’s oppression is not eased by night, But day by night and night by day oppressed. And each (though enemies to either’s reign) Do in consent shake hands to torture me, The one by toil, the other to complain How far I toil, still farther off from thee. I tell the day to please him thou art bright, And dost him grace when clouds do blot the heaven: So flatter I the swart-complexioned night, When sparkling stars twire not thou gild’st the even. But day doth daily draw my sorrows longer, And night doth nightly make grief’s length seem stronger

Sonnet 29

When in disgrace with fortune and men’s eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon my self and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possessed, Desiring this man’s art, and that man’s scope, With what I most enjoy contented least, Yet in these thoughts my self almost despising, Haply I think on thee, and then my state, (Like to the lark at break of day arising From sullen earth) sings hymns at heaven’s gate, For thy sweet love remembered such wealth brings, That then I scorn to change my state with kings.

Sonnet 30

When to the sessions of sweet silent thought, I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time’s waste: Then can I drown an eye (unused to flow) For precious friends hid in death’s dateless night, And weep afresh love’s long since cancelled woe, And moan th’ expense of many a vanished sight. Then can I grieve at grievances foregone, And heavily from woe to woe tell o’er The sad account of fore-bemoaned moan, Which I new pay as if not paid before. But if the while I think on thee (dear friend) All losses are restored, and sorrows end.

Sonnet 31

Thy bosom is endeared with all hearts, Which I by lacking have supposed dead, And there reigns love and all love’s loving parts, And all those friends which I thought buried. How many a holy and obsequious tear Hath dear religious love stol’n from mine eye, As interest of the dead, which now appear, But things removed that hidden in thee lie. Thou art the grave where buried love doth live, Hung with the trophies of my lovers gone, Who all their parts of me to thee did give, That due of many, now is thine alone. Their images I loved, I view in thee, And thou, all they, hast all the all of me.

Sonnet 32

If thou survive my well-contented day, When that churl death my bones with dust shall cover And shalt by fortune once more re-survey These poor rude lines of thy deceased lover: Compare them with the bett’ring of the time, And though they be outstripped by every pen, Reserve them for my love, not for their rhyme, Exceeded by the height of happier men. O then vouchsafe me but this loving thought, ’Had my friend’s Muse grown with this growing age, A dearer birth than this his love had brought To march in ranks of better equipage: But since he died and poets better prove, Theirs for their style I’ll read, his for his love’.

Sonnet 33

Full many a glorious morning have I seen, Flatter the mountain tops with sovereign eye, Kissing with golden face the meadows green; Gilding pale streams with heavenly alchemy: Anon permit the basest clouds to ride, With ugly rack on his celestial face, And from the forlorn world his visage hide Stealing unseen to west with this disgrace: Even so my sun one early morn did shine, With all triumphant splendour on my brow, But out alack, he was but one hour mine, The region cloud hath masked him from me now. Yet him for this, my love no whit disdaineth, Suns of the world may stain, when heaven’s sun staineth.

Sonnet 34

Why didst thou promise such a beauteous day, And make me travel forth without my cloak, To let base clouds o’ertake me in my way, Hiding thy brav’ry in their rotten smoke? ’Tis not enough that through the cloud thou break, To dry the rain on my storm-beaten face, For no man well of such a salve can speak, That heals the wound, and cures not the disgrace: Nor can thy shame give physic to my grief, Though thou repent, yet I have still the loss, Th’ offender’s sorrow lends but weak relief To him that bears the strong offence’s cross. Ah but those tears are pearl which thy love sheds, And they are rich, and ransom all ill deeds.

Sonnet 35

No more be grieved at that which thou hast done, Roses have thorns, and silver fountains mud, Clouds and eclipses stain both moon and sun, And loathsome canker lives in sweetest bud. All men make faults, and even I in this, Authorizing thy trespass with compare, My self corrupting salving thy amiss, Excusing thy sins more than thy sins are: For to thy sensual fault I bring in sense; Thy adverse party is thy advocate, And ’gainst my self a lawful plea commence: Such civil war is in my love and hate, That I an accessary needs must be, To that sweet thief which sourly robs from me.

Sonnet 36

Let me confess that we two must be twain, Although our undivided loves are one: So shall those blots that do with me remain, Without thy help, by me be borne alone. In our two loves there is but one respect, Though in our lives a separable spite, Which though it alter not love’s sole effect, Yet doth it steal sweet hours from love’s delight. I may not evermore acknowledge thee, Lest my bewailed guilt should do thee shame, Nor thou with public kindness honour me, Unless thou take that honour from thy name: But do not so, I love thee in such sort, As thou being mine, mine is thy good report.

Sonnet 37

As a decrepit father takes delight, To see his active child do deeds of youth, So I, made lame by Fortune’s dearest spite Take all my comfort of thy worth and truth. For whether beauty, birth, or wealth, or wit, Or any of these all, or all, or more Entitled in thy parts, do crowned sit, I make my love engrafted to this store: So then I am not lame, poor, nor despised, Whilst that this shadow doth such substance give, That I in thy abundance am sufficed, And by a part of all thy glory live: Look what is best, that best I wish in thee, This wish I have, then ten times happy me.

Sonnet 38

How can my Muse want subject to invent While thou dost breathe that pour’st into my verse, Thine own sweet argument, too excellent, For every vulgar paper to rehearse? O give thyself the thanks if aught in me, Worthy perusal stand against thy sight, For who’s so dumb that cannot write to thee, When thou thyself dost give invention light? Be thou the tenth Muse, ten times more in worth Than those old nine which rhymers invocate, And he that calls on thee, let him bring forth Eternal numbers to outlive long date. If my slight Muse do please these curious days, The pain be mine, but thine shall be the praise.

Sonnet 39

O how thy worth with manners may I sing, When thou art all the better part of me? What can mine own praise to mine own self bring: And what is’t but mine own when I praise thee? Even for this, let us divided live, And our dear love lose name of single one, That by this separation I may give: That due to thee which thou deserv’st alone: O absence what a torment wouldst thou prove, Were it not thy sour leisure gave sweet leave, To entertain the time with thoughts of love, Which time and thoughts so sweetly doth deceive. And that thou teachest how to make one twain, By praising him here who doth hence remain.

Sonnet 40

Take all my loves, my love, yea take them all, What hast thou then more than thou hadst before? No love, my love, that thou mayst true love call, All mine was thine, before thou hadst this more: Then if for my love, thou my love receivest, I cannot blame thee, for my love thou usest, But yet be blamed, if thou thyself deceivest By wilful taste of what thyself refusest. I do forgive thy robbery gentle thief Although thou steal thee all my poverty: And yet love knows it is a greater grief To bear greater wrong, than hate’s known injury. Lascivious grace, in whom all ill well shows, Kill me with spites yet we must not be foes.

Sonnet 41

Those pretty wrongs that liberty commits, When I am sometime absent from thy heart, Thy beauty, and thy years full well befits, For still temptation follows where thou art. Gentle thou art, and therefore to be won, Beauteous thou art, therefore to be assailed. And when a woman woos, what woman’s son, Will sourly leave her till he have prevailed? Ay me, but yet thou mightst my seat forbear, And chide thy beauty, and thy straying youth, Who lead thee in their riot even there Where thou art forced to break a twofold truth: Hers by thy beauty tempting her to thee, Thine by thy beauty being false to me.

Sonnet 42

That thou hast her it is not all my grief, And yet it may be said I loved her dearly, That she hath thee is of my wailing chief, A loss in love that touches me more nearly. Loving offenders thus I will excuse ye, Thou dost love her, because thou know’st I love her, And for my sake even so doth she abuse me, Suff’ring my friend for my sake to approve her. If I lose thee, my loss is my love’s gain, And losing her, my friend hath found that loss, Both find each other, and I lose both twain, And both for my sake lay on me this cross, But here’s the joy, my friend and I are one, Sweet flattery, then she loves but me alone.

Sonnet 43

When most I wink then do mine eyes best see, For all the day they view things unrespected, But when I sleep, in dreams they look on thee, And darkly bright, are bright in dark directed. Then thou whose shadow shadows doth make bright How would thy shadow’s form, form happy show, To the clear day with thy much clearer light, When to unseeing eyes thy shade shines so! How would (I say) mine eyes be blessed made, By looking on thee in the living day, When in dead night thy fair imperfect shade, Through heavy sleep on sightless eyes doth stay! All days are nights to see till I see thee, And nights bright days when dreams do show thee me.

Sonnet 44

If the dull substance of my flesh were thought, Injurious distance should not stop my way, For then despite of space I would be brought, From limits far remote, where thou dost stay, No matter then although my foot did stand Upon the farthest earth removed from thee, For nimble thought can jump both sea and land, As soon as think the place where he would be. But ah, thought kills me that I am not thought To leap large lengths of miles when thou art gone, But that so much of earth and water wrought, I must attend, time’s leisure with my moan. Receiving nought by elements so slow, But heavy tears, badges of either’s woe.

Sonnet 45

The other two, slight air, and purging fire, Are both with thee, wherever I abide, The first my thought, the other my desire, These present-absent with swift motion slide. For when these quicker elements are gone In tender embassy of love to thee, My life being made of four, with two alone, Sinks down to death, oppressed with melancholy. Until life’s composition be recured, By those swift messengers returned from thee, Who even but now come back again assured, Of thy fair health, recounting it to me. This told, I joy, but then no longer glad, I send them back again and straight grow sad.

Sonnet 46

Mine eye and heart are at a mortal war, How to divide the conquest of thy sight, Mine eye, my heart thy picture’s sight would bar, My heart, mine eye the freedom of that right, My heart doth plead that thou in him dost lie, A closet never pierced with crystal eyes; But the defendant doth that plea deny, And says in him thy fair appearance lies. To side this title is impanelled A quest of thoughts, all tenants to the heart, And by their verdict is determined The clear eye’s moiety, and the dear heart’s part. As thus, mine eye’s due is thy outward part, And my heart’s right, thy inward love of heart.

Sonnet 47

Betwixt mine eye and heart a league is took, And each doth good turns now unto the other, When that mine eye is famished for a look, Or heart in love with sighs himself doth smother; With my love’s picture then my eye doth feast, And to the painted banquet bids my heart: Another time mine eye is my heart’s guest, And in his thoughts of love doth share a part. So either by thy picture or my love, Thyself away, art present still with me, For thou not farther than my thoughts canst move, And I am still with them, and they with thee. Or if they sleep, thy picture in my sight Awakes my heart, to heart’s and eye’s delight.

Sonnet 48

How careful was I when I took my way, Each trifle under truest bars to thrust, That to my use it might unused stay From hands of falsehood, in sure wards of trust! But thou, to whom my jewels trifles are, Most worthy comfort, now my greatest grief, Thou best of dearest, and mine only care, Art left the prey of every vulgar thief. Thee have I not locked up in any chest, Save where thou art not, though I feel thou art, Within the gentle closure of my breast, From whence at pleasure thou mayst come and part, And even thence thou wilt be stol’n I fear, For truth proves thievish for a prize so dear.

Sonnet 49

Against that time (if ever that time come) When I shall see thee frown on my defects, When as thy love hath cast his utmost sum, Called to that audit by advised respects, Against that time when thou shalt strangely pass, And scarcely greet me with that sun thine eye, When love converted from the thing it was Shall reasons find of settled gravity; Against that time do I ensconce me here Within the knowledge of mine own desert, And this my hand, against my self uprear, To guard the lawful reasons on thy part, To leave poor me, thou hast the strength of laws, Since why to love, I can allege no cause.

Sonnet 50

How heavy do I journey on the way, When what I seek (my weary travel’s end) Doth teach that case and that repose to say ’Thus far the miles are measured from thy friend.’ The beast that bears me, tired with my woe, Plods dully on, to bear that weight in me, As if by some instinct the wretch did know His rider loved not speed being made from thee: The bloody spur cannot provoke him on, That sometimes anger thrusts into his hide, Which heavily he answers with a groan, More sharp to me than spurring to his side, For that same groan doth put this in my mind, My grief lies onward and my joy behind.

Sonnet 51

Thus can my love excuse the slow offence, Of my dull bearer, when from thee I speed, From where thou art, why should I haste me thence? Till I return of posting is no need. O what excuse will my poor beast then find, When swift extremity can seem but slow? Then should I spur though mounted on the wind, In winged speed no motion shall I know, Then can no horse with my desire keep pace, Therefore desire (of perfect’st love being made) Shall neigh no dull flesh in his fiery race, But love, for love, thus shall excuse my jade: Since from thee going, he went wilful-slow, Towards thee I’ll run, and give him leave to go.

Sonnet 52

So am I as the rich whose blessed key, Can bring him to his sweet up-locked treasure, The which he will not every hour survey, For blunting the fine point of seldom pleasure. Therefore are feasts so solemn and so rare, Since seldom coming in that long year set, Like stones of worth they thinly placed are, Or captain jewels in the carcanet. So is the time that keeps you as my chest Or as the wardrobe which the robe doth hide, To make some special instant special-blest, By new unfolding his imprisoned pride. Blessed are you whose worthiness gives scope, Being had to triumph, being lacked to hope.

Sonnet 53

What is your substance, whereof are you made, That millions of strange shadows on you tend? Since every one, hath every one, one shade, And you but one, can every shadow lend: Describe Adonis and the counterfeit, Is poorly imitated after you, On Helen’s cheek all art of beauty set, And you in Grecian tires are painted new: Speak of the spring, and foison of the year, The one doth shadow of your beauty show, The other as your bounty doth appear, And you in every blessed shape we know. In all external grace you have some part, But you like none, none you for constant heart.

Sonnet 54

O how much more doth beauty beauteous seem, By that sweet ornament which truth doth give! The rose looks fair, but fairer we it deem For that sweet odour, which doth in it live: The canker blooms have full as deep a dye, As the perfumed tincture of the roses, Hang on such thorns, and play as wantonly, When summer’s breath their masked buds discloses: But for their virtue only is their show, They live unwooed, and unrespected fade, Die to themselves. Sweet roses do not so, Of their sweet deaths, are sweetest odours made: And so of you, beauteous and lovely youth, When that shall fade, my verse distills your truth.

Sonnet 55

Not marble, nor the gilded monuments Of princes shall outlive this powerful rhyme, But you shall shine more bright in these contents Than unswept stone, besmeared with sluttish time. When wasteful war shall statues overturn, And broils root out the work of masonry, Nor Mars his sword, nor war’s quick fire shall burn: The living record of your memory. ’Gainst death, and all-oblivious enmity Shall you pace forth, your praise shall still find room, Even in the eyes of all posterity That wear this world out to the ending doom. So till the judgement that yourself arise, You live in this, and dwell in lovers’ eyes.

Sonnet 56

Sweet love renew thy force, be it not said Thy edge should blunter be than appetite, Which but to-day by feeding is allayed, To-morrow sharpened in his former might. So love be thou, although to-day thou fill Thy hungry eyes, even till they wink with fulness, To-morrow see again, and do not kill The spirit of love, with a perpetual dulness: Let this sad interim like the ocean be Which parts the shore, where two contracted new, Come daily to the banks, that when they see: Return of love, more blest may be the view. Or call it winter, which being full of care, Makes summer’s welcome, thrice more wished, more rare.

Sonnet 57

Being your slave what should I do but tend, Upon the hours, and times of your desire? I have no precious time at all to spend; Nor services to do till you require. Nor dare I chide the world-without-end hour, Whilst I (my sovereign) watch the clock for you, Nor think the bitterness of absence sour, When you have bid your servant once adieu. Nor dare I question with my jealous thought, Where you may be, or your affairs suppose, But like a sad slave stay and think of nought Save where you are, how happy you make those. So true a fool is love, that in your will, (Though you do any thing) he thinks no ill.

Sonnet 58

That god forbid, that made me first your slave, I should in thought control your times of pleasure, Or at your hand th’ account of hours to crave, Being your vassal bound to stay your leisure. O let me suffer (being at your beck) Th’ imprisoned absence of your liberty, And patience tame to sufferance bide each check, Without accusing you of injury. Be where you list, your charter is so strong, That you yourself may privilage your time To what you will, to you it doth belong, Yourself to pardon of self-doing crime. I am to wait, though waiting so be hell, Not blame your pleasure be it ill or well.

Sonnet 59

If there be nothing new, but that which is, Hath been before, how are our brains beguiled, Which labouring for invention bear amiss The second burthen of a former child! O that record could with a backward look, Even of five hundred courses of the sun, Show me your image in some antique book, Since mind at first in character was done. That I might see what the old world could say, To this composed wonder of your frame, Whether we are mended, or whether better they, Or whether revolution be the same. O sure I am the wits of former days, To subjects worse have given admiring praise.

Sonnet 60

Like as the waves make towards the pebbled shore, So do our minutes hasten to their end, Each changing place with that which goes before, In sequent toil all forwards do contend. Nativity once in the main of light, Crawls to maturity, wherewith being crowned, Crooked eclipses ’gainst his glory fight, And Time that gave, doth now his gift confound. Time doth transfix the flourish set on youth, And delves the parallels in beauty’s brow, Feeds on the rarities of nature’s truth, And nothing stands but for his scythe to mow. And yet to times in hope, my verse shall stand Praising thy worth, despite his cruel hand.

Sonnet 61

Is it thy will, thy image should keep open My heavy eyelids to the weary night? Dost thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou send’st from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenure of thy jealousy? O no, thy love though much, is not so great, It is my love that keeps mine eye awake, Mine own true love that doth my rest defeat, To play the watchman ever for thy sake. For thee watch I, whilst thou dost wake elsewhere, From me far off, with others all too near.

Sonnet 62

Sin of self-love possesseth all mine eye, And all my soul, and all my every part; And for this sin there is no remedy, It is so grounded inward in my heart. Methinks no face so gracious is as mine, No shape so true, no truth of such account, And for my self mine own worth do define, As I all other in all worths surmount. But when my glass shows me my self indeed beated and chopt with tanned antiquity, Mine own self-love quite contrary I read: Self, so self-loving were iniquity. ’Tis thee, myself, that for myself I praise, Painting my age with beauty of thy days.

Sonnet 63

Against my love shall be as I am now With Time’s injurious hand crushed and o’erworn, When hours have drained his blood and filled his brow With lines and wrinkles, when his youthful morn Hath travelled on to age’s steepy night, And all those beauties whereof now he’s king Are vanishing, or vanished out of sight, Stealing away the treasure of his spring: For such a time do I now fortify Against confounding age’s cruel knife, That he shall never cut from memory My sweet love’s beauty, though my lover’s life. His beauty shall in these black lines be seen, And they shall live, and he in them still green.

Sonnet 64

When I have seen by Time’s fell hand defaced The rich-proud cost of outworn buried age, When sometime lofty towers I see down-rased, And brass eternal slave to mortal rage. When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increasing store with loss, and loss with store. When I have seen such interchange of State, Or state it self confounded, to decay, Ruin hath taught me thus to ruminate: That Time will come and take my love away. This thought is as a death which cannot choose But weep to have, that which it fears to lose.

Sonnet 65

Since brass, nor stone, nor earth, nor boundless sea, But sad mortality o’ersways their power, How with this rage shall beauty hold a plea, Whose action is no stronger than a flower? O how shall summer’s honey breath hold out, Against the wrackful siege of batt’ring days, When rocks impregnable are not so stout, Nor gates of steel so strong but time decays? O fearful meditation, where alack, Shall Time’s best jewel from Time’s chest lie hid? Or what strong hand can hold his swift foot back, Or who his spoil of beauty can forbid? O none, unless this miracle have might, That in black ink my love may still shine bright.

Sonnet 66

Tired with all these, for restful death I cry: As to behold desert a beggar born, And needy nothing trimmed in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled And art made tongue-tied by authority, And folly, doctor-like, controlling skill, And simple truth miscalled simplicity, And captive good attending captain ill. Tired with all these, from these would I be gone, Save that to die, I leave my love alone.

Sonnet 67

Ah wherefore with infection should he live, And with his presence grace impiety, That sin by him advantage should achieve, And lace it self with his society? Why should false painting imitate his cheek, And steal dead seeming of his living hue? Why should poor beauty indirectly seek, Roses of shadow, since his rose is true? Why should he live, now nature bankrupt is, Beggared of blood to blush through lively veins, For she hath no exchequer now but his, And proud of many, lives upon his gains? O him she stores, to show what wealth she had, In days long since, before these last so bad.

Sonnet 68

Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now, Before these bastard signs of fair were born, Or durst inhabit on a living brow: Before the golden tresses of the dead, The right of sepulchres, were shorn away, To live a second life on second head, Ere beauty’s dead fleece made another gay: In him those holy antique hours are seen, Without all ornament, it self and true, Making no summer of another’s green, Robbing no old to dress his beauty new, And him as for a map doth Nature store, To show false Art what beauty was of yore.

Sonnet 69

Those parts of thee that the world’s eye doth view, Want nothing that the thought of hearts can mend: All tongues, the voice of souls, give thee that due, Uttering bare truth, even so as foes commend. Thy outward thus with outward praise is crowned, But those same tongues that give thee so thine own, In other accents do this praise confound By seeing farther than the eye hath shown. They look into the beauty of thy mind, And that in guess they measure by thy deeds, Then churls their thoughts (although their eyes were kind) To thy fair flower add the rank smell of weeds: But why thy odour matcheth not thy show, The soil is this, that thou dost common grow.

Sonnet 70

That thou art blamed shall not be thy defect, For slander’s mark was ever yet the fair, The ornament of beauty is suspect, A crow that flies in heaven’s sweetest air. So thou be good, slander doth but approve, Thy worth the greater being wooed of time, For canker vice the sweetest buds doth love, And thou present’st a pure unstained prime. Thou hast passed by the ambush of young days, Either not assailed, or victor being charged, Yet this thy praise cannot be so thy praise, To tie up envy, evermore enlarged, If some suspect of ill masked not thy show, Then thou alone kingdoms of hearts shouldst owe.

Sonnet 71

No longer mourn for me when I am dead, Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world with vilest worms to dwell: Nay if you read this line, remember not, The hand that writ it, for I love you so, That I in your sweet thoughts would be forgot, If thinking on me then should make you woe. O if, I say, you look upon this verse, When I (perhaps) compounded am with clay, Do not so much as my poor name rehearse; But let your love even with my life decay. Lest the wise world should look into your moan, And mock you with me after I am gone.

Sonnet 72

O lest the world should task you to recite, What merit lived in me that you should love After my death, dear love, forget me quite, For you in me can nothing worthy prove. Unless you would devise some virtuous lie, To do more for me than mine own desert, And hang more praise upon deceased I, Than niggard truth would willingly impart: O lest your true love may seem false in this, That you for love speak well of me untrue, My name be buried where my body is, And live no more to shame nor me, nor you. For I am shamed by that which I bring forth, And so should you, to love things nothing worth.

Sonnet 73

That time of year thou mayst in me behold, When yellow leaves, or none, or few do hang Upon those boughs which shake against the cold, Bare ruined choirs, where late the sweet birds sang. In me thou seest the twilight of such day, As after sunset fadeth in the west, Which by and by black night doth take away, Death’s second self that seals up all in rest. In me thou seest the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed, whereon it must expire, Consumed with that which it was nourished by. This thou perceiv’st, which makes thy love more strong, To love that well, which thou must leave ere long.

Sonnet 74

But be contented when that fell arrest, Without all bail shall carry me away, My life hath in this line some interest, Which for memorial still with thee shall stay. When thou reviewest this, thou dost review, The very part was consecrate to thee, The earth can have but earth, which is his due, My spirit is thine the better part of me, So then thou hast but lost the dregs of life, The prey of worms, my body being dead, The coward conquest of a wretch’s knife, Too base of thee to be remembered, The worth of that, is that which it contains, And that is this, and this with thee remains.

Sonnet 75

So are you to my thoughts as food to life, Or as sweet-seasoned showers are to the ground; And for the peace of you I hold such strife As ’twixt a miser and his wealth is found. Now proud as an enjoyer, and anon Doubting the filching age will steal his treasure, Now counting best to be with you alone, Then bettered that the world may see my pleasure, Sometime all full with feasting on your sight, And by and by clean starved for a look, Possessing or pursuing no delight Save what is had, or must from you be took. Thus do I pine and surfeit day by day, Or gluttoning on all, or all away.

Sonnet 76

Why is my verse so barren of new pride? So far from variation or quick change? Why with the time do I not glance aside To new-found methods, and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth, and where they did proceed? O know sweet love I always write of you, And you and love are still my argument: So all my best is dressing old words new, Spending again what is already spent: For as the sun is daily new and old, So is my love still telling what is told.

Sonnet 77

Thy glass will show thee how thy beauties wear, Thy dial how thy precious minutes waste, These vacant leaves thy mind’s imprint will bear, And of this book, this learning mayst thou taste. The wrinkles which thy glass will truly show, Of mouthed graves will give thee memory, Thou by thy dial’s shady stealth mayst know, Time’s thievish progress to eternity. Look what thy memory cannot contain, Commit to these waste blanks, and thou shalt find Those children nursed, delivered from thy brain, To take a new acquaintance of thy mind. These offices, so oft as thou wilt look, Shall profit thee, and much enrich thy book.

Sonnet 78

So oft have I invoked thee for my muse, And found such fair assistance in my verse, As every alien pen hath got my use, And under thee their poesy disperse. Thine eyes, that taught the dumb on high to sing, And heavy ignorance aloft to fly, Have added feathers to the learned’s wing, And given grace a double majesty. Yet be most proud of that which I compile, Whose influence is thine, and born of thee, In others’ works thou dost but mend the style, And arts with thy sweet graces graced be. But thou art all my art, and dost advance As high as learning, my rude ignorance.

Sonnet 79

Whilst I alone did call upon thy aid, My verse alone had all thy gentle grace, But now my gracious numbers are decayed, And my sick muse doth give an other place. I grant (sweet love) thy lovely argument Deserves the travail of a worthier pen, Yet what of thee thy poet doth invent, He robs thee of, and pays it thee again, He lends thee virtue, and he stole that word, From thy behaviour, beauty doth he give And found it in thy cheek: he can afford No praise to thee, but what in thee doth live. Then thank him not for that which he doth say, Since what he owes thee, thou thyself dost pay.

Sonnet 80

O how I faint when I of you do write, Knowing a better spirit doth use your name, And in the praise thereof spends all his might, To make me tongue-tied speaking of your fame. But since your worth, wide as the ocean is, The humble as the proudest sail doth bear, My saucy bark (inferior far to his) On your broad main doth wilfully appear. Your shallowest help will hold me up afloat, Whilst he upon your soundless deep doth ride, Or (being wrecked) I am a worthless boat, He of tall building, and of goodly pride. Then if he thrive and I be cast away, The worst was this: my love was my decay.

Sonnet 81

Or I shall live your epitaph to make, Or you survive when I in earth am rotten, From hence your memory death cannot take, Although in me each part will be forgotten. Your name from hence immortal life shall have, Though I (once gone) to all the world must die, The earth can yield me but a common grave, When you entombed in men’s eyes shall lie, Your monument shall be my gentle verse, Which eyes not yet created shall o’er-read, And tongues to be, your being shall rehearse, When all the breathers of this world are dead, You still shall live, such virtue hath my pen, Where breath most breathes, even in the mouths of men.

Sonnet 82

I grant thou wert not married to my muse, And therefore mayst without attaint o’erlook The dedicated words which writers use Of their fair subject, blessing every book. Thou art as fair in knowledge as in hue, Finding thy worth a limit past my praise, And therefore art enforced to seek anew, Some fresher stamp of the time-bettering days. And do so love, yet when they have devised, What strained touches rhetoric can lend, Thou truly fair, wert truly sympathized, In true plain words, by thy true-telling friend. And their gross painting might be better used, Where cheeks need blood, in thee it is abused.

Sonnet 83

I never saw that you did painting need, And therefore to your fair no painting set, I found (or thought I found) you did exceed, That barren tender of a poet’s debt: And therefore have I slept in your report, That you yourself being extant well might show, How far a modern quill doth come too short, Speaking of worth, what worth in you doth grow. This silence for my sin you did impute, Which shall be most my glory being dumb, For I impair not beauty being mute, When others would give life, and bring a tomb. There lives more life in one of your fair eyes, Than both your poets can in praise devise.

Sonnet 84

Who is it that says most, which can say more, Than this rich praise: that you alone are you, In whose confine immured is the store, Which should example where your equal grew. Lean penury within that pen doth dwell, That to his subject lends not some small glory, But he that writes of you, if he can tell, That you are you, so dignifies his story. Let him but copy what in you is writ, Not making worse what nature made so clear, And such a counterpart shall fame his wit, Making his style admired every where. You to your beauteous blessings add a curse, Being fond on praise, which makes your praises worse.

Sonnet 85

My tongue-tied muse in manners holds her still, While comments of your praise richly compiled, Reserve their character with golden quill, And precious phrase by all the Muses filed. I think good thoughts, whilst other write good words, And like unlettered clerk still cry Amen, To every hymn that able spirit affords, In polished form of well refined pen. Hearing you praised, I say ’tis so, ’tis true, And to the most of praise add something more, But that is in my thought, whose love to you (Though words come hindmost) holds his rank before, Then others, for the breath of words respect, Me for my dumb thoughts, speaking in effect.

Sonnet 86

Was it the proud full sail of his great verse, Bound for the prize of (all too precious) you, That did my ripe thoughts in my brain inhearse, Making their tomb the womb wherein they grew? Was it his spirit, by spirits taught to write, Above a mortal pitch, that struck me dead? No, neither he, nor his compeers by night Giving him aid, my verse astonished. He nor that affable familiar ghost Which nightly gulls him with intelligence, As victors of my silence cannot boast, I was not sick of any fear from thence. But when your countenance filled up his line, Then lacked I matter, that enfeebled mine.

Sonnet 87

Farewell! thou art too dear for my possessing, And like enough thou know’st thy estimate, The charter of thy worth gives thee releasing: My bonds in thee are all determinate. For how do I hold thee but by thy granting, And for that riches where is my deserving? The cause of this fair gift in me is wanting, And so my patent back again is swerving. Thyself thou gav’st, thy own worth then not knowing, Or me to whom thou gav’st it, else mistaking, So thy great gift upon misprision growing, Comes home again, on better judgement making. Thus have I had thee as a dream doth flatter, In sleep a king, but waking no such matter.

Sonnet 88

When thou shalt be disposed to set me light, And place my merit in the eye of scorn, Upon thy side, against my self I’ll fight, And prove thee virtuous, though thou art forsworn: With mine own weakness being best acquainted, Upon thy part I can set down a story Of faults concealed, wherein I am attainted: That thou in losing me, shalt win much glory: And I by this will be a gainer too, For bending all my loving thoughts on thee, The injuries that to my self I do, Doing thee vantage, double-vantage me. Such is my love, to thee I so belong, That for thy right, my self will bear all wrong.

Sonnet 89

Say that thou didst forsake me for some fault, And I will comment upon that offence, Speak of my lameness, and I straight will halt: Against thy reasons making no defence. Thou canst not (love) disgrace me half so ill, To set a form upon desired change, As I’ll my self disgrace, knowing thy will, I will acquaintance strangle and look strange: Be absent from thy walks and in my tongue, Thy sweet beloved name no more shall dwell, Lest I, too much profane, should do it wrong, And haply of our old acquaintance tell. For thee, against my self I’ll vow debate, For I must ne’er love him whom thou dost hate.

Sonnet 90

Then hate me when thou wilt, if ever, now, Now while the world is bent my deeds to cross, join with the spite of fortune, make me bow, And do not drop in for an after-loss: Ah do not, when my heart hath ’scaped this sorrow, Come in the rearward of a conquered woe, Give not a windy night a rainy morrow, To linger out a purposed overthrow. If thou wilt leave me, do not leave me last, When other petty griefs have done their spite, But in the onset come, so shall I taste At first the very worst of fortune’s might. And other strains of woe, which now seem woe, Compared with loss of thee, will not seem so.

Sonnet 91

Some glory in their birth, some in their skill, Some in their wealth, some in their body’s force, Some in their garments though new-fangled ill: Some in their hawks and hounds, some in their horse. And every humour hath his adjunct pleasure, Wherein it finds a joy above the rest, But these particulars are not my measure, All these I better in one general best. Thy love is better than high birth to me, Richer than wealth, prouder than garments’ costs, Of more delight than hawks and horses be: And having thee, of all men’s pride I boast. Wretched in this alone, that thou mayst take, All this away, and me most wretched make.

Sonnet 92

But do thy worst to steal thyself away, For term of life thou art assured mine, And life no longer than thy love will stay, For it depends upon that love of thine. Then need I not to fear the worst of wrongs, When in the least of them my life hath end, I see, a better state to me belongs Than that, which on thy humour doth depend. Thou canst not vex me with inconstant mind, Since that my life on thy revolt doth lie, O what a happy title do I find, Happy to have thy love, happy to die! But what’s so blessed-fair that fears no blot? Thou mayst be false, and yet I know it not.

Sonnet 93

So shall I live, supposing thou art true, Like a deceived husband, so love’s face, May still seem love to me, though altered new: Thy looks with me, thy heart in other place. For there can live no hatred in thine eye, Therefore in that I cannot know thy change, In many’s looks, the false heart’s history Is writ in moods and frowns and wrinkles strange. But heaven in thy creation did decree, That in thy face sweet love should ever dwell, Whate’er thy thoughts, or thy heart’s workings be, Thy looks should nothing thence, but sweetness tell. How like Eve’s apple doth thy beauty grow, If thy sweet virtue answer not thy show.

Sonnet 94

They that have power to hurt, and will do none, That do not do the thing, they most do show, Who moving others, are themselves as stone, Unmoved, cold, and to temptation slow: They rightly do inherit heaven’s graces, And husband nature’s riches from expense, They are the lords and owners of their faces, Others, but stewards of their excellence: The summer’s flower is to the summer sweet, Though to it self, it only live and die, But if that flower with base infection meet, The basest weed outbraves his dignity: For sweetest things turn sourest by their deeds, Lilies that fester, smell far worse than weeds.

Sonnet 95

How sweet and lovely dost thou make the shame, Which like a canker in the fragrant rose, Doth spot the beauty of thy budding name! O in what sweets dost thou thy sins enclose! That tongue that tells the story of thy days, (Making lascivious comments on thy sport) Cannot dispraise, but in a kind of praise, Naming thy name, blesses an ill report. O what a mansion have those vices got, Which for their habitation chose out thee, Where beauty’s veil doth cover every blot, And all things turns to fair, that eyes can see! Take heed (dear heart) of this large privilege, The hardest knife ill-used doth lose his edge.

Sonnet 96

Some say thy fault is youth, some wantonness, Some say thy grace is youth and gentle sport, Both grace and faults are loved of more and less: Thou mak’st faults graces, that to thee resort: As on the finger of a throned queen, The basest jewel will be well esteemed: So are those errors that in thee are seen, To truths translated, and for true things deemed. How many lambs might the stern wolf betray, If like a lamb he could his looks translate! How many gazers mightst thou lead away, If thou wouldst use the strength of all thy state! But do not so, I love thee in such sort, As thou being mine, mine is thy good report.

Sonnet 97

How like a winter hath my absence been From thee, the pleasure of the fleeting year! What freezings have I felt, what dark days seen! What old December’s bareness everywhere! And yet this time removed was summer’s time, The teeming autumn big with rich increase, Bearing the wanton burden of the prime, Like widowed wombs after their lords’ decease: Yet this abundant issue seemed to me But hope of orphans, and unfathered fruit, For summer and his pleasures wait on thee, And thou away, the very birds are mute. Or if they sing, ’tis with so dull a cheer, That leaves look pale, dreading the winter’s near.

Sonnet 98

From you have I been absent in the spring, When proud-pied April (dressed in all his trim) Hath put a spirit of youth in every thing: That heavy Saturn laughed and leaped with him. Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer’s story tell: Or from their proud lap pluck them where they grew: Nor did I wonder at the lily’s white, Nor praise the deep vermilion in the rose, They were but sweet, but figures of delight: Drawn after you, you pattern of all those. Yet seemed it winter still, and you away, As with your shadow I with these did play.

Sonnet 99

The forward violet thus did I chide, Sweet thief, whence didst thou steal thy sweet that smells, If not from my love’s breath? The purple pride Which on thy soft cheek for complexion dwells, In my love’s veins thou hast too grossly dyed. The lily I condemned for thy hand, And buds of marjoram had stol’n thy hair, The roses fearfully on thorns did stand, One blushing shame, another white despair: A third nor red, nor white, had stol’n of both, And to his robbery had annexed thy breath, But for his theft in pride of all his growth A vengeful canker eat him up to death. More flowers I noted, yet I none could see, But sweet, or colour it had stol’n from thee.

Sonnet 100

Where art thou Muse that thou forget’st so long, To speak of that which gives thee all thy might? Spend’st thou thy fury on some worthless song, Darkening thy power to lend base subjects light? Return forgetful Muse, and straight redeem, In gentle numbers time so idly spent, Sing to the ear that doth thy lays esteem, And gives thy pen both skill and argument. Rise resty Muse, my love’s sweet face survey, If time have any wrinkle graven there, If any, be a satire to decay, And make time’s spoils despised everywhere. Give my love fame faster than Time wastes life, So thou prevent’st his scythe, and crooked knife.

Sonnet 101

O truant Muse what shall be thy amends, For thy neglect of truth in beauty dyed? Both truth and beauty on my love depends: So dost thou too, and therein dignified: Make answer Muse, wilt thou not haply say, ’Truth needs no colour with his colour fixed, Beauty no pencil, beauty’s truth to lay: But best is best, if never intermixed’? Because he needs no praise, wilt thou be dumb? Excuse not silence so, for’t lies in thee, To make him much outlive a gilded tomb: And to be praised of ages yet to be. Then do thy office Muse, I teach thee how, To make him seem long hence, as he shows now.

Sonnet 102

My love is strengthened though more weak in seeming, I love not less, though less the show appear, That love is merchandized, whose rich esteeming, The owner’s tongue doth publish every where. Our love was new, and then but in the spring, When I was wont to greet it with my lays, As Philomel in summer’s front doth sing, And stops her pipe in growth of riper days: Not that the summer is less pleasant now Than when her mournful hymns did hush the night, But that wild music burthens every bough, And sweets grown common lose their dear delight. Therefore like her, I sometime hold my tongue: Because I would not dull you with my song.

Sonnet 103

Alack what poverty my muse brings forth, That having such a scope to show her pride, The argument all bare is of more worth Than when it hath my added praise beside. O blame me not if I no more can write! Look in your glass and there appears a face, That over-goes my blunt invention quite, Dulling my lines, and doing me disgrace. Were it not sinful then striving to mend, To mar the subject that before was well? For to no other pass my verses tend, Than of your graces and your gifts to tell. And more, much more than in my verse can sit, Your own glass shows you, when you look in it.

Sonnet 104

To me fair friend you never can be old, For as you were when first your eye I eyed, Such seems your beauty still: three winters cold, Have from the forests shook three summers’ pride, Three beauteous springs to yellow autumn turned, In process of the seasons have I seen, Three April perfumes in three hot Junes burned, Since first I saw you fresh which yet are green. Ah yet doth beauty like a dial hand, Steal from his figure, and no pace perceived, So your sweet hue, which methinks still doth stand Hath motion, and mine eye may be deceived. For fear of which, hear this thou age unbred, Ere you were born was beauty’s summer dead.

Sonnet 105

Let not my love be called idolatry, Nor my beloved as an idol show, Since all alike my songs and praises be To one, of one, still such, and ever so. Kind is my love to-day, to-morrow kind, Still constant in a wondrous excellence, Therefore my verse to constancy confined, One thing expressing, leaves out difference. Fair, kind, and true, is all my argument, Fair, kind, and true, varying to other words, And in this change is my invention spent, Three themes in one, which wondrous scope affords. Fair, kind, and true, have often lived alone. Which three till now, never kept seat in one.

Sonnet 106

When in the chronicle of wasted time, I see descriptions of the fairest wights, And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights, Then in the blazon of sweet beauty’s best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have expressed, Even such a beauty as you master now. So all their praises are but prophecies Of this our time, all you prefiguring, And for they looked but with divining eyes, They had not skill enough your worth to sing: For we which now behold these present days, Have eyes to wonder, but lack tongues to praise.

Sonnet 107

Not mine own fears, nor the prophetic soul, Of the wide world, dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom. The mortal moon hath her eclipse endured, And the sad augurs mock their own presage, Incertainties now crown themselves assured, And peace proclaims olives of endless age. Now with the drops of this most balmy time, My love looks fresh, and death to me subscribes, Since spite of him I’ll live in this poor rhyme, While he insults o’er dull and speechless tribes. And thou in this shalt find thy monument, When tyrants’ crests and tombs of brass are spent.

Sonnet 108

What’s in the brain that ink may character, Which hath not figured to thee my true spirit, What’s new to speak, what now to register, That may express my love, or thy dear merit? Nothing sweet boy, but yet like prayers divine, I must each day say o’er the very same, Counting no old thing old, thou mine, I thine, Even as when first I hallowed thy fair name. So that eternal love in love’s fresh case, Weighs not the dust and injury of age, Nor gives to necessary wrinkles place, But makes antiquity for aye his page, Finding the first conceit of love there bred, Where time and outward form would show it dead.

Sonnet 109

O never say that I was false of heart, Though absence seemed my flame to qualify, As easy might I from my self depart, As from my soul which in thy breast doth lie: That is my home of love, if I have ranged, Like him that travels I return again, Just to the time, not with the time exchanged, So that my self bring water for my stain, Never believe though in my nature reigned, All frailties that besiege all kinds of blood, That it could so preposterously be stained, To leave for nothing all thy sum of good: For nothing this wide universe I call, Save thou my rose, in it thou art my all.

Sonnet 110

Alas ’tis true, I have gone here and there, And made my self a motley to the view, Gored mine own thoughts, sold cheap what is most dear, Made old offences of affections new. Most true it is, that I have looked on truth Askance and strangely: but by all above, These blenches gave my heart another youth, And worse essays proved thee my best of love. Now all is done, have what shall have no end, Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.

Sonnet 111

O for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide, Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer’s hand: Pity me then, and wish I were renewed, Whilst like a willing patient I will drink, Potions of eisel ’gainst my strong infection, No bitterness that I will bitter think, Nor double penance to correct correction. Pity me then dear friend, and I assure ye, Even that your pity is enough to cure me.

Sonnet 112

Your love and pity doth th’ impression fill, Which vulgar scandal stamped upon my brow, For what care I who calls me well or ill, So you o’er-green my bad, my good allow? You are my all the world, and I must strive, To know my shames and praises from your tongue, None else to me, nor I to none alive, That my steeled sense or changes right or wrong. In so profound abysm I throw all care Of others’ voices, that my adder’s sense, To critic and to flatterer stopped are: Mark how with my neglect I do dispense. You are so strongly in my purpose bred, That all the world besides methinks are dead.

Sonnet 113

Since I left you, mine eye is in my mind, And that which governs me to go about, Doth part his function, and is partly blind, Seems seeing, but effectually is out: For it no form delivers to the heart Of bird, of flower, or shape which it doth latch, Of his quick objects hath the mind no part, Nor his own vision holds what it doth catch: For if it see the rud’st or gentlest sight, The most sweet favour or deformed’st creature, The mountain, or the sea, the day, or night: The crow, or dove, it shapes them to your feature. Incapable of more, replete with you, My most true mind thus maketh mine untrue.

Sonnet 114

Or whether doth my mind being crowned with you Drink up the monarch’s plague this flattery? Or whether shall I say mine eye saith true, And that your love taught it this alchemy? To make of monsters, and things indigest, Such cherubins as your sweet self resemble, Creating every bad a perfect best As fast as objects to his beams assemble: O ’tis the first, ’tis flattery in my seeing, And my great mind most kingly drinks it up, Mine eye well knows what with his gust is ’greeing, And to his palate doth prepare the cup. If it be poisoned, ’tis the lesser sin, That mine eye loves it and doth first begin.

Sonnet 115

Those lines that I before have writ do lie, Even those that said I could not love you dearer, Yet then my judgement knew no reason why, My most full flame should afterwards burn clearer, But reckoning time, whose millioned accidents Creep in ’twixt vows, and change decrees of kings, Tan sacred beauty, blunt the sharp’st intents, Divert strong minds to the course of alt’ring things: Alas why fearing of time’s tyranny, Might I not then say ‘Now I love you best,’ When I was certain o’er incertainty, Crowning the present, doubting of the rest? Love is a babe, then might I not say so To give full growth to that which still doth grow.

Sonnet 116

Let me not to the marriage of true minds Admit impediments, love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wand’ring bark, Whose worth’s unknown, although his height be taken. Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come, Love alters not with his brief hours and weeks, But bears it out even to the edge of doom: If this be error and upon me proved, I never writ, nor no man ever loved.

Sonnet 117

Accuse me thus, that I have scanted all, Wherein I should your great deserts repay, Forgot upon your dearest love to call, Whereto all bonds do tie me day by day, That I have frequent been with unknown minds, And given to time your own dear-purchased right, That I have hoisted sail to all the winds Which should transport me farthest from your sight. Book both my wilfulness and errors down, And on just proof surmise, accumulate, Bring me within the level of your frown, But shoot not at me in your wakened hate: Since my appeal says I did strive to prove The constancy and virtue of your love.

Sonnet 118

Like as to make our appetite more keen With eager compounds we our palate urge, As to prevent our maladies unseen, We sicken to shun sickness when we purge. Even so being full of your ne’er-cloying sweetness, To bitter sauces did I frame my feeding; And sick of welfare found a kind of meetness, To be diseased ere that there was true needing. Thus policy in love t’ anticipate The ills that were not, grew to faults assured, And brought to medicine a healthful state Which rank of goodness would by ill be cured. But thence I learn and find the lesson true, Drugs poison him that so fell sick of you.

Sonnet 119

What potions have I drunk of Siren tears Distilled from limbecks foul as hell within, Applying fears to hopes, and hopes to fears, Still losing when I saw my self to win! What wretched errors hath my heart committed, Whilst it hath thought it self so blessed never! How have mine eyes out of their spheres been fitted In the distraction of this madding fever! O benefit of ill, now I find true That better is, by evil still made better. And ruined love when it is built anew Grows fairer than at first, more strong, far greater. So I return rebuked to my content, And gain by ills thrice more than I have spent.

Sonnet 120

That you were once unkind befriends me now, And for that sorrow, which I then did feel, Needs must I under my transgression bow, Unless my nerves were brass or hammered steel. For if you were by my unkindness shaken As I by yours, y’have passed a hell of time, And I a tyrant have no leisure taken To weigh how once I suffered in your crime. O that our night of woe might have remembered My deepest sense, how hard true sorrow hits, And soon to you, as you to me then tendered The humble salve, which wounded bosoms fits! But that your trespass now becomes a fee, Mine ransoms yours, and yours must ransom me.

Sonnet 121

’Tis better to be vile than vile esteemed, When not to be, receives reproach of being, And the just pleasure lost, which is so deemed, Not by our feeling, but by others’ seeing. For why should others’ false adulterate eyes Give salutation to my sportive blood? Or on my frailties why are frailer spies, Which in their wills count bad what I think good? No, I am that I am, and they that level At my abuses, reckon up their own, I may be straight though they themselves be bevel; By their rank thoughts, my deeds must not be shown Unless this general evil they maintain, All men are bad and in their badness reign.

Sonnet 122

Thy gift, thy tables, are within my brain Full charactered with lasting memory, Which shall above that idle rank remain Beyond all date even to eternity. Or at the least, so long as brain and heart Have faculty by nature to subsist, Till each to razed oblivion yield his part Of thee, thy record never can be missed: That poor retention could not so much hold, Nor need I tallies thy dear love to score, Therefore to give them from me was I bold, To trust those tables that receive thee more: To keep an adjunct to remember thee Were to import forgetfulness in me.

Sonnet 123

No! Time, thou shalt not boast that I do change, Thy pyramids built up with newer might To me are nothing novel, nothing strange, They are but dressings of a former sight: Our dates are brief, and therefore we admire, What thou dost foist upon us that is old, And rather make them born to our desire, Than think that we before have heard them told: Thy registers and thee I both defy, Not wond’ring at the present, nor the past, For thy records, and what we see doth lie, Made more or less by thy continual haste: This I do vow and this shall ever be, I will be true despite thy scythe and thee.

Sonnet 124

If my dear love were but the child of state, It might for Fortune’s bastard be unfathered, As subject to time’s love or to time’s hate, Weeds among weeds, or flowers with flowers gathered. No it was builded far from accident, It suffers not in smiling pomp, nor falls Under the blow of thralled discontent, Whereto th’ inviting time our fashion calls: It fears not policy that heretic, Which works on leases of short-numbered hours, But all alone stands hugely politic, That it nor grows with heat, nor drowns with showers. To this I witness call the fools of time, Which die for goodness, who have lived for crime.

Sonnet 125

Were’t aught to me I bore the canopy, With my extern the outward honouring, Or laid great bases for eternity, Which proves more short than waste or ruining? Have I not seen dwellers on form and favour Lose all, and more by paying too much rent For compound sweet; forgoing simple savour, Pitiful thrivers in their gazing spent? No, let me be obsequious in thy heart, And take thou my oblation, poor but free, Which is not mixed with seconds, knows no art, But mutual render, only me for thee. Hence, thou suborned informer, a true soul When most impeached, stands least in thy control.

Sonnet 126

O thou my lovely boy who in thy power, Dost hold Time’s fickle glass his fickle hour: Who hast by waning grown, and therein show’st, Thy lovers withering, as thy sweet self grow’st. If Nature (sovereign mistress over wrack) As thou goest onwards still will pluck thee back, She keeps thee to this purpose, that her skill May time disgrace, and wretched minutes kill. Yet fear her O thou minion of her pleasure, She may detain, but not still keep her treasure! Her audit (though delayed) answered must be, And her quietus is to render thee.

Sonnet 127

In the old age black was not counted fair, Or if it were it bore not beauty’s name: But now is black beauty’s successive heir, And beauty slandered with a bastard shame, For since each hand hath put on nature’s power, Fairing the foul with art’s false borrowed face, Sweet beauty hath no name, no holy bower, But is profaned, if not lives in disgrace. Therefore my mistress’ eyes are raven black, Her eyes so suited, and they mourners seem At such who not born fair no beauty lack, Slandering creation with a false esteem, Yet so they mourn becoming of their woe, That every tongue says beauty should look so.

Sonnet 128

How oft when thou, my music, music play’st, Upon that blessed wood whose motion sounds With thy sweet fingers when thou gently sway’st The wiry concord that mine ear confounds, Do I envy those jacks that nimble leap, To kiss the tender inward of thy hand, Whilst my poor lips which should that harvest reap, At the wood’s boldness by thee blushing stand. To be so tickled they would change their state And situation with those dancing chips, O’er whom thy fingers walk with gentle gait, Making dead wood more blest than living lips, Since saucy jacks so happy are in this, Give them thy fingers, me thy lips to kiss.

Sonnet 129

Th’ expense of spirit in a waste of shame Is lust in action, and till action, lust Is perjured, murd’rous, bloody full of blame, Savage, extreme, rude, cruel, not to trust, Enjoyed no sooner but despised straight, Past reason hunted, and no sooner had Past reason hated as a swallowed bait, On purpose laid to make the taker mad. Mad in pursuit and in possession so, Had, having, and in quest, to have extreme, A bliss in proof, and proved, a very woe; Before a joy proposed behind a dream. All this the world well knows yet none knows well, To shun the heaven that leads men to this hell.

Sonnet 130

My mistress’ eyes are nothing like the sun, Coral is far more red, than her lips red, If snow be white, why then her breasts are dun: If hairs be wires, black wires grow on her head: I have seen roses damasked, red and white, But no such roses see I in her cheeks, And in some perfumes is there more delight, Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know, That music hath a far more pleasing sound: I grant I never saw a goddess go; My mistress when she walks treads on the ground. And yet by heaven I think my love as rare, As any she belied with false compare.

Sonnet 131

Thou art as tyrannous, so as thou art, As those whose beauties proudly make them cruel; For well thou know’st to my dear doting heart Thou art the fairest and most precious jewel. Yet in good faith some say that thee behold, Thy face hath not the power to make love groan; To say they err, I dare not be so bold, Although I swear it to my self alone. And to be sure that is not false I swear, A thousand groans but thinking on thy face, One on another’s neck do witness bear Thy black is fairest in my judgement’s place. In nothing art thou black save in thy deeds, And thence this slander as I think proceeds.

Sonnet 132

Thine eyes I love, and they as pitying me, Knowing thy heart torment me with disdain, Have put on black, and loving mourners be, Looking with pretty ruth upon my pain. And truly not the morning sun of heaven Better becomes the grey cheeks of the east, Nor that full star that ushers in the even Doth half that glory to the sober west As those two mourning eyes become thy face: O let it then as well beseem thy heart To mourn for me since mourning doth thee grace, And suit thy pity like in every part. Then will I swear beauty herself is black, And all they foul that thy complexion lack.

Sonnet 133

Beshrew that heart that makes my heart to groan For that deep wound it gives my friend and me; Is’t not enough to torture me alone, But slave to slavery my sweet’st friend must be? Me from my self thy cruel eye hath taken, And my next self thou harder hast engrossed, Of him, my self, and thee I am forsaken, A torment thrice three-fold thus to be crossed: Prison my heart in thy steel bosom’s ward, But then my friend’s heart let my poor heart bail, Whoe’er keeps me, let my heart be his guard, Thou canst not then use rigour in my gaol. And yet thou wilt, for I being pent in thee, Perforce am thine and all that is in me.

Sonnet 134

So now I have confessed that he is thine, And I my self am mortgaged to thy will, My self I’ll forfeit, so that other mine, Thou wilt restore to be my comfort still: But thou wilt not, nor he will not be free, For thou art covetous, and he is kind, He learned but surety-like to write for me, Under that bond that him as fist doth bind. The statute of thy beauty thou wilt take, Thou usurer that put’st forth all to use, And sue a friend, came debtor for my sake, So him I lose through my unkind abuse. Him have I lost, thou hast both him and me, He pays the whole, and yet am I not free.

Sonnet 135

Whoever hath her wish, thou hast thy will, And Will to boot, and Will in overplus, More than enough am I that vex thee still, To thy sweet will making addition thus. Wilt thou whose will is large and spacious, Not once vouchsafe to hide my will in thine? Shall will in others seem right gracious, And in my will no fair acceptance shine? The sea all water, yet receives rain still, And in abundance addeth to his store, So thou being rich in will add to thy will One will of mine to make thy large will more. Let no unkind, no fair beseechers kill, Think all but one, and me in that one Will.

Sonnet 136

If thy soul check thee that I come so near, Swear to thy blind soul that I was thy Will, And will thy soul knows is admitted there, Thus far for love, my love-suit sweet fulfil. Will will fulfil the treasure of thy love, Ay, fill it full with wills, and my will one, In things of great receipt with case we prove, Among a number one is reckoned none. Then in the number let me pass untold, Though in thy store’s account I one must be, For nothing hold me, so it please thee hold, That nothing me, a something sweet to thee. Make but my name thy love, and love that still, And then thou lov’st me for my name is Will.

Sonnet 137

Thou blind fool Love, what dost thou to mine eyes, That they behold and see not what they see? They know what beauty is, see where it lies, Yet what the best is, take the worst to be. If eyes corrupt by over-partial looks, Be anchored in the bay where all men ride, Why of eyes’ falsehood hast thou forged hooks, Whereto the judgement of my heart is tied? Why should my heart think that a several plot, Which my heart knows the wide world’s common place? Or mine eyes seeing this, say this is not To put fair truth upon so foul a face? In things right true my heart and eyes have erred, And to this false plague are they now transferred.

Sonnet 138

When my love swears that she is made of truth, I do believe, her though I know she lies, That she might think me some untutored youth, Unlearned in the world’s false subtleties. Thus vainly thinking that she thinks me young, Although she knows my days are past the best, Simply I credit her false-speaking tongue; On both sides thus is simple truth suppressed. But wherefore says she not she is unjust? And wherefore say not I that I am old? O love’s best habit is in seeming trust, And age in love loves not to have years told. Therefore I lie with her, and she with me, And in our faults by lies we flattered be.

Sonnet 139

O call not me to justify the wrong, That thy unkindness lays upon my heart, Wound me not with thine eye but with thy tongue, Use power with power, and slay me not by art, Tell me thou lov’st elsewhere; but in my sight, Dear heart forbear to glance thine eye aside, What need’st thou wound with cunning when thy might Is more than my o’erpressed defence can bide? Let me excuse thee, ah my love well knows, Her pretty looks have been mine enemies, And therefore from my face she turns my foes, That they elsewhere might dart their injuries: Yet do not so, but since I am near slain, Kill me outright with looks, and rid my pain.

Sonnet 140

Be wise as thou art cruel, do not press My tongue-tied patience with too much disdain: Lest sorrow lend me words and words express, The manner of my pity-wanting pain. If I might teach thee wit better it were, Though not to love, yet love to tell me so, As testy sick men when their deaths be near, No news but health from their physicians know. For if I should despair I should grow mad, And in my madness might speak ill of thee, Now this ill-wresting world is grown so bad, Mad slanderers by mad ears believed be. That I may not be so, nor thou belied, Bear thine eyes straight, though thy proud heart go wide.

Sonnet 141

In faith I do not love thee with mine eyes, For they in thee a thousand errors note, But ’tis my heart that loves what they despise, Who in despite of view is pleased to dote. Nor are mine ears with thy tongue’s tune delighted, Nor tender feeling to base touches prone, Nor taste, nor smell, desire to be invited To any sensual feast with thee alone: But my five wits, nor my five senses can Dissuade one foolish heart from serving thee, Who leaves unswayed the likeness of a man, Thy proud heart’s slave and vassal wretch to be: Only my plague thus far I count my gain, That she that makes me sin, awards me pain.

Sonnet 142

Love is my sin, and thy dear virtue hate, Hate of my sin, grounded on sinful loving, O but with mine, compare thou thine own state, And thou shalt find it merits not reproving, Or if it do, not from those lips of thine, That have profaned their scarlet ornaments, And sealed false bonds of love as oft as mine, Robbed others’ beds’ revenues of their rents. Be it lawful I love thee as thou lov’st those, Whom thine eyes woo as mine importune thee, Root pity in thy heart that when it grows, Thy pity may deserve to pitied be. If thou dost seek to have what thou dost hide, By self-example mayst thou be denied.

Sonnet 143

Lo as a careful huswife runs to catch, One of her feathered creatures broke away, Sets down her babe and makes all swift dispatch In pursuit of the thing she would have stay: Whilst her neglected child holds her in chase, Cries to catch her whose busy care is bent, To follow that which flies before her face: Not prizing her poor infant’s discontent; So run’st thou after that which flies from thee, Whilst I thy babe chase thee afar behind, But if thou catch thy hope turn back to me: And play the mother’s part, kiss me, be kind. So will I pray that thou mayst have thy Will, If thou turn back and my loud crying still.

Sonnet 144

Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride. And whether that my angel be turned fiend Suspect I may, yet not directly tell; But being both from me both to each friend, I guess one angel in another’s hell. Yet this shall I ne’er know, but live in doubt, Till my bad angel fire my good one out.

Sonnet 145

Those lips that Love’s own hand did make, Breathed forth the sound that said ‘I hate’, To me that languished for her sake: But when she saw my woeful state, Straight in her heart did mercy come, Chiding that tongue that ever sweet, Was used in giving gentle doom: And taught it thus anew to greet: ‘I hate’ she altered with an end, That followed it as gentle day, Doth follow night who like a fiend From heaven to hell is flown away. ‘I hate’, from hate away she threw, And saved my life saying ‘not you’.

Sonnet 146

Poor soul the centre of my sinful earth, My sinful earth these rebel powers array, Why dost thou pine within and suffer dearth Painting thy outward walls so costly gay? Why so large cost having so short a lease, Dost thou upon thy fading mansion spend? Shall worms inheritors of this excess Eat up thy charge? is this thy body’s end? Then soul live thou upon thy servant’s loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be rich no more, So shall thou feed on death, that feeds on men, And death once dead, there’s no more dying then.

Sonnet 147

My love is as a fever longing still, For that which longer nurseth the disease, Feeding on that which doth preserve the ill, Th’ uncertain sickly appetite to please: My reason the physician to my love, Angry that his prescriptions are not kept Hath left me, and I desperate now approve, Desire is death, which physic did except. Past cure I am, now reason is past care, And frantic-mad with evermore unrest, My thoughts and my discourse as mad men’s are, At random from the truth vainly expressed. For I have sworn thee fair, and thought thee bright, Who art as black as hell, as dark as night.

Sonnet 148

O me! what eyes hath love put in my head, Which have no correspondence with true sight, Or if they have, where is my judgement fled, That censures falsely what they see aright? If that be fair whereon my false eyes dote, What means the world to say it is not so? If it be not, then love doth well denote, Love’s eye is not so true as all men’s: no, How can it? O how can love’s eye be true, That is so vexed with watching and with tears? No marvel then though I mistake my view, The sun it self sees not, till heaven clears. O cunning love, with tears thou keep’st me blind, Lest eyes well-seeing thy foul faults should find.

Sonnet 149

Canst thou O cruel, say I love thee not, When I against my self with thee partake? Do I not think on thee when I forgot Am of my self, all-tyrant, for thy sake? Who hateth thee that I do call my friend, On whom frown’st thou that I do fawn upon, Nay if thou lour’st on me do I not spend Revenge upon my self with present moan? What merit do I in my self respect, That is so proud thy service to despise, When all my best doth worship thy defect, Commanded by the motion of thine eyes? But love hate on for now I know thy mind, Those that can see thou lov’st, and I am blind.

Sonnet 150

O from what power hast thou this powerful might, With insufficiency my heart to sway, To make me give the lie to my true sight, And swear that brightness doth not grace the day? Whence hast thou this becoming of things ill, That in the very refuse of thy deeds, There is such strength and warrantise of skill, That in my mind thy worst all best exceeds? Who taught thee how to make me love thee more, The more I hear and see just cause of hate? O though I love what others do abhor, With others thou shouldst not abhor my state. If thy unworthiness raised love in me, More worthy I to be beloved of thee.

Sonnet 151

Love is too young to know what conscience is, Yet who knows not conscience is born of love? Then gentle cheater urge not my amiss, Lest guilty of my faults thy sweet self prove. For thou betraying me, I do betray My nobler part to my gross body’s treason, My soul doth tell my body that he may, Triumph in love, flesh stays no farther reason, But rising at thy name doth point out thee, As his triumphant prize, proud of this pride, He is contented thy poor drudge to be, To stand in thy affairs, fall by thy side. No want of conscience hold it that I call, Her love, for whose dear love I rise and fall.

Sonnet 152

In loving thee thou know’st I am forsworn, But thou art twice forsworn to me love swearing, In act thy bed-vow broke and new faith torn, In vowing new hate after new love bearing: But why of two oaths’ breach do I accuse thee, When I break twenty? I am perjured most, For all my vows are oaths but to misuse thee: And all my honest faith in thee is lost. For I have sworn deep oaths of thy deep kindness: Oaths of thy love, thy truth, thy constancy, And to enlighten thee gave eyes to blindness, Or made them swear against the thing they see. For I have sworn thee fair: more perjured I, To swear against the truth so foul a lie.

Sonnet 153

Cupid laid by his brand and fell asleep, A maid of Dian’s this advantage found, And his love-kindling fire did quickly steep In a cold valley-fountain of that ground: Which borrowed from this holy fire of Love, A dateless lively heat still to endure, And grew a seething bath which yet men prove, Against strange maladies a sovereign cure: But at my mistress’ eye Love’s brand new-fired, The boy for trial needs would touch my breast, I sick withal the help of bath desired, And thither hied a sad distempered guest. But found no cure, the bath for my help lies, Where Cupid got new fire; my mistress’ eyes.

Sonnet 154

The little Love-god lying once asleep, Laid by his side his heart-inflaming brand, Whilst many nymphs that vowed chaste life to keep, Came tripping by, but in her maiden hand, The fairest votary took up that fire, Which many legions of true hearts had warmed, And so the general of hot desire, Was sleeping by a virgin hand disarmed. This brand she quenched in a cool well by, Which from Love’s fire took heat perpetual, Growing a bath and healthful remedy, For men diseased; but I, my mistress’ thrall, Came there for cure and this by that I prove, Love’s fire heats water, water cools not love. THE END

Even as the sun with purple-colour’d face Had ta’en his last leave of the weeping morn, Rose-cheek’d Adonis tried him to the chase; Hunting he lov’d, but love he laugh’d to scorn; 4 Sick-thoughted Venus makes amain unto him, And like a bold-fac’d suitor ’gins to woo him. “Thrice fairer than myself,” thus she began, “The field’s chief flower, sweet above compare, 8 Stain to all nymphs, more lovely than a man, More white and red than doves or roses are: Nature that made thee, with herself at strife, Saith that the world hath ending with thy life. 12 “Vouchsafe, thou wonder, to alight thy steed, And rein his proud head to the saddle-bow;

If thou wilt deign this favour, for thy meed A thousand honey secrets shalt thou know: 16 Here come and sit, where never serpent hisses, And being set, I’ll smother thee with kisses. “And yet not cloy thy lips with loath’d satiety, But rather famish them amid their plenty, 20 Making them red, and pale, with fresh variety: Ten kisses short as one, one long as twenty: A summer’s day will seem an hour but short, Being wasted in such time-beguiling sport.” 24 With this she seizeth on his sweating palm, The precedent of pith and livelihood, And trembling in her passion, calls it balm, Earth’s sovereign salve to do a goddess good: 28

Being so enrag’d, desire doth lend her force Courageously to pluck him from his horse. Over one arm the lusty courser’s rein, Under her other was the tender boy, 32 Who blush’d and pouted in a dull disdain, With leaden appetite, unapt to toy; She red and hot as coals of glowing fire, He red for shame, but frosty in desire. 36 The studded bridle on a ragged bough Nimbly she fastens;—O! how quick is love!— The steed is stalled up, and even now To tie the rider she begins to prove: 40 Backward she push’d him, as she would be thrust, And govern’d him in strength, though not in lust.

So soon was she along, as he was down, Each leaning on their elbows and their hips: 44 Now doth she stroke his cheek, now doth he frown, And ’gins to chide, but soon she stops his lips, And kissing speaks, with lustful language broken, “If thou wilt chide, thy lips shall never open.” 48 He burns with bashful shame, she with her tears Doth quench the maiden burning of his cheeks; Then with her windy sighs and golden hairs To fan and blow them dry again she seeks. 52 He saith she is immodest, blames her miss; What follows more, she murders with a kiss. Even as an empty eagle, sharp by fast, Tires with her beak on feathers, flesh and bone, 56

Shaking her wings, devouring all in haste, Till either gorge be stuff’d or prey be gone: Even so she kiss’d his brow, his cheek, his chin, And where she ends she doth anew begin. 60 Forc’d to content, but never to obey, Panting he lies, and breatheth in her face. She feedeth on the steam, as on a prey, And calls it heavenly moisture, air of grace, 64 Wishing her cheeks were gardens full of flowers So they were dew’d with such distilling showers. Look how a bird lies tangled in a net, So fasten’d in her arms Adonis lies; 68 Pure shame and aw’d resistance made him fret, Which bred more beauty in his angry eyes:

Rain added to a river that is rank Perforce will force it overflow the bank. 72 Still she entreats, and prettily entreats, For to a pretty ear she tunes her tale. Still is he sullen, still he lours and frets, ’Twixt crimson shame and anger ashy pale; 76 Being red she loves him best, and being white, Her best is better’d with a more delight. Look how he can, she cannot choose but love; And by her fair immortal hand she swears, 80 From his soft bosom never to remove, Till he take truce with her contending tears, Which long have rain’d, making her cheeks all wet; And one sweet kiss shall pay this countless debt.

Upon this promise did he raise his chin, 85 Like a dive-dapper peering through a wave, Who, being look’d on, ducks as quickly in; So offers he to give what she did crave, 88 But when her lips were ready for his pay, He winks, and turns his lips another way. Never did passenger in summer’s heat More thirst for drink than she for this good turn. 92 Her help she sees, but help she cannot get; She bathes in water, yet her fire must burn: “O! pity,” ’gan she cry, “flint-hearted boy, ’Tis but a kiss I beg; why art thou coy? 96 “I have been woo’d as I entreat thee now, Even by the stern and direful god of war,

Whose sinewy neck in battle ne’er did bow, Who conquers where he comes in every jar; 100 Yet hath he been my captive and my slave, And begg’d for that which thou unask’d shalt have. “Over my altars hath he hung his lance, His batter’d shield, his uncontrolled crest, 104 And for my sake hath learn’d to sport and dance, To toy, to wanton, dally, smile, and jest; Scorning his churlish drum and ensign red Making my arms his field, his tent my bed. 108 “Thus he that overrul’d I oversway’d, Leading him prisoner in a red rose chain: Strong-temper’d steel his stronger strength obey’d, Yet was he servile to my coy disdain. 112

Oh be not proud, nor brag not of thy might, For mast’ring her that foil’d the god of fight. “Touch but my lips with those fair lips of thine, Though mine be not so fair, yet are they red, 116 The kiss shall be thine own as well as mine: What see’st thou in the ground? hold up thy head, Look in mine eyeballs, there thy beauty lies; Then why not lips on lips, since eyes in eyes? 120 “Art thou asham’d to kiss? then wink again, And I will wink; so shall the day seem night. Love keeps his revels where there are but twain; Be bold to play, our sport is not in sight, 124 These blue-vein’d violets whereon we lean Never can blab, nor know not what we mean.

“The tender spring upon thy tempting lip 127 Shows thee unripe; yet mayst thou well be tasted, Make use of time, let not advantage slip; Beauty within itself should not be wasted, Fair flowers that are not gather’d in their prime Rot, and consume themselves in little time. 132 “Were I hard-favour’d, foul, or wrinkled old, Ill-nurtur’d, crooked, churlish, harsh in voice, O’erworn, despised, rheumatic, and cold, Thick-sighted, barren, lean, and lacking juice, 136 Then mightst thou pause, for then I were not for thee; But having no defects, why dost abhor me? “Thou canst not see one wrinkle in my brow, 139 Mine eyes are grey and bright, and quick in turning;

My beauty as the spring doth yearly grow, My flesh is soft and plump, my marrow burning, My smooth moist hand, were it with thy hand felt, Would in thy palm dissolve, or seem to melt. 144 “Bid me discourse, I will enchant thine ear, Or like a fairy, trip upon the green, Or like a nymph, with long dishevell’d hair, Dance on the sands, and yet no footing seen. 148 Love is a spirit all compact of fire, Not gross to sink, but light, and will aspire. “Witness this primrose bank whereon I lie: 151 These forceless flowers like sturdy trees support me; Two strengthless doves will draw me through the sky, From morn till night, even where I list to sport me.

Is love so light, sweet boy, and may it be That thou shouldst think it heavy unto thee? 156 “Is thine own heart to thine own face affected? Can thy right hand seize love upon thy left? Then woo thyself, be of thyself rejected, Steal thine own freedom, and complain on theft. 160 Narcissus so himself himself forsook, And died to kiss his shadow in the brook. “Torches are made to light, jewels to wear, Dainties to taste, fresh beauty for the use, 164 Herbs for their smell, and sappy plants to bear; Things growing to themselves are growth’s abuse, Seeds spring from seeds, and beauty breedeth beauty; Thou wast begot; to get it is thy duty. 168

“Upon the earth’s increase why shouldst thou feed, Unless the earth with thy increase be fed? By law of nature thou art bound to breed, That thine may live when thou thyself art dead; 172 And so in spite of death thou dost survive, In that thy likeness still is left alive.” By this the love-sick queen began to sweat, For where they lay the shadow had forsook them, 176 And Titan, tired in the midday heat, With burning eye did hotly overlook them, Wishing Adonis had his team to guide, So he were like him and by Venus’ side. 180 And now Adonis with a lazy spright, And with a heavy, dark, disliking eye,

His louring brows o’erwhelming his fair sight, Like misty vapours when they blot the sky, 184 Souring his cheeks, cries, “Fie, no more of love: The sun doth burn my face; I must remove.” “Ay me,” quoth Venus, “young, and so unkind! What bare excuses mak’st thou to be gone! 188 I’ll sigh celestial breath, whose gentle wind Shall cool the heat of this descending sun: I’ll make a shadow for thee of my hairs; If they burn too, I’ll quench them with my tears. 192 “The sun that shines from heaven shines but warm, And lo I lie between that sun and thee: The heat I have from thence doth little harm, Thine eye darts forth the fire that burneth me; 196

And were I not immortal, life were done, Between this heavenly and earthly sun. “Art thou obdurate, flinty, hard as steel? Nay more than flint, for stone at rain relenteth: 200 Art thou a woman’s son and canst not feel What ’tis to love, how want of love tormenteth? O had thy mother borne so hard a mind, She had not brought forth thee, but died unkind. 204 “What am I that thou shouldst contemn me this? Or what great danger dwells upon my suit? What were thy lips the worse for one poor kiss? Speak, fair; but speak fair words, or else be mute: 208 Give me one kiss, I’ll give it thee again, And one for int’rest, if thou wilt have twain.

“Fie, lifeless picture, cold and senseless stone, Well-painted idol, image dull and dead, 212 Statue contenting but the eye alone, Thing like a man, but of no woman bred: Thou art no man, though of a man’s complexion, For men will kiss even by their own direction.” 216 This said, impatience chokes her pleading tongue, And swelling passion doth provoke a pause; Red cheeks and fiery eyes blaze forth her wrong; Being judge in love, she cannot right her cause. 220 And now she weeps, and now she fain would speak, And now her sobs do her intendments break. Sometimes she shakes her head, and then his hand, Now gazeth she on him, now on the ground; 224

Sometimes her arms infold him like a band: She would, he will not in her arms be bound; And when from thence he struggles to be gone, She locks her lily fingers one in one. 228 “Fondling,” she saith, “since I have hemm’d thee here Within the circuit of this ivory pale, I’ll be a park, and thou shalt be my deer; Feed where thou wilt, on mountain or in dale: 232 Graze on my lips, and if those hills be dry, Stray lower, where the pleasant fountains lie. “Within this limit is relief enough, Sweet bottom grass and high delightful plain, 236 Round rising hillocks, brakes obscure and rough, To shelter thee from tempest and from rain:

Then be my deer, since I am such a park, 239 No dog shall rouse thee, though a thousand bark.” At this Adonis smiles as in disdain, That in each cheek appears a pretty dimple; Love made those hollows, if himself were slain, He might be buried in a tomb so simple; 244 Foreknowing well, if there he came to lie, Why there love liv’d, and there he could not die. These lovely caves, these round enchanting pits, Open’d their mouths to swallow Venus’ liking. 248 Being mad before, how doth she now for wits? Struck dead at first, what needs a second striking? Poor queen of love, in thine own law forlorn, To love a cheek that smiles at thee in scorn! 252

Now which way shall she turn? what shall she say? Her words are done, her woes the more increasing; The time is spent, her object will away, And from her twining arms doth urge releasing: 256 “Pity,” she cries; “some favour, some remorse!” Away he springs, and hasteth to his horse. But lo from forth a copse that neighbours by, A breeding jennet, lusty, young, and proud, 260 Adonis’ tramping courser doth espy, And forth she rushes, snorts and neighs aloud: The strong-neck’d steed, being tied unto a tree, Breaketh his rein, and to her straight goes he. 264 Imperiously he leaps, he neighs, he bounds, And now his woven girths he breaks asunder;

The bearing earth with his hard hoof he wounds, Whose hollow womb resounds like heaven’s thunder; The iron bit he crusheth ’tween his teeth, 269 Controlling what he was controlled with. His ears up-prick’d; his braided hanging mane Upon his compass’d crest now stand on end; 272 His nostrils drink the air, and forth again, As from a furnace, vapours doth he send: His eye, which scornfully glisters like fire, Shows his hot courage and his high desire. 276 Sometime he trots, as if he told the steps, With gentle majesty and modest pride; Anon he rears upright, curvets and leaps, As who should say, “Lo thus my strength is tried;

And this I do to captivate the eye 281 Of the fair breeder that is standing by.” What recketh he his rider’s angry stir, His flattering “Holla”, or his “Stand, I say”? 284 What cares he now for curb or pricking spur? For rich caparisons or trappings gay? He sees his love, and nothing else he sees, Nor nothing else with his proud sight agrees. 288 Look when a painter would surpass the life, In limning out a well-proportion’d steed, His art with nature’s workmanship at strife, As if the dead the living should exceed: 292 So did this horse excel a common one, In shape, in courage, colour, pace and bone.

Round-hoof’d, short-jointed, fetlocks shag and long, Broad breast, full eye, small head, and nostril wide, High crest, short ears, straight legs and passing strong, Thin mane, thick tail, broad buttock, tender hide: Look, what a horse should have he did not lack, Save a proud rider on so proud a back. 300 Sometimes he scuds far off, and there he stares; Anon he starts at stirring of a feather: To bid the wind a base he now prepares, And where he run or fly they know not whether; 304 For through his mane and tail the high wind sings, Fanning the hairs, who wave like feather’d wings. He looks upon his love, and neighs unto her; She answers him as if she knew his mind, 308

Being proud, as females are, to see him woo her, She puts on outward strangeness, seems unkind, Spurns at his love and scorns the heat he feels, Beating his kind embracements with her heels. 312 Then like a melancholy malcontent, He vails his tail that like a falling plume, Cool shadow to his melting buttock lent: He stamps, and bites the poor flies in his fume. 316 His love, perceiving how he was enrag’d, Grew kinder, and his fury was assuag’d. His testy master goeth about to take him, When lo the unback’d breeder, full of fear, 320 Jealous of catching, swiftly doth forsake him, With her the horse, and left Adonis there:

As they were mad, unto the wood they hie them, Outstripping crows that strive to overfly them. 324 All swoln with chafing, down Adonis sits, Banning his boisterous and unruly beast; And now the happy season once more fits That love-sick love by pleading may be blest; 328 For lovers say, the heart hath treble wrong, When it is barr’d the aidance of the tongue. An oven that is stopp’d, or river stay’d, Burneth more hotly, swelleth with more rage: 332 So of concealed sorrow may be said, Free vent of words love’s fire doth assuage; But when the heart’s attorney once is mute, The client breaks, as desperate in his suit. 336

He sees her coming, and begins to glow, Even as a dying coal revives with wind, And with his bonnet hides his angry brow, Looks on the dull earth with disturbed mind, 340 Taking no notice that she is so nigh, For all askance he holds her in his eye. O what a sight it was, wistly to view How she came stealing to the wayward boy, 344 To note the fighting conflict of her hue, How white and red each other did destroy: But now her cheek was pale, and by and by It flash’d forth fire, as lightning from the sky. 348 Now was she just before him as he sat, And like a lowly lover down she kneels;

With one fair hand she heaveth up his hat, Her other tender hand his fair cheek feels: 352 His tend’rer cheek receives her soft hand’s print, As apt as new-fall’n snow takes any dint. Oh what a war of looks was then between them, Her eyes petitioners to his eyes suing, 356 His eyes saw her eyes, as they had not seen them, Her eyes woo’d still, his eyes disdain’d the wooing: And all this dumb play had his acts made plain With tears, which, chorus-like, her eyes did rain. Full gently now she takes him by the hand, 361 A lily prison’d in a gaol of snow, Or ivory in an alabaster band, So white a friend engirts so white a foe: 364

This beauteous combat, wilful and unwilling, Show’d like two silver doves that sit a-billing. Once more the engine of her thoughts began: “O fairest mover on this mortal round, 368 Would thou wert as I am, and I a man, My heart all whole as thine, thy heart my wound, For one sweet look thy help I would assure thee, Though nothing but my body’s bane would cure thee.” “Give me my hand,” saith he, “why dost thou feel it?” “Give me my heart,” saith she, “and thou shalt have it. O give it me lest thy hard heart do steel it, And being steel’d, soft sighs can never grave it. 376 Then love’s deep groans I never shall regard, Because Adonis’ heart hath made mine hard.”

“For shame,” he cries, “let go, and let me go, My day’s delight is past, my horse is gone, 380 And ’tis your fault I am bereft him so, I pray you hence, and leave me here alone, For all my mind, my thought, my busy care, Is how to get my palfrey from the mare.” 384 Thus she replies: “Thy palfrey as he should, Welcomes the warm approach of sweet desire, Affection is a coal that must be cool’d; Else, suffer’d, it will set the heart on fire, 388 The sea hath bounds, but deep desire hath none; Therefore no marvel though thy horse be gone. “How like a jade he stood tied to the tree, Servilely master’d with a leathern rein! 392

But when he saw his love, his youth’s fair fee, He held such petty bondage in disdain; Throwing the base thong from his bending crest, Enfranchising his mouth, his back, his breast. 396 “Who sees his true-love in her naked bed, Teaching the sheets a whiter hue than white, But when his glutton eye so full hath fed, His other agents aim at like delight? 400 Who is so faint that dare not be so bold To touch the fire, the weather being cold? “Let me excuse thy courser, gentle boy, And learn of him, I heartily beseech thee, 404 To take advantage on presented joy, Though I were dumb, yet his proceedings teach thee.

O learn to love, the lesson is but plain, And once made perfect, never lost again.” 408 “I know not love,” quoth he, “nor will not know it, Unless it be a boar, and then I chase it; ’Tis much to borrow, and I will not owe it; My love to love is love but to disgrace it; 412 For I have heard, it is a life in death, That laughs and weeps, and all but with a breath. “Who wears a garment shapeless and unfinish’d? Who plucks the bud before one leaf put forth? 416 If springing things be any jot diminish’d, They wither in their prime, prove nothing worth; The colt that’s back’d and burden’d being young, Loseth his pride, and never waxeth strong. 420

“You hurt my hand with wringing. Let us part, And leave this idle theme, this bootless chat: Remove your siege from my unyielding heart, To love’s alarms it will not ope the gate: 424 Dismiss your vows, your feigned tears, your flatt’ry; For where a heart is hard they make no batt’ry.” “What! canst thou talk?” quoth she, “hast thou a tongue? O would thou hadst not, or I had no hearing; 428 Thy mermaid’s voice hath done me double wrong; I had my load before, now press’d with bearing: Melodious discord, heavenly tune, harsh-sounding, Ear’s deep sweet music, and heart’s deep sore wounding. “Had I no eyes but ears, my ears would love 433 That inward beauty and invisible;

Or were I deaf, thy outward parts would move Each part in me that were but sensible: 436 Though neither eyes nor ears, to hear nor see, Yet should I be in love by touching thee. “Say that the sense of feeling were bereft me, And that I could not see, nor hear, nor touch, 440 And nothing but the very smell were left me, Yet would my love to thee be still as much; For from the stillitory of thy face excelling Comes breath perfum’d, that breedeth love by smelling. “But oh what banquet wert thou to the taste, 445 Being nurse and feeder of the other four; Would they not wish the feast might ever last, And bid suspicion double-lock the door,

Lest jealousy, that sour unwelcome guest, Should by his stealing in disturb the feast?” 448 Once more the ruby-colour’d portal open’d, Which to his speech did honey passage yield, 452 Like a red morn that ever yet betoken’d Wrack to the seaman, tempest to the field, Sorrow to shepherds, woe unto the birds, Gusts and foul flaws to herdmen and to herds. 456 This ill presage advisedly she marketh: Even as the wind is hush’d before it raineth, Or as the wolf doth grin before he barketh, Or as the berry breaks before it staineth, 460 Or like the deadly bullet of a gun, His meaning struck her ere his words begun.

And at his look she flatly falleth down For looks kill love, and love by looks reviveth; 464 A smile recures the wounding of a frown; But blessed bankrout, that by love so thriveth! The silly boy, believing she is dead, Claps her pale cheek, till clapping makes it red. 468 And all amaz’d brake off his late intent, For sharply he did think to reprehend her, Which cunning love did wittily prevent: Fair fall the wit that can so well defend her! 472 For on the grass she lies as she were slain, Till his breath breatheth life in her again. He wrings her nose, he strikes her on the cheeks, He bends her fingers, holds her pulses hard, 476

He chafes her lips; a thousand ways he seeks To mend the hurt that his unkindness marr’d: He kisses her; and she, by her good will, Will never rise, so he will kiss her still. 480 The night of sorrow now is turn’d to day: Her two blue windows faintly she up-heaveth, Like the fair sun when in his fresh array He cheers the morn, and all the world relieveth: 484 And as the bright sun glorifies the sky, So is her face illumin’d with her eye. Whose beams upon his hairless face are fix’d, As if from thence they borrow’d all their shine. 488 Were never four such lamps together mix’d, Had not his clouded with his brow’s repine;

But hers, which through the crystal tears gave light Shone like the moon in water seen by night. 492 “O where am I?” quoth she, “in earth or heaven? Or in the ocean drench’d, or in the fire? What hour is this? or morn or weary even? Do I delight to die, or life desire? 496 But now I liv’d, and life was death’s annoy; But now I died, and death was lively joy. “O thou didst kill me; kill me once again: Thy eyes’ shrewd tutor, that hard heart of thine, 500 Hath taught them scornful tricks, and such disdain, That they have murder’d this poor heart of mine; And these mine eyes, true leaders to their queen, But for thy piteous lips no more had seen. 504

“Long may they kiss each other for this cure! Oh never let their crimson liveries wear, And as they last, their verdure still endure, To drive infection from the dangerous year: 508 That the star-gazers, having writ on death, May say, the plague is banish’d by thy breath. “Pure lips, sweet seals in my soft lips imprinted, What bargains may I make, still to be sealing? 512 To sell myself I can be well contented, So thou wilt buy, and pay, and use good dealing; Which purchase if thou make, for fear of slips, Set thy seal manual on my wax-red lips. 516 “A thousand kisses buys my heart from me; And pay them at thy leisure, one by one,

What is ten hundred touches unto thee? Are they not quickly told and quickly gone? 520 Say, for non-payment that the debt should double, Is twenty hundred kisses such a trouble?” “Fair queen,” quoth he, “if any love you owe me, Measure my strangeness with my unripe years: 524 Before I know myself, seek not to know me; No fisher but the ungrown fry forbears: The mellow plum doth fall, the green sticks fast, Or being early pluck’d, is sour to taste. 528 “Look the world’s comforter, with weary gait His day’s hot task hath ended in the west; The owl, night’s herald, shrieks, ’tis very late; The sheep are gone to fold, birds to their nest, 532

And coal-black clouds that shadow heaven’s light Do summon us to part, and bid good night. “Now let me say good night, and so say you; If you will say so, you shall have a kiss.” 536 “Good night,” quoth she; and ere he says adieu, The honey fee of parting tender’d is: Her arms do lend his neck a sweet embrace; Incorporate then they seem, face grows to face. 540 Till breathless he disjoin’d, and backward drew The heavenly moisture, that sweet coral mouth, Whose precious taste her thirsty lips well knew, Whereon they surfeit, yet complain on drouth, 544 He with her plenty press’d, she faint with dearth, Their lips together glued, fall to the earth.

Now quick desire hath caught the yielding prey, And glutton-like she feeds, yet never filleth; 548 Her lips are conquerors, his lips obey, Paying what ransom the insulter willeth; Whose vulture thought doth pitch the price so high, That she will draw his lips’ rich treasure dry. 552 And having felt the sweetness of the spoil, With blindfold fury she begins to forage; Her face doth reek and smoke, her blood doth boil, And careless lust stirs up a desperate courage, 556 Planting oblivion, beating reason back, Forgetting shame’s pure blush and honour’s wrack. Hot, faint, and weary, with her hard embracing, Like a wild bird being tam’d with too much handling,

Or as the fleet-foot roe that’s tir’d with chasing, 561 Or like the froward infant still’d with dandling: He now obeys, and now no more resisteth, While she takes all she can, not all she listeth. 564 What wax so frozen but dissolves with temp’ring, And yields at last to every light impression? Things out of hope are compass’d oft with vent’ring, Chiefly in love, whose leave exceeds commission: 568 Affection faints not like a pale-fac’d coward, But then woos best when most his choice is froward. When he did frown, O had she then gave over, Such nectar from his lips she had not suck’d. 572 Foul words and frowns must not repel a lover; What though the rose have prickles, yet ’tis pluck’d.

Were beauty under twenty locks kept fast, Yet love breaks through, and picks them all at last. For pity now she can no more detain him; 577 The poor fool prays her that he may depart: She is resolv’d no longer to restrain him, Bids him farewell, and look well to her heart, 580 The which by Cupid’s bow she doth protest, He carries thence encaged in his breast. “Sweet boy,” she says, “this night I’ll waste in sorrow, For my sick heart commands mine eyes to watch. 584 Tell me, love’s master, shall we meet tomorrow Say, shall we? shall we? wilt thou make the match?” He tells her no, tomorrow he intends To hunt the boar with certain of his friends. 588

“The boar!” quoth she; whereat a sudden pale, Like lawn being spread upon the blushing rose, Usurps her cheek, she trembles at his tale, And on his neck her yoking arms she throws. 592 She sinketh down, still hanging by his neck, He on her belly falls, she on her back. Now is she in the very lists of love, Her champion mounted for the hot encounter: 596 All is imaginary she doth prove, He will not manage her, although he mount her; That worse than Tantalus’ is her annoy, To clip Elysium and to lack her joy. 600 Even as poor birds, deceiv’d with painted grapes, Do surfeit by the eye and pine the maw:

Even so she languisheth in her mishaps, As those poor birds that helpless berries saw. 604 The warm effects which she in him finds missing, She seeks to kindle with continual kissing. But all in vain, good queen, it will not be, She hath assay’d as much as may be prov’d; 608 Her pleading hath deserv’d a greater fee; She’s love, she loves, and yet she is not lov’d. “Fie, fie,” he says, “you crush me; let me go; You have no reason to withhold me so.” 612 “Thou hadst been gone,” quoth she, “sweet boy, ere this, But that thou told’st me thou wouldst hunt the boar. Oh be advis’d; thou know’st not what it is, With javelin’s point a churlish swine to gore, 616

Whose tushes never sheath’d he whetteth still, Like to a mortal butcher, bent to kill. “On his bow-back he hath a battle set Of bristly pikes, that ever threat his foes; 620 His eyes like glow-worms shine when he doth fret; His snout digs sepulchres where’er he goes; Being mov’d, he strikes whate’er is in his way, And whom he strikes his crooked tushes slay. 624 “His brawny sides, with hairy bristles armed, Are better proof than thy spear’s point can enter; His short thick neck cannot be easily harmed; Being ireful, on the lion he will venture: 628 The thorny brambles and embracing bushes, As fearful of him, part, through whom he rushes.

“Alas! he naught esteems that face of thine, To which love’s eyes pay tributary gazes; 632 Nor thy soft hands, sweet lips, and crystal eyne, Whose full perfection all the world amazes; But having thee at vantage, wondrous dread! Would root these beauties as he roots the mead. “Oh let him keep his loathsome cabin still, 637 Beauty hath naught to do with such foul fiends: Come not within his danger by thy will; They that thrive well, take counsel of their friends. When thou didst name the boar, not to dissemble, I fear’d thy fortune, and my joints did tremble. “Didst thou not mark my face, was it not white? Saw’st thou not signs of fear lurk in mine eye? 644

Grew I not faint, and fell I not downright? Within my bosom, whereon thou dost lie, My boding heart pants, beats, and takes no rest, But like an earthquake, shakes thee on my breast. “For where love reigns, disturbing jealousy 649 Doth call himself affection’s sentinel; Gives false alarms, suggesteth mutiny, And in a peaceful hour doth cry “Kill, kill!” 652 Distemp’ring gentle love in his desire, As air and water do abate the fire. “This sour informer, this bate-breeding spy, This canker that eats up love’s tender spring, 656 This carry-tale, dissentious jealousy, That sometime true news, sometime false doth bring,

Knocks at my heart, and whispers in mine ear, That if I love thee, I thy death should fear. 660 “And more than so, presenteth to mine eye The picture of an angry chafing boar, Under whose sharp fangs on his back doth lie An image like thyself, all stain’d with gore; 664 Whose blood upon the fresh flowers being shed, Doth make them droop with grief and hang the head. “What should I do, seeing thee so indeed, That tremble at th’imagination? 668 The thought of it doth make my faint heart bleed, And fear doth teach it divination: I prophesy thy death, my living sorrow, If thou encounter with the boar tomorrow. 672

“But if thou needs wilt hunt, be rul’d by me; Uncouple at the timorous flying hare, Or at the fox which lives by subtilty, Or at the roe which no encounter dare: 676 Pursue these fearful creatures o’er the downs, And on thy well-breath’d horse keep with thy hounds. “And when thou hast on foot the purblind hare, Mark the poor wretch, to overshoot his troubles 680 How he outruns the wind, and with what care He cranks and crosses with a thousand doubles: The many musits through the which he goes Are like a labyrinth to amaze his foes. 684 “Sometime he runs among a flock of sheep, To make the cunning hounds mistake their smell,

And sometime where earth-delving conies keep, To stop the loud pursuers in their yell, 688 And sometime sorteth with a herd of deer; Danger deviseth shifts, wit waits on fear. “For there his smell with others being mingled, 691 The hot scent-snuffing hounds are driven to doubt, Ceasing their clamorous cry, till they have singled With much ado the cold fault cleanly out; Then do they spend their mouths: echo replies, As if another chase were in the skies. 696 “By this, poor Wat, far off upon a hill, Stands on his hinder legs with list’ning ear, To hearken if his foes pursue him still. Anon their loud alarums he doth hear; 700

And now his grief may be compared well To one sore sick that hears the passing bell. “Then shalt thou see the dew-bedabbled wretch Turn, and return, indenting with the way, 704 Each envious briar his weary legs do scratch, Each shadow makes him stop, each murmur stay: For misery is trodden on by many, And being low never reliev’d by any. 708 “Lie quietly, and hear a little more; Nay, do not struggle, for thou shalt not rise: To make thee hate the hunting of the boar, Unlike myself thou hear’st me moralize, 712 Applying this to that, and so to so, For love can comment upon every woe.

“Where did I leave?” “No matter where,” quoth he “Leave me, and then the story aptly ends: 716 The night is spent.” “Why, what of that?” quoth she. “I am,” quoth he, “expected of my friends; And now ’tis dark, and going I shall fall.” “In night,” quoth she, “desire sees best of all.” 720 But if thou fall, oh then imagine this, The earth, in love with thee, thy footing trips, And all is but to rob thee of a kiss. 723 Rich preys make true men thieves; so do thy lips Make modest Dian cloudy and forlorn, Lest she should steal a kiss and die forsworn. “Now of this dark night I perceive the reason: Cynthia for shame obscures her silver shine 728

Till forging nature be condemn’d of treason, For stealing moulds from heaven, that were divine; Wherein she fram’d thee, in high heaven’s despite, To shame the sun by day and her by night. 732 “And therefore hath she brib’d the destinies, To cross the curious workmanship of nature, To mingle beauty with infirmities, And pure perfection with impure defeature, 736 Making it subject to the tyranny Of mad mischances and much misery. “As burning fevers, agues pale and faint, Life-poisoning pestilence and frenzies wood, 740 The marrow-eating sickness, whose attaint Disorder breeds by heating of the blood;

Surfeits, imposthumes, grief, and damn’d despair, Swear nature’s death, for framing thee so fair. 744 “And not the least of all these maladies But in one minute’s fight brings beauty under: Both favour, savour, hue and qualities, Whereat th’impartial gazer late did wonder, 748 Are on the sudden wasted, thaw’d and done, As mountain snow melts with the midday sun. “Therefore despite of fruitless chastity, Love-lacking vestals and self-loving nuns, 752 That on the earth would breed a scarcity And barren dearth of daughters and of sons, Be prodigal: the lamp that burns by night Dries up his oil to lend the world his light. 756

“What is thy body but a swallowing grave, Seeming to bury that posterity, Which by the rights of time thou needs must have, If thou destroy them not in dark obscurity? 760 If so, the world will hold thee in disdain, Sith in thy pride so fair a hope is slain. “So in thyself thyself art made away; A mischief worse than civil home-bred strife, 764 Or theirs whose desperate hands themselves do slay, Or butcher sire that reeves his son of life. Foul cank’ring rust the hidden treasure frets, But gold that’s put to use more gold begets.” 768 “Nay then,” quoth Adon, “you will fall again Into your idle over-handled theme;

The kiss I gave you is bestow’d in vain, And all in vain you strive against the stream; 772 For by this black-fac’d night, desire’s foul nurse, Your treatise makes me like you worse and worse. “If love have lent you twenty thousand tongues, And every tongue more moving than your own, 776 Bewitching like the wanton mermaid’s songs, Yet from mine ear the tempting tune is blown; For know, my heart stands armed in mine ear, And will not let a false sound enter there. 780 “Lest the deceiving harmony should run Into the quiet closure of my breast, And then my little heart were quite undone, In his bedchamber to be barr’d of rest. 784

No, lady, no; my heart longs not to groan, But soundly sleeps, while now it sleeps alone. “What have you urg’d that I cannot reprove? The path is smooth that leadeth on to danger; 790 I hate not love, but your device in love That lends embracements unto every stranger. You do it for increase: O strange excuse! When reason is the bawd to lust’s abuse. 792 “Call it not, love, for love to heaven is fled, Since sweating lust on earth usurp’d his name; Under whose simple semblance he hath fed Upon fresh beauty, blotting it with blame; 796 Which the hot tyrant stains and soon bereaves, As caterpillars do the tender leaves.

“Love comforteth like sunshine after rain, But lust’s effect is tempest after sun; 800 Love’s gentle spring doth always fresh remain, Lust’s winter comes ere summer half be done. Love surfeits not, lust like a glutton dies; Love is all truth, lust full of forged lies. 804 “More I could tell, but more I dare not say; The text is old, the orator too green. Therefore, in sadness, now I will away; My face is full of shame, my heart of teen, 808 Mine ears, that to your wanton talk attended Do burn themselves for having so offended.” With this he breaketh from the sweet embrace 811 Of those fair arms which bound him to her breast,

And homeward through the dark laund runs apace; Leaves love upon her back deeply distress’d. Look how a bright star shooteth from the sky, So glides he in the night from Venus’ eye. 816 Which after him she darts, as one on shore Gazing upon a late embarked friend, Till the wild waves will have him seen no more, Whose ridges with the meeting clouds contend: 820 So did the merciless and pitchy night Fold in the object that did feed her sight. Whereat amaz’d, as one that unaware Hath dropp’d a precious jewel in the flood, 824 Or ’stonish’d as night-wanderers often are, Their light blown out in some mistrustful wood;

Even so confounded in the dark she lay, Having lost the fair discovery of her way. 828 And now she beats her heart, whereat it groans, That all the neighbour caves, as seeming troubled, Make verbal repetition of her moans; Passion on passion deeply is redoubled: 832 “Ay me!” she cries, and twenty times, “Woe, woe!” And twenty echoes twenty times cry so. She marking them, begins a wailing note, And sings extemporally a woeful ditty; 836 How love makes young men thrall, and old men dote, How love is wise in folly foolish witty: Her heavy anthem still concludes in woe, And still the choir of echoes answer so. 840

Her song was tedious, and outwore the night, For lovers’ hours are long, though seeming short, If pleas’d themselves, others they think, delight In such like circumstance, with such like sport: 844 Their copious stories oftentimes begun, End without audience, and are never done. For who hath she to spend the night withal, But idle sounds resembling parasites; 848 Like shrill-tongu’d tapsters answering every call, Soothing the humour of fantastic wits? She says, “’Tis so:” they answer all, “’Tis so;” And would say after her, if she said “No.” 852 Lo here the gentle lark, weary of rest, From his moist cabinet mounts up on high,

And wakes the morning, from whose silver breast The sun ariseth in his majesty; 856 Who doth the world so gloriously behold, That cedar tops and hills seem burnish’d gold. Venus salutes him with this fair good morrow: “Oh thou clear god, and patron of all light, 860 From whom each lamp and shining star doth borrow The beauteous influence that makes him bright, There lives a son that suck’d an earthly mother, May lend thee light, as thou dost lend to other.” This said, she hasteth to a myrtle grove, 865 Musing the morning is so much o’erworn, And yet she hears no tidings of her love; She hearkens for his hounds and for his horn. 868

Anon she hears them chant it lustily, And all in haste she coasteth to the cry. And as she runs, the bushes in the way Some catch her by the neck, some kiss her face, 872 Some twine about her thigh to make her stay: She wildly breaketh from their strict embrace, Like a milch doe, whose swelling dugs do ache, Hasting to feed her fawn hid in some brake. 876 By this she hears the hounds are at a bay, Whereat she starts like one that spies an adder Wreath’d up in fatal folds just in his way, The fear whereof doth make him shake and shudder; 880 Even so the timorous yelping of the hounds Appals her senses, and her spirit confounds.

For now she knows it is no gentle chase, But the blunt boar, rough bear, or lion proud, 884 Because the cry remaineth in one place, Where fearfully the dogs exclaim aloud, Finding their enemy to be so curst, They all strain court’sy who shall cope him first. 888 This dismal cry rings sadly in her ear, Through which it enters to surprise her heart; Who overcome by doubt and bloodless fear, With cold-pale weakness numbs each feeling part; 892 Like soldiers when their captain once doth yield, They basely fly and dare not stay the field. Thus stands she in a trembling ecstasy, Till cheering up her senses sore dismay’d, 896

She tells them ’tis a causeless fantasy, And childish error, that they are afraid; Bids them leave quaking, bids them fear no more: And with that word, she spied the hunted boar. 900 Whose frothy mouth bepainted all with red, Like milk and blood being mingled both together, A second fear through all her sinews spread, Which madly hurries her she knows not whither: 904 This way she runs, and now she will no further, But back retires, to rate the boar for murther. A thousand spleens bear her a thousand ways, She treads the path that she untreads again; 908 Her more than haste is mated with delays, Like the proceedings of a drunken brain,

Full of respects, yet naught at all respecting, In hand with all things, naught at all effecting. Here kennel’d in a brake she finds a hound, 913 And asks the weary caitiff for his master, And there another licking of his wound, ’Gainst venom’d sores the only sovereign plaster. 916 And here she meets another sadly scowling, To whom she speaks, and he replies with howling. When he hath ceas’d his ill-resounding noise, Another flap-mouth’d mourner, black and grim, 920 Against the welkin volleys out his voice; Another and another answer him, Clapping their proud tails to the ground below, Shaking their scratch’d ears, bleeding as they go.

Look how the world’s poor people are amazed 925 At apparitions, signs, and prodigies, Whereon with fearful eyes they long have gazed, Infusing them with dreadful prophecies; 928 So she at these sad sighs draws up her breath, And sighing it again, exclaims on death. “Hard-favour’d tyrant, ugly, meagre, lean, 931 Hateful divorce of love,” thus chides she death, “Grim-grinning ghost, earth’s worm, what dost thou mean? To stifle beauty and to steal his breath, Who when he liv’d, his breath and beauty set Gloss on the rose, smell to the violet. 936 “If he be dead, O no, it cannot be, Seeing his beauty, thou shouldst strike at it,

O yes, it may, thou hast no eyes to see, But hatefully at random dost thou hit. 940 Thy mark is feeble age, but thy false dart Mistakes that aim, and cleaves an infant’s heart. “Hadst thou but bid beware, then he had spoke, And hearing him, thy power had lost his power. 944 The destinies will curse thee for this stroke; They bid thee crop a weed, thou pluck’st a flower. Love’s golden arrow at him should have fled, And not death’s ebon dart to strike him dead. 948 “Dost thou drink tears, that thou provok’st such weeping? What may a heavy groan advantage thee? Why hast thou cast into eternal sleeping Those eyes that taught all other eyes to see? 952

Now nature cares not for thy mortal vigour, Since her best work is ruin’d with thy rigour.” Here overcome, as one full of despair, She vail’d her eyelids, who like sluices stopp’d 956 The crystal tide that from her two cheeks fair In the sweet channel of her bosom dropp’d But through the flood-gates breaks the silver rain, And with his strong course opens them again. 960 O how her eyes and tears did lend and borrow; Her eyes seen in the tears, tears in her eye; Both crystals, where they view’d each other’s sorrow, Sorrow that friendly sighs sought still to dry; 964 But like a stormy day, now wind, now rain, Sighs dry her cheeks, tears make them wet again.

Variable passions throng her constant woe, As striving who should best become her grief; 968 All entertain’d, each passion labours so, That every present sorrow seemeth chief, But none is best, then join they all together, Like many clouds consulting for foul weather. 972 By this, far off she hears some huntsman holla; A nurse’s song ne’er pleas’d her babe so well: The dire imagination she did follow This sound of hope doth labour to expel; 976 For now reviving joy bids her rejoice, And flatters her it is Adonis’ voice. Whereat her tears began to turn their tide, Being prison’d in her eye, like pearls in glass; 980

Yet sometimes falls an orient drop beside, Which her cheek melts, as scorning it should pass To wash the foul face of the sluttish ground, Who is but drunken when she seemeth drown’d. O hard-believing love, how strange it seems 985 Not to believe, and yet too credulous; Thy weal and woe are both of them extremes; Despair and hope make thee ridiculous, 988 The one doth flatter thee in thoughts unlikely, In likely thoughts the other kills thee quickly. Now she unweaves the web that she hath wrought, Adonis lives, and death is not to blame; 992 It was not she that call’d him all to naught; Now she adds honours to his hateful name.

She clepes him king of graves, and grave for kings, Imperious supreme of all mortal things. 996 “No, no,” quoth she, “sweet death, I did but jest; Yet pardon me, I felt a kind of fear Whenas I met the boar, that bloody beast, Which knows no pity, but is still severe; 1000 Then, gentle shadow,—truth I must confess— I rail’d on thee, fearing my love’s decease. “’Tis not my fault, the boar provok’d my tongue; Be wreak’d on him, invisible commander; 1004 ’Tis he, foul creature, that hath done thee wrong; I did but act, he’s author of my slander. Grief hath two tongues, and never woman yet, Could rule them both, without ten women’s wit.”

Thus hoping that Adonis is alive, 1009 Her rash suspect she doth extenuate; And that his beauty may the better thrive, With death she humbly doth insinuate; 1012 Tells him of trophies, statues, tombs and stories His victories, his triumphs and his glories. “O love!” quoth she, “how much a fool was I, To be of such a weak and silly mind, 1016 To wail his death who lives, and must not die Till mutual overthrow of mortal kind; For he being dead, with him is beauty slain, And beauty dead, black Chaos comes again. 1020 “Fie, fie, fond love, thou art as full of fear As one with treasure laden, hemm’d with thieves,

Trifles unwitnessed with eye or ear, Thy coward heart with false bethinking grieves.” 1024 Even at this word she hears a merry horn, Whereat she leaps that was but late forlorn. As falcon to the lure, away she flies; The grass stoops not, she treads on it so light, 1028 And in her haste unfortunately spies The foul boar’s conquest on her fair delight; Which seen, her eyes, as murder’d with the view, Like stars asham’d of day, themselves withdrew. Or as the snail, whose tender horns being hit, 1033 Shrinks backwards in his shelly cave with pain, And there all smother’d up, in shade doth sit, Long after fearing to creep forth again: 1036

So at his bloody view her eyes are fled Into the deep dark cabins of her head. Where they resign their office and their light To the disposing of her troubled brain, 1040 Who bids them still consort with ugly night, And never wound the heart with looks again; Who like a king perplexed in his throne, By their suggestion gives a deadly groan. 1044 Whereat each tributary subject quakes, As when the wind imprison’d in the ground, Struggling for passage, earth’s foundation shakes, Which with cold terror doth men’s minds confound. This mutiny each part doth so surprise 1049 That from their dark beds once more leap her eyes.

And being open’d, threw unwilling light Upon the wide wound that the boar had trench’d In his soft flank, whose wonted lily white 1053 With purple tears that his wound wept, was drench’d. No flower was nigh, no grass, herb, leaf or weed, But stole his blood and seem’d with him to bleed. This solemn sympathy poor Venus noteth, 1057 Over one shoulder doth she hang her head, Dumbly she passions, franticly she doteth; She thinks he could not die, he is not dead: 1060 Her voice is stopp’d, her joints forget to bow, Her eyes are mad, that they have wept till now. Upon his hurt she looks so steadfastly, That her sight dazzling makes the wound seem three;

And then she reprehends her mangling eye, 1065 That makes more gashes, where no breach should be: His face seems twain, each several limb is doubled, For oft the eye mistakes, the brain being troubled. “My tongue cannot express my grief for one, 1069 And yet,” quoth she, “behold two Adons dead! My sighs are blown away, my salt tears gone, Mine eyes are turn’d to fire, my heart to lead: 1072 Heavy heart’s lead, melt at mine eyes’ red fire! So shall I die by drops of hot desire. “Alas poor world, what treasure hast thou lost! What face remains alive that’s worth the viewing? Whose tongue is music now? what canst thou boast Of things long since, or anything ensuing? 1078

The flowers are sweet, their colours fresh and trim, But true sweet beauty liv’d and died with him. “Bonnet nor veil henceforth no creature wear! 1081 Nor sun nor wind will ever strive to kiss you: Having no fair to lose, you need not fear; The sun doth scorn you, and the wind doth hiss you. But when Adonis liv’d, sun and sharp air 1085 Lurk’d like two thieves, to rob him of his fair. “And therefore would he put his bonnet on, Under whose brim the gaudy sun would peep; 1088 The wind would blow it off, and being gone, Play with his locks; then would Adonis weep; And straight, in pity of his tender years, They both would strive who first should dry his tears.

“To see his face the lion walk’d along 1093 Behind some hedge, because he would not fear him; To recreate himself when he hath sung, The tiger would be tame and gently hear him. 1096 If he had spoke, the wolf would leave his prey, And never fright the silly lamb that day. “When he beheld his shadow in the brook, The fishes spread on it their golden gills; 1100 When he was by, the birds such pleasure took, That some would sing, some other in their bills Would bring him mulberries and ripe-red cherries, He fed them with his sight, they him with berries. “But this foul, grim, and urchin-snouted boar, 1105 Whose downward eye still looketh for a grave,

Ne’er saw the beauteous livery that he wore; Witness the entertainment that he gave. 1108 If he did see his face, why then I know He thought to kiss him, and hath kill’d him so. “’Tis true, ’tis true; thus was Adonis slain: He ran upon the boar with his sharp spear, 1112 Who did not whet his teeth at him again, But by a kiss thought to persuade him there; And nuzzling in his flank, the loving swine Sheath’d unaware the tusk in his soft groin. 1116 “Had I been tooth’d like him, I must confess, With kissing him I should have kill’d him first; But he is dead, and never did he bless My youth with his; the more am I accurst.” 1120

With this she falleth in the place she stood, And stains her face with his congealed blood. She looks upon his lips, and they are pale; She takes him by the hand, and that is cold, 1124 She whispers in his ears a heavy tale, As if they heard the woeful words she told; She lifts the coffer-lids that close his eyes, Where lo, two lamps burnt out in darkness lies. Two glasses where herself herself beheld 1129 A thousand times, and now no more reflect; Their virtue lost, wherein they late excell’d, And every beauty robb’d of his effect. 1132 “Wonder of time,” quoth she, “this is my spite, That thou being dead, the day should yet be light.

“Since thou art dead, lo here I prophesy, Sorrow on love hereafter shall attend: 1136 It shall be waited on with jealousy, Find sweet beginning, but unsavoury end; Ne’er settled equally, but high or low, That all love’s pleasure shall not match his woe. “It shall be fickle, false and full of fraud, 1141 Bud, and be blasted in a breathing while; The bottom poison, and the top o’erstraw’d With sweets that shall the truest sight beguile. 1144 The strongest body shall it make most weak, Strike the wise dumb, and teach the fool to speak. “It shall be sparing, and too full of riot, Teaching decrepit age to tread the measures; 1148

The staring ruffian shall it keep in quiet, Pluck down the rich, enrich the poor with treasures; It shall be raging mad, and silly mild, Make the young old, the old become a child. 1152 “It shall suspect where is no cause of fear, It shall not fear where it should most mistrust; It shall be merciful, and too severe, And most deceiving when it seems most just; 1156 Perverse it shall be, where it shows most toward, Put fear to valour, courage to the coward. “It shall be cause of war and dire events, And set dissension ’twixt the son and sire; 1160 Subject and servile to all discontents, As dry combustious matter is to fire,

Sith in his prime death doth my love destroy, They that love best their love shall not enjoy.” 1164 By this the boy that by her side lay kill’d Was melted like a vapour from her sight, And in his blood that on the ground lay spill’d, A purple flower sprung up, chequer’d with white, 1168 Resembling well his pale cheeks, and the blood Which in round drops upon their whiteness stood. She bows her head, the new-sprung flower to smell, Comparing it to her Adonis’ breath; 1172 And says within her bosom it shall dwell, Since he himself is reft from her by death; She drops the stalk, and in the breach appears Green-dropping sap, which she compares to tears.

“Poor flower,” quoth she, “this was thy father’s guise, Sweet issue of a more sweet-smelling sire, For every little grief to wet his eyes, To grow unto himself was his desire, 1180 And so ’tis thine; but know, it is as good To wither in my breast as in his blood. “Here was thy father’s bed, here in my breast; Thou art the next of blood, and ’tis thy right: 1184 Lo in this hollow cradle take thy rest, My throbbing heart shall rock thee day and night: There shall not be one minute in an hour Wherein I will not kiss my sweet love’s flower.” Thus weary of the world, away she hies, 1189 And yokes her silver doves; by whose swift aid

Their mistress mounted through the empty skies, In her light chariot quickly is convey’d; 1192 Holding their course to Paphos, where their queen Means to immure herself and not be seen. FINIS

TO THE RIGHT HONOURABLE HENRY WRIOTHESLEY, EARL OF SOUTHAMPTON, and Baron of Titchfield. The love I dedicate to your Lordship is without end; whereof this pamphlet, without beginning, is but a superfluous moiety. The warrant I have of your honourable disposition, not the worth of my untutored lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours. Were my worth greater, my duty would show greater; meantime, as it is, it is bound to your Lordship, to whom I wish long life, still lengthened with all happiness. Your Lordship’s in all duty, WILLIAM SHAKESPEARE. THE ARGUMENT.

Lucius Tarquinius (for his excessive pride surnamed Superbus), after he had caused his own father-in-law, Servius Tullius, to be cruelly murdered, and, contrary to the Roman laws and customs, not requiring or staying for the people’s suffrages, had possessed himself of the kingdom, went, accompanied with his sons and other noblemen of Rome, to besiege Ardea. During which siege the principal men of the army meeting one evening at the tent of Sextus Tarquinius, the king’s son, in their discourses after supper, everyone commended the virtues of his own wife; among whom Collatinus extolled the incomparable chastity of his wife Lucretia. In that pleasant humour they all posted to Rome; and intending, by their secret and sudden arrival, to make trial of that which everyone had before avouched, only Collatinus finds his wife, though it were late in the night, spinning amongst her maids: the other ladies were all found dancing and revelling, or in several disports.

Whereupon the noblemen yielded Collatinus the victory, and his wife the fame. At that time Sextus Tarquinius being inflamed with Lucrece’s beauty, yet smothering his passions for the present, departed with the rest back to the camp; from whence he shortly after privily withdrew himself, and was (according to his estate) royally entertained and lodged by Lucrece at Collatium. The same night he treacherously stealeth into her chamber, violently ravished her, and early in the morning speedeth away. Lucrece, in this lamentable plight, hastily dispatched messengers, one to Rome for her father, another to the camp for Collatine. They came, the one accompanied with Junius Brutus, the other with Publius Valerius; and finding Lucrece attired in mourning habit, demanded the cause of her sorrow. She, first taking an oath of them for her revenge, revealed the actor, and whole manner of his dealing, and withal suddenly stabbed herself. Which done, with one

consent they all vowed to root out the whole hated family of the Tarquins; and bearing the dead body to Rome, Brutus acquainted the people with the doer and manner of the vile deed, with a bitter invective against the tyranny of the king; wherewith the people were so moved, that with one consent and a general acclamation the Tarquins were all exiled, and the state government changed from kings to consuls. From the besieged Ardea all in post, Borne by the trustless wings of false desire, Lust-breathed Tarquin leaves the Roman host, And to Collatium bears the lightless fire, Which in pale embers hid, lurks to aspire And girdle with embracing flames the waist Of Collatine’s fair love, Lucrece the chaste.

Haply that name of “chaste” unhapp’ly set This bateless edge on his keen appetite, When Collatine unwisely did not let To praise the clear unmatched red and white Which triumphed in that sky of his delight; Where mortal stars as bright as heaven’s beauties, With pure aspects did him peculiar duties. For he the night before, in Tarquin’s tent Unlocked the treasure of his happy state, What priceless wealth the heavens had him lent In the possession of his beauteous mate; Reck’ning his fortune at such high proud rate That kings might be espoused to more fame, But king nor peer to such a peerless dame.

O happiness enjoyed but of a few, And, if possessed, as soon decayed and done As is the morning’s silver melting dew Against the golden splendour of the sun! An expired date, cancelled ere well begun. Honour and beauty in the owner’s arms, Are weakly fortressed from a world of harms. Beauty itself doth of itself persuade The eyes of men without an orator; What needeth then apologies be made, To set forth that which is so singular? Or why is Collatine the publisher Of that rich jewel he should keep unknown From thievish ears, because it is his own?

Perchance his boast of Lucrece’ sov’reignty Suggested this proud issue of a king; For by our ears our hearts oft tainted be. Perchance that envy of so rich a thing, Braving compare, disdainfully did sting His high-pitched thoughts, that meaner men should vaunt That golden hap which their superiors want. But some untimely thought did instigate His all-too-timeless speed, if none of those; His honour, his affairs, his friends, his state, Neglected all, with swift intent he goes To quench the coal which in his liver glows. O rash false heat, wrapped in repentant cold, Thy hasty spring still blasts and ne’er grows old!

When at Collatium this false lord arrived, Well was he welcomed by the Roman dame, Within whose face beauty and virtue strived Which of them both should underprop her fame. When virtue bragged, beauty would blush for shame; When beauty boasted blushes, in despite Virtue would stain that o’er with silver white. But beauty, in that white intituled From Venus’ doves, doth challenge that fair field. Then virtue claims from beauty beauty’s red, Which virtue gave the golden age to gild Their silver cheeks, and called it then their shield; Teaching them thus to use it in the fight, When shame assailed, the red should fence the white.

This heraldry in Lucrece’ face was seen, Argued by beauty’s red and virtue’s white. Of either’s colour was the other queen, Proving from world’s minority their right. Yet their ambition makes them still to fight; The sovereignty of either being so great, That oft they interchange each other’s seat. Their silent war of lilies and of roses, Which Tarquin viewed in her fair face’s field, In their pure ranks his traitor eye encloses; Where, lest between them both it should be killed, The coward captive vanquished doth yield To those two armies that would let him go Rather than triumph in so false a foe.

Now thinks he that her husband’s shallow tongue, The niggard prodigal that praised her so, In that high task hath done her beauty wrong, Which far exceeds his barren skill to show. Therefore that praise which Collatine doth owe Enchanted Tarquin answers with surmise, In silent wonder of still-gazing eyes. This earthly saint, adored by this devil, Little suspecteth the false worshipper; For unstained thoughts do seldom dream on evil; Birds never limed no secret bushes fear. So guiltless she securely gives good cheer And reverend welcome to her princely guest, Whose inward ill no outward harm expressed.

For that he coloured with his high estate, Hiding base sin in pleats of majesty, That nothing in him seemed inordinate, Save sometime too much wonder of his eye, Which, having all, all could not satisfy; But, poorly rich, so wanteth in his store That, cloyed with much, he pineth still for more. But she, that never coped with stranger eyes, Could pick no meaning from their parling looks, Nor read the subtle shining secrecies Writ in the glassy margents of such books; She touched no unknown baits, nor feared no hooks, Nor could she moralize his wanton sight, More than his eyes were opened to the light.

He stories to her ears her husband’s fame, Won in the fields of fruitful Italy; And decks with praises Collatine’s high name, Made glorious by his manly chivalry With bruised arms and wreaths of victory. Her joy with heaved-up hand she doth express, And, wordless, so greets heaven for his success. Far from the purpose of his coming thither, He makes excuses for his being there. No cloudy show of stormy blust’ring weather Doth yet in his fair welkin once appear, Till sable Night, mother of dread and fear, Upon the world dim darkness doth display, And in her vaulty prison stows the day.

For then is Tarquin brought unto his bed, Intending weariness with heavy sprite; For after supper long he questioned With modest Lucrece, and wore out the night. Now leaden slumber with life’s strength doth fight, And every one to rest themselves betake, Save thieves and cares and troubled minds that wake. As one of which doth Tarquin lie revolving The sundry dangers of his will’s obtaining, Yet ever to obtain his will resolving, Though weak-built hopes persuade him to abstaining. Despair to gain doth traffic oft for gaining, And when great treasure is the meed proposed, Though death be adjunct, there’s no death supposed.

Those that much covet are with gain so fond For what they have not, that which they possess They scatter and unloose it from their bond; And so, by hoping more, they have but less, Or, gaining more, the profit of excess Is but to surfeit, and such griefs sustain, That they prove bankrout in this poor-rich gain. The aim of all is but to nurse the life With honour, wealth, and ease, in waning age; And in this aim there is such thwarting strife That one for all or all for one we gage: As life for honour in fell battle’s rage, Honour for wealth; and oft that wealth doth cost The death of all, and all together lost.

So that in vent’ring ill we leave to be The things we are, for that which we expect; And this ambitious foul infirmity, In having much, torments us with defect Of that we have. So then we do neglect The thing we have, and, all for want of wit, Make something nothing by augmenting it. Such hazard now must doting Tarquin make, Pawning his honour to obtain his lust; And for himself himself he must forsake. Then where is truth, if there be no self-trust? When shall he think to find a stranger just, When he himself himself confounds, betrays To sland’rous tongues and wretched hateful days?

Now stole upon the time the dead of night, When heavy sleep had closed up mortal eyes. No comfortable star did lend his light, No noise but owls’ and wolves’ death-boding cries; Now serves the season that they may surprise The silly lambs. Pure thoughts are dead and still, While lust and murder wake to stain and kill. And now this lustful lord leaped from his bed, Throwing his mantle rudely o’er his arm; Is madly tossed between desire and dread; Th’ one sweetly flatters, th’ other feareth harm. But honest fear, bewitched with lust’s foul charm, Doth too too oft betake him to retire, Beaten away by brain-sick rude desire.

His falchion on a flint he softly smiteth, That from the cold stone sparks of fire do fly; Whereat a waxen torch forthwith he lighteth, Which must be lodestar to his lustful eye, And to the flame thus speaks advisedly: “As from this cold flint I enforced this fire, So Lucrece must I force to my desire.” Here pale with fear he doth premeditate The dangers of his loathsome enterprise, And in his inward mind he doth debate What following sorrow may on this arise. Then looking scornfully, he doth despise His naked armour of still-slaughtered lust, And justly thus controls his thoughts unjust:

“Fair torch, burn out thy light, and lend it not To darken her whose light excelleth thine. And die, unhallowed thoughts, before you blot With your uncleanness that which is divine. Offer pure incense to so pure a shrine. Let fair humanity abhor the deed That spots and stains love’s modest snow-white weed. “O shame to knighthood and to shining arms! O foul dishonour to my household’s grave! O impious act including all foul harms! A martial man to be soft fancy’s slave! True valour still a true respect should have. Then my digression is so vile, so base, That it will live engraven in my face.

“Yea, though I die, the scandal will survive And be an eye-sore in my golden coat; Some loathsome dash the herald will contrive, To cipher me how fondly I did dote, That my posterity, shamed with the note, Shall curse my bones, and hold it for no sin To wish that I their father had not been. “What win I if I gain the thing I seek? A dream, a breath, a froth of fleeting joy. Who buys a minute’s mirth to wail a week, Or sells eternity to get a toy? For one sweet grape who will the vine destroy? Or what fond beggar, but to touch the crown, Would with the sceptre straight be strucken down?

“If Collatinus dream of my intent, Will he not wake, and in a desp’rate rage Post hither, this vile purpose to prevent?— This siege that hath engirt his marriage, This blur to youth, this sorrow to the sage, This dying virtue, this surviving shame, Whose crime will bear an ever-during blame? “O, what excuse can my invention make When thou shalt charge me with so black a deed? Will not my tongue be mute, my frail joints shake, Mine eyes forgo their light, my false heart bleed? The guilt being great, the fear doth still exceed; And extreme fear can neither fight nor fly, But coward-like with trembling terror die.

“Had Collatinus killed my son or sire, Or lain in ambush to betray my life, Or were he not my dear friend, this desire Might have excuse to work upon his wife, As in revenge or quittal of such strife; But as he is my kinsman, my dear friend, The shame and fault finds no excuse nor end. “Shameful it is; ay, if the fact be known. Hateful it is, there is no hate in loving. I’ll beg her love. But she is not her own. The worst is but denial and reproving. My will is strong, past reason’s weak removing. Who fears a sentence or an old man’s saw Shall by a painted cloth be kept in awe.”

Thus, graceless, holds he disputation ’Tween frozen conscience and hot-burning will, And with good thoughts makes dispensation, Urging the worser sense for vantage still; Which in a moment doth confound and kill All pure effects, and doth so far proceed That what is vile shows like a virtuous deed. Quoth he, “She took me kindly by the hand, And gazed for tidings in my eager eyes, Fearing some hard news from the warlike band Where her beloved Collatinus lies. O how her fear did make her colour rise! First red as roses that on lawn we lay, Then white as lawn, the roses took away.

“And how her hand, in my hand being locked, Forced it to tremble with her loyal fear, Which struck her sad, and then it faster rocked, Until her husband’s welfare she did hear; Whereat she smiled with so sweet a cheer That had Narcissus seen her as she stood, Self-love had never drowned him in the flood. “Why hunt I then for colour or excuses? All orators are dumb when beauty pleadeth. Poor wretches have remorse in poor abuses; Love thrives not in the heart that shadows dreadeth. Affection is my captain, and he leadeth; And when his gaudy banner is displayed, The coward fights and will not be dismayed.

“Then, childish fear, avaunt! Debating, die! Respect and reason wait on wrinkled age! My heart shall never countermand mine eye. Sad pause and deep regard beseems the sage; My part is youth, and beats these from the stage. Desire my pilot is, beauty my prize; Then who fears sinking where such treasure lies?” As corn o’ergrown by weeds, so heedful fear Is almost choked by unresisted lust. Away he steals with opening, list’ning ear, Full of foul hope, and full of fond mistrust; Both which, as servitors to the unjust, So cross him with their opposite persuasion That now he vows a league, and now invasion.

Within his thought her heavenly image sits, And in the self-same seat sits Collatine. That eye which looks on her confounds his wits; That eye which him beholds, as more divine, Unto a view so false will not incline, But with a pure appeal seeks to the heart, Which once corrupted takes the worser part; And therein heartens up his servile powers, Who, flattered by their leader’s jocund show, Stuff up his lust, as minutes fill up hours; And as their captain, so their pride doth grow, Paying more slavish tribute than they owe. By reprobate desire thus madly led, The Roman lord marcheth to Lucrece’ bed.

The locks between her chamber and his will, Each one by him enforced, retires his ward; But, as they open, they all rate his ill, Which drives the creeping thief to some regard. The threshold grates the door to have him heard; Night-wand’ring weasels shriek to see him there; They fright him, yet he still pursues his fear. As each unwilling portal yields him way, Through little vents and crannies of the place The wind wars with his torch, to make him stay, And blows the smoke of it into his face, Extinguishing his conduct in this case; But his hot heart, which fond desire doth scorch, Puffs forth another wind that fires the torch.

And being lighted, by the light he spies Lucretia’s glove, wherein her needle sticks; He takes it from the rushes where it lies, And griping it, the needle his finger pricks, As who should say, “This glove to wanton tricks Is not inured. Return again in haste; Thou seest our mistress’ ornaments are chaste.” But all these poor forbiddings could not stay him; He in the worst sense construes their denial. The doors, the wind, the glove that did delay him, He takes for accidental things of trial; Or as those bars which stop the hourly dial, Who with a ling’ring stay his course doth let, Till every minute pays the hour his debt.

“So, so,” quoth he, “these lets attend the time, Like little frosts that sometime threat the spring, To add a more rejoicing to the prime, And give the sneaped birds more cause to sing. Pain pays the income of each precious thing: Huge rocks, high winds, strong pirates, shelves and sands The merchant fears, ere rich at home he lands.” Now is he come unto the chamber door That shuts him from the heaven of his thought, Which with a yielding latch, and with no more, Hath barred him from the blessed thing he sought. So from himself impiety hath wrought, That for his prey to pray he doth begin, As if the heavens should countenance his sin.

But in the midst of his unfruitful prayer, Having solicited th’ eternal power That his foul thoughts might compass his fair fair, And they would stand auspicious to the hour, Even there he starts. Quoth he, “I must deflower. The powers to whom I pray abhor this fact, How can they then assist me in the act? “Then Love and Fortune be my gods, my guide! My will is backed with resolution. Thoughts are but dreams till their effects be tried; The blackest sin is cleared with absolution. Against love’s fire fear’s frost hath dissolution. The eye of heaven is out, and misty night Covers the shame that follows sweet delight.”

This said, his guilty hand plucked up the latch, And with his knee the door he opens wide. The dove sleeps fast that this night-owl will catch; Thus treason works ere traitors be espied. Who sees the lurking serpent steps aside; But she, sound sleeping, fearing no such thing, Lies at the mercy of his mortal sting. Into the chamber wickedly he stalks, And gazeth on her yet unstained bed. The curtains being close, about he walks, Rolling his greedy eyeballs in his head. By their high treason is his heart misled, Which gives the watch-word to his hand full soon To draw the cloud that hides the silver moon.

Look as the fair and fiery-pointed sun, Rushing from forth a cloud, bereaves our sight; Even so, the curtain drawn, his eyes begun To wink, being blinded with a greater light. Whether it is that she reflects so bright, That dazzleth them, or else some shame supposed; But blind they are, and keep themselves enclosed. O, had they in that darksome prison died, Then had they seen the period of their ill! Then Collatine again by Lucrece’ side In his clear bed might have reposed still. But they must ope, this blessed league to kill; And holy-thoughted Lucrece to their sight Must sell her joy, her life, her world’s delight.

Her lily hand her rosy cheek lies under, Coz’ning the pillow of a lawful kiss; Who, therefore angry, seems to part in sunder, Swelling on either side to want his bliss; Between whose hills her head entombed is, Where like a virtuous monument she lies, To be admired of lewd unhallowed eyes. Without the bed her other fair hand was, On the green coverlet; whose perfect white Showed like an April daisy on the grass, With pearly sweat resembling dew of night. Her eyes, like marigolds, had sheathed their light, And canopied in darkness sweetly lay, Till they might open to adorn the day.

Her hair, like golden threads, played with her breath: O modest wantons, wanton modesty! Showing life’s triumph in the map of death, And death’s dim look in life’s mortality. Each in her sleep themselves so beautify, As if between them twain there were no strife, But that life lived in death and death in life. Her breasts like ivory globes circled with blue, A pair of maiden worlds unconquered, Save of their lord no bearing yoke they knew, And him by oath they truly honoured. These worlds in Tarquin new ambition bred; Who, like a foul usurper, went about From this fair throne to heave the owner out.

What could he see but mightily he noted? What did he note but strongly he desired? What he beheld, on that he firmly doted, And in his will his wilful eye he tired. With more than admiration he admired Her azure veins, her alabaster skin, Her coral lips, her snow-white dimpled chin. As the grim lion fawneth o’er his prey, Sharp hunger by the conquest satisfied, So o’er this sleeping soul doth Tarquin stay, His rage of lust by grazing qualified— Slaked, not suppressed; for standing by her side, His eye, which late this mutiny restrains, Unto a greater uproar tempts his veins.

And they, like straggling slaves for pillage fighting, Obdurate vassals fell exploits effecting, In bloody death and ravishment delighting, Nor children’s tears nor mothers’ groans respecting, Swell in their pride, the onset still expecting. Anon his beating heart, alarum striking, Gives the hot charge and bids them do their liking. His drumming heart cheers up his burning eye, His eye commends the leading to his hand; His hand, as proud of such a dignity, Smoking with pride, marched on to make his stand On her bare breast, the heart of all her land; Whose ranks of blue veins, as his hand did scale, Left their round turrets destitute and pale.

They, must’ring to the quiet cabinet Where their dear governess and lady lies, Do tell her she is dreadfully beset, And fright her with confusion of their cries. She, much amazed, breaks ope her locked-up eyes, Who, peeping forth this tumult to behold, Are by his flaming torch dimmed and controlled. Imagine her as one in dead of night From forth dull sleep by dreadful fancy waking, That thinks she hath beheld some ghastly sprite, Whose grim aspect sets every joint a shaking. What terror ’tis! but she, in worser taking, From sleep disturbed, heedfully doth view The sight which makes supposed terror true.

Wrapped and confounded in a thousand fears, Like to a new-killed bird she trembling lies. She dares not look; yet, winking, there appears Quick-shifting antics, ugly in her eyes. Such shadows are the weak brain’s forgeries; Who, angry that the eyes fly from their lights, In darkness daunts them with more dreadful sights. His hand, that yet remains upon her breast, Rude ram, to batter such an ivory wall! May feel her heart, poor citizen, distressed, Wounding itself to death, rise up and fall, Beating her bulk, that his hand shakes withal. This moves in him more rage, and lesser pity, To make the breach and enter this sweet city.

First, like a trumpet doth his tongue begin To sound a parley to his heartless foe, Who o’er the white sheet peers her whiter chin, The reason of this rash alarm to know, Which he by dumb demeanour seeks to show; But she with vehement prayers urgeth still Under what colour he commits this ill. Thus he replies: “The colour in thy face, That even for anger makes the lily pale, And the red rose blush at her own disgrace, Shall plead for me and tell my loving tale. Under that colour am I come to scale Thy never-conquered fort; the fault is thine, For those thine eyes betray thee unto mine.

“Thus I forestall thee, if thou mean to chide: Thy beauty hath ensnared thee to this night, Where thou with patience must my will abide, My will that marks thee for my earth’s delight, Which I to conquer sought with all my might. But as reproof and reason beat it dead, By thy bright beauty was it newly bred. “I see what crosses my attempt will bring; I know what thorns the growing rose defends; I think the honey guarded with a sting; All this beforehand counsel comprehends. But will is deaf, and hears no heedful friends; Only he hath an eye to gaze on beauty, And dotes on what he looks, ’gainst law or duty.

“I have debated, even in my soul, What wrong, what shame, what sorrow I shall breed; But nothing can affection’s course control, Or stop the headlong fury of his speed. I know repentant tears ensue the deed, Reproach, disdain, and deadly enmity; Yet strike I to embrace mine infamy.” This said, he shakes aloft his Roman blade, Which, like a falcon tow’ring in the skies, Coucheth the fowl below with his wings’ shade, Whose crooked beak threats, if he mount he dies. So under his insulting falchion lies Harmless Lucretia, marking what he tells With trembling fear, as fowl hear falcon’s bells.

“Lucrece,” quoth he, “this night I must enjoy thee. If thou deny, then force must work my way, For in thy bed I purpose to destroy thee; That done, some worthless slave of thine I’ll slay. To kill thine honour with thy life’s decay; And in thy dead arms do I mean to place him, Swearing I slew him, seeing thee embrace him. “So thy surviving husband shall remain The scornful mark of every open eye; Thy kinsmen hang their heads at this disdain, Thy issue blurred with nameless bastardy. And thou, the author of their obloquy, Shalt have thy trespass cited up in rhymes And sung by children in succeeding times.

“But if thou yield, I rest thy secret friend. The fault unknown is as a thought unacted; A little harm done to a great good end For lawful policy remains enacted. The poisonous simple sometimes is compacted In a pure compound; being so applied, His venom in effect is purified. “Then, for thy husband and thy children’s sake, Tender my suit. Bequeath not to their lot The shame that from them no device can take, The blemish that will never be forgot, Worse than a slavish wipe, or birth-hour’s blot: For marks descried in men’s nativity Are nature’s faults, not their own infamy.”

Here with a cockatrice’ dead-killing eye He rouseth up himself and makes a pause; While she, the picture of pure piety, Like a white hind under the gripe’s sharp claws, Pleads in a wilderness where are no laws, To the rough beast that knows no gentle right, Nor aught obeys but his foul appetite. But when a black-faced cloud the world doth threat, In his dim mist th’ aspiring mountains hiding, From earth’s dark womb some gentle gust doth get, Which blows these pitchy vapours from their biding, Hind’ring their present fall by this dividing; So his unhallowed haste her words delays, And moody Pluto winks while Orpheus plays.

Yet, foul night-waking cat, he doth but dally, While in his hold-fast foot the weak mouse panteth. Her sad behaviour feeds his vulture folly, A swallowing gulf that even in plenty wanteth. His ear her prayers admits, but his heart granteth No penetrable entrance to her plaining; Tears harden lust, though marble wear with raining. Her pity-pleading eyes are sadly fixed In the remorseless wrinkles of his face. Her modest eloquence with sighs is mixed, Which to her oratory adds more grace. She puts the period often from his place, And midst the sentence so her accent breaks That twice she doth begin ere once she speaks.

She conjures him by high almighty Jove, By knighthood, gentry, and sweet friendship’s oath, By her untimely tears, her husband’s love, By holy human law, and common troth, By heaven and earth, and all the power of both, That to his borrowed bed he make retire, And stoop to honour, not to foul desire. Quoth she, “Reward not hospitality With such black payment as thou hast pretended; Mud not the fountain that gave drink to thee, Mar not the thing that cannot be amended. End thy ill aim before the shoot be ended; He is no woodman that doth bend his bow To strike a poor unseasonable doe.

“My husband is thy friend; for his sake spare me. Thyself art mighty; for thine own sake leave me. Myself a weakling, do not then ensnare me; Thou look’st not like deceit; do not deceive me. My sighs, like whirlwinds, labour hence to heave thee. If ever man were moved with woman’s moans, Be moved with my tears, my sighs, my groans. “All which together, like a troubled ocean, Beat at thy rocky and wrack-threat’ning heart, To soften it with their continual motion; For stones dissolved to water do convert. O, if no harder than a stone thou art, Melt at my tears and be compassionate! Soft pity enters at an iron gate.

“In Tarquin’s likeness I did entertain thee. Hast thou put on his shape to do him shame? To all the host of heaven I complain me, Thou wrong’st his honour, wound’st his princely name. Thou art not what thou seem’st; and if the same, Thou seem’st not what thou art, a god, a king; For kings like gods should govern everything. “How will thy shame be seeded in thine age, When thus thy vices bud before thy spring? If in thy hope thou dar’st do such outrage, What dar’st thou not when once thou art a king? O, be remembered, no outrageous thing From vassal actors can be wiped away; Then kings’ misdeeds cannot be hid in clay.

“This deed will make thee only loved for fear, But happy monarchs still are feared for love. With foul offenders thou perforce must bear, When they in thee the like offences prove. If but for fear of this, thy will remove, For princes are the glass, the school, the book, Where subjects’ eyes do learn, do read, do look. “And wilt thou be the school where Lust shall learn? Must he in thee read lectures of such shame? Wilt thou be glass, wherein it shall discern Authority for sin, warrant for blame, To privilege dishonour in thy name? Thou back’st reproach against long-living laud, And mak’st fair reputation but a bawd.

“Hast thou command? By him that gave it thee, From a pure heart command thy rebel will. Draw not thy sword to guard iniquity, For it was lent thee all that brood to kill. Thy princely office how canst thou fulfill, When, patterned by thy fault, foul Sin may say He learned to sin, and thou didst teach the way? “Think but how vile a spectacle it were To view thy present trespass in another. Men’s faults do seldom to themselves appear; Their own transgressions partially they smother. This guilt would seem death-worthy in thy brother. O how are they wrapped in with infamies That from their own misdeeds askance their eyes!

“To thee, to thee, my heaved-up hands appeal, Not to seducing lust, thy rash relier. I sue for exiled majesty’s repeal; Let him return, and flatt’ring thoughts retire. His true respect will prison false desire, And wipe the dim mist from thy doting eyne, That thou shalt see thy state, and pity mine.” “Have done,” quoth he. “My uncontrolled tide Turns not, but swells the higher by this let. Small lights are soon blown out, huge fires abide, And with the wind in greater fury fret. The petty streams that pay a daily debt To their salt sovereign, with their fresh falls’ haste Add to his flow, but alter not his taste.”

“Thou art,” quoth she, “a sea, a sovereign king, And, lo, there falls into thy boundless flood Black lust, dishonour, shame, misgoverning, Who seek to stain the ocean of thy blood. If all these petty ills shall change thy good, Thy sea within a puddle’s womb is hearsed, And not the puddle in thy sea dispersed. “So shall these slaves be king, and thou their slave; Thou nobly base, they basely dignified; Thou their fair life, and they thy fouler grave; Thou loathed in their shame, they in thy pride. The lesser thing should not the greater hide; The cedar stoops not to the base shrub’s foot, But low shrubs wither at the cedar’s root.

“So let thy thoughts, low vassals to thy state”— “No more,” quoth he, “by heaven, I will not hear thee. Yield to my love. If not, enforced hate, Instead of love’s coy touch, shall rudely tear thee. That done, despitefully I mean to bear thee Unto the base bed of some rascal groom, To be thy partner in this shameful doom.” This said, he sets his foot upon the light, For light and lust are deadly enemies. Shame folded up in blind concealing night, When most unseen, then most doth tyrannize. The wolf hath seized his prey, the poor lamb cries, Till with her own white fleece her voice controlled Entombs her outcry in her lips’ sweet fold.

For with the nightly linen that she wears He pens her piteous clamours in her head, Cooling his hot face in the chastest tears That ever modest eyes with sorrow shed. O, that prone lust should stain so pure a bed! The spots whereof could weeping purify, Her tears should drop on them perpetually. But she hath lost a dearer thing than life, And he hath won what he would lose again. This forced league doth force a further strife; This momentary joy breeds months of pain; This hot desire converts to cold disdain. Pure Chastity is rifled of her store, And Lust, the thief, far poorer than before.

Look as the full-fed hound or gorged hawk, Unapt for tender smell or speedy flight, Make slow pursuit, or altogether balk The prey wherein by nature they delight; So surfeit-taking Tarquin fares this night. His taste delicious, in digestion souring, Devours his will, that lived by foul devouring. O deeper sin than bottomless conceit Can comprehend in still imagination! Drunken desire must vomit his receipt, Ere he can see his own abomination. While lust is in his pride no exclamation Can curb his heat or rein his rash desire, Till, like a jade, self-will himself doth tire.

And then with lank and lean discoloured cheek, With heavy eye, knit brow, and strengthless pace, Feeble desire, all recreant, poor, and meek, Like to a bankrout beggar wails his case. The flesh being proud, desire doth fight with Grace, For there it revels; and when that decays, The guilty rebel for remission prays. So fares it with this faultful lord of Rome, Who this accomplishment so hotly chased; For now against himself he sounds this doom, That through the length of times he stands disgraced. Besides, his soul’s fair temple is defaced, To whose weak ruins muster troops of cares, To ask the spotted princess how she fares.

She says her subjects with foul insurrection Have battered down her consecrated wall, And by their mortal fault brought in subjection Her immortality, and made her thrall To living death and pain perpetual, Which in her prescience she controlled still, But her foresight could not forestall their will. E’en in this thought through the dark night he stealeth, A captive victor that hath lost in gain, Bearing away the wound that nothing healeth, The scar that will, despite of cure, remain; Leaving his spoil perplexed in greater pain. She bears the load of lust he left behind, And he the burden of a guilty mind.

He like a thievish dog creeps sadly thence; She like a wearied lamb lies panting there; He scowls, and hates himself for his offence; She, desperate, with her nails her flesh doth tear. He faintly flies, sweating with guilty fear; She stays, exclaiming on the direful night; He runs, and chides his vanished, loathed delight. He thence departs a heavy convertite; She there remains a hopeless castaway. He in his speed looks for the morning light; She prays she never may behold the day. “For day,” quoth she, “night’s scapes doth open lay, And my true eyes have never practised how To cloak offences with a cunning brow.

“They think not but that every eye can see The same disgrace which they themselves behold; And therefore would they still in darkness be, To have their unseen sin remain untold. For they their guilt with weeping will unfold, And grave, like water that doth eat in steel, Upon my cheeks what helpless shame I feel.” Here she exclaims against repose and rest, And bids her eyes hereafter still be blind. She wakes her heart by beating on her breast, And bids it leap from thence, where it may find Some purer chest, to close so pure a mind. Frantic with grief thus breathes she forth her spite Against the unseen secrecy of night.

“O comfort-killing night, image of hell, Dim register and notary of shame, Black stage for tragedies and murders fell, Vast sin-concealing chaos, nurse of blame, Blind muffled bawd, dark harbour for defame, Grim cave of death, whisp’ring conspirator With close-tongued treason and the ravisher! “O hateful, vaporous, and foggy night, Since thou art guilty of my cureless crime, Muster thy mists to meet the eastern light, Make war against proportioned course of time; Or if thou wilt permit the sun to climb His wonted height, yet ere he go to bed, Knit poisonous clouds about his golden head.

“With rotten damps ravish the morning air; Let their exhaled unwholesome breaths make sick The life of purity, the supreme fair, Ere he arrive his weary noontide prick. And let thy misty vapours march so thick, That in their smoky ranks his smothered light May set at noon and make perpetual night. “Were Tarquin night, as he is but night’s child, The silver-shining queen he would distain; Her twinkling handmaids too, by him defiled, Through Night’s black bosom should not peep again. So should I have co-partners in my pain; And fellowship in woe doth woe assuage, As palmers’ chat makes short their pilgrimage.

“Where now I have no one to blush with me, To cross their arms and hang their heads with mine, To mask their brows, and hide their infamy; But I alone alone must sit and pine, Seasoning the earth with showers of silver brine, Mingling my talk with tears, my grief with groans, Poor wasting monuments of lasting moans. “O night, thou furnace of foul reeking smoke, Let not the jealous day behold that face Which underneath thy black all-hiding cloak Immodesty lies martyred with disgrace! Keep still possession of thy gloomy place, That all the faults which in thy reign are made May likewise be sepulchred in thy shade.

“Make me not object to the tell-tale day. The light will show charactered in my brow The story of sweet chastity’s decay, The impious breach of holy wedlock vow. Yea, the illiterate, that know not how To cipher what is writ in learned books, Will quote my loathsome trespass in my looks. “The nurse, to still her child, will tell my story And fright her crying babe with Tarquin’s name. The orator, to deck his oratory, Will couple my reproach to Tarquin’s shame. Feast-finding minstrels, tuning my defame, Will tie the hearers to attend each line, How Tarquin wronged me, I Collatine.

“Let my good name, that senseless reputation, For Collatine’s dear love be kept unspotted. If that be made a theme for disputation, The branches of another root are rotted, And undeserved reproach to him allotted That is as clear from this attaint of mine As I, ere this, was pure to Collatine. “O unseen shame, invisible disgrace! O unfelt sore, crest-wounding, private scar! Reproach is stamped in Collatinus’ face, And Tarquin’s eye may read the mot afar, How he in peace is wounded, not in war. Alas, how many bear such shameful blows, Which not themselves, but he that gives them knows!

“If, Collatine, thine honour lay in me, From me by strong assault it is bereft. My honey lost, and I, a drone-like bee, Have no perfection of my summer left, But robbed and ransacked by injurious theft. In thy weak hive a wand’ring wasp hath crept, And sucked the honey which thy chaste bee kept. “Yet am I guilty of thy honour’s wrack; Yet for thy honour did I entertain him. Coming from thee, I could not put him back, For it had been dishonour to disdain him. Besides, of weariness he did complain him, And talked of virtue. O unlooked-for evil, When virtue is profaned in such a devil!

“Why should the worm intrude the maiden bud? Or hateful cuckoos hatch in sparrows’ nests? Or toads infect fair founts with venom mud? Or tyrant folly lurk in gentle breasts? Or kings be breakers of their own behests? But no perfection is so absolute That some impurity doth not pollute. “The aged man that coffers up his gold Is plagued with cramps, and gouts and painful fits, And scarce hath eyes his treasure to behold, But like still-pining Tantalus he sits, And useless barns the harvest of his wits, Having no other pleasure of his gain But torment that it cannot cure his pain.

“So then he hath it when he cannot use it, And leaves it to be mastered by his young, Who in their pride do presently abuse it. Their father was too weak, and they too strong, To hold their cursed-blessed fortune long. The sweets we wish for turn to loathed sours Even in the moment that we call them ours. “Unruly blasts wait on the tender spring; Unwholesome weeds take root with precious flowers; The adder hisses where the sweet birds sing; What virtue breeds iniquity devours. We have no good that we can say is ours, But ill-annexed Opportunity Or kills his life or else his quality.

“O Opportunity, thy guilt is great! ’Tis thou that execut’st the traitor’s treason; Thou sets the wolf where he the lamb may get; Whoever plots the sin, thou ’point’st the season. ’Tis thou that spurn’st at right, at law, at reason; And in thy shady cell, where none may spy him, Sits Sin, to seize the souls that wander by him. “Thou mak’st the vestal violate her oath; Thou blow’st the fire when temperance is thawed; Thou smother’st honesty, thou murder’st troth, Thou foul abettor, thou notorious bawd! Thou plantest scandal and displacest laud. Thou ravisher, thou traitor, thou false thief, Thy honey turns to gall, thy joy to grief.

“Thy secret pleasure turns to open shame, Thy private feasting to a public fast, Thy smoothing titles to a ragged name, Thy sugared tongue to bitter wormwood taste. Thy violent vanities can never last. How comes it then, vile Opportunity, Being so bad, such numbers seek for thee? “When wilt thou be the humble suppliant’s friend, And bring him where his suit may be obtained? When wilt thou sort an hour great strifes to end, Or free that soul which wretchedness hath chained? Give physic to the sick, ease to the pained? The poor, lame, blind, halt, creep, cry out for thee; But they ne’er meet with Opportunity.

“The patient dies while the physician sleeps; The orphan pines while the oppressor feeds; Justice is feasting while the widow weeps; Advice is sporting while infection breeds. Thou grant’st no time for charitable deeds. Wrath, envy, treason, rape, and murder’s rages, Thy heinous hours wait on them as their pages. “When truth and virtue have to do with thee, A thousand crosses keep them from thy aid; They buy thy help; but Sin ne’er gives a fee; He gratis comes, and thou art well appaid As well to hear as grant what he hath said. My Collatine would else have come to me When Tarquin did, but he was stayed by thee.

“Guilty thou art of murder and of theft, Guilty of perjury and subornation, Guilty of treason, forgery, and shift, Guilty of incest, that abomination: An accessory by thine inclination To all sins past and all that are to come, From the creation to the general doom. “Misshapen Time, copesmate of ugly night, Swift subtle post, carrier of grisly care, Eater of youth, false slave to false delight, Base watch of woes, sin’s pack-horse, virtue’s snare! Thou nursest all and murd’rest all that are. O hear me then, injurious, shifting Time! Be guilty of my death, since of my crime.

“Why hath thy servant, Opportunity Betrayed the hours thou gav’st me to repose, Cancelled my fortunes, and enchained me To endless date of never-ending woes? Time’s office is to fine the hate of foes, To eat up errors by opinion bred, Not spend the dowry of a lawful bed. “Time’s glory is to calm contending kings, To unmask falsehood and bring truth to light, To stamp the seal of time in aged things, To wake the morn and sentinel the night, To wrong the wronger till he render right, To ruinate proud buildings with thy hours, And smear with dust their glitt’ring golden towers;

“To fill with worm-holes stately monuments, To feed oblivion with decay of things, To blot old books and alter their contents, To pluck the quills from ancient ravens’ wings, To dry the old oak’s sap and cherish springs, To spoil antiquities of hammered steel, And turn the giddy round of Fortune’s wheel; “To show the beldam daughters of her daughter, To make the child a man, the man a child, To slay the tiger that doth live by slaughter, To tame the unicorn and lion wild, To mock the subtle in themselves beguiled, To cheer the ploughman with increaseful crops, And waste huge stones with little water-drops.

“Why work’st thou mischief in thy pilgrimage, Unless thou couldst return to make amends? One poor retiring minute in an age Would purchase thee a thousand thousand friends, Lending him wit that to bad debtors lends. O, this dread night, wouldst thou one hour come back, I could prevent this storm and shun thy wrack! “Thou ceaseless lackey to eternity, With some mischance cross Tarquin in his flight. Devise extremes beyond extremity, To make him curse this cursed crimeful night. Let ghastly shadows his lewd eyes affright, And the dire thought of his committed evil Shape every bush a hideous shapeless devil.

“Disturb his hours of rest with restless trances, Afflict him in his bed with bedrid groans; Let there bechance him pitiful mischances, To make him moan, but pity not his moans. Stone him with hard’ned hearts harder than stones, And let mild women to him lose their mildness, Wilder to him than tigers in their wildness. “Let him have time to tear his curled hair, Let him have time against himself to rave, Let him have time of Time’s help to despair, Let him have time to live a loathed slave, Let him have time a beggar’s orts to crave, And time to see one that by alms doth live Disdain to him disdained scraps to give.

“Let him have time to see his friends his foes, And merry fools to mock at him resort; Let him have time to mark how slow time goes In time of sorrow, and how swift and short His time of folly and his time of sport; And ever let his unrecalling crime Have time to wail th’ abusing of his time. “O Time, thou tutor both to good and bad, Teach me to curse him that thou taught’st this ill! At his own shadow let the thief run mad, Himself himself seek every hour to kill. Such wretched hands such wretched blood should spill, For who so base would such an office have As sland’rous deathsman to so base a slave?

“The baser is he, coming from a king, To shame his hope with deeds degenerate. The mightier man, the mightier is the thing That makes him honoured or begets him hate; For greatest scandal waits on greatest state. The moon being clouded presently is missed, But little stars may hide them when they list. “The crow may bathe his coal-black wings in mire, And unperceived fly with the filth away; But if the like the snow-white swan desire, The stain upon his silver down will stay. Poor grooms are sightless night, kings glorious day. Gnats are unnoted wheresoe’er they fly, But eagles gazed upon with every eye.

“Out, idle words, servants to shallow fools, Unprofitable sounds, weak arbitrators! Busy yourselves in skill-contending schools; Debate where leisure serves with dull debaters; To trembling clients be you mediators. For me, I force not argument a straw, Since that my case is past the help of law. “In vain I rail at Opportunity, At Time, at Tarquin, and uncheerful night; In vain I cavil with mine infamy, In vain I spurn at my confirmed despite. This helpless smoke of words doth me no right. The remedy indeed to do me good Is to let forth my foul defiled blood.

“Poor hand, why quiver’st thou at this decree? Honour thyself to rid me of this shame, For if I die, my honour lives in thee, But if I live, thou liv’st in my defame. Since thou couldst not defend thy loyal dame, And wast afeared to scratch her wicked foe, Kill both thyself and her for yielding so.” This said, from her betumbled couch she starteth, To find some desp’rate instrument of death; But this no slaughterhouse no tool imparteth To make more vent for passage of her breath, Which, thronging through her lips, so vanisheth As smoke from Ætna, that in air consumes, Or that which from discharged cannon fumes.

“In vain,” quoth she, “I live, and seek in vain Some happy mean to end a hapless life. I feared by Tarquin’s falchion to be slain, Yet for the self-same purpose seek a knife. But when I feared I was a loyal wife; So am I now.—O no, that cannot be! Of that true type hath Tarquin rifled me. “O that is gone for which I sought to live, And therefore now I need not fear to die. To clear this spot by death, at least I give A badge of fame to slander’s livery, A dying life to living infamy. Poor helpless help, the treasure stol’n away, To burn the guiltless casket where it lay!

“Well, well, dear Collatine, thou shalt not know The stained taste of violated troth; I will not wrong thy true affection so, To flatter thee with an infringed oath. This bastard graff shall never come to growth; He shall not boast who did thy stock pollute That thou art doting father of his fruit. “Nor shall he smile at thee in secret thought, Nor laugh with his companions at thy state; But thou shalt know thy int’rest was not bought Basely with gold, but stol’n from forth thy gate. For me, I am the mistress of my fate, And with my trespass never will dispense, Till life to death acquit my forced offence.

“I will not poison thee with my attaint, Nor fold my fault in cleanly-coined excuses; My sable ground of sin I will not paint, To hide the truth of this false night’s abuses. My tongue shall utter all; mine eyes, like sluices, As from a mountain-spring that feeds a dale, Shall gush pure streams to purge my impure tale.” By this, lamenting Philomel had ended The well-tuned warble of her nightly sorrow, And solemn night with slow sad gait descended To ugly hell; when, lo, the blushing morrow Lends light to all fair eyes that light will borrow. But cloudy Lucrece shames herself to see, And therefore still in night would cloistered be.

Revealing day through every cranny spies, And seems to point her out where she sits weeping, To whom she sobbing speaks: “O eye of eyes, Why pry’st thou through my window? Leave thy peeping, Mock with thy tickling beams eyes that are sleeping. Brand not my forehead with thy piercing light, For day hath naught to do what’s done by night.” Thus cavils she with everything she sees. True grief is fond and testy as a child, Who wayward once, his mood with naught agrees. Old woes, not infant sorrows, bear them mild. Continuance tames the one; the other wild, Like an unpractised swimmer plunging still With too much labour drowns for want of skill.

So she, deep-drenched in a sea of care, Holds disputation with each thing she views, And to herself all sorrow doth compare; No object but her passion’s strength renews, And as one shifts, another straight ensues. Sometime her grief is dumb and hath no words; Sometime ’tis mad and too much talk affords. The little birds that tune their morning’s joy Make her moans mad with their sweet melody. For mirth doth search the bottom of annoy; Sad souls are slain in merry company. Grief best is pleased with grief’s society; True sorrow then is feelingly sufficed When with like semblance it is sympathized.

’Tis double death to drown in ken of shore; He ten times pines that pines beholding food; To see the salve doth make the wound ache more; Great grief grieves most at that would do it good; Deep woes roll forward like a gentle flood, Who, being stopped, the bounding banks o’erflows; Grief dallied with nor law nor limit knows. “You mocking birds,” quoth she, “your tunes entomb Within your hollow-swelling feathered breasts, And in my hearing be you mute and dumb; My restless discord loves no stops nor rests. A woeful hostess brooks not merry guests. Relish your nimble notes to pleasing ears; Distress likes dumps when time is kept with tears.

“Come, Philomel, that sing’st of ravishment, Make thy sad grove in my disheveled hair. As the dank earth weeps at thy languishment, So I at each sad strain will strain a tear And with deep groans the diapason bear; For burden-wise I’ll hum on Tarquin still, While thou on Tereus descants better skill. “And whiles against a thorn thou bear’st thy part To keep thy sharp woes waking, wretched I, To imitate thee well, against my heart Will fix a sharp knife to affright mine eye, Who if it wink shall thereon fall and die. These means, as frets upon an instrument, Shall tune our heart-strings to true languishment.

“And for, poor bird, thou sing’st not in the day, As shaming any eye should thee behold, Some dark deep desert seated from the way, That knows not parching heat nor freezing cold, Will we find out; and there we will unfold To creatures stern sad tunes to change their kinds. Since men prove beasts, let beasts bear gentle minds.” As the poor frighted deer that stands at gaze, Wildly determining which way to fly, Or one encompassed with a winding maze, That cannot tread the way out readily; So with herself is she in mutiny, To live or die which of the twain were better, When life is shamed and Death reproach’s debtor.

“To kill myself,” quoth she, “alack, what were it, But with my body my poor soul’s pollution? They that lose half with greater patience bear it Than they whose whole is swallowed in confusion. That mother tries a merciless conclusion Who, having two sweet babes, when death takes one, Will slay the other, and be nurse to none. “My body or my soul, which was the dearer, When the one pure, the other made divine? Whose love of either to myself was nearer, When both were kept for heaven and Collatine? Ay me, the bark pilled from the lofty pine, His leaves will wither and his sap decay; So must my soul, her bark being pilled away.

“Her house is sacked, her quiet interrupted, Her mansion battered by the enemy, Her sacred temple spotted, spoiled, corrupted, Grossly engirt with daring infamy. Then let it not be called impiety, If in this blemished fort I make some hole Through which I may convey this troubled soul. “Yet die I will not till my Collatine Have heard the cause of my untimely death, That he may vow, in that sad hour of mine, Revenge on him that made me stop my breath. My stained blood to Tarquin I’ll bequeath, Which by him tainted shall for him be spent, And as his due writ in my testament.

“My honour I’ll bequeath unto the knife That wounds my body so dishonoured. ’Tis honour to deprive dishonoured life; The one will live, the other being dead. So of shame’s ashes shall my fame be bred, For in my death I murder shameful scorn; My shame so dead, mine honour is new born. “Dear lord of that dear jewel I have lost, What legacy shall I bequeath to thee? My resolution, love, shall be thy boast, By whose example thou revenged mayst be. How Tarquin must be used, read it in me; Myself, thy friend, will kill myself, thy foe, And for my sake serve thou false Tarquin so.

“This brief abridgement of my will I make: My soul and body to the skies and ground; My resolution, husband, do thou take; Mine honour be the knife’s that makes my wound; My shame be his that did my fame confound; And all my fame that lives disbursed be To those that live and think no shame of me. “Thou, Collatine, shalt oversee this will; How was I overseen that thou shalt see it! My blood shall wash the slander of mine ill; My life’s foul deed my life’s fair end shall free it. Faint not, faint heart, but stoutly say, ‘So be it.’ Yield to my hand; my hand shall conquer thee. Thou dead, both die, and both shall victors be.”

This plot of death when sadly she had laid, And wiped the brinish pearl from her bright eyes, With untuned tongue she hoarsely called her maid, Whose swift obedience to her mistress hies; For fleet-winged duty with thought’s feathers flies. Poor Lucrece’ cheeks unto her maid seem so As winter meads when sun doth melt their snow. Her mistress she doth give demure good-morrow, With soft slow tongue, true mark of modesty, And sorts a sad look to her lady’s sorrow, For why her face wore sorrow’s livery, But durst not ask of her audaciously Why her two suns were cloud-eclipsed so, Nor why her fair cheeks over-washed with woe.

But as the earth doth weep, the sun being set, Each flower moistened like a melting eye, Even so the maid with swelling drops ’gan wet Her circled eyne, enforced by sympathy Of those fair suns set in her mistress’ sky, Who in a salt-waved ocean quench their light, Which makes the maid weep like the dewy night. A pretty while these pretty creatures stand, Like ivory conduits coral cisterns filling. One justly weeps; the other takes in hand No cause, but company, of her drops spilling. Their gentle sex to weep are often willing, Grieving themselves to guess at others’ smarts, And then they drown their eyes or break their hearts.

For men have marble, women waxen, minds, And therefore are they formed as marble will; The weak oppressed, th’ impression of strange kinds Is formed in them by force, by fraud, or skill. Then call them not the authors of their ill, No more than wax shall be accounted evil, Wherein is stamped the semblance of a devil. Their smoothness, like a goodly champaign plain, Lays open all the little worms that creep; In men, as in a rough-grown grove, remain Cave-keeping evils that obscurely sleep. Through crystal walls each little mote will peep. Though men can cover crimes with bold stern looks, Poor women’s faces are their own faults’ books.

No man inveigh against the withered flower, But chide rough winter that the flower hath killed; Not that devoured, but that which doth devour, Is worthy blame. O, let it not be hild Poor women’s faults, that they are so fulfilled With men’s abuses! Those proud lords, to blame, Make weak-made women tenants to their shame. The precedent whereof in Lucrece view, Assailed by night with circumstances strong Of present death, and shame that might ensue By that her death, to do her husband wrong. Such danger to resistance did belong, The dying fear through all her body spread; And who cannot abuse a body dead?

By this, mild patience bid fair Lucrece speak To the poor counterfeit of her complaining: “My girl,” quoth she, “on what occasion break Those tears from thee, that down thy cheeks are raining? If thou dost weep for grief of my sustaining, Know, gentle wench, it small avails my mood. If tears could help, mine own would do me good. “But tell me, girl, when went”—and there she stayed Till after a deep groan—“Tarquin from hence?” “Madam, ere I was up,” replied the maid, “The more to blame my sluggard negligence. Yet with the fault I thus far can dispense: Myself was stirring ere the break of day, And, ere I rose, was Tarquin gone away.

“But, lady, if your maid may be so bold, She would request to know your heaviness.” “O peace!” quoth Lucrece. “If it should be told, The repetition cannot make it less; For more it is than I can well express, And that deep torture may be called a hell, When more is felt than one hath power to tell. “Go, get me hither paper, ink, and pen. Yet save that labour, for I have them here. What should I say?—One of my husband’s men Bid thou be ready by and by to bear A letter to my lord, my love, my dear. Bid him with speed prepare to carry it; The cause craves haste, and it will soon be writ.”

Her maid is gone, and she prepares to write, First hovering o’er the paper with her quill. Conceit and grief an eager combat fight; What wit sets down is blotted straight with will; This is too curious-good, this blunt and ill. Much like a press of people at a door, Throng her inventions, which shall go before. At last she thus begins: “Thou worthy lord Of that unworthy wife that greeteth thee, Health to thy person! Next vouchsafe t’ afford, If ever, love, thy Lucrece thou wilt see, Some present speed to come and visit me. So I commend me from our house in grief. My woes are tedious, though my words are brief.”

Here folds she up the tenor of her woe, Her certain sorrow writ uncertainly. By this short schedule Collatine may know Her grief, but not her grief’s true quality; She dares not thereof make discovery, Lest he should hold it her own gross abuse, Ere she with blood had stained her stained excuse. Besides, the life and feeling of her passion She hoards, to spend when he is by to hear her; When sighs and groans and tears may grace the fashion Of her disgrace, the better so to clear her From that suspicion which the world might bear her. To shun this blot, she would not blot the letter With words, till action might become them better.

To see sad sights moves more than hear them told, For then the eye interprets to the ear The heavy motion that it doth behold, When every part a part of woe doth bear. ’Tis but a part of sorrow that we hear. Deep sounds make lesser noise than shallow fords, And sorrow ebbs, being blown with wind of words. Her letter now is sealed, and on it writ “At Ardea to my lord with more than haste.” The post attends, and she delivers it, Charging the sour-faced groom to hie as fast As lagging fowls before the northern blast. Speed more than speed but dull and slow she deems; Extremely still urgeth such extremes.

The homely villain curtsies to her low, And, blushing on her with a steadfast eye, Receives the scroll without or yea or no, And forth with bashful innocence doth hie. But they whose guilt within their bosoms lie Imagine every eye beholds their blame, For Lucrece thought he blushed to see her shame, When, silly groom! God wot, it was defect Of spirit, life, and bold audacity. Such harmless creatures have a true respect To talk in deeds, while others saucily Promise more speed, but do it leisurely. Even so this pattern of the worn-out age Pawned honest looks, but laid no words to gage.

His kindled duty kindled her mistrust, That two red fires in both their faces blazed; She thought he blushed, as knowing Tarquin’s lust, And, blushing with him, wistly on him gazed. Her earnest eye did make him more amazed. The more she saw the blood his cheeks replenish, The more she thought he spied in her some blemish. But long she thinks till he return again, And yet the duteous vassal scarce is gone. The weary time she cannot entertain, For now ’tis stale to sigh, to weep, to groan; So woe hath wearied woe, moan tired moan, That she her plaints a little while doth stay, Pausing for means to mourn some newer way.

At last she calls to mind where hangs a piece Of skilful painting, made for Priam’s Troy, Before the which is drawn the power of Greece, For Helen’s rape the city to destroy, Threat’ning cloud-kissing Ilion with annoy; Which the conceited painter drew so proud, As heaven, it seemed, to kiss the turrets bowed. A thousand lamentable objects there, In scorn of Nature, Art gave lifeless life. Many a dry drop seemed a weeping tear, Shed for the slaughtered husband by the wife. The red blood reeked to show the painter’s strife, The dying eyes gleamed forth their ashy lights, Like dying coals burnt out in tedious nights.

There might you see the labouring pioneer Begrimed with sweat and smeared all with dust; And from the towers of Troy there would appear The very eyes of men through loop-holes thrust, Gazing upon the Greeks with little lust. Such sweet observance in this work was had, That one might see those far-off eyes look sad. In great commanders grace and majesty You might behold, triumphing in their faces; In youth, quick bearing and dexterity; And here and there the painter interlaces Pale cowards marching on with trembling paces, Which heartless peasants did so well resemble, That one would swear he saw them quake and tremble.

In Ajax and Ulysses, O, what art Of physiognomy might one behold! The face of either ciphered either’s heart; Their face their manners most expressly told. In Ajax’ eyes blunt rage and rigour rolled, But the mild glance that sly Ulysses lent Showed deep regard and smiling government. There pleading might you see grave Nestor stand, As ’twere encouraging the Greeks to fight, Making such sober action with his hand That it beguiled attention, charmed the sight. In speech, it seemed, his beard, all silver white, Wagged up and down, and from his lips did fly Thin winding breath, which purled up to the sky.

About him were a press of gaping faces, Which seemed to swallow up his sound advice, All jointly list’ning, but with several graces, As if some mermaid did their ears entice; Some high, some low, the painter was so nice. The scalps of many, almost hid behind, To jump up higher seemed to mock the mind. Here one man’s hand leaned on another’s head, His nose being shadowed by his neighbour’s ear; Here one being thronged bears back, all boll’n and red; Another smothered seems to pelt and swear; And in their rage such signs of rage they bear As, but for loss of Nestor’s golden words, It seemed they would debate with angry swords.

For much imaginary work was there, Conceit deceitful, so compact, so kind, That for Achilles’ image stood his spear Griped in an armed hand; himself, behind, Was left unseen, save to the eye of mind. A hand, a foot, a face, a leg, a head, Stood for the whole to be imagined. And from the walls of strong-besieged Troy, When their brave hope, bold Hector, marched to field, Stood many Trojan mothers, sharing joy To see their youthful sons bright weapons wield; And to their hope they such odd action yield That through their light joy seemed to appear, Like bright things stained, a kind of heavy fear.

And from the strand of Dardan, where they fought, To Simois’ reedy banks the red blood ran, Whose waves to imitate the battle sought With swelling ridges, and their ranks began To break upon the galled shore, and then Retire again till, meeting greater ranks, They join, and shoot their foam at Simois’ banks. To this well-painted piece is Lucrece come, To find a face where all distress is stelled. Many she sees where cares have carved some, But none where all distress and dolour dwelled, Till she despairing Hecuba beheld, Staring on Priam’s wounds with her old eyes, Which bleeding under Pyrrhus’ proud foot lies.

In her the painter had anatomized Time’s ruin, beauty’s wrack, and grim care’s reign. Her cheeks with chops and wrinkles were disguised; Of what she was no semblance did remain. Her blue blood, changed to black in every vein, Wanting the spring that those shrunk pipes had fed, Showed life imprisoned in a body dead. On this sad shadow Lucrece spends her eyes, And shapes her sorrow to the beldam’s woes, Who nothing wants to answer her but cries And bitter words to ban her cruel foes. The painter was no god to lend her those, And therefore Lucrece swears he did her wrong, To give her so much grief, and not a tongue.

“Poor instrument,” quoth she, “without a sound, I’ll tune thy woes with my lamenting tongue, And drop sweet balm in Priam’s painted wound, And rail on Pyrrhus that hath done him wrong, And with my tears quench Troy that burns so long, And with my knife scratch out the angry eyes Of all the Greeks that are thine enemies. “Show me the strumpet that began this stir, That with my nails her beauty I may tear. Thy heat of lust, fond Paris, did incur This load of wrath that burning Troy doth bear; Thy eye kindled the fire that burneth here, And here in Troy, for trespass of thine eye, The sire, the son, the dame, and daughter die.

“Why should the private pleasure of some one Become the public plague of many moe? Let sin, alone committed, light alone Upon his head that hath transgressed so; Let guiltless souls be freed from guilty woe. For one’s offence why should so many fall, To plague a private sin in general? “Lo, here weeps Hecuba, here Priam dies, Here manly Hector faints, here Troilus swounds; Here friend by friend in bloody channel lies, And friend to friend gives unadvised wounds, And one man’s lust these many lives confounds. Had doting Priam checked his son’s desire, Troy had been bright with fame and not with fire.”

Here feelingly she weeps Troy’s painted woes, For sorrow, like a heavy-hanging bell, Once set on ringing, with his own weight goes; Then little strength rings out the doleful knell. So Lucrece set a-work, sad tales doth tell To pencilled pensiveness and coloured sorrow; She lends them words, and she their looks doth borrow. She throws her eyes about the painting round, And who she finds forlorn she doth lament. At last she sees a wretched image bound, That piteous looks to Phrygian shepherds lent. His face, though full of cares, yet showed content; Onward to Troy with the blunt swains he goes, So mild, that patience seemed to scorn his woes.

In him the painter laboured with his skill To hide deceit and give the harmless show An humble gait, calm looks, eyes wailing still, A brow unbent that seemed to welcome woe, Cheeks neither red nor pale, but mingled so That blushing red no guilty instance gave, Nor ashy pale the fear that false hearts have. But, like a constant and confirmed devil, He entertained a show so seeming just, And therein so ensconced his secret evil, That jealousy itself could not mistrust False-creeping craft and perjury should thrust Into so bright a day such black-faced storms, Or blot with hell-born sin such saint-like forms.

The well-skilled workman this mild image drew For perjured Sinon, whose enchanting story The credulous Old Priam after slew; Whose words like wildfire burnt the shining glory Of rich-built Ilion, that the skies were sorry, And little stars shot from their fixed places, When their glass fell wherein they viewed their faces. This picture she advisedly perused, And chid the painter for his wondrous skill, Saying some shape in Sinon’s was abused; So fair a form lodged not a mind so ill. And still on him she gazed, and gazing still, Such signs of truth in his plain face she spied, That she concludes the picture was belied.

“It cannot be,” quoth she, “that so much guile”— She would have said “can lurk in such a look.” But Tarquin’s shape came in her mind the while, And from her tongue “can lurk” from “cannot” took. “It cannot be” she in that sense forsook, And turned it thus: “It cannot be, I find, But such a face should bear a wicked mind. “For even as subtle Sinon here is painted, So sober-sad, so weary, and so mild, As if with grief or travail he had fainted, To me came Tarquin armed too, beguiled With outward honesty, but yet defiled With inward vice. As Priam him did cherish, So did I Tarquin; so my Troy did perish.

“Look, look, how listening Priam wets his eyes, To see those borrowed tears that Sinon sheds! Priam, why art thou old and yet not wise? For every tear he falls a Trojan bleeds. His eye drops fire, no water thence proceeds; Those round clear pearls of his that move thy pity, Are balls of quenchless fire to burn thy city. “Such devils steal effects from lightless hell, For Sinon in his fire doth quake with cold, And in that cold hot-burning fire doth dwell. These contraries such unity do hold, Only to flatter fools and make them bold; So Priam’s trust false Sinon’s tears doth flatter, That he finds means to burn his Troy with water.”

Here, all enraged, such passion her assails, That patience is quite beaten from her breast. She tears the senseless Sinon with her nails, Comparing him to that unhappy guest Whose deed hath made herself herself detest. At last she smilingly with this gives o’er; “Fool, fool!” quoth she, “his wounds will not be sore.” Thus ebbs and flows the current of her sorrow, And time doth weary time with her complaining. She looks for night, and then she longs for morrow, And both she thinks too long with her remaining. Short time seems long in sorrow’s sharp sustaining. Though woe be heavy, yet it seldom sleeps, And they that watch see time how slow it creeps.

Which all this time hath overslipped her thought, That she with painted images hath spent, Being from the feeling of her own grief brought By deep surmise of others’ detriment, Losing her woes in shows of discontent. It easeth some, though none it ever cured, To think their dolour others have endured. But now the mindful messenger, come back, Brings home his lord and other company; Who finds his Lucrece clad in mourning black, And round about her tear-distained eye Blue circles streamed, like rainbows in the sky. These water-galls in her dim element Foretell new storms to those already spent.

Which when her sad-beholding husband saw, Amazedly in her sad face he stares. Her eyes, though sod in tears, looked red and raw, Her lively colour killed with deadly cares. He hath no power to ask her how she fares; Both stood like old acquaintance in a trance, Met far from home, wond’ring each other’s chance. At last he takes her by the bloodless hand, And thus begins: “What uncouth ill event Hath thee befall’n, that thou dost trembling stand? Sweet love, what spite hath thy fair colour spent? Why art thou thus attired in discontent? Unmask, dear dear, this moody heaviness, And tell thy grief, that we may give redress.”

Three times with sighs she gives her sorrow fire, Ere once she can discharge one word of woe. At length addressed to answer his desire, She modestly prepares to let them know Her honour is ta’en prisoner by the foe; While Collatine and his consorted lords With sad attention long to hear her words. And now this pale swan in her wat’ry nest Begins the sad dirge of her certain ending: “Few words,” quoth she, “shall fit the trespass best, Where no excuse can give the fault amending. In me more woes than words are now depending; And my laments would be drawn out too long, To tell them all with one poor tired tongue.

“Then be this all the task it hath to say: Dear husband, in the interest of thy bed A stranger came, and on that pillow lay Where thou wast wont to rest thy weary head; And what wrong else may be imagined By foul enforcement might be done to me, From that, alas, thy Lucrece is not free. “For in the dreadful dead of dark midnight, With shining falchion in my chamber came A creeping creature with a flaming light, And softly cried ‘Awake, thou Roman dame, And entertain my love; else lasting shame On thee and thine this night I will inflict, If thou my love’s desire do contradict.

“‘For some hard-favoured groom of thine,’ quoth he, ‘Unless thou yoke thy liking to my will, I’ll murder straight, and then I’ll slaughter thee And swear I found you where you did fulfil The loathsome act of lust, and so did kill The lechers in their deed. This act will be My fame and thy perpetual infamy.’ “With this, I did begin to start and cry, And then against my heart he sets his sword, Swearing, unless I took all patiently, I should not live to speak another word; So should my shame still rest upon record, And never be forgot in mighty Rome The adulterate death of Lucrece and her groom.

“Mine enemy was strong, my poor self weak, And far the weaker with so strong a fear. My bloody judge forbade my tongue to speak; No rightful plea might plead for justice there. His scarlet lust came evidence to swear That my poor beauty had purloined his eyes; And when the judge is robbed, the prisoner dies. “O, teach me how to make mine own excuse, Or at the least, this refuge let me find: Though my gross blood be stained with this abuse, Immaculate and spotless is my mind; That was not forced; that never was inclined To accessary yieldings, but still pure Doth in her poisoned closet yet endure.”

Lo, here the hopeless merchant of this loss, With head declined and voice dammed up with woe, With sad set eyes and wretched arms across, From lips new-waxen pale begins to blow The grief away that stops his answer so. But wretched as he is, he strives in vain; What he breathes out his breath drinks up again. As through an arch the violent roaring tide Outruns the eye that doth behold his haste, Yet in the eddy boundeth in his pride Back to the strait that forced him on so fast, In rage sent out, recalled in rage, being past: Even so his sighs, his sorrows make a saw, To push grief on, and back the same grief draw.

Which speechless woe of his poor she attendeth, And his untimely frenzy thus awaketh: “Dear lord, thy sorrow to my sorrow lendeth Another power; no flood by raining slaketh. My woe too sensible thy passion maketh More feeling-painful. Let it then suffice To drown one woe, one pair of weeping eyes. “And for my sake, when I might charm thee so, For she that was thy Lucrece, now attend me: Be suddenly revenged on my foe, Thine, mine, his own. Suppose thou dost defend me From what is past. The help that thou shalt lend me Comes all too late, yet let the traitor die, For sparing justice feeds iniquity.

“But ere I name him, you fair lords,” quoth she, Speaking to those that came with Collatine, “Shall plight your honourable faiths to me, With swift pursuit to venge this wrong of mine; For ’tis a meritorious fair design To chase injustice with revengeful arms. Knights, by their oaths, should right poor ladies’ harms.” At this request, with noble disposition Each present lord began to promise aid, As bound in knighthood to her imposition, Longing to hear the hateful foe bewrayed. But she, that yet her sad task hath not said, The protestation stops. “O, speak,” quoth she, “How may this forced stain be wiped from me?

“What is the quality of my offence, Being constrained with dreadful circumstance? May my pure mind with the foul act dispense, My low-declined honour to advance? May any terms acquit me from this chance? The poisoned fountain clears itself again, And why not I from this compelled stain? With this, they all at once began to say, Her body’s stain her mind untainted clears, While with a joyless smile she turns away The face, that map which deep impression bears Of hard misfortune, carved in it with tears. “No, no,” quoth she, “no dame, hereafter living By my excuse shall claim excuse’s giving.”

Here with a sigh, as if her heart would break, She throws forth Tarquin’s name: “He, he,” she says, But more than “he” her poor tongue could not speak; Till after many accents and delays, Untimely breathings, sick and short assays, She utters this: “He, he, fair lords, ’tis he, That guides this hand to give this wound to me.” Even here she sheathed in her harmless breast A harmful knife, that thence her soul unsheathed. That blow did bail it from the deep unrest Of that polluted prison where it breathed. Her contrite sighs unto the clouds bequeathed Her winged sprite, and through her wounds doth fly Life’s lasting date from cancelled destiny.

Stone-still, astonished with this deadly deed, Stood Collatine and all his lordly crew, Till Lucrece’ father that beholds her bleed, Himself on her self-slaughtered body threw, And from the purple fountain Brutus drew The murd’rous knife, and, as it left the place, Her blood, in poor revenge, held it in chase; And bubbling from her breast, it doth divide In two slow rivers, that the crimson blood Circles her body in on every side, Who, like a late-sacked island, vastly stood Bare and unpeopled in this fearful flood. Some of her blood still pure and red remained, And some looked black, and that false Tarquin stained.

About the mourning and congealed face Of that black blood a wat’ry rigol goes, Which seems to weep upon the tainted place; And ever since, as pitying Lucrece’ woes, Corrupted blood some watery token shows, And blood untainted still doth red abide, Blushing at that which is so putrified. “Daughter, dear daughter,” old Lucretius cries, “That life was mine which thou hast here deprived. If in the child the father’s image lies, Where shall I live now Lucrece is unlived? Thou wast not to this end from me derived. If children predecease progenitors, We are their offspring, and they none of ours.

“Poor broken glass, I often did behold In thy sweet semblance my old age new born; But now that fair fresh mirror, dim and old, Shows me a bare-boned death by time outworn. O, from thy cheeks my image thou hast torn, And shivered all the beauty of my glass, That I no more can see what once I was! “O time, cease thou thy course and last no longer, If they surcease to be that should survive! Shall rotten death make conquest of the stronger, And leave the falt’ring feeble souls alive? The old bees die, the young possess their hive. Then live, sweet Lucrece, live again and see Thy father die, and not thy father thee!”

By this starts Collatine as from a dream, And bids Lucretius give his sorrow place; And then in key-cold Lucrece’ bleeding stream He falls, and bathes the pale fear in his face, And counterfeits to die with her a space; Till manly shame bids him possess his breath, And live to be revenged on her death. The deep vexation of his inward soul Hath served a dumb arrest upon his tongue; Who, mad that sorrow should his use control Or keep him from heart-easing words so long, Begins to talk; but through his lips do throng Weak words, so thick come in his poor heart’s aid That no man could distinguish what he said.

Yet sometime “Tarquin” was pronounced plain, But through his teeth, as if the name he tore. This windy tempest, till it blow up rain, Held back his sorrow’s tide, to make it more. At last it rains, and busy winds give o’er. Then son and father weep with equal strife Who should weep most, for daughter or for wife. The one doth call her his, the other his, Yet neither may possess the claim they lay, The father says “She’s mine.” “O, mine she is,” Replies her husband. “Do not take away My sorrow’s interest; let no mourner say He weeps for her, for she was only mine, And only must be wailed by Collatine.”

“O,” quoth Lucretius, “I did give that life Which she too early and too late hath spilled.” “Woe, woe,” quoth Collatine, “she was my wife, I owed her, and ’tis mine that she hath killed.” “My daughter” and “my wife” with clamours filled The dispersed air, who, holding Lucrece’ life, Answered their cries, “my daughter” and “my wife”. Brutus, who plucked the knife from Lucrece’ side, Seeing such emulation in their woe, Began to clothe his wit in state and pride, Burying in Lucrece’ wound his folly’s show. He with the Romans was esteemed so As silly jeering idiots are with kings, For sportive words and utt’ring foolish things.

But now he throws that shallow habit by, Wherein deep policy did him disguise, And armed his long-hid wits advisedly, To check the tears in Collatinus’ eyes. “Thou wronged lord of Rome,” quoth he, “arise! Let my unsounded self, supposed a fool, Now set thy long-experienced wit to school. “Why, Collatine, is woe the cure for woe? Do wounds help wounds, or grief help grievous deeds? Is it revenge to give thyself a blow For his foul act by whom thy fair wife bleeds? Such childish humour from weak minds proceeds. Thy wretched wife mistook the matter so, To slay herself, that should have slain her foe.

“Courageous Roman, do not steep thy heart In such relenting dew of lamentations, But kneel with me, and help to bear thy part To rouse our Roman gods with invocations, That they will suffer these abominations,— Since Rome herself in them doth stand disgraced,— By our strong arms from forth her fair streets chased. “Now, by the Capitol that we adore, And by this chaste blood so unjustly stained, By heaven’s fair sun that breeds the fat earth’s store, By all our country rights in Rome maintained, And by chaste Lucrece’ soul that late complained Her wrongs to us, and by this bloody knife, We will revenge the death of this true wife.”

This said, he struck his hand upon his breast, And kissed the fatal knife, to end his vow; And to his protestation urged the rest, Who, wond’ring at him, did his words allow. Then jointly to the ground their knees they bow, And that deep vow which Brutus made before, He doth again repeat, and that they swore. When they had sworn to this advised doom, They did conclude to bear dead Lucrece thence, To show her bleeding body thorough Rome, And so to publish Tarquin’s foul offence; Which being done with speedy diligence, The Romans plausibly did give consent To Tarquin’s everlasting banishment.

VENUS AND ADONIS _Vilia miretur vulgus; mihi flavus Apollo Pocula Castalia plena ministret aqua._ TO THE RIGHT HONOURABLE HENRY WRIOTHESLEY, EARL OF SOUTHAMPTON, and Baron of Titchfield. Right Honourable, I know not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burthen: only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a godfather, and never after ear so barren a land, for fear it yield me still so bad a harvest. I leave it

to your honourable survey, and your honour to your heart’s content; which I wish may always answer your own wish and the world’s hopeful expectation. Your honour’s in all duty, WILLIAM SHAKESPEARE.

Let the bird of loudest lay, On the sole Arabian tree, Herald sad and trumpet be, To whose sound chaste wings obey. But thou shrieking harbinger, Foul precurrer of the fiend, Augur of the fever’s end, To this troop come thou not near. From this session interdict Every fowl of tyrant wing, Save the eagle, feather’d king; Keep the obsequy so strict. Let the priest in surplice white, That defunctive music can,

Be the death-divining swan, Lest the requiem lack his right. And thou treble-dated crow, That thy sable gender mak’st With the breath thou giv’st and tak’st, ’Mongst our mourners shalt thou go. Here the anthem doth commence: Love and constancy is dead; Phoenix and the turtle fled In a mutual flame from hence. So they lov’d, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain.

Hearts remote, yet not asunder; Distance and no space was seen ’Twixt this turtle and his queen; But in them it were a wonder. So between them love did shine, That the turtle saw his right Flaming in the phoenix’ sight; Either was the other’s mine. Property was thus appalled, That the self was not the same; Single nature’s double name Neither two nor one was called. Reason, in itself confounded, Saw division grow together;

To themselves yet either neither, Simple were so well compounded. That it cried, How true a twain Seemeth this concordant one! Love hath reason, reason none, If what parts can so remain. Whereupon it made this threne To the phoenix and the dove, Co-supremes and stars of love, As chorus to their tragic scene. THRENOS Beauty, truth, and rarity. Grace in all simplicity, Here enclos’d in cinders lie.

Death is now the phoenix’ nest; And the turtle’s loyal breast To eternity doth rest. Leaving no posterity:— ’Twas not their infirmity, It was married chastity. Truth may seem, but cannot be; Beauty brag, but ’tis not she; Truth and beauty buried be. To this urn let those repair That are either true or fair; For these dead birds sigh a prayer.

I When my love swears that she is made of truth, I do believe her, though I know she lies, That she might think me some untutor’d youth, Unskilful in the world’s false forgeries. Thus vainly thinking that she thinks me young, Although I know my years be past the best, I smiling credit her false-speaking tongue, Outfacing faults in love with love’s ill rest. But wherefore says my love that she is young? And wherefore say not I that I am old? O, love’s best habit is a soothing tongue, And age, in love, loves not to have years told. Therefore, I’ll lie with love, and love with me,

Since that our faults in love thus smother’d be. II Two loves I have, of comfort and despair, That like two spirits do suggest me still; My better angel is a man right fair, My worser spirit a woman colour’d ill. To win me soon to hell, my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her fair pride. And whether that my angel be turn’d fiend, Suspect I may, yet not directly tell; For being both to me, both to each friend, I guess one angel in another’s hell:

The truth I shall not know, but live in doubt, Till my bad angel fire my good one out. III Did not the heavenly rhetoric of thine eye, ’Gainst whom the world could not hold argument, Persuade my heart to this false perjury? Vows for thee broke deserve not punishment. A woman I forswore; but I will prove, Thou being a goddess, I forswore not thee: My vow was earthly, thou a heavenly love; Thy grace being gain’d cures all disgrace in me. My vow was breath, and breath a vapour is; Then, thou fair sun, that on this earth doth shine, Exhale this vapour vow; in thee it is;

If broken then, it is no fault of mine. If by me broke, what fool is not so wise To break an oath, to win a paradise? IV Sweet Cytherea, sitting by a brook With young Adonis, lovely, fresh and green, Did court the lad with many a lovely look, Such looks as none could look but beauty’s queen. She told him stories to delight his ear; She show’d him favours to allure his eye; To win his heart, she touch’d him here and there; Touches so soft still conquer chastity. But whether unripe years did want conceit, Or he refus’d to take her figur’d proffer,

The tender nibbler would not touch the bait, But smile and jest at every gentle offer. Then fell she on her back, fair queen, and toward: He rose and ran away; ah, fool too froward! V If love make me forsworn, how shall I swear to love? O never faith could hold, if not to beauty vowed. Though to myself forsworn, to thee I’ll constant prove; Those thoughts, to me like oaks, to thee like osiers bowed. Study his bias leaves, and makes his book thine eyes, Where all those pleasures live that art can comprehend. If knowledge be the mark, to know thee shall suffice; Well learned is that tongue that well can thee commend, All ignorant that soul that sees thee without wonder;

Which is to me some praise, that I thy parts admire. Thine eye Jove’s lightning seems, thy voice his dreadful thunder, Which, not to anger bent, is music and sweet fire. Celestial as thou art, O do not love that wrong, To sing heaven’s praise with such an earthly tongue. VI Scarce had the sun dried up the dewy morn, And scarce the herd gone to the hedge for shade, When Cytherea, all in love forlorn, A longing tarriance for Adonis made Under an osier growing by a brook, A brook where Adon used to cool his spleen. Hot was the day; she hotter that did look For his approach, that often there had been.

Anon he comes, and throws his mantle by, And stood stark naked on the brook’s green brim: The sun look’d on the world with glorious eye, Yet not so wistly as this queen on him. He, spying her, bounc’d in, whereas he stood, “O Jove,” quoth she, “why was not I a flood?” VII Fair is my love, but not so fair as fickle, Mild as a dove, but neither true nor trusty, Brighter than glass, and yet, as glass is, brittle, Softer than wax, and yet, as iron, rusty: A lily pale, with damask dye to grace her, None fairer, nor none falser to deface her. Her lips to mine how often hath she joined,

Between each kiss her oaths of true love swearing! How many tales to please me hath she coined, Dreading my love, the loss thereof still fearing! Yet in the midst of all her pure protestings, Her faith, her oaths, her tears, and all were jestings. She burnt with love, as straw with fire flameth; She burnt out love, as soon as straw out-burneth; She fram’d the love, and yet she foil’d the framing; She bade love last, and yet she fell a-turning. Was this a lover, or a lecher whether? Bad in the best, though excellent in neither. VIII If music and sweet poetry agree, As they must needs, the sister and the brother,

Then must the love be great ’twixt thee and me, Because thou lov’st the one and I the other. Dowland to thee is dear, whose heavenly touch Upon the lute doth ravish human sense; Spenser to me, whose deep conceit is such As passing all conceit, needs no defence. Thou lov’st to hear the sweet melodious sound That Phœbus’ lute, the queen of music, makes; And I in deep delight am chiefly drown’d Whenas himself to singing he betakes. One god is god of both, as poets feign; One knight loves both, and both in thee remain. IX Fair was the morn when the fair queen of love,

* * * * * * Paler for sorrow than her milk-white dove, For Adon’s sake, a youngster proud and wild; Her stand she takes upon a steep-up hill; Anon Adonis comes with horn and hounds; She, silly queen, with more than love’s good will, Forbade the boy he should not pass those grounds. “Once,” quoth she, “did I see a fair sweet youth Here in these brakes deep-wounded with a boar, Deep in the thigh, a spectacle of ruth! See in my thigh,” quoth she, “here was the sore.” She showed hers: he saw more wounds than one, And blushing fled, and left her all alone. X

Sweet rose, fair flower, untimely pluck’d, soon vaded, Pluck’d in the bud and vaded in the spring! Bright orient pearl, alack, too timely shaded! Fair creature, kill’d too soon by death’s sharp sting! Like a green plum that hangs upon a tree, And falls, through wind, before the fall should be. I weep for thee, and yet no cause I have; For why thou left’st me nothing in thy will; And yet thou left’st me more than I did crave; For why I craved nothing of thee still. O yes, dear friend, I pardon crave of thee, Thy discontent thou didst bequeath to me. XI Venus, with young Adonis sitting by her

Under a myrtle shade, began to woo him; She told the youngling how god Mars did try her, And as he fell to her, she fell to him. “Even thus,” quoth she, “the warlike god embrac’d me,” And then she clipp’d Adonis in her arms; “Even thus,” quoth she, “the warlike god unlaced me;” As if the boy should use like loving charms; “Even thus,” quoth she, “he seized on my lips,” And with her lips on his did act the seizure; And as she fetched breath, away he skips, And would not take her meaning nor her pleasure. Ah, that I had my lady at this bay, To kiss and clip me till I run away! XII

Crabbed age and youth cannot live together: Youth is full of pleasance, age is full of care; Youth like summer morn, age like winter weather; Youth like summer brave, age like winter bare. Youth is full of sport, age’s breath is short; Youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, and age is tame. Age, I do abhor thee; youth, I do adore thee; O, my love, my love is young! Age, I do defy thee. O, sweet shepherd, hie thee, For methinks thou stay’st too long. XIII Beauty is but a vain and doubtful good,

A shining gloss that vadeth suddenly; A flower that dies when first it ’gins to bud; A brittle glass that’s broken presently: A doubtful good, a gloss, a glass, a flower, Lost, vaded, broken, dead within an hour. And as goods lost are seld or never found, As vaded gloss no rubbing will refresh, As flowers dead lie wither’d on the ground, As broken glass no cement can redress, So beauty blemish’d once, for ever’s lost, In spite of physic, painting, pain and cost. XIV Good night, good rest. Ah, neither be my share: She bade good night that kept my rest away;

And daff’d me to a cabin hang’d with care, To descant on the doubts of my decay. “Farewell,” quoth she, “and come again tomorrow:” Fare well I could not, for I supp’d with sorrow. Yet at my parting sweetly did she smile, In scorn or friendship, nill I conster whether: ’T may be, she joy’d to jest at my exile, ’T may be, again to make me wander thither: “Wander,” a word for shadows like myself, As take the pain, but cannot pluck the pelf. Lord, how mine eyes throw gazes to the east! My heart doth charge the watch; the morning rise Doth cite each moving sense from idle rest. Not daring trust the office of mine eyes,

While Philomela sits and sings, I sit and mark, And wish her lays were tuned like the lark. For she doth welcome daylight with her ditty, And drives away dark dreaming night. The night so pack’d, I post unto my pretty; Heart hath his hope and eyes their wished sight; Sorrow chang’d to solace, solace mix’d with sorrow; For why, she sigh’d, and bade me come tomorrow. Were I with her, the night would post too soon; But now are minutes added to the hours; To spite me now, each minute seems a moon; Yet not for me, shine sun to succour flowers! Pack night, peep day; good day, of night now borrow: Short, night, tonight, and length thyself tomorrow.

XV It was a lording’s daughter, the fairest one of three, That liked of her master as well as well might be, Till looking on an Englishman, the fairest that eye could see, Her fancy fell a-turning. Long was the combat doubtful, that love with love did fight, To leave the master loveless, or kill the gallant knight; To put in practice either, alas, it was a spite Unto the silly damsel! But one must be refused; more mickle was the pain, That nothing could be used to turn them both to gain, For of the two the trusty knight was wounded with disdain: Alas she could not help it! Thus art with arms contending was victor of the day,

Which by a gift of learning did bear the maid away: Then lullaby, the learned man hath got the lady gay; For now my song is ended. XVI On a day, alack the day! Love, whose month was ever May, Spied a blossom passing fair, Playing in the wanton air. Through the velvet leaves the wind All unseen ’gan passage find, That the lover, sick to death, Wish’d himself the heaven’s breath: “Air,” quoth he, “thy cheeks may blow; Air, would I might triumph so!

But, alas, my hand hath sworn Ne’er to pluck thee from thy thorn: Vow, alack, for youth unmeet, Youth, so apt to pluck a sweet! Thou for whom Jove would swear Juno but an Ethiope were, And deny himself for Jove, Turning mortal for thy love.” XVII My flocks feed not, my ewes breed not, My rams speed not, all is amis: Love is dying, faith’s defying, Heart’s denying, causer of this. All my merry jigs are quite forgot,

All my lady’s love is lost, God wot: Where her faith was firmely fix’d in love, There a nay is plac’d without remove. One silly cross wrought all my loss; O frowning fortune, cursed fickle dame! For now I see inconstancy More in women than in men remain. In black mourn I, all fears scorn I, Love hath forlorn me, living in thrall. Heart is bleeding, all help needing, O cruel speeding, fraughted with gall. My shepherd’s pipe can sound no deal. My weather’s bell rings doleful knell; My curtal dog that wont to have play’d,

Plays not at all, but seems afraid. With sighs so deep procures to weep, In howling wise, to see my doleful plight. How sighs resound through heartless ground, Like a thousand vanquish’d men in bloody fight! Clear wells spring not, sweet birds sing not, Green plants bring not forth their dye; Herds stands weeping, flocks all sleeping, Nymphs black peeping fearfully. All our pleasure known to us poor swains, All our merry meetings on the plains, All our evening sport from us is fled, All our love is lost, for love is dead. Farewel, sweet love, thy like ne’er was

For a sweet content, the cause of all my woe! Poor Corydon must live alone; Other help for him I see that there is none. XVIII Whenas thine eye hath chose the dame, And stall’d the deer that thou shouldst strike, Let reason rule things worthy blame, As well as fancy, partial might; Take counsel of some wiser head, Neither too young nor yet unwed. And when thou com’st thy tale to tell, Smooth not thy tongue with filed talk, Least she some subtle practice smell,— A cripple soon can find a halt,—

But plainly say thou lov’st her well, And set her person forth to sale. What though her frowning brows be bent, Her cloudy looks will calm ere night, And then too late she will repent, That thus dissembled her delight; And twice desire, ere it be day, That which with scorn she put away. What though she strive to try her strength, And ban and brawl, and say thee nay, Her feeble force will yield at length, When craft hath taught her thus to say: “Had women been so strong as men, In faith, you had not had it then.”

And to her will frame all thy ways; Spare not to spend, and chiefly there Where thy desert may merit praise, By ringing in thy lady’s ear: The strongest castle, tower and town, The golden bullet beats it down. Serve always with assured trust, And in thy suit be humble true; Unless thy lady prove unjust, Press never thou to choose a new: When time shall serve, be thou not slack, To proffer, though she put thee back. The wiles and guiles that women work, Dissembled with an outward show,

The tricks and toys that in them lurk, The cock that treads them shall not know, Have you not heard it said full oft, A woman’s nay doth stand for nought. Think women still to strive with men, To sin and never for to saint: There is no heaven, by holy then, When time with age shall them attaint, Were kisses all the joys in bed, One woman would another wed. But soft, enough,—too much,—I fear Lest that my mistress hear my song: She will not stick to round me on th’ ear, To teach my tongue to be so long.

Yet will she blush, here be it said, To hear her secrets so bewray’d. XIX Live with me and be my love, And we will all the pleasures prove That hills and valleys, dales and fields, And all the craggy mountains yield. There will we sit upon the rocks, And see the shepherds feed their flocks, By shallow rivers, by whose falls Melodious birds sing madrigals. There will I make thee a bed of roses, With a thousand fragrant posies, A cap of flowers, and a kirtle

Embroidered all with leaves of myrtle. A belt of straw and ivy buds, With coral clasps and amber studs; And if these pleasures may thee move, Then live with me and be my love. Love’s Answer. If that the world and love were young, And truth in every shepherd’s tongue, These pretty pleasures might me move To live with thee and be thy love. XX As it fell upon a day In the merry month of May, Sitting in a pleasant shade

Which a grove of myrtles made, Beasts did leap and birds did sing, Trees did grow and plants did spring; Everything did banish moan, Save the nightingale alone: She, poor bird, as all forlorn, Lean’d her breast up-till a thorn, And there sung the dolefull’st ditty, That to hear it was great pitty. “Fie, fie, fie,” now would she cry, “Tereu, Tereu,” by and by; That to hear her so complain, Scarce I could from tears refrain, For her griefs so lively shown

Made me think upon mine own. Ah, thought I, thou mourn’st in vain! None takes pitty on thy pain. Senseless trees they cannot hear thee, Ruthless bears they will not cheer thee; King Pandion he is dead, All thy friends are lapp’d in lead, All thy fellow birds do sing, Careless of thy sorrowing. Whilst as fickle fortune smiled, Thou and I were both beguiled. Every one that flatters thee Is no friend in misery. Words are easy, like the wind;

Faithful friends are hard to find. Every man will be thy friend Whilst thou hast wherewith to spend; But if store of crowns be scant, No man will supply thy want. If that one be prodigal, Bountiful they will him call, And with such-like flattering, “Pity but he were a king.” If he be addict to vice, Quickly him they will entice; If to women he be bent, They have at commandement. But if Fortune once do frown,

Then farewell his great renown. They that fawn’d on him before, Use his company no more. He that is thy friend indeed, He will help thee in thy need: If thou sorrow, he will weep; If thou wake, he cannot sleep. Thus of every grief in heart He with thee doth bear a part. These are certain signs to know Faithful friend from flatt’ring foe.

From off a hill whose concave womb reworded A plaintful story from a sist’ring vale, My spirits t’attend this double voice accorded, And down I laid to list the sad-tun’d tale; Ere long espied a fickle maid full pale, Tearing of papers, breaking rings a-twain, Storming her world with sorrow’s wind and rain. Upon her head a platted hive of straw, Which fortified her visage from the sun, Whereon the thought might think sometime it saw The carcass of a beauty spent and done; Time had not scythed all that youth begun, Nor youth all quit, but spite of heaven’s fell rage Some beauty peeped through lattice of sear’d age.

Oft did she heave her napkin to her eyne, Which on it had conceited characters, Laund’ring the silken figures in the brine That seasoned woe had pelleted in tears, And often reading what contents it bears; As often shrieking undistinguish’d woe, In clamours of all size, both high and low. Sometimes her levell’d eyes their carriage ride, As they did batt’ry to the spheres intend; Sometime diverted their poor balls are tied To th’orbed earth; sometimes they do extend Their view right on; anon their gazes lend To every place at once, and nowhere fix’d, The mind and sight distractedly commix’d.

Her hair, nor loose nor tied in formal plat, Proclaim’d in her a careless hand of pride; For some untuck’d descended her sheav’d hat, Hanging her pale and pined cheek beside; Some in her threaden fillet still did bide, And, true to bondage, would not break from thence, Though slackly braided in loose negligence. A thousand favours from a maund she drew, Of amber, crystal, and of beaded jet, Which one by one she in a river threw, Upon whose weeping margent she was set, Like usury applying wet to wet, Or monarchs’ hands, that lets not bounty fall Where want cries ‘some,’ but where excess begs ‘all’.

Of folded schedules had she many a one, Which she perus’d, sigh’d, tore and gave the flood; Crack’d many a ring of posied gold and bone, Bidding them find their sepulchres in mud; Found yet mo letters sadly penn’d in blood, With sleided silk, feat and affectedly Enswath’d, and seal’d to curious secrecy. These often bath’d she in her fluxive eyes, And often kiss’d, and often gave to tear; Cried, ‘O false blood, thou register of lies, What unapproved witness dost thou bear! Ink would have seem’d more black and damned here!’ This said, in top of rage the lines she rents, Big discontent so breaking their contents.

A reverend man that grazed his cattle nigh, Sometime a blusterer, that the ruffle knew Of court, of city, and had let go by The swiftest hours observed as they flew, Towards this afflicted fancy fastly drew; And, privileg’d by age, desires to know In brief the grounds and motives of her woe. So slides he down upon his grained bat, And comely distant sits he by her side, When he again desires her, being sat, Her grievance with his hearing to divide: If that from him there may be aught applied Which may her suffering ecstasy assuage, ’Tis promised in the charity of age.

‘Father,’ she says, ‘though in me you behold The injury of many a blasting hour, Let it not tell your judgement I am old, Not age, but sorrow, over me hath power. I might as yet have been a spreading flower, Fresh to myself, if I had self-applied Love to myself, and to no love beside. ‘But woe is me! Too early I attended A youthful suit; it was to gain my grace; O one by nature’s outwards so commended, That maiden’s eyes stuck over all his face, Love lack’d a dwelling and made him her place; And when in his fair parts she did abide, She was new lodg’d and newly deified.

‘His browny locks did hang in crooked curls, And every light occasion of the wind Upon his lips their silken parcels hurls, What’s sweet to do, to do will aptly find, Each eye that saw him did enchant the mind: For on his visage was in little drawn, What largeness thinks in paradise was sawn. ‘Small show of man was yet upon his chin; His phoenix down began but to appear, Like unshorn velvet, on that termless skin, Whose bare out-bragg’d the web it seemed to wear. Yet show’d his visage by that cost more dear, And nice affections wavering stood in doubt If best were as it was, or best without.

‘His qualities were beauteous as his form, For maiden-tongued he was, and thereof free; Yet if men mov’d him, was he such a storm As oft ’twixt May and April is to see, When winds breathe sweet, unruly though they be. His rudeness so with his authoriz’d youth Did livery falseness in a pride of truth. ‘Well could he ride, and often men would say That horse his mettle from his rider takes, Proud of subjection, noble by the sway, What rounds, what bounds, what course, what stop he makes! And controversy hence a question takes, Whether the horse by him became his deed, Or he his manage by th’ well-doing steed.

‘But quickly on this side the verdict went, His real habitude gave life and grace To appertainings and to ornament, Accomplish’d in himself, not in his case; All aids, themselves made fairer by their place, Came for additions; yet their purpos’d trim Piec’d not his grace, but were all grac’d by him. ‘So on the tip of his subduing tongue All kind of arguments and question deep, All replication prompt, and reason strong, For his advantage still did wake and sleep, To make the weeper laugh, the laugher weep: He had the dialect and different skill, Catching all passions in his craft of will.

‘That he did in the general bosom reign Of young, of old, and sexes both enchanted, To dwell with him in thoughts, or to remain In personal duty, following where he haunted, Consent’s bewitch’d, ere he desire, have granted, And dialogued for him what he would say, Ask’d their own wills, and made their wills obey. ‘Many there were that did his picture get To serve their eyes, and in it put their mind, Like fools that in th’ imagination set The goodly objects which abroad they find Of lands and mansions, theirs in thought assign’d, And labouring in moe pleasures to bestow them, Than the true gouty landlord which doth owe them.

‘So many have, that never touch’d his hand, Sweetly suppos’d them mistress of his heart. My woeful self that did in freedom stand, And was my own fee-simple (not in part) What with his art in youth, and youth in art, Threw my affections in his charmed power, Reserv’d the stalk and gave him all my flower. ‘Yet did I not, as some my equals did, Demand of him, nor being desired yielded, Finding myself in honour so forbid, With safest distance I mine honour shielded. Experience for me many bulwarks builded Of proofs new-bleeding, which remain’d the foil Of this false jewel, and his amorous spoil.

‘But ah! Who ever shunn’d by precedent The destin’d ill she must herself assay, Or force’d examples ’gainst her own content, To put the by-pass’d perils in her way? Counsel may stop a while what will not stay: For when we rage, advice is often seen By blunting us to make our wills more keen. ‘Nor gives it satisfaction to our blood, That we must curb it upon others’ proof, To be forbode the sweets that seems so good, For fear of harms that preach in our behoof. O appetite, from judgement stand aloof! The one a palate hath that needs will taste, Though reason weep and cry, “It is thy last.”

‘For further I could say, “This man’s untrue”, And knew the patterns of his foul beguiling; Heard where his plants in others’ orchards grew, Saw how deceits were gilded in his smiling; Knew vows were ever brokers to defiling; Thought characters and words merely but art, And bastards of his foul adulterate heart. ‘And long upon these terms I held my city, Till thus he ’gan besiege me: “Gentle maid, Have of my suffering youth some feeling pity, And be not of my holy vows afraid: That’s to ye sworn, to none was ever said, For feasts of love I have been call’d unto, Till now did ne’er invite, nor never woo.

‘“All my offences that abroad you see Are errors of the blood, none of the mind: Love made them not; with acture they may be, Where neither party is nor true nor kind, They sought their shame that so their shame did find, And so much less of shame in me remains, By how much of me their reproach contains. ‘“Among the many that mine eyes have seen, Not one whose flame my heart so much as warmed, Or my affection put to th’ smallest teen, Or any of my leisures ever charmed: Harm have I done to them, but ne’er was harmed; Kept hearts in liveries, but mine own was free, And reign’d commanding in his monarchy.

‘“Look here what tributes wounded fancies sent me, Of pallid pearls and rubies red as blood, Figuring that they their passions likewise lent me Of grief and blushes, aptly understood In bloodless white and the encrimson’d mood; Effects of terror and dear modesty, Encamp’d in hearts, but fighting outwardly. ‘“And, lo! behold these talents of their hair, With twisted metal amorously empleach’d, I have receiv’d from many a several fair, Their kind acceptance weepingly beseech’d, With th’ annexions of fair gems enrich’d, And deep-brain’d sonnets that did amplify Each stone’s dear nature, worth and quality.

‘“The diamond, why ’twas beautiful and hard, Whereto his invis’d properties did tend, The deep green emerald, in whose fresh regard Weak sights their sickly radiance do amend; The heaven-hued sapphire and the opal blend With objects manifold; each several stone, With wit well blazon’d smil’d, or made some moan. ‘“Lo, all these trophies of affections hot, Of pensiv’d and subdued desires the tender, Nature hath charg’d me that I hoard them not, But yield them up where I myself must render, That is, to you, my origin and ender: For these of force must your oblations be, Since I their altar, you empatron me.

‘“O then advance of yours that phraseless hand, Whose white weighs down the airy scale of praise; Take all these similes to your own command, Hallowed with sighs that burning lungs did raise: What me, your minister for you, obeys, Works under you; and to your audit comes Their distract parcels in combined sums. ‘“Lo, this device was sent me from a nun, Or sister sanctified of holiest note, Which late her noble suit in court did shun, Whose rarest havings made the blossoms dote; For she was sought by spirits of richest coat, But kept cold distance, and did thence remove To spend her living in eternal love.

‘“But O, my sweet, what labour is’t to leave The thing we have not, mast’ring what not strives, Planing the place which did no form receive, Playing patient sports in unconstrained gyves, She that her fame so to herself contrives, The scars of battle ’scapeth by the flight, And makes her absence valiant, not her might. ‘“O pardon me, in that my boast is true, The accident which brought me to her eye, Upon the moment did her force subdue, And now she would the caged cloister fly: Religious love put out religion’s eye: Not to be tempted would she be immur’d, And now to tempt all, liberty procur’d.

‘“How mighty then you are, O hear me tell! The broken bosoms that to me belong Have emptied all their fountains in my well, And mine I pour your ocean all among: I strong o’er them, and you o’er me being strong, Must for your victory us all congest, As compound love to physic your cold breast. ‘“My parts had pow’r to charm a sacred nun, Who, disciplin’d and dieted in grace, Believ’d her eyes when they t’assail begun, All vows and consecrations giving place. O most potential love! Vow, bond, nor space, In thee hath neither sting, knot, nor confine, For thou art all and all things else are thine.

‘“When thou impressest, what are precepts worth Of stale example? When thou wilt inflame, How coldly those impediments stand forth, Of wealth, of filial fear, law, kindred, fame! Love’s arms are peace, ’gainst rule, ’gainst sense, ’gainst shame, And sweetens, in the suff’ring pangs it bears, The aloes of all forces, shocks and fears. ‘“Now all these hearts that do on mine depend, Feeling it break, with bleeding groans they pine, And supplicant their sighs to your extend, To leave the batt’ry that you make ’gainst mine, Lending soft audience to my sweet design, And credent soul to that strong-bonded oath, That shall prefer and undertake my troth.”

‘This said, his wat’ry eyes he did dismount, Whose sights till then were levell’d on my face; Each cheek a river running from a fount With brinish current downward flowed apace. O how the channel to the stream gave grace! Who, glaz’d with crystal gate the glowing roses That flame through water which their hue encloses. ‘O father, what a hell of witchcraft lies In the small orb of one particular tear! But with the inundation of the eyes What rocky heart to water will not wear? What breast so cold that is not warmed here? O cleft effect! Cold modesty, hot wrath, Both fire from hence and chill extincture hath.

‘For lo, his passion, but an art of craft, Even there resolv’d my reason into tears; There my white stole of chastity I daff’d, Shook off my sober guards, and civil fears, Appear to him as he to me appears, All melting, though our drops this diff’rence bore: His poison’d me, and mine did him restore. ‘In him a plenitude of subtle matter, Applied to cautels, all strange forms receives, Of burning blushes, or of weeping water, Or swooning paleness; and he takes and leaves, In either’s aptness, as it best deceives, To blush at speeches rank, to weep at woes, Or to turn white and swoon at tragic shows.

‘That not a heart which in his level came Could ’scape the hail of his all-hurting aim, Showing fair nature is both kind and tame; And veil’d in them, did win whom he would maim. Against the thing he sought he would exclaim; When he most burned in heart-wish’d luxury, He preach’d pure maid, and prais’d cold chastity. ‘Thus merely with the garment of a grace, The naked and concealed fiend he cover’d, That th’unexperient gave the tempter place, Which, like a cherubin, above them hover’d. Who, young and simple, would not be so lover’d? Ay me! I fell, and yet do question make What I should do again for such a sake.

‘O, that infected moisture of his eye, O, that false fire which in his cheek so glow’d! O, that forc’d thunder from his heart did fly, O, that sad breath his spongy lungs bestow’d, O, all that borrowed motion, seeming owed, Would yet again betray the fore-betrayed, And new pervert a reconciled maid.’